Songs like Down To The Bottom by Dorothy
Based on a tempo of (+/- 10%) and a similar genre
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SPELLES
Dead in the Water
87 bpm • G min • 03:09 • -7.3db
37% Popularity • 52% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 52% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Esterly
Motivation
87 bpm • D Maj • 03:32 • -21.41db
33% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dorothy
Down To The Bottom
87 bpm • B min • 02:32 • -5.43db
51% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 61% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Harm & Ease
Cut Me Loose
87 bpm • A min • 02:45 • -6.15db
42% Popularity • 54% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 54% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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WAR*HALL
I'm Trouble
88 bpm • B min • 03:24 • -4.48db
29% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Black Pistol Fire
Hipster Shakes
88 bpm • C Maj • 02:50 • -4.81db
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Crobot
Gasoline
86 bpm • F min • 03:34 • -4.53db
37% Popularity • 47% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 47% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Blues Saraceno
Wicked Gonna Come
88 bpm • G min • 03:29 • -6.63db
37% Popularity • 57% Danceability • 66% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
37% Popularity • 57% Danceability • 66% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
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Esterly
This Is My World
86 bpm • G# Maj • 03:09 • -5.17db
52% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Minutes Til Midnight
Going Out Fighting
88 bpm • E Maj • 03:46 • -3.55db
30% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ivy Levan
The Dame Says
88 bpm • D Maj • 03:35 • -3.36db
32% Popularity • 72% Danceability • 75% Energy • 13% Liveness
20% Instrumentalness • 22% Positiveness
32% Popularity • 72% Danceability • 75% Energy • 13% Liveness
20% Instrumentalness • 22% Positiveness
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Sleeping With Sirens
Us
88 bpm • G Maj • 03:44 • -4.54db
36% Popularity • 48% Danceability • 80% Energy • 3% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 48% Danceability • 80% Energy • 3% Liveness
1% Instrumentalness • 33% Positiveness
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Native 51
Fire to the Night
86 bpm • C Maj • 03:10 • -6.16db
40% Popularity • 58% Danceability • 58% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
40% Popularity • 58% Danceability • 58% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Adam Jensen
Trouble
86 bpm • C# min • 03:44 • -6db
48% Popularity • 43% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 43% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Dead Posey
Boogeyman
88 bpm • F# min • 03:32 • -3.18db
37% Popularity • 47% Danceability • 94% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
37% Popularity • 47% Danceability • 94% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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Saint Mesa
Lion
86 bpm • F# min • 02:50 • -9.12db
56% Popularity • 25% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 32% Positiveness
56% Popularity • 25% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 32% Positiveness
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Dorothy
Wild Fire
86 bpm • A Maj • 02:24 • -5db
25% Popularity • 27% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 27% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Eva Under Fire
Unstoppable
85 bpm • B min • 03:07 • -2db
35% Popularity • 51% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 51% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
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Chuxx Morris
Feelin' Good
85 bpm • B min • 02:47 • -4.05db
34% Popularity • 55% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 55% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Score
Glory
85 bpm • C# min • 02:46 • -6.99db
58% Popularity • 60% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 60% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bobby Saint
Unholy
85 bpm • E Maj • 03:29 • -7db
28% Popularity • 61% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Dead Sara
Weatherman
85 bpm • C Maj • 04:21 • -3.1db
41% Popularity • 38% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 38% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 34% Positiveness
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Oh The Larceny
Can't Stop Me Now
89 bpm • G Maj • 03:00 • -5.06db
55% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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YONAKA
Clique
90 bpm • G Maj • 02:19 • -6.28db
51% Popularity • 57% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 57% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Esterly
Bad Man
85 bpm • C# Maj • 03:20 • -7.54db
43% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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DIAMANTE
Bulletproof
90 bpm • F# min • 03:19 • -5.85db
38% Popularity • 56% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 56% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Stella and the Storm
Don't Let Me Down
90 bpm • G Maj • 03:01 • -4db
38% Popularity • 51% Danceability • 87% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
38% Popularity • 51% Danceability • 87% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
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Dorothy
Down To The Bottom - Live
90 bpm • E min • 02:43 • -2.12db
18% Popularity • 47% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 47% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 36% Positiveness
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The Nearly Deads
My Evil Ways
90 bpm • D Maj • 03:17 • -4.05db
39% Popularity • 55% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 55% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Native 51
Dynamite
90 bpm • D# Maj • 02:28 • -6.03db
40% Popularity • 40% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
40% Popularity • 40% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Bressie
Rage and Romance
90 bpm • E min • 03:59 • -6.17db
36% Popularity • 52% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 52% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
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Whissell
Pain of Love
90 bpm • C Maj • 03:31 • -5.98db
30% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Rag'n'Bone Man
Hard Came the Rain
90 bpm • D Maj • 03:46 • -3.01db
41% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Badflower
Soap
90 bpm • B Maj • 03:32 • -4db
39% Popularity • 44% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 44% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Blues Saraceno
When the Devil Calls
84 bpm • F# Maj • 03:55 • -7.01db
39% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Everybody Loves an Outlaw
Give Em Hell
84 bpm • D Maj • 02:39 • -5.25db
50% Popularity • 58% Danceability • 64% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 58% Danceability • 64% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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BRKN LOVE
Shot Down
84 bpm • A# min • 02:47 • -5.29db
38% Popularity • 52% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
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The Score
Higher
84 bpm • A min • 03:34 • -5.05db
57% Popularity • 45% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 45% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Dead Posey
Fire Burnin'
91 bpm • E Maj • 03:13 • -2.84db
32% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Rival Sons
Do Your Worst
84 bpm • D Maj • 03:30 • -2.79db
53% Popularity • 39% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 39% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Dirty Honey
When I'm Gone
91 bpm • C# Maj • 03:25 • -3.17db
51% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 44% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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WAR*HALL
Play with Fire
91 bpm • B min • 03:31 • -4.25db
42% Popularity • 54% Danceability • 89% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
42% Popularity • 54% Danceability • 89% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
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Bleeker
Still Got Love
84 bpm • E Maj • 02:54 • -4.94db
31% Popularity • 56% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 56% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Blues Saraceno
Grave Digger
91 bpm • E min • 03:35 • -11.95db
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Bryant & the Shakedown
On To The Next
83 bpm • C# Maj • 02:58 • -3.19db
37% Popularity • 52% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 52% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Whissell
Get Free
83 bpm • E min • 03:14 • -9.31db
36% Popularity • 60% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 60% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Jensen
The Hunter
82 bpm • E min • 03:30 • -3.36db
54% Popularity • 53% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 53% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Blue Stones
Black Holes (Solid Ground)
92 bpm • B min • 03:05 • -4.24db
57% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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JJ Wilde
Best Boy
92 bpm • G# min • 03:07 • -3.59db
33% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Pop Evil
Footsteps
92 bpm • F Maj • 04:22 • -7.57db
55% Popularity • 64% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 64% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Royal Deluxe
I'm a Wanted Man
82 bpm • B min • 03:48 • -5.14db
56% Popularity • 52% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 52% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Blues Saraceno
The Devil You Know
92 bpm • A min • 03:32 • -9.46db
53% Popularity • 73% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 86% Positiveness
53% Popularity • 73% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 86% Positiveness
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Hannah Wicklund
Bomb Through The Breeze
82 bpm • D Maj • 02:44 • -4.65db
41% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 40% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Nolan
Life of Sin
82 bpm • G Maj • 03:49 • -7.29db
41% Popularity • 38% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 38% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Score
Legend
82 bpm • D Maj • 03:09 • -3.34db
70% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Arrested Youth
Riot!
82 bpm • G# Maj • 03:24 • -6.86db
47% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Deap Vally
Bring It On
82 bpm • D Maj • 02:59 • -6.7db
33% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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BONES UK
Creature
82 bpm • B min • 03:08 • -2.76db
40% Popularity • 54% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 54% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Tinnesz
Man or a Monster
82 bpm • D min • 03:25 • -6.04db
50% Popularity • 50% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 50% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Dorothy
Black Sheep
92 bpm • F# Maj • 03:09 • -2.9db
52% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Electric Owls
Last to Know
82 bpm • F min • 02:56 • -4.19db
24% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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The Bones of J.R. Jones
The Heat
93 bpm • D Maj • 03:14 • -4.37db
54% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Vision Vision
Hard Times
93 bpm • F# min • 03:05 • -7.41db
41% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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DIAMANTE
Had Enough
94 bpm • A Maj • 02:58 • -6.61db
36% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Des Rocs
HVY MTL DRMR
81 bpm • D min • 02:52 • -4db
54% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Barns Courtney
Hellfire
94 bpm • E min • 02:48 • -5.51db
60% Popularity • 53% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
60% Popularity • 53% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Pop Evil
Be Legendary
94 bpm • E min • 03:23 • -3.11db
50% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
50% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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Jill Andrews
Tell That Devil
94 bpm • D Maj • 02:38 • -3.66db
46% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Vision Vision
Ready for the Devil (No Mercy)
94 bpm • E Maj • 03:19 • -9db
37% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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BONES UK
Pretty Waste
94 bpm • E Maj • 02:50 • -4db
45% Popularity • 66% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 66% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Blues Saraceno
Dogs of War
94 bpm • F Maj • 02:56 • -10.33db
55% Popularity • 47% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 33% Positiveness
55% Popularity • 47% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 33% Positiveness
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Black Pistol Fire
Look Alive
94 bpm • A min • 03:12 • -6.04db
39% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Dead Sara
Mr. Mr.
94 bpm • F# min • 04:21 • -6.37db
22% Popularity • 41% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
22% Popularity • 41% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Dorothy
Gun In My Hand
80 bpm • D Maj • 03:20 • -6.09db
51% Popularity • 37% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Gary Clark Jr.
Come Together
80 bpm • D min • 03:13 • -4.99db
61% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Struts
Could Have Been Me
80 bpm • E Maj • 03:07 • -4.51db
72% Popularity • 54% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 54% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Jamie N Commons
Not Gonna Break Me
80 bpm • A min • 04:16 • -4.81db
33% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Blues Saraceno
Killin' floor
95 bpm • C Maj • 02:56 • -6.07db
36% Popularity • 55% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 55% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Barns Courtney
Sinners
95 bpm • G min • 02:53 • -5.16db
56% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Dorothy
Raise Hell
80 bpm • F# Maj • 03:01 • -6.4db
58% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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Des Rocs
Dead Ringer
95 bpm • G min • 02:42 • -4db
50% Popularity • 56% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 56% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Struts
Bulletproof Baby
80 bpm • E Maj • 03:13 • -1.88db
41% Popularity • 55% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 55% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Dirty Monster
Devil's Souls
95 bpm • G Maj • 02:19 • -6.25db
41% Popularity • 71% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
41% Popularity • 71% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Blues Saraceno
Kicking and Screaming
95 bpm • G Maj • 03:35 • -7db
37% Popularity • 55% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
37% Popularity • 55% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Barns Courtney
Kicks
95 bpm • A# min • 03:15 • -5.43db
58% Popularity • 64% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 64% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Dorothy
Get Up
95 bpm • A min • 01:58 • -6.43db
29% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Black Pistol Fire
Speak of the Devil
95 bpm • D min • 04:59 • -6.49db
39% Popularity • 48% Danceability • 61% Energy • 9% Liveness
44% Instrumentalness • 37% Positiveness
39% Popularity • 48% Danceability • 61% Energy • 9% Liveness
44% Instrumentalness • 37% Positiveness
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Deap Vally
Baby I Call Hell
79 bpm • A min • 03:00 • -4.52db
37% Popularity • 38% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 38% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Dirty Monster
Devil's Souls (Southern Version)
95 bpm • G Maj • 02:14 • -9.73db
35% Popularity • 73% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 39% Positiveness
35% Popularity • 73% Danceability • 42% Energy • 16% Liveness
6% Instrumentalness • 39% Positiveness
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YONAKA
Punch Bag
96 bpm • D min • 03:16 • -3.44db
40% Popularity • 43% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 43% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Barns Courtney
Champion
79 bpm • E min • 03:10 • -6.47db
57% Popularity • 54% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 54% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Des Rocs
SLO
96 bpm • G Maj • 02:55 • -5db
41% Popularity • 35% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 35% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dorothy
Gifts From The Holy Ghost
96 bpm • A Maj • 04:19 • -3db
38% Popularity • 43% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 43% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Seether
Country Song
96 bpm • C Maj • 03:49 • -6.12db
63% Popularity • 63% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 63% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Dead Sara
Heaven's Got A Back Door
96 bpm • G min • 03:23 • -6.8db
35% Popularity • 58% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 58% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Gin Wigmore
Written In The Water
96 bpm • F min • 02:46 • -2.62db
45% Popularity • 74% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 74% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Barns Courtney
Babylon
96 bpm • C# min • 03:32 • -4.15db
48% Popularity • 45% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 45% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Blue Stones
Be My Fire
96 bpm • C# min • 03:13 • -6.13db
54% Popularity • 48% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 48% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
