Songs like Dreaming Saxes by Lars-Luis Linek
Based on a tempo of (+/- 10%) and a similar genre
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Derek Fiechter
Arabian Winds
106 bpm • C Maj • 03:23 • -15.7db
25% Popularity • 35% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
25% Popularity • 35% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Brandon Fiechter
Ali Baba and the Forty Thieves
106 bpm • C Maj • 04:24 • -12.53db
23% Popularity • 66% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
23% Popularity • 66% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Juan Pablo Esmok Lew
Música Tradicional Turca & Fusión
106 bpm • D Maj • 01:31 • -7.81db
10% Popularity • 69% Danceability • 57% Energy • 7% Liveness
57% Instrumentalness • 68% Positiveness
10% Popularity • 69% Danceability • 57% Energy • 7% Liveness
57% Instrumentalness • 68% Positiveness
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DIY With Joury
Ramadan Music
105 bpm • G Maj • 01:02 • -13.79db
19% Popularity • 49% Danceability • 33% Energy • 25% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 49% Danceability • 33% Energy • 25% Liveness
94% Instrumentalness • 7% Positiveness
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Faran Ensemble
Amiri 3
107 bpm • C Maj • 07:26 • -10db
17% Popularity • 47% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
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Charbel Rouhana
Tableaux De Sourat - Ya Mijana
107 bpm • C Maj • 02:58 • -10db
13% Popularity • 42% Danceability • 52% Energy • 24% Liveness
95% Instrumentalness • 50% Positiveness
13% Popularity • 42% Danceability • 52% Energy • 24% Liveness
95% Instrumentalness • 50% Positiveness
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Lars-Luis Linek
Josephine
105 bpm • C Maj • 03:54 • -9.43db
0% Popularity • 62% Danceability • 64% Energy • 84% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 62% Danceability • 64% Energy • 84% Liveness
0% Instrumentalness • 88% Positiveness
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Sufi Music Ensemble
Fly Away
105 bpm • E min • 06:15 • -12.37db
28% Popularity • 66% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 63% Positiveness
28% Popularity • 66% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 63% Positiveness
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Morin Khuur Ensemble of Mongolia
White Stupa No. 1
107 bpm • C min • 03:13 • -10.63db
11% Popularity • 25% Danceability • 31% Energy • 14% Liveness
66% Instrumentalness • 31% Positiveness
11% Popularity • 25% Danceability • 31% Energy • 14% Liveness
66% Instrumentalness • 31% Positiveness
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Ahmed Alshaiba
Malahide
105 bpm • B min • 04:22 • -10.45db
14% Popularity • 62% Danceability • 76% Energy • 15% Liveness
92% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 76% Energy • 15% Liveness
92% Instrumentalness • 72% Positiveness
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Faran Ensemble
Camila
107 bpm • G min • 05:58 • -11.2db
12% Popularity • 48% Danceability • 34% Energy • 12% Liveness
27% Instrumentalness • 29% Positiveness
12% Popularity • 48% Danceability • 34% Energy • 12% Liveness
27% Instrumentalness • 29% Positiveness
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Benise
A New Day
105 bpm • A Maj • 03:21 • -8.11db
18% Popularity • 64% Danceability • 70% Energy • 13% Liveness
41% Instrumentalness • 74% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 13% Liveness
41% Instrumentalness • 74% Positiveness
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Lars-Luis Linek
De lange Dag
107 bpm • D Maj • 04:11 • -12.67db
0% Popularity • 65% Danceability • 67% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 65% Danceability • 67% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
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Charbel Rouhana
Ourakjoutyoun (Joy) (Lebanon)
107 bpm • G min • 02:56 • -9db
31% Popularity • 65% Danceability • 58% Energy • 9% Liveness
89% Instrumentalness • 86% Positiveness
31% Popularity • 65% Danceability • 58% Energy • 9% Liveness
89% Instrumentalness • 86% Positiveness
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Arto Tunçboyacıyan
Dolma Mama
105 bpm • G Maj • 04:48 • -12db
24% Popularity • 45% Danceability • 35% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
24% Popularity • 45% Danceability • 35% Energy • 8% Liveness
88% Instrumentalness • 49% Positiveness
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Axiom Of Choice
Mystics And Fools
105 bpm • D Maj • 06:05 • -7.96db
19% Popularity • 67% Danceability • 55% Energy • 12% Liveness
79% Instrumentalness • 46% Positiveness
19% Popularity • 67% Danceability • 55% Energy • 12% Liveness
79% Instrumentalness • 46% Positiveness
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Panos Dimitrakopoulos
Pasatempos
107 bpm • B Maj • 02:22 • -5.54db
10% Popularity • 42% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 18% Positiveness
10% Popularity • 42% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 18% Positiveness
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Derek Fiechter
The Turks
104 bpm • G Maj • 03:25 • -14.75db
14% Popularity • 22% Danceability • 34% Energy • 27% Liveness
70% Instrumentalness • 32% Positiveness
14% Popularity • 22% Danceability • 34% Energy • 27% Liveness
70% Instrumentalness • 32% Positiveness
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Al Andaluz Project
A Virgen Mui Groriosa - Cantiga De Santa...
104 bpm • G Maj • 05:21 • -9.65db
7% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Lars-Luis Linek
Doon is'n Ding
108 bpm • F Maj • 03:02 • -8.53db
0% Popularity • 71% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 71% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Azam Ali
El Rey De Francia
108 bpm • E min • 04:31 • -12.96db
26% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rafa El Tachuela
Girasol
104 bpm • B min • 04:07 • -5.37db
38% Popularity • 69% Danceability • 87% Energy • 7% Liveness
69% Instrumentalness • 96% Positiveness
38% Popularity • 69% Danceability • 87% Energy • 7% Liveness
69% Instrumentalness • 96% Positiveness
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Chris Spheeris
Elektra
108 bpm • D min • 05:24 • -15.92db
24% Popularity • 65% Danceability • 39% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
24% Popularity • 65% Danceability • 39% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
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TimTaj
Night Caravan
104 bpm • C# Maj • 02:19 • -10.98db
10% Popularity • 74% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
10% Popularity • 74% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
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Amine Bouhafa
Sunset Contemplation
108 bpm • D Maj • 02:24 • -16.36db
10% Popularity • 23% Danceability • 19% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Al Lethbridge
Gaucho
108 bpm • A# min • 01:50 • -13.5db
16% Popularity • 83% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 79% Positiveness
16% Popularity • 83% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 79% Positiveness
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Luis Delgado
El Diwan de Las Poetisas
109 bpm • D# Maj • 02:08 • -9.07db
15% Popularity • 51% Danceability • 50% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
15% Popularity • 51% Danceability • 50% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
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Juan Martin
Lamento Morisco (Zambra Arabe)
103 bpm • D Maj • 05:20 • -14.43db
22% Popularity • 41% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
22% Popularity • 41% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Anonimous
Sa'dâwî - Instrumental
103 bpm • G min • 03:28 • -17.77db
11% Popularity • 48% Danceability • 16% Energy • 13% Liveness
79% Instrumentalness • 15% Positiveness
11% Popularity • 48% Danceability • 16% Energy • 13% Liveness
79% Instrumentalness • 15% Positiveness
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Ali Sabah
Ala Shawiti Digle
109 bpm • G min • 03:07 • -11.68db
11% Popularity • 91% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 54% Positiveness
11% Popularity • 91% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 54% Positiveness
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Brandon Fiechter
Petra
109 bpm • C# min • 03:19 • -16.42db
14% Popularity • 71% Danceability • 48% Energy • 12% Liveness
77% Instrumentalness • 90% Positiveness
14% Popularity • 71% Danceability • 48% Energy • 12% Liveness
77% Instrumentalness • 90% Positiveness
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Nhafa
Moonrise
103 bpm • B min • 04:24 • -7.13db
16% Popularity • 48% Danceability • 44% Energy • 8% Liveness
51% Instrumentalness • 67% Positiveness
16% Popularity • 48% Danceability • 44% Energy • 8% Liveness
51% Instrumentalness • 67% Positiveness
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Guitarra Azul
Sad Angel
103 bpm • F min • 04:31 • -10.26db
23% Popularity • 70% Danceability • 51% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
23% Popularity • 70% Danceability • 51% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Juan Martin
Evocacion - De Damasco A Cordoba
103 bpm • D Maj • 09:42 • -14db
19% Popularity • 46% Danceability • 54% Energy • 9% Liveness
85% Instrumentalness • 56% Positiveness
19% Popularity • 46% Danceability • 54% Energy • 9% Liveness
85% Instrumentalness • 56% Positiveness
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Okna Tsahan Zam
Edjin duun
103 bpm • A# min • 04:01 • -8.78db
26% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Jiyoung Chung
Sultan's Descendant
103 bpm • C min • 01:27 • -9.97db
11% Popularity • 41% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
11% Popularity • 41% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
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Sufi Music Ensemble
Whirling
103 bpm • B Maj • 07:32 • -11.25db
17% Popularity • 32% Danceability • 32% Energy • 16% Liveness
74% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 32% Energy • 16% Liveness
74% Instrumentalness • 20% Positiveness
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Savina Yannatou
El Sueño de la Hija del Rey
109 bpm • B min • 04:52 • -11.6db
22% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
22% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
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Shaun Erik & Frank de Vries
No Boarders (arr.)
110 bpm • D Maj • 01:01 • -18.16db
13% Popularity • 51% Danceability • 42% Energy • 45% Liveness
85% Instrumentalness • 78% Positiveness
13% Popularity • 51% Danceability • 42% Energy • 45% Liveness
85% Instrumentalness • 78% Positiveness
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Ahmed Nasr
Samra Ya Samra
109 bpm • F min • 03:33 • -12.15db
24% Popularity • 58% Danceability • 44% Energy • 7% Liveness
97% Instrumentalness • 71% Positiveness
24% Popularity • 58% Danceability • 44% Energy • 7% Liveness
97% Instrumentalness • 71% Positiveness
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Lars-Luis Linek
He lüggt
110 bpm • G min • 03:35 • -7.65db
1% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Eduardo Paniagua
Estrellas Fijas
102 bpm • A Maj • 04:14 • -15.4db
10% Popularity • 56% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
10% Popularity • 56% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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John Grout
Sahara Sunrise
110 bpm • F# Maj • 03:22 • -11.97db
20% Popularity • 64% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 64% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Andre Hajj Ensemble
Mir
110 bpm • D min • 05:17 • -6.28db
15% Popularity • 60% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 44% Positiveness
15% Popularity • 60% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 44% Positiveness
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Charbel Rouhana
Mouassal
110 bpm • D min • 01:21 • -10db
40% Popularity • 65% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 78% Positiveness
40% Popularity • 65% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 78% Positiveness
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İlker Yasin Yıldız
Persephone Is Lost
110 bpm • A Maj • 01:44 • -10.28db
7% Popularity • 64% Danceability • 76% Energy • 7% Liveness
93% Instrumentalness • 78% Positiveness
7% Popularity • 64% Danceability • 76% Energy • 7% Liveness
93% Instrumentalness • 78% Positiveness
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Lars-Luis Linek
Haithabu
110 bpm • D Maj • 03:54 • -9.43db
0% Popularity • 78% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 78% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Konstantinou
Spring
110 bpm • D min • 02:40 • -15.19db
36% Popularity • 86% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
36% Popularity • 86% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
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Phil Thornton
From Memphis to Heliopolis
110 bpm • D Maj • 06:12 • -5.75db
19% Popularity • 72% Danceability • 65% Energy • 18% Liveness
31% Instrumentalness • 39% Positiveness
19% Popularity • 72% Danceability • 65% Energy • 18% Liveness
31% Instrumentalness • 39% Positiveness
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Sedat Anar
Şenlik
110 bpm • B Maj • 02:10 • -13.82db
14% Popularity • 62% Danceability • 44% Energy • 7% Liveness
93% Instrumentalness • 62% Positiveness
14% Popularity • 62% Danceability • 44% Energy • 7% Liveness
93% Instrumentalness • 62% Positiveness
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Brent Gunter
Solitude
110 bpm • D min • 06:07 • -13.58db
11% Popularity • 82% Danceability • 38% Energy • 33% Liveness
92% Instrumentalness • 42% Positiveness
11% Popularity • 82% Danceability • 38% Energy • 33% Liveness
92% Instrumentalness • 42% Positiveness
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Benise
Eyes Behind the Veil
110 bpm • F min • 04:52 • -8.42db
9% Popularity • 42% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Lars-Luis Linek
Southern Sahara Percussion
110 bpm • F min • 01:35 • -9.21db
1% Popularity • 79% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 71% Positiveness
1% Popularity • 79% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 71% Positiveness
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Brandon Fiechter
Desert Sphinx
102 bpm • E Maj • 03:30 • -18.01db
25% Popularity • 51% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
25% Popularity • 51% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Hossam Ramzy
Sol y Sal: IV. Juntos (Together)
110 bpm • E min • 02:07 • -4.75db
27% Popularity • 69% Danceability • 79% Energy • 5% Liveness
85% Instrumentalness • 82% Positiveness
27% Popularity • 69% Danceability • 79% Energy • 5% Liveness
85% Instrumentalness • 82% Positiveness
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Tunde Jegede
The Way
102 bpm • C min • 03:15 • -16.79db
19% Popularity • 45% Danceability • 25% Energy • 13% Liveness
77% Instrumentalness • 43% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 13% Liveness
77% Instrumentalness • 43% Positiveness
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Juan Martin
Lamma Bada Ytethna
110 bpm • D min • 03:55 • -15.81db
19% Popularity • 71% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
19% Popularity • 71% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
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Дидар Исахан
Мерген
110 bpm • D min • 01:49 • -10.11db
22% Popularity • 90% Danceability • 32% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
22% Popularity • 90% Danceability • 32% Energy • 9% Liveness
81% Instrumentalness • 39% Positiveness
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Haig Yazdjian
Nihavend Longa
111 bpm • G min • 03:01 • -17db
12% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
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Eddie the Sheik Kochak
The Sensual Chifti (Rumba)
101 bpm • A min • 02:35 • -10.26db
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Can Atilla
Constantinople
111 bpm • D min • 05:28 • -9.18db
18% Popularity • 23% Danceability • 41% Energy • 16% Liveness
27% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 41% Energy • 16% Liveness
27% Instrumentalness • 4% Positiveness
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Irfan
Burana
101 bpm • E Maj • 07:33 • -6.76db
22% Popularity • 26% Danceability • 64% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
22% Popularity • 26% Danceability • 64% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
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Raul Ferrando
Tabla Talk
111 bpm • C Maj • 03:33 • -8.19db
36% Popularity • 54% Danceability • 99% Energy • 5% Liveness
89% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 99% Energy • 5% Liveness
89% Instrumentalness • 53% Positiveness
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Petros Tabouris
First Delphic Hymn to Apollo
101 bpm • A min • 04:04 • -13.84db
13% Popularity • 30% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Maan Hamadeh
Bella Ciao and Albi W Moftaho
112 bpm • A min • 02:42 • -16.67db
17% Popularity • 36% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 43% Positiveness
17% Popularity • 36% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 43% Positiveness
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Lars-Luis Linek
Railroad Shuffle
100 bpm • G Maj • 02:27 • -13.27db
4% Popularity • 61% Danceability • 51% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
4% Popularity • 61% Danceability • 51% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
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Rafael Krux
Ambient Arabian Oud
111 bpm • D Maj • 04:47 • -18.27db
9% Popularity • 51% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
9% Popularity • 51% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Renato Di Prinzio
Dantza Samnita (Edición Deluxe)
112 bpm • D Maj • 01:58 • -13.23db
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
15% Popularity • 76% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
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Feras Charestan
My Quiet Room
112 bpm • B min • 02:56 • -11.49db
8% Popularity • 36% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 36% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Marcus Viana
Dança das Serpentes
112 bpm • G# Maj • 01:57 • -12.07db
29% Popularity • 62% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 37% Positiveness
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Itai Armon
The Riders
112 bpm • G# Maj • 03:07 • -13.79db
17% Popularity • 69% Danceability • 41% Energy • 19% Liveness
24% Instrumentalness • 56% Positiveness
17% Popularity • 69% Danceability • 41% Energy • 19% Liveness
24% Instrumentalness • 56% Positiveness
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Lars-Luis Linek
Medieval Market
112 bpm • C# Maj • 02:45 • -12.15db
1% Popularity • 75% Danceability • 63% Energy • 22% Liveness
82% Instrumentalness • 70% Positiveness
1% Popularity • 75% Danceability • 63% Energy • 22% Liveness
82% Instrumentalness • 70% Positiveness
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Ana Alcaide
Khun caravan
112 bpm • D Maj • 05:25 • -10.62db
22% Popularity • 55% Danceability • 35% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
22% Popularity • 55% Danceability • 35% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
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Derek Fiechter
Aladdin
112 bpm • A Maj • 03:27 • -14.14db
20% Popularity • 61% Danceability • 64% Energy • 67% Liveness
93% Instrumentalness • 60% Positiveness
20% Popularity • 61% Danceability • 64% Energy • 67% Liveness
93% Instrumentalness • 60% Positiveness
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Nizar Rohana
Emm El Zeinat
112 bpm • C Maj • 06:31 • -7.27db
27% Popularity • 68% Danceability • 61% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
27% Popularity • 68% Danceability • 61% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
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Ghenwa Nemnom
Soukoun - Acoustic Version
100 bpm • A min • 03:06 • -15.49db
7% Popularity • 60% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
7% Popularity • 60% Danceability • 25% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
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Henning Fuchs
The Tribe
112 bpm • G min • 01:48 • -11.27db
19% Popularity • 47% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 60% Positiveness
19% Popularity • 47% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 60% Positiveness
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Arany Zoltán
Üsküdara
100 bpm • A# Maj • 03:32 • -16db
24% Popularity • 82% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
24% Popularity • 82% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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David Clavijo
Uttara Kanda
100 bpm • F Maj • 03:09 • -12.89db
15% Popularity • 47% Danceability • 32% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 47% Danceability • 32% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Nomad
Movimento Interior
100 bpm • D Maj • 07:07 • -7.67db
23% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ahmed Alshaiba
Nour El Ein
100 bpm • B min • 05:08 • -16.31db
26% Popularity • 79% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
26% Popularity • 79% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
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Makis Ablianitis
Bahar
100 bpm • A min • 03:19 • -17.06db
33% Popularity • 69% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Ziad Trabelsi
Moroccan Nocturne
100 bpm • A# min • 03:07 • -10.58db
5% Popularity • 68% Danceability • 49% Energy • 12% Liveness
91% Instrumentalness • 51% Positiveness
5% Popularity • 68% Danceability • 49% Energy • 12% Liveness
91% Instrumentalness • 51% Positiveness
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Ender Akay
Anderath
100 bpm • D min • 01:37 • -15.16db
17% Popularity • 42% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
17% Popularity • 42% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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عود حزين
نسم علينا الهوى عود حز...
100 bpm • C Maj • 04:34 • -14.66db
10% Popularity • 69% Danceability • 27% Energy • 14% Liveness
93% Instrumentalness • 42% Positiveness
10% Popularity • 69% Danceability • 27% Energy • 14% Liveness
93% Instrumentalness • 42% Positiveness
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Ismael Ounal
Yemen türküsü (Turkey)
100 bpm • A min • 03:16 • -16.07db
17% Popularity • 63% Danceability • 24% Energy • 10% Liveness
67% Instrumentalness • 46% Positiveness
17% Popularity • 63% Danceability • 24% Energy • 10% Liveness
67% Instrumentalness • 46% Positiveness
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Oceo
The Rose and the Nightingale
100 bpm • A min • 05:43 • -6.25db
17% Popularity • 69% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
17% Popularity • 69% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Paul Dinletir
Quest of the Oracle
100 bpm • D min • 03:28 • -7.87db
23% Popularity • 58% Danceability • 82% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
23% Popularity • 58% Danceability • 82% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
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Veena
youth
100 bpm • B min • 01:55 • -17.26db
32% Popularity • 64% Danceability • 24% Energy • 8% Liveness
64% Instrumentalness • 8% Positiveness
32% Popularity • 64% Danceability • 24% Energy • 8% Liveness
64% Instrumentalness • 8% Positiveness
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KELLY
DRAMATIC
100 bpm • B min • 01:55 • -17.26db
30% Popularity • 64% Danceability • 24% Energy • 8% Liveness
64% Instrumentalness • 8% Positiveness
30% Popularity • 64% Danceability • 24% Energy • 8% Liveness
64% Instrumentalness • 8% Positiveness
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Feras Charestan
Folk Dance
100 bpm • A min • 02:17 • -7.56db
11% Popularity • 60% Danceability • 80% Energy • 18% Liveness
75% Instrumentalness • 96% Positiveness
11% Popularity • 60% Danceability • 80% Energy • 18% Liveness
75% Instrumentalness • 96% Positiveness
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Abisha
Andalussia (Andalusia)
100 bpm • G# Maj • 03:03 • -7.74db
15% Popularity • 59% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 59% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 9% Positiveness
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Alaa Majeed
Iraqi Cafe
100 bpm • F Maj • 05:17 • -13.07db
13% Popularity • 60% Danceability • 28% Energy • 9% Liveness
81% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 9% Liveness
81% Instrumentalness • 73% Positiveness
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Kroke
LITTLE SOMETHING
100 bpm • G Maj • 05:43 • -9.88db
8% Popularity • 60% Danceability • 49% Energy • 4% Liveness
52% Instrumentalness • 52% Positiveness
8% Popularity • 60% Danceability • 49% Energy • 4% Liveness
52% Instrumentalness • 52% Positiveness
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Saro Tribastone
Libertad
100 bpm • C Maj • 04:00 • -6.45db
14% Popularity • 67% Danceability • 53% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
14% Popularity • 67% Danceability • 53% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Deskant
Too Fast to Run
100 bpm • C Maj • 01:52 • -8.97db
10% Popularity • 52% Danceability • 74% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 74% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Hanine El Alam
Salma
100 bpm • A min • 04:08 • -9.69db
20% Popularity • 56% Danceability • 50% Energy • 37% Liveness
7% Instrumentalness • 29% Positiveness
20% Popularity • 56% Danceability • 50% Energy • 37% Liveness
7% Instrumentalness • 29% Positiveness
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Lars-Luis Linek
Tunisian Malouf
100 bpm • D Maj • 03:49 • -5.34db
1% Popularity • 63% Danceability • 83% Energy • 14% Liveness
27% Instrumentalness • 84% Positiveness
1% Popularity • 63% Danceability • 83% Energy • 14% Liveness
27% Instrumentalness • 84% Positiveness
