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Down In My Heart
Songs like
Down In My Heart
by
NRBQ
Based on a tempo of (+/- 10%) and a similar genre
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Marshall Crenshaw
You're My Favorite Waste of Time
104 bpm • B Maj • 02:57 • -9.48db
26% Popularity • 40% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Todd Snider
Vinyl Records
104 bpm • C Maj • 02:29 • -9db
29% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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John Cale
Hello, There
104 bpm • C Maj • 02:44 • -9db
26% Popularity • 59% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Faces
Stone
103 bpm • E Maj • 05:36 • -11.31db
18% Popularity • 58% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Steve Forbert
Big City Cat
105 bpm • F Maj • 02:51 • -13.57db
20% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Tom Rush
Drop Down Mama
105 bpm • G Maj • 02:30 • -10.3db
14% Popularity • 66% Danceability • 92% Energy • 8% Liveness
17% Instrumentalness • 79% Positiveness
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Lee Hazlewood
She Comes Running - 2007 Remaster
103 bpm • E Maj • 02:13 • -14.29db
22% Popularity • 39% Danceability • 40% Energy • 26% Liveness
28% Instrumentalness • 50% Positiveness
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Marc Benno
Good Year
105 bpm • D Maj • 03:03 • -13db
14% Popularity • 61% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Lowell George
What Do You Want the Girl to Do
103 bpm • G# Maj • 04:48 • -13.02db
34% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Faces
Bad 'n' Ruin
104 bpm • C Maj • 05:25 • -7.93db
39% Popularity • 48% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Steve Forbert
That Sweet Love You Give (Sure Goes A Lo...
105 bpm • C# min • 03:38 • -5.54db
26% Popularity • 61% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Dan Hicks & His Hot Licks
How Can I Miss You When You Won't Go Awa...
105 bpm • D Maj • 02:39 • -13db
28% Popularity • 72% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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James Booker
Junco Partner #2
102 bpm • D Maj • 03:55 • -11.86db
25% Popularity • 49% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 79% Positiveness
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Crazy Horse
Gone Dead Train
106 bpm • D Maj • 04:10 • -11db
22% Popularity • 65% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 93% Positiveness
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Loudon Wainwright III
Down Drinking at the Bar
106 bpm • A Maj • 03:57 • -14db
31% Popularity • 66% Danceability • 39% Energy • 70% Liveness
1% Instrumentalness • 75% Positiveness
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Warren Zevon
Join Me in L.A.
102 bpm • C# Maj • 02:30 • -9.12db
33% Popularity • 68% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
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Faces
Just Another Honky
102 bpm • D Maj • 03:34 • -9.25db
44% Popularity • 70% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 32% Positiveness
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Buffalo Springfield
Questions
106 bpm • G Maj • 02:57 • -14db
50% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Small Faces
The Universal - 2013 Remaster
106 bpm • A Maj • 02:42 • -10.6db
23% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Clifton Chenier
My Soul
106 bpm • A Maj • 02:56 • -21.44db
30% Popularity • 61% Danceability • 29% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Flamin' Groovies
Yesterday's Numbers
102 bpm • E Maj • 03:57 • -4db
25% Popularity • 61% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Cowboy
Hey There Baby
102 bpm • D Maj • 03:21 • -15.74db
23% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Skeeter Davis
Things to You
107 bpm • F# Maj • 03:03 • -11db
33% Popularity • 69% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
15% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Gentrys
Cinnamon Girl
107 bpm • G Maj • 02:18 • -13.41db
30% Popularity • 67% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 92% Positiveness
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Love
Walk Right In
107 bpm • C Maj • 03:23 • -6.01db
31% Popularity • 63% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Dan Hicks & His Hot Licks
Canned Music
107 bpm • A min • 04:05 • -18db
25% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Curtis Knight & The Squires
How Would You Feel
107 bpm • C Maj • 03:50 • -9.06db
27% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Skeeter Davis
Temporarily out of Order
101 bpm • B Maj • 03:00 • -10.23db
4% Popularity • 67% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Bobby Charles
All the Money
107 bpm • E Maj • 05:17 • -15.83db
18% Popularity • 50% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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Graham Nash
Hey You (Looking at the Moon)
107 bpm • C Maj • 02:17 • -13db
37% Popularity • 75% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Lloyd
Misty Eyes
107 bpm • A Maj • 03:51 • -11.63db
13% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dwight Twilley Band
That I Remember
107 bpm • E Maj • 03:34 • -10.76db
17% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Booker T. & the M.G.'s
Day Tripper
108 bpm • A Maj • 02:52 • -6.77db
24% Popularity • 74% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Love
My Little Red Book - Stereo Version
101 bpm • C Maj • 02:30 • -8.17db
36% Popularity • 82% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Fred Neil
Sweet Cocaine
108 bpm • C Maj • 02:03 • -12.04db
35% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Skeeter Davis
How Many Tears
100 bpm • E Maj • 02:10 • -11.97db
6% Popularity • 62% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Mink DeVille
Venus Of Avenue D
100 bpm • E Maj • 05:02 • -13.12db
25% Popularity • 59% Danceability • 46% Energy • 33% Liveness
24% Instrumentalness • 96% Positiveness
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Crazy Horse
I'll Get By
108 bpm • D Maj • 03:11 • -9db
18% Popularity • 60% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Donovan
Barabajagal
100 bpm • B min • 03:20 • -17db
37% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Pete Townshend
Rough Mix
108 bpm • F Maj • 03:12 • -17.01db
20% Popularity • 63% Danceability • 60% Energy • 6% Liveness
83% Instrumentalness • 97% Positiveness
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Frankie Miller
Play Something Sweet (Brickyard Blues)
108 bpm • B Maj • 03:38 • -10.83db
23% Popularity • 74% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Charles
Long Face
108 bpm • C# Maj • 03:38 • -12db
29% Popularity • 72% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Dan Hicks & His Hot Licks
Evenin' Breeze
109 bpm • A Maj • 03:55 • -15.2db
17% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Little Feat
Sailin' Shoes
109 bpm • C Maj • 02:51 • -10db
39% Popularity • 74% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Mink DeVille
She's So Tough
109 bpm • E min • 02:46 • -14db
30% Popularity • 63% Danceability • 45% Energy • 46% Liveness
9% Instrumentalness • 81% Positiveness
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The Marshall Tucker Band
This Ol' Cowboy
109 bpm • D Maj • 06:44 • -9db
31% Popularity • 44% Danceability • 67% Energy • 18% Liveness
7% Instrumentalness • 86% Positiveness
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Gene Clark
Here Tonight
109 bpm • F# Maj • 03:27 • -10.16db
29% Popularity • 54% Danceability • 45% Energy • 21% Liveness
3% Instrumentalness • 73% Positiveness
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Alan Price
Smells Like Lemon, Tastes Like Wine
99 bpm • F Maj • 04:34 • -6db
21% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Gram Parsons
She - 2002 Remaster
109 bpm • A# Maj • 05:01 • -12.42db
41% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Fred Neil
That's The Bag I'm In
99 bpm • C Maj • 03:35 • -12.46db
34% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
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Otis Redding
You Left The Water Running
110 bpm • F# Maj • 02:43 • -11.15db
35% Popularity • 74% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Faces
If I'm on the Late Side
110 bpm • E Maj • 02:39 • -11db
40% Popularity • 75% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jonathan Richman & The Modern Lovers
Back In the U.S.A.
99 bpm • C# Maj • 02:24 • -6.69db
12% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Human Beinz
Dance On Through
110 bpm • D Maj • 03:07 • -10.75db
36% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 47% Positiveness
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Dr. John
Cold Cold Cold
110 bpm • G# Maj • 02:37 • -12.55db
43% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Levon & The Hawks
The Stones I Throw
110 bpm • G Maj • 02:04 • -5.9db
13% Popularity • 80% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Skeeter Davis
Roses on My Shoulder
110 bpm • A Maj • 02:46 • -13.61db
3% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Hot Tuna
Highway Song
98 bpm • D Maj • 03:15 • -14db
26% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Souther-Hillman-Furay Band
Border Town
110 bpm • C# min • 03:54 • -10.57db
17% Popularity • 60% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The Redwalls
Colorful Revolution
110 bpm • E Maj • 03:42 • -4.76db
23% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Dr. John
Qualified
98 bpm • G# Maj • 04:50 • -13.07db
27% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Cowboy
Livin' In The Country
110 bpm • A Maj • 03:10 • -11.43db
31% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Donnie Fritts
Sumpin' Funky Going On
98 bpm • B min • 02:54 • -14.48db
23% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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John Prine
Saddle in the Rain
110 bpm • E min • 03:35 • -11.09db
31% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Faces
Richmond
98 bpm • E Maj • 03:03 • -15.61db
23% Popularity • 50% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Everly Brothers
Gone, Gone, Gone - 2007 Remaster
98 bpm • B Maj • 02:03 • -10db
34% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Skeeter Davis
Heart to Heart
110 bpm • C Maj • 02:34 • -13.2db
11% Popularity • 73% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Little Feat
Feats Don't Fail Me Now
98 bpm • G Maj • 02:27 • -14.33db
47% Popularity • 63% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Captain Beefheart & His Magic Band
Too Much Time
111 bpm • A Maj • 02:50 • -14db
41% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Hicks & His Hot Licks
Moody Richard (The Innocent Bystander)
111 bpm • E min • 04:01 • -16db
14% Popularity • 48% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
33% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Richman
Since She Started to Ride
111 bpm • E Maj • 02:32 • -12.83db
35% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Ian Hunter
All American Alien Boy
97 bpm • C# Maj • 07:07 • -10db
22% Popularity • 62% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Little
All That You Dream
112 bpm • A Maj • 03:33 • -7db
42% Popularity • 63% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Richard & Linda Thompson
Wall of Death
112 bpm • A Maj • 03:42 • -15db
26% Popularity • 61% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
30% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Stephen Stills
Nothin' to Do but Today
112 bpm • G Maj • 02:43 • -8db
31% Popularity • 83% Danceability • 78% Energy • 7% Liveness
14% Instrumentalness • 94% Positiveness
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Jim Ford
Working My Way To LA
97 bpm • F# min • 02:44 • -6.47db
20% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Pena
Woke Up This Morning
97 bpm • G Maj • 04:54 • -14.76db
19% Popularity • 31% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Don Covay
Hot Blood
112 bpm • G Maj • 02:40 • -10db
19% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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NRBQ
Beverly
112 bpm • G Maj • 02:10 • -11.91db
15% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Big Star
Thank You Friends
112 bpm • G Maj • 03:06 • -6.32db
29% Popularity • 39% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Brinsley Schwarz
Trying to Live My Life Without You
113 bpm • B min • 03:24 • -11.25db
8% Popularity • 68% Danceability • 54% Energy • 12% Liveness
21% Instrumentalness • 65% Positiveness
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The Rubinoos
Hard to Get
112 bpm • D Maj • 03:03 • -7.26db
11% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Flamin' Groovies
32-20
96 bpm • G Maj • 02:04 • -6.11db
17% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Dr. John
Big Chief
113 bpm • G# Maj • 03:26 • -16db
35% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Graham Parker
Sugaree
96 bpm • C Maj • 03:43 • -7.02db
24% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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NRBQ
Waitin' On My Sweetie Pie
96 bpm • A Maj • 02:54 • -7.31db
9% Popularity • 66% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Brinsley Schwarz
Happy Doing What We're Doing
113 bpm • G Maj • 04:43 • -8db
7% Popularity • 83% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Sir Douglas Quintet
Sunday Sunny Mill Valley Groove Day
113 bpm • C Maj • 03:26 • -10.08db
31% Popularity • 48% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Little Feat
Two Trains
95 bpm • F min • 03:07 • -7.65db
49% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Donovan
Trude
95 bpm • C Maj • 02:22 • -16.44db
18% Popularity • 72% Danceability • 56% Energy • 12% Liveness
75% Instrumentalness • 97% Positiveness
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Graham Parker
I Want You Back
95 bpm • A# Maj • 03:20 • -12db
18% Popularity • 58% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Traffic
You Can All Join In
95 bpm • D Maj • 03:36 • -10db
42% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Joy Of Cooking
Don't The Moon Look Fat And Lonesome
95 bpm • D Maj • 04:10 • -8.62db
10% Popularity • 62% Danceability • 85% Energy • 10% Liveness
10% Instrumentalness • 75% Positiveness
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Al Anderson
Be My Woman Tonight
95 bpm • G Maj • 02:43 • -14.65db
10% Popularity • 82% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Yo La Tengo
Here Comes My Baby
95 bpm • F# Maj • 02:33 • -12.42db
36% Popularity • 42% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Down In My Heart