Songs like Doxy (with Joey Calderazzo, Eric Revis & Justin Faulkner) by Kurt Elling
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Heath
Left Alone
124 bpm • B min • 04:26 • -13.12db
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jazzmeia Horn
I’m Going Down
124 bpm • D Maj • 05:16 • -9.46db
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Sarah McKenzie
Triste
124 bpm • G Maj • 03:55 • -12db
25% Popularity • 62% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 51% Positiveness
25% Popularity • 62% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 51% Positiveness
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Molly Johnson
Tonight
124 bpm • E min • 03:17 • -9.64db
22% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ellas Kapell
How Could You
124 bpm • F min • 04:53 • -12.2db
13% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Veronica Swift
The Man I Love
124 bpm • C min • 04:50 • -16.07db
40% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Larry Goldings
Many Rivers to Cross
124 bpm • A# Maj • 05:38 • -22db
9% Popularity • 41% Danceability • 13% Energy • 12% Liveness
60% Instrumentalness • 20% Positiveness
9% Popularity • 41% Danceability • 13% Energy • 12% Liveness
60% Instrumentalness • 20% Positiveness
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Roberta Gambarini
On the Sunny Side of the Street
124 bpm • G Maj • 05:39 • -9.65db
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Griffin
Nice And Easy - Remastered 2006/Rudy Van...
124 bpm • F min • 04:19 • -9.24db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
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Kurt Elling
Doxy
124 bpm • F# Maj • 03:52 • -8.81db
15% Popularity • 66% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 66% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Barron Quintet
Blue Waters
123 bpm • D# min • 05:39 • -9.9db
19% Popularity • 55% Danceability • 49% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
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Taylor Eigsti
Love For Sale
125 bpm • A# min • 03:13 • -15.57db
32% Popularity • 43% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
32% Popularity • 43% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
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Brad Mehldau Trio
Friends
125 bpm • D Maj • 08:15 • -15db
37% Popularity • 45% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
37% Popularity • 45% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Jimmy Forrest
Bolo Blues
125 bpm • F# Maj • 04:07 • -15db
26% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
26% Popularity • 58% Danceability • 19% Energy • 8% Liveness
72% Instrumentalness • 31% Positiveness
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Veronica Swift
As Long as He Needs Me
123 bpm • F Maj • 04:55 • -15.48db
30% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Catherine Russell
Close Your Eyes
123 bpm • A# min • 02:59 • -12db
32% Popularity • 79% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 79% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Branford Marsalis
Doctone
123 bpm • C# Maj • 06:07 • -9.29db
17% Popularity • 45% Danceability • 68% Energy • 12% Liveness
31% Instrumentalness • 60% Positiveness
17% Popularity • 45% Danceability • 68% Energy • 12% Liveness
31% Instrumentalness • 60% Positiveness
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Jesse Palter
My Sweetie & I
123 bpm • D Maj • 05:55 • -10.69db
18% Popularity • 75% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 75% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Connie Lansberg
I'm Old Fashioned
125 bpm • C# Maj • 03:53 • -15.69db
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Ellen Andersson
'Deed I Do
125 bpm • G# Maj • 02:59 • -13.18db
12% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sophie Milman
It Might As Well Be Spring
123 bpm • G# Maj • 03:36 • -7.41db
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jeff Rupert
Pernod
125 bpm • C# Maj • 02:38 • -8.93db
12% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Roberta Gambarini
No More Blues
126 bpm • G Maj • 03:12 • -14.75db
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Ernestine Anderson
I Love Being Here With You
123 bpm • C# Maj • 04:59 • -16db
40% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Bria Skonberg
Cocktails for Two
126 bpm • A# Maj • 03:21 • -12.58db
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Ruth Cameron
A Sunday Kind Of Love
126 bpm • C min • 04:52 • -12.22db
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Serge Chaloff
A Handful Of Stars
126 bpm • F min • 05:35 • -16db
22% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Art Blakey Quartet
Just Knock On My Door
126 bpm • G# Maj • 06:55 • -10db
29% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Miriam Netti
May I Come In
122 bpm • F min • 05:10 • -15.92db
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Sara Gazarek
You Are My Sunshine
122 bpm • C Maj • 03:34 • -10db
44% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Lovano
Central Park West
126 bpm • F# Maj • 06:06 • -13.25db
16% Popularity • 53% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
16% Popularity • 53% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
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Sophie Milman
No More Blues
122 bpm • C min • 04:22 • -9.23db
36% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Lorez Alexandria
Satin Doll
121 bpm • A min • 02:44 • -14.02db
46% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Jamie Cullum
A Time For Love - Remastered
121 bpm • F Maj • 05:06 • -13.2db
38% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jeff "Tain" Watts
Black Nile
127 bpm • G# Maj • 06:44 • -17.41db
13% Popularity • 38% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 76% Positiveness
13% Popularity • 38% Danceability • 45% Energy • 10% Liveness
68% Instrumentalness • 76% Positiveness
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Kurt Elling
Só Tinha de Ser Com Você
121 bpm • C Maj • 03:41 • -11.06db
12% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Woody Shaw
Imagination
121 bpm • D# Maj • 07:28 • -12.77db
8% Popularity • 45% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
8% Popularity • 45% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
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Tony DeSare
Just in Time
120 bpm • D min • 02:36 • -10.46db
40% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
40% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
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Joshua Redman Quartet
Obsession
128 bpm • D Maj • 06:54 • -15.07db
15% Popularity • 46% Danceability • 38% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
15% Popularity • 46% Danceability • 38% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
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Ellen Andersson
You've Changed
128 bpm • G min • 06:44 • -14.45db
34% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mulgrew Miller
The Sequel
128 bpm • A min • 08:05 • -13.04db
27% Popularity • 54% Danceability • 37% Energy • 6% Liveness
57% Instrumentalness • 27% Positiveness
27% Popularity • 54% Danceability • 37% Energy • 6% Liveness
57% Instrumentalness • 27% Positiveness
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Justin Kauflin
For Clark
120 bpm • F Maj • 04:41 • -16db
24% Popularity • 46% Danceability • 23% Energy • 18% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 46% Danceability • 23% Energy • 18% Liveness
53% Instrumentalness • 9% Positiveness
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Kyle Eastwood
Movin'
128 bpm • D# Maj • 06:49 • -9.96db
13% Popularity • 59% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 33% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 33% Positiveness
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Sara Gazarek
Ev'ry Time We Say Goodbye
128 bpm • A Maj • 03:40 • -13.33db
18% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Redman Quartet
Faith
128 bpm • D min • 04:33 • -13.67db
22% Popularity • 54% Danceability • 20% Energy • 11% Liveness
65% Instrumentalness • 20% Positiveness
22% Popularity • 54% Danceability • 20% Energy • 11% Liveness
65% Instrumentalness • 20% Positiveness
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Bria Skonberg
From This Moment On
128 bpm • G# Maj • 05:55 • -12.06db
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Roberta Gambarini
Centerpiece
120 bpm • C# Maj • 05:20 • -9.94db
18% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Viktoria Tolstoy
As Time Goes By
120 bpm • F min • 05:31 • -13db
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Hank Jones
Pauletta
128 bpm • G# Maj • 07:36 • -20.37db
9% Popularity • 60% Danceability • 21% Energy • 9% Liveness
69% Instrumentalness • 27% Positiveness
9% Popularity • 60% Danceability • 21% Energy • 9% Liveness
69% Instrumentalness • 27% Positiveness
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Lyambiko
Your Mind Is on Vacation (And Your Mouth...
120 bpm • F Maj • 03:31 • -8.9db
34% Popularity • 60% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 60% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Helen Merrill
Yesterdays
120 bpm • D min • 06:00 • -20.63db
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Carol Welsman
I Love Being Here With You
129 bpm • D Maj • 03:25 • -7.49db
24% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Viktoria Tolstoy
Midnight Sun
119 bpm • G Maj • 04:35 • -12db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jazzmeia Horn
Searchin’
129 bpm • C# Maj • 03:02 • -9.77db
20% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Joshua Redman Quartet
Headin' Home
119 bpm • C Maj • 04:05 • -11db
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
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Etta Jones
Where Or When
119 bpm • C Maj • 03:38 • -9.45db
39% Popularity • 60% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
39% Popularity • 60% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
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Rigmor Gustafsson Quintet
Bluesette
119 bpm • G Maj • 05:18 • -12.72db
24% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Silva & Steini
If It Was
119 bpm • C Maj • 03:41 • -16.76db
43% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Ernestine Anderson
Never Make Your Move Too Soon
119 bpm • C min • 03:27 • -14.78db
19% Popularity • 65% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Chaka Khan
Lullaby Of Birdland
130 bpm • C min • 02:57 • -8.08db
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eldar Djangirov
Fly Me to the Moon
130 bpm • C Maj • 03:23 • -17.88db
26% Popularity • 59% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 59% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
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Roberta Gambarini
Easy to Love
130 bpm • G# Maj • 04:47 • -12.75db
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Rigmor Gustafsson
What Are You Doing The Rest Of Your Life
130 bpm • F min • 05:57 • -14.18db
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Kevin Mahogany
My Romance
119 bpm • A# Maj • 04:22 • -18db
15% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lorez Alexandria
The Best Is Yet To Come
118 bpm • F Maj • 02:44 • -15db
39% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Silje Nergaard
Let There Be Love
118 bpm • F# Maj • 03:16 • -8db
42% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Helen Merrill
You'd Be So Nice To Come Home To
130 bpm • C Maj • 04:19 • -17.7db
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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David Kikoski
Au Privave
118 bpm • C# Maj • 07:30 • -14.95db
4% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
4% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
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Phil Woods
Blue Ballad
118 bpm • D Maj • 06:34 • -17db
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
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Molly Johnson
Another Day
130 bpm • F# min • 03:10 • -9.57db
20% Popularity • 78% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
20% Popularity • 78% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Carla Cook
Tulip or Turnip
118 bpm • A min • 04:55 • -10db
7% Popularity • 75% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 75% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sophie Milman
Take Love Easy
118 bpm • F min • 03:15 • -12.28db
24% Popularity • 68% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 68% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kurt Elling
I'm a Fool to Want You
130 bpm • D# min • 03:03 • -17.09db
14% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jamie Cullum
I Can't Get Started - Remastered
118 bpm • A# Maj • 05:15 • -15.97db
34% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Aaron Diehl
Prologue
130 bpm • C# min • 01:58 • -19db
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Johnny Griffin
63rd Street Theme
118 bpm • C min • 05:34 • -11.28db
20% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
20% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
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Veronica Swift
Getting to Know You
131 bpm • F Maj • 06:19 • -10.96db
19% Popularity • 48% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Mark Murphy
Stolen Moments
131 bpm • G min • 05:45 • -9.08db
15% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Jamie Cullum
Walkin'
118 bpm • A# Maj • 02:42 • -10.48db
27% Popularity • 73% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 73% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Carol Welsman
Sand In My Shoes
131 bpm • D# Maj • 03:31 • -13.1db
33% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Terell Stafford
Carolyn
118 bpm • F min • 06:18 • -12.41db
14% Popularity • 56% Danceability • 12% Energy • 17% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 56% Danceability • 12% Energy • 17% Liveness
91% Instrumentalness • 30% Positiveness
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Molly Johnson
God Bless The Child
131 bpm • C Maj • 05:34 • -7.26db
26% Popularity • 51% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
26% Popularity • 51% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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James Moody
The Pink Panther
118 bpm • C Maj • 05:03 • -15.78db
13% Popularity • 57% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Lauren Henderson
That Old Black Magic
131 bpm • A min • 05:12 • -13.7db
28% Popularity • 79% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Jazzmeia Horn
Tight
117 bpm • A Maj • 03:04 • -10db
30% Popularity • 59% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Sarah McKenzie
Day In Day Out
131 bpm • D min • 04:21 • -6.06db
8% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Catherine Russell
Alone Together
117 bpm • G Maj • 04:10 • -10db
42% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Molly Johnson
Lucky
118 bpm • G# Maj • 02:40 • -7.99db
43% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Mahogany
Everything I Have Is Yours
131 bpm • G Maj • 04:45 • -17.96db
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 19% Positiveness
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 19% Positiveness
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Harold Mabern
Portrait of Jennie
131 bpm • D Maj • 05:38 • -14.87db
5% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Cullum
I Get A Kick Out Of You
117 bpm • G# Maj • 04:10 • -8.28db
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mark Murphy
Be Bop Lives (Boplicity)
132 bpm • G# Maj • 06:32 • -11.62db
9% Popularity • 54% Danceability • 41% Energy • 79% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 79% Liveness
0% Instrumentalness • 62% Positiveness
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Bobby Watson
Keepin' It Real
132 bpm • C Maj • 07:08 • -8.01db
31% Popularity • 48% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Sarah McKenzie
One Jealous Moon
132 bpm • F min • 04:15 • -7.37db
8% Popularity • 58% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 58% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
