Songs like Dread On the Go by Linval Thompson
Based on a tempo of (+/- 10%) and a similar genre
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MIlton Henry
Crisis Dub
132 bpm • C Maj • 03:34 • -9.14db
34% Popularity • 80% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
34% Popularity • 80% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
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Lacksley Castell
Black Sheep
132 bpm • A# min • 03:10 • -8.05db
22% Popularity • 85% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 85% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Linval Thompson
Get Ready
132 bpm • A min • 03:34 • -8.14db
19% Popularity • 95% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 95% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Pablo Moses
Dubbing Is a Must, Pt. 1 - 2010 Remaster...
132 bpm • C# Maj • 04:50 • -7.98db
47% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
47% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Third World
1865 (96º In The Shade)
132 bpm • G Maj • 04:27 • -16db
56% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Althea And Donna
Jah Music - Remastered 2001
132 bpm • A min • 03:56 • -10db
38% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
38% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
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MIlton Henry
Crisis
132 bpm • C Maj • 03:33 • -7.67db
36% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ken Boothe
Artibella
132 bpm • F# min • 02:20 • -15.4db
43% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Linval Thompson
Channel One In Dub
132 bpm • E min • 03:45 • -12.92db
19% Popularity • 82% Danceability • 41% Energy • 24% Liveness
69% Instrumentalness • 73% Positiveness
19% Popularity • 82% Danceability • 41% Energy • 24% Liveness
69% Instrumentalness • 73% Positiveness
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Big Youth
Keep Your Dread (Remastered)
132 bpm • F# min • 02:14 • -9.53db
33% Popularity • 74% Danceability • 53% Energy • 11% Liveness
52% Instrumentalness • 93% Positiveness
33% Popularity • 74% Danceability • 53% Energy • 11% Liveness
52% Instrumentalness • 93% Positiveness
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Johnny Osbourne
Marijuana Tree
132 bpm • D Maj • 03:29 • -9.95db
35% Popularity • 89% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 89% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Niney The Observer
False Rasta
132 bpm • G Maj • 03:07 • -10db
35% Popularity • 92% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 92% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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MIlton Henry
Let the Sunshine In
132 bpm • G Maj • 03:54 • -9.39db
28% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Wailing Souls
Kingdom Rise Kingdom Fall
131 bpm • E min • 04:05 • -7.01db
29% Popularity • 79% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 79% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Linval Thompson
Wicked Babylon
132 bpm • G Maj • 02:45 • -11db
11% Popularity • 92% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 92% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Twinkle Brothers
Underground
133 bpm • G Maj • 03:37 • -12.87db
26% Popularity • 78% Danceability • 57% Energy • 24% Liveness
12% Instrumentalness • 63% Positiveness
26% Popularity • 78% Danceability • 57% Energy • 24% Liveness
12% Instrumentalness • 63% Positiveness
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Althea And Donna
Oh Dread - Remastered 2001
133 bpm • E min • 02:39 • -9db
55% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
55% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Itals
Roll River Jordan
133 bpm • D Maj • 03:31 • -17.93db
33% Popularity • 86% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 86% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Soul Syndicate
Red Gold and Green
133 bpm • F Maj • 04:19 • -11.14db
18% Popularity • 85% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 85% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Heptones
Cool Rasta
133 bpm • F min • 03:03 • -20.14db
47% Popularity • 89% Danceability • 14% Energy • 5% Liveness
11% Instrumentalness • 59% Positiveness
47% Popularity • 89% Danceability • 14% Energy • 5% Liveness
11% Instrumentalness • 59% Positiveness
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Linval Thompson
Starlight
133 bpm • B min • 03:08 • -9.75db
5% Popularity • 84% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
5% Popularity • 84% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Martin Campbell
Hard on the Rootsman
131 bpm • C# min • 03:29 • -16.17db
36% Popularity • 94% Danceability • 21% Energy • 19% Liveness
12% Instrumentalness • 62% Positiveness
36% Popularity • 94% Danceability • 21% Energy • 19% Liveness
12% Instrumentalness • 62% Positiveness
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Althea And Donna
If You Don't Love Jah - Remastered 2001
133 bpm • A min • 02:57 • -10db
51% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Freddie McKay
I'm A Free Man
133 bpm • B min • 03:22 • -8.76db
29% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Aswad
I A Rebel Soul
133 bpm • C min • 05:01 • -13.47db
37% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Junior Byles
Rasta No Pickpocket
133 bpm • B Maj • 03:46 • -8db
30% Popularity • 89% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
30% Popularity • 89% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
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Linval Thompson
The Children of the Ghetto
133 bpm • B min • 02:20 • -11.03db
11% Popularity • 87% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 87% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Prince Jammy
Kamikazi
133 bpm • B Maj • 02:45 • -11.69db
31% Popularity • 85% Danceability • 56% Energy • 5% Liveness
88% Instrumentalness • 91% Positiveness
31% Popularity • 85% Danceability • 56% Energy • 5% Liveness
88% Instrumentalness • 91% Positiveness
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Roots Radics
One Dub A Day
131 bpm • F# min • 02:18 • -10db
22% Popularity • 85% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
22% Popularity • 85% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Bunny Lee
Dubbing in the Front Yard
131 bpm • A Maj • 03:38 • -8.72db
37% Popularity • 89% Danceability • 63% Energy • 5% Liveness
79% Instrumentalness • 54% Positiveness
37% Popularity • 89% Danceability • 63% Energy • 5% Liveness
79% Instrumentalness • 54% Positiveness
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MIlton Henry
No Dreams
131 bpm • D# min • 04:40 • -9.23db
20% Popularity • 86% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 86% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Prince Far I
Message From The King - 2000 Digital Rem...
133 bpm • A# Maj • 03:32 • -10.53db
33% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Linval Thompson
Just Another Girl
131 bpm • F min • 04:03 • -7.9db
19% Popularity • 77% Danceability • 55% Energy • 11% Liveness
22% Instrumentalness • 83% Positiveness
19% Popularity • 77% Danceability • 55% Energy • 11% Liveness
22% Instrumentalness • 83% Positiveness
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Augustus Pablo
Point Blank
133 bpm • A# min • 02:33 • -5.27db
37% Popularity • 88% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 75% Positiveness
37% Popularity • 88% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 75% Positiveness
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Third World
Rhythm Of Life
133 bpm • G Maj • 04:15 • -15.91db
37% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
37% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
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Wailing Souls
Mass Charley Ground
133 bpm • F# Maj • 03:12 • -14.27db
33% Popularity • 69% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 69% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Sylford Walker
Eternal Day
133 bpm • C# Maj • 07:13 • -9.13db
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Capital Letters
Fire
131 bpm • G Maj • 03:42 • -7db
32% Popularity • 79% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 87% Positiveness
32% Popularity • 79% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 87% Positiveness
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Linval Thompson
Dub Rootman
133 bpm • A# min • 02:18 • -10.53db
46% Popularity • 74% Danceability • 67% Energy • 8% Liveness
85% Instrumentalness • 83% Positiveness
46% Popularity • 74% Danceability • 67% Energy • 8% Liveness
85% Instrumentalness • 83% Positiveness
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Augustus Pablo
Cassava Piece ('79 Style)
133 bpm • G# min • 02:34 • -8.27db
46% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
46% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
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10 Ft. Ganja Plant
Sing And Dance
133 bpm • A Maj • 04:21 • -8.6db
59% Popularity • 81% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 81% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Andy
You Don't Know
131 bpm • C min • 03:08 • -13.21db
50% Popularity • 90% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
50% Popularity • 90% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Triston Palma
Lover Man
133 bpm • A# min • 04:00 • -8.28db
17% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Niney The Observer
Bring the Couchie Come
130 bpm • C Maj • 02:48 • -6.51db
36% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Linval Thompson
Dread Are the Controller
131 bpm • E min • 02:43 • -10.93db
36% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Freddie McKay
Jah Man
134 bpm • F# min • 03:23 • -7.03db
11% Popularity • 85% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 85% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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10 Ft. Ganja Plant
Mercy
134 bpm • A Maj • 03:31 • -7db
59% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Martin Campbell
Jah Love
134 bpm • C# Maj • 04:08 • -17.84db
42% Popularity • 94% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
42% Popularity • 94% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Bob Andy
Hell a Go Broke Loose
134 bpm • F Maj • 02:56 • -16.72db
48% Popularity • 83% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 83% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sylford Walker
I Can't Understand
134 bpm • D# min • 02:48 • -10.59db
30% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Linval Thompson
Jumping for Joy
133 bpm • G# min • 02:55 • -8.15db
6% Popularity • 89% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 89% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Wailing Souls
Fire House Rock
130 bpm • A Maj • 04:15 • -6db
46% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Triston Palma
Give Me Give Me Your Love
130 bpm • C# min • 03:39 • -9db
14% Popularity • 81% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 81% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Viceroys
I'm Trying On
130 bpm • A# min • 02:54 • -11.16db
30% Popularity • 91% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
30% Popularity • 91% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Bob Andy
Rock It Down
134 bpm • B Maj • 03:03 • -16.89db
47% Popularity • 87% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 87% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Althea And Donna
Jah Rastafari - Remastered 2001
134 bpm • A min • 03:46 • -7.86db
44% Popularity • 92% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
44% Popularity • 92% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Linval Thompson
Rastafari is My Religion
131 bpm • C# min • 07:22 • -12.71db
9% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Itals
Time Will Tell
134 bpm • G Maj • 03:12 • -20.38db
30% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lone Ark
Defend
130 bpm • C min • 03:33 • -7.39db
27% Popularity • 79% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 79% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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The Viceroys
Why
134 bpm • F# min • 02:26 • -6.22db
65% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
65% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Prince Alla
Ethiopian - Dub
134 bpm • G# Maj • 03:30 • -7.31db
19% Popularity • 70% Danceability • 74% Energy • 40% Liveness
62% Instrumentalness • 39% Positiveness
19% Popularity • 70% Danceability • 74% Energy • 40% Liveness
62% Instrumentalness • 39% Positiveness
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Althea And Donna
The West - Remastered 2001
130 bpm • A min • 03:50 • -11db
40% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dubmatix
Peace & Love - Dub Mix
130 bpm • F# Maj • 04:15 • -8.21db
17% Popularity • 73% Danceability • 74% Energy • 12% Liveness
24% Instrumentalness • 41% Positiveness
17% Popularity • 73% Danceability • 74% Energy • 12% Liveness
24% Instrumentalness • 41% Positiveness
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Midnite
Mountains
130 bpm • B min • 02:22 • -8db
40% Popularity • 86% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 86% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Cultural Roots
Drift Away From Evil
130 bpm • F Maj • 03:44 • -10.87db
13% Popularity • 89% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 89% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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The Viceroys
Why Dub
134 bpm • F# min • 03:03 • -9.25db
38% Popularity • 82% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
38% Popularity • 82% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
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Third World
Human Market Place
130 bpm • A min • 04:31 • -16.66db
34% Popularity • 83% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 66% Positiveness
34% Popularity • 83% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 66% Positiveness
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Niney The Observer
Everyone Is a Rasta
130 bpm • C Maj • 02:33 • -9.03db
32% Popularity • 89% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 89% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dubmatix
Peace & Love
130 bpm • F# Maj • 04:36 • -10.67db
3% Popularity • 72% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 72% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Prince Far I
Dub To Africa
130 bpm • G# min • 03:19 • -11db
32% Popularity • 76% Danceability • 44% Energy • 25% Liveness
70% Instrumentalness • 50% Positiveness
32% Popularity • 76% Danceability • 44% Energy • 25% Liveness
70% Instrumentalness • 50% Positiveness
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The Itals
Jah Calling
130 bpm • A min • 03:35 • -17db
36% Popularity • 86% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 86% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Augustus Pablo
Thunder Clap
134 bpm • E min • 02:33 • -8.67db
38% Popularity • 79% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
38% Popularity • 79% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
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MIlton Henry
Who Do You Think I Am
134 bpm • G# Maj • 02:59 • -7.67db
19% Popularity • 80% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 80% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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The Twinkle Brothers
Beat them Jah-Jah
130 bpm • C# min • 03:19 • -15db
26% Popularity • 91% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 91% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Linval Thompson
Jah Jah Dreader Than Dread
134 bpm • F# min • 03:53 • -19.24db
12% Popularity • 81% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 81% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Martin Campbell
Give the Poor Man a Try
130 bpm • E min • 03:33 • -4.38db
43% Popularity • 98% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
43% Popularity • 98% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Aswad
Can't Stand The Pressure
129 bpm • B min • 04:20 • -15.25db
27% Popularity • 81% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 81% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Augustus Pablo
Sunshine Dub
134 bpm • A min • 02:35 • -11.38db
38% Popularity • 78% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 73% Positiveness
38% Popularity • 78% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 73% Positiveness
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Wailing Souls
What Is Your Meaning
129 bpm • B Maj • 03:42 • -9.06db
30% Popularity • 83% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 83% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Twinkle Brothers
Mountains Of Dub
134 bpm • C# Maj • 03:41 • -9.66db
24% Popularity • 75% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 54% Positiveness
24% Popularity • 75% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 54% Positiveness
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Cultural Roots
Greedy Woman
135 bpm • F min • 03:59 • -10.36db
7% Popularity • 82% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 82% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Love Joys
Jah Light
129 bpm • B Maj • 04:31 • -7db
28% Popularity • 94% Danceability • 54% Energy • 6% Liveness
4% Instrumentalness • 80% Positiveness
28% Popularity • 94% Danceability • 54% Energy • 6% Liveness
4% Instrumentalness • 80% Positiveness
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Joe Higgs
Got to Make A Way
135 bpm • B min • 02:36 • -10.01db
34% Popularity • 82% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
34% Popularity • 82% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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Linval Thompson
Another Man
135 bpm • G Maj • 02:30 • -10.88db
51% Popularity • 91% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 91% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Pablo Moses
We Should Be in Angola
135 bpm • A min • 03:39 • -5.66db
23% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Junior Byles
Whip Them, Whip Them
135 bpm • D Maj • 02:34 • -7.13db
36% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Althea And Donna
They Wanna Just - Remastered 2001
129 bpm • A min • 02:50 • -10db
39% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Prince Far I
Cry Tuff + The Originals
129 bpm • F min • 03:22 • -12db
27% Popularity • 76% Danceability • 50% Energy • 39% Liveness
68% Instrumentalness • 58% Positiveness
27% Popularity • 76% Danceability • 50% Energy • 39% Liveness
68% Instrumentalness • 58% Positiveness
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Bim Sherman
Golden Locks
135 bpm • A min • 03:20 • -10.86db
21% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
21% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Linval Thompson
Dreader Jah
135 bpm • G Maj • 03:41 • -7.51db
7% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Maytones
Ital Queen
135 bpm • G Maj • 02:29 • -11.05db
40% Popularity • 81% Danceability • 36% Energy • 14% Liveness
18% Instrumentalness • 93% Positiveness
40% Popularity • 81% Danceability • 36% Energy • 14% Liveness
18% Instrumentalness • 93% Positiveness
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Cultural Roots
World Of Illusion
135 bpm • F min • 04:02 • -9.66db
12% Popularity • 85% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 85% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Althea And Donna
Make A Truce - Remastered 2001
129 bpm • A min • 04:00 • -10.8db
35% Popularity • 88% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
35% Popularity • 88% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
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Eek-A-Mouse
Noah's Ark
135 bpm • B min • 03:24 • -7db
40% Popularity • 71% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 71% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Niney The Observer
Ruff Gal Dub
129 bpm • C Maj • 02:47 • -11.15db
27% Popularity • 82% Danceability • 57% Energy • 12% Liveness
84% Instrumentalness • 77% Positiveness
27% Popularity • 82% Danceability • 57% Energy • 12% Liveness
84% Instrumentalness • 77% Positiveness
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Linval Thompson
No criminal
135 bpm • C Maj • 03:11 • -7.65db
19% Popularity • 90% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 90% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 89% Positiveness
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Pablo Moses
Give I Fe a Name
129 bpm • C Maj • 03:01 • -5db
33% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Junior Byles
Beat Down Babylon
135 bpm • D Maj • 02:35 • -10.44db
48% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
48% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
