Songs like Dream On by Bill LaBounty
Based on a tempo of (+/- 10%) and a similar genre
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Larsen/Feiten Band
Over
81 bpm • G Maj • 05:08 • -14.58db
10% Popularity • 62% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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David Pack
That Girl Is Gone
81 bpm • A Maj • 04:44 • -7.01db
42% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Carlton
Where Did You Come From
81 bpm • D# Maj • 03:33 • -14.96db
21% Popularity • 61% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 61% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Don Brown
Shut The Door
81 bpm • F min • 04:26 • -12.44db
16% Popularity • 55% Danceability • 48% Energy • 11% Liveness
8% Instrumentalness • 87% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 11% Liveness
8% Instrumentalness • 87% Positiveness
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Starbuck
Easing Back
81 bpm • B min • 02:47 • -9.82db
11% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rupert Holmes
Answering Machine
81 bpm • C Maj • 03:35 • -15.04db
36% Popularity • 78% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 78% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Bill LaBounty
Dream On
81 bpm • C Maj • 04:22 • -12.96db
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Loggins
Heart to Heart
82 bpm • C Maj • 05:22 • -13db
53% Popularity • 70% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 70% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Firefall
Always
81 bpm • C Maj • 03:47 • -9.54db
34% Popularity • 64% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 64% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Kenny Rankin
Strings
82 bpm • D Maj • 02:59 • -16.27db
31% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bee Gees
I'm Satisfied
82 bpm • G Maj • 03:56 • -11.5db
39% Popularity • 70% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 77% Positiveness
39% Popularity • 70% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 77% Positiveness
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Larsen/Feiten Band
Brown Eyes
82 bpm • A min • 03:29 • -13.02db
13% Popularity • 67% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 67% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Andy Gibb
Good Feeling
82 bpm • E Maj • 03:48 • -9.51db
33% Popularity • 57% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 57% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Sanford Townsend Band
Oriental Gate (No Chance of Changin' My ...
80 bpm • C Maj • 03:21 • -9.18db
19% Popularity • 47% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 47% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Ritenour
Keep It Alive
83 bpm • F Maj • 04:51 • -14.52db
35% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Grusin
Haunting Me
79 bpm • F Maj • 05:07 • -14.04db
36% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
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Brenda Russell
New York Bars
79 bpm • A min • 04:06 • -11.87db
18% Popularity • 71% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Byrne & Barnes
Love You out of Your Mind
83 bpm • A# min • 03:15 • -11.38db
40% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Ray Parker Jr.
She Still Feels the Need
83 bpm • E min • 04:06 • -15.44db
7% Popularity • 60% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
7% Popularity • 60% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Bill LaBounty
Comin' Back
79 bpm • D Maj • 03:45 • -12.35db
22% Popularity • 69% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 69% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Ritenour
Is It You
82 bpm • A# Maj • 04:29 • -16.36db
54% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
54% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
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Larsen/Feiten Band
Who'll Be the Fool Tonight
83 bpm • C Maj • 04:12 • -14db
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Marc Jordan
MARGARITA
83 bpm • B min • 04:10 • -13.39db
44% Popularity • 57% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
44% Popularity • 57% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Champaign
Dancin' Together Again
78 bpm • F min • 03:13 • -13.31db
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Photoglo
Fool In Love With You
84 bpm • C# min • 03:46 • -9db
40% Popularity • 73% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 73% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Brenda Russell
It's Something
83 bpm • D Maj • 03:31 • -11.87db
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
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David Gates
Never Let Her Go
84 bpm • G# Maj • 03:08 • -15db
52% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bill LaBounty
Livin' It Up
84 bpm • F min • 04:21 • -14.08db
47% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Crackin'
On the Wing
78 bpm • F Maj • 04:15 • -16.43db
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dane Donohue
Woman
78 bpm • A Maj • 03:53 • -8.62db
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Byrne & Barnes
Right Through the Heart
77 bpm • E min • 04:01 • -10.84db
16% Popularity • 71% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 71% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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The Krush
Leading Lady
77 bpm • E min • 03:19 • -9.61db
12% Popularity • 67% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 67% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Orleans
Siam Siam
85 bpm • F Maj • 03:41 • -14.37db
10% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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El DeBarge
Someone
85 bpm • C# min • 04:43 • -13db
46% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Roger Voudouris
Get Used to It
85 bpm • C Maj • 03:02 • -7db
44% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Leon Ware
Slippin' Away
86 bpm • F min • 04:10 • -12.82db
23% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Scott
Come Back to Me
77 bpm • C min • 04:19 • -14.62db
27% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Atlanta Rhythm Section
So Into You
86 bpm • F min • 04:20 • -13.48db
62% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
62% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Dane Donohue
Can't Be Seen
86 bpm • A# Maj • 03:01 • -7.3db
43% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Randy Goodrum
We're So Close
76 bpm • A# min • 03:39 • -13.93db
15% Popularity • 62% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 62% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Niteflyte
If You Want It
87 bpm • B min • 04:30 • -6.01db
40% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Pages
Come On Home
75 bpm • F# Maj • 03:30 • -10.06db
31% Popularity • 59% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Bill LaBounty
Stay High
87 bpm • D min • 04:47 • -11.01db
5% Popularity • 77% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 77% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Byrne & Barnes
Keep on Running
87 bpm • C Maj • 03:17 • -11db
18% Popularity • 68% Danceability • 50% Energy • 20% Liveness
9% Instrumentalness • 84% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 20% Liveness
9% Instrumentalness • 84% Positiveness
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Hamilton
Fallin' in Love
87 bpm • F min • 03:04 • -5.53db
49% Popularity • 61% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 61% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Larry Carlton
Ain't Nothin' For A Heartache
87 bpm • G Maj • 03:18 • -11.63db
40% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Homi & Jarvis
I'm In Love Again
87 bpm • A# min • 05:12 • -13.46db
13% Popularity • 68% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 68% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Player
Some Things Are Better Left Unsaid
87 bpm • C Maj • 03:24 • -11.58db
22% Popularity • 67% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Eric Carmen
End Of The World
75 bpm • D min • 03:30 • -11.03db
23% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Pages
Tell Me
88 bpm • A Maj • 03:52 • -9.93db
26% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dane Donohue
Where Will You Go
88 bpm • D Maj • 03:38 • -10db
8% Popularity • 54% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 54% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Bill LaBounty
Fly Away
88 bpm • G Maj • 04:05 • -8.88db
4% Popularity • 69% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
4% Popularity • 69% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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The Imperials
Living Without Your Love
88 bpm • C# min • 03:28 • -16.58db
41% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Narada Michael Walden
Why Did You Turn Me On
74 bpm • G# Maj • 04:43 • -17.72db
10% Popularity • 50% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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TOTO
99
89 bpm • A# min • 05:16 • -13.87db
52% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brenda Russell
I Want Something to Find Me
89 bpm • A Maj • 03:04 • -9.21db
29% Popularity • 68% Danceability • 56% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
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Kool & The Gang
Pass It On
73 bpm • D# min • 04:33 • -16.94db
36% Popularity • 66% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 66% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Bill LaBounty
The Wheels Are Coming Off
88 bpm • G Maj • 04:55 • -10.75db
3% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Larsen/Feiten Band
Danger Zone
89 bpm • E Maj • 05:04 • -14.32db
16% Popularity • 76% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 93% Positiveness
16% Popularity • 76% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 93% Positiveness
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Robbie Dupree
Saturday Night
90 bpm • F Maj • 03:56 • -7.29db
16% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gary Wright
Close to You
90 bpm • F Maj • 04:06 • -15db
38% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Champlin
Gotta Get Back to Love
73 bpm • C# Maj • 03:30 • -14.76db
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Ruff
Once In a Lifetime
73 bpm • G Maj • 04:24 • -8db
43% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Bill LaBounty
Look Who's Lonely Now
89 bpm • B min • 03:56 • -12.35db
38% Popularity • 63% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 63% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Chaka Khan
Any Old Sunday - 2003 Remaster
90 bpm • F min • 03:37 • -9.56db
32% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Quincy Jones
One Hundred Ways
90 bpm • D# Maj • 04:19 • -17.5db
53% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Bishop
Send a Little Love My Way (Like Always)
73 bpm • A Maj • 03:46 • -11.05db
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Dionne Warwick
For You
90 bpm • G# Maj • 04:58 • -11db
41% Popularity • 68% Danceability • 52% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
41% Popularity • 68% Danceability • 52% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
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Exile
You're Good For Me
90 bpm • E Maj • 03:36 • -13.49db
39% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Bill LaBounty
Back To Your Star
90 bpm • C Maj • 05:24 • -10.61db
12% Popularity • 73% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
12% Popularity • 73% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Sea Level
Living In A Dream
90 bpm • D min • 04:34 • -8db
29% Popularity • 68% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 69% Positiveness
29% Popularity • 68% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 69% Positiveness
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Art Garfunkel
And I Know
73 bpm • C min • 03:40 • -11.81db
19% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Atlanta Rhythm Section
All Night Rain
91 bpm • E Maj • 03:15 • -20.19db
36% Popularity • 65% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 65% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Michael Sembello
Talk
72 bpm • G# min • 03:24 • -7.89db
17% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sanford Townsend Band
Does It Have to Be You
91 bpm • A Maj • 03:13 • -11db
12% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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LAVA
Give It Up
91 bpm • D Maj • 05:15 • -9.97db
16% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Philip Bailey
For Every Heart That's Been Broken
91 bpm • C Maj • 04:16 • -9.23db
18% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Wilson Brothers
Take Me to Your Heaven
92 bpm • D Maj • 03:40 • -6.12db
46% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Robbie Dupree
Thin Line
92 bpm • D Maj • 04:05 • -15.64db
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Ocean
Rock-A-Bye Baby
92 bpm • C min • 04:38 • -6.33db
10% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Dan Fogelberg
Missing You
93 bpm • A min • 04:05 • -7db
50% Popularity • 63% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 63% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Welch
Church
92 bpm • F min • 03:07 • -7.84db
13% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Philip Bailey
Show You the Way to Love
72 bpm • D Maj • 04:43 • -10.62db
20% Popularity • 57% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Exile
Never Gonna Stop
93 bpm • A# min • 05:39 • -10.56db
13% Popularity • 69% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 94% Positiveness
13% Popularity • 69% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 94% Positiveness
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Peter Allen
Angels With Dirty Faces
93 bpm • F Maj • 03:48 • -7.08db
13% Popularity • 57% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 57% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
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213
Three Little Words
94 bpm • G Maj • 04:03 • -6.17db
10% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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David Roberts
Never Gonna Let You Go
94 bpm • C# Maj • 03:46 • -8.34db
13% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Bill LaBounty
Cinderella
70 bpm • E min • 05:03 • -10.88db
5% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Philip Bailey
I Know
93 bpm • C# min • 04:03 • -7.06db
16% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Bishop
Parked Cars
94 bpm • G Maj • 04:45 • -12db
36% Popularity • 61% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 61% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 42% Positiveness
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Patrick Simmons
Sue Sad
94 bpm • F min • 03:18 • -7.35db
12% Popularity • 57% Danceability • 78% Energy • 4% Liveness
1% Instrumentalness • 66% Positiveness
12% Popularity • 57% Danceability • 78% Energy • 4% Liveness
1% Instrumentalness • 66% Positiveness
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Little River Band
Reminiscing
94 bpm • G Maj • 04:28 • -11.07db
25% Popularity • 49% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 49% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Larsen/Feiten Band
Morning Star
94 bpm • A min • 05:21 • -13.84db
12% Popularity • 83% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
12% Popularity • 83% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Bill LaBounty
Never Gonna Look Back
94 bpm • C Maj • 03:18 • -13.3db
19% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Gary Wright
Water Sign - Remastered Version
94 bpm • A# min • 04:32 • -8.48db
17% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Nielsen & Pearson
If You Should Sail
94 bpm • F# min • 03:29 • -9.22db
41% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Boz Scaggs
JoJo (2023 Remaster)
95 bpm • F min • 05:53 • -12.38db
49% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Sister Sledge
Happy Feeling
95 bpm • E Maj • 03:38 • -9.8db
27% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
