Songs like Down In Soho 2003 by James Newman
Based on a tempo of (+/- 10%) and a similar genre
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James Newman
Down In Soho 2003
79 bpm • C Maj • 03:59 • -22.94db
0% Popularity • 50% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
0% Popularity • 50% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Vincent Bueno
Amen
80 bpm • C# Maj • 02:55 • -10.22db
27% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Ella Henderson
Let’s Go Home Together
78 bpm • F Maj • 03:28 • -4db
50% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Destiny
He Lives in You
80 bpm • F# min • 02:34 • -3.71db
12% Popularity • 35% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Hooverphonic
The Wrong Place
80 bpm • F Maj • 02:56 • -4.76db
39% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Smith & Thell
Nangilima
77 bpm • B Maj • 03:46 • -6db
45% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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James Newman
Alone
78 bpm • A min • 03:12 • -5.56db
3% Popularity • 53% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 53% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Ryder
Whirlwind
81 bpm • D# Maj • 03:28 • -5.51db
36% Popularity • 43% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 43% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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The Mamas
The Lows
81 bpm • D Maj • 03:13 • -4.23db
10% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ana Soklič
Amen
81 bpm • B Maj • 03:04 • -10db
15% Popularity • 42% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 42% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Rita Ora
How To Be Lonely
82 bpm • G Maj • 02:55 • -3.18db
49% Popularity • 53% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 53% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Ruben
Running
77 bpm • B min • 02:53 • -8.34db
44% Popularity • 61% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 61% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Rice
Bigger Than Us - Eurovision 2019 - Unite...
82 bpm • C Maj • 02:58 • -8db
34% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Uku Suviste
What Love Is
83 bpm • A min • 03:00 • -7.58db
24% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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James Newman
Sinister Sounds
75 bpm • C min • 02:00 • -19.61db
0% Popularity • 16% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Duncan Laurence
Love Don’t Hate It
84 bpm • G min • 02:53 • -7.89db
41% Popularity • 49% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 49% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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VICTORIA
the funeral song
84 bpm • G Maj • 03:20 • -8.63db
15% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anne-Marie
Our Song - Luca Schreiner Remix
85 bpm • B min • 02:44 • -5.91db
37% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Blas Cantó
I'll Stay - Acoustic Version
72 bpm • D# Maj • 03:28 • -7.76db
12% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Tusse
Voices - French Version
89 bpm • C# Maj • 03:04 • -4.74db
13% Popularity • 37% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 37% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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James Newman
Better Man
85 bpm • C Maj • 03:14 • -6.12db
8% Popularity • 56% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 56% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Spraggan
Animal
85 bpm • F min • 02:57 • -7.72db
28% Popularity • 56% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 56% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Ana Soklič
Amen (Summer Vibes Remix)
90 bpm • G# min • 04:28 • -11.95db
14% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Måns Zelmerlöw
Fuego
90 bpm • G# Maj • 03:06 • -8.66db
35% Popularity • 56% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 56% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Little Mix
Break Up Song
90 bpm • F Maj • 03:20 • -5.42db
54% Popularity • 63% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 63% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Tusse
Voices
90 bpm • A# min • 03:04 • -5.22db
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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James Newman
Enough
92 bpm • C Maj • 02:36 • -6.69db
9% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Stina Talling
Elevate
93 bpm • B min • 03:04 • -7.39db
27% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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TIX
Fallen Angel
93 bpm • C# Maj • 02:53 • -4.97db
36% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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VICTORIA
growing up is getting old
93 bpm • G Maj • 03:18 • -7.83db
23% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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B-OK
Say It First
93 bpm • D Maj • 03:10 • -7.08db
17% Popularity • 73% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 73% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Paloma Faith
Gold
94 bpm • F# min • 03:58 • -4.87db
35% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James Newman
My Last Breath
90 bpm • G# min • 02:34 • -7.49db
32% Popularity • 64% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 64% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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ohFrank
Millennial
94 bpm • D Maj • 03:04 • -5.75db
13% Popularity • 67% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Major Lazer
Titans
94 bpm • G Maj • 03:19 • -4.89db
30% Popularity • 72% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 72% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Victor Crone
Rains
95 bpm • F min • 02:47 • -6.18db
21% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Dusky Grey
Get Easy
95 bpm • G Maj • 03:27 • -5db
26% Popularity • 76% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 76% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Jeangu Macrooy
Birth Of A New Age
95 bpm • C min • 02:53 • -4.97db
35% Popularity • 72% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 72% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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David Guetta
Let's Love - Cesqeaux Remix
95 bpm • D min • 03:26 • -2.78db
21% Popularity • 64% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 64% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
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Ella Eyre
L.O.V.(e).
96 bpm • C# min • 02:53 • -4.69db
41% Popularity • 65% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 65% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jessica Andersson
Horizon
95 bpm • D Maj • 03:03 • -3.89db
28% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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VICTORIA
growing up is getting old - eurovision v...
96 bpm • G Maj • 03:08 • -8db
24% Popularity • 38% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 38% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ava Max
Rumors
97 bpm • C# Maj • 03:12 • -5.56db
47% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Duncan Laurence
Stars
97 bpm • F# min • 02:52 • -11.35db
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Grace Davies
Just a Girl
97 bpm • A# Maj • 03:27 • -5db
34% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Don Diablo
Thousand Faces
97 bpm • B Maj • 02:58 • -3.07db
45% Popularity • 58% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 58% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Luca Hänni
She Got Me - Bonus Track
97 bpm • B min • 03:00 • -6db
48% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Cash Cash
Too Late
97 bpm • D Maj • 03:13 • -2db
34% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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LittleKings
This Is The Life
98 bpm • A Maj • 03:11 • -6.6db
32% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Måns Zelmerlöw
On My Way
98 bpm • G Maj • 03:01 • -9.25db
32% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Daniel Owen
Psycho
98 bpm • F# min • 02:41 • -8.87db
17% Popularity • 81% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 81% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Fischer
This City - Frank Walker Remix
98 bpm • B Maj • 02:50 • -4.04db
39% Popularity • 68% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 68% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 38% Positiveness
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Katy Perry
Electric - Pokemon 25 Version
98 bpm • C Maj • 03:13 • -4.26db
53% Popularity • 62% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 62% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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LIAMOO
Walk on Water
99 bpm • G# Maj • 02:50 • -11db
24% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Nea
Drunk Enough To
99 bpm • F Maj • 03:18 • -6.21db
30% Popularity • 73% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 73% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Dotter
Backfire
99 bpm • G# Maj • 03:00 • -4.44db
32% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Duncan Laurence
Someone Else
100 bpm • B min • 03:04 • -9.43db
40% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ane.Fin
Walking in My Sleep
100 bpm • C Maj • 02:57 • -6.83db
9% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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B-OK
All Of My Love
100 bpm • E min • 03:05 • -5db
38% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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The Mamas
In The Middle
100 bpm • C# Maj • 03:03 • -5.86db
39% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Doctor Victor
Older
100 bpm • G# min • 02:58 • -6.74db
23% Popularity • 53% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 53% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Efendi
Mata Hari
100 bpm • E min • 02:40 • -5.76db
51% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Walker
Wait for You - Steve Void Remix
100 bpm • C# Maj • 02:47 • -3.9db
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 70% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Robin Bengtsson
HONEY I'M HOME
100 bpm • G Maj • 03:08 • -9.15db
12% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Anthony Dircson
Much Higher
100 bpm • A Maj • 03:03 • -6.8db
12% Popularity • 65% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 65% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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The Mamas
In The Middle - Radio Edit
100 bpm • C# Maj • 03:02 • -5.78db
11% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Junge Junge
This Summer
100 bpm • F# Maj • 02:47 • -9db
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
16% Instrumentalness • 56% Positiveness
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
16% Instrumentalness • 56% Positiveness
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Golddiggers
Feel the Rain (Unwritten)
100 bpm • E Maj • 02:57 • -4.59db
36% Popularity • 73% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 73% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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BUNT.
Crocodile Tears
100 bpm • F Maj • 03:38 • -3.32db
44% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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ohFrank
Schizophrenic
100 bpm • A Maj • 02:54 • -6.77db
8% Popularity • 67% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 67% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Anthony Dircson
Know Me Better
100 bpm • A# Maj • 02:38 • -6.57db
18% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Patrik Jean
Tears Run Dry
100 bpm • B Maj • 02:57 • -6.88db
32% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mohombi
Winners
100 bpm • B min • 03:05 • -5.13db
31% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Clean Bandit
Tick Tock
101 bpm • C Maj • 02:58 • -3.9db
68% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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John De Sohn
How Do You Want It
102 bpm • C Maj • 02:33 • -7.54db
20% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Wild Youth
Champagne Butterflies
102 bpm • C Maj • 03:13 • -4.98db
26% Popularity • 68% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 68% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Mamas
Move
103 bpm • A Maj • 02:48 • -3db
44% Popularity • 46% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 46% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Lesley Roy
Gold
103 bpm • C min • 04:04 • -4.85db
11% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Natalia Gordienko
Prison
103 bpm • E min • 02:57 • -7.47db
28% Popularity • 52% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 52% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
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Astrid S
Marilyn Monroe
103 bpm • C# min • 02:54 • -7.74db
30% Popularity • 70% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 70% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Tusse
Crash
103 bpm • G# min • 03:02 • -6.55db
25% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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John De Sohn
Love You Better
103 bpm • B Maj • 02:50 • -7.5db
52% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Matoma
WOW
104 bpm • E min • 03:13 • -4.52db
41% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Mamas
Move - Instrumental
103 bpm • F# min • 02:48 • -5.87db
8% Popularity • 60% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
8% Popularity • 60% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Anne-Marie
Kiss My (Uh Oh)
104 bpm • F min • 02:56 • -3.64db
61% Popularity • 64% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 64% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Senhit
Adrenalina - Karaoke Version
104 bpm • A# min • 02:51 • -7db
8% Popularity • 71% Danceability • 77% Energy • 8% Liveness
28% Instrumentalness • 66% Positiveness
8% Popularity • 71% Danceability • 77% Energy • 8% Liveness
28% Instrumentalness • 66% Positiveness
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Clean Bandit
Higher
104 bpm • C# min • 03:23 • -5.18db
55% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Destiny
Higher Love
104 bpm • F# min • 01:57 • -4db
10% Popularity • 62% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 62% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 58% Positiveness
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Gjon's Tears
Répondez-moi
104 bpm • D# min • 02:59 • -9.44db
41% Popularity • 33% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 33% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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John Lundvik
Too Late For Love
104 bpm • C Maj • 02:58 • -4.16db
49% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Efraim Leo
Best of Me
105 bpm • C Maj • 02:58 • -7.2db
31% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Senhit
Adrenalina
104 bpm • A# min • 02:59 • -5.77db
42% Popularity • 66% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 66% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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The Mamas
Tomorrow Is Waiting
105 bpm • F Maj • 03:21 • -4.76db
12% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sia
Floating Through Space
105 bpm • F# min • 02:57 • -4.89db
55% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Zoe Wees
Girls Like Us - Felix Jaehn Remix
105 bpm • C# Maj • 03:24 • -6.34db
37% Popularity • 62% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 62% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Joakim Molitor
Crossroads
105 bpm • C Maj • 03:16 • -6.44db
12% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Olivia De Stefano
Lovedrunk
105 bpm • E min • 03:33 • -5db
16% Popularity • 65% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 65% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Senhit
Adrenalina
104 bpm • A# min • 02:51 • -5.13db
36% Popularity • 68% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 68% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
