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Dreamship
Songs like
Dreamship
by
Leonardo's Bride
Based on a tempo of (+/- 10%) and a similar genre
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Liz Stringer
The Metrologist
142 bpm • B min • 05:40 • -7.75db
19% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Leonardo's Bride
Sonic - DJ Tails Remix
142 bpm • G# Maj • 03:46 • -8.02db
0% Popularity • 53% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Pete Murray
Don't Change
142 bpm • D Maj • 03:36 • -14.38db
31% Popularity • 31% Danceability • 24% Energy • 18% Liveness
4% Instrumentalness • 26% Positiveness
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The Whitlams
Nobody Knows I Love You
142 bpm • E min • 05:03 • -9.41db
14% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tall Tales & True
Trust
142 bpm • C Maj • 03:31 • -14.53db
13% Popularity • 62% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Straitjacket Fits
Down in Splendour
141 bpm • A Maj • 03:41 • -10db
23% Popularity • 32% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Jordie Lane
For Everyone
143 bpm • C Maj • 04:21 • -9db
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Leonardo's Bride
Dreamship
142 bpm • C# Maj • 03:18 • -10.82db
16% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Magic Dirt
Dirty Jeans
141 bpm • F Maj • 03:41 • -6.52db
37% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Don McGlashan
This Is London
141 bpm • D Maj • 05:03 • -7.38db
18% Popularity • 42% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Frente!
Labour of Love
143 bpm • E Maj • 03:02 • -13.7db
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Alice Skye
60%
144 bpm • C Maj • 03:27 • -16.15db
20% Popularity • 32% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Augie March
Mother Greer
140 bpm • G Maj • 03:46 • -7.68db
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Leonardo's Bride
Hey Hey
141 bpm • A# Maj • 03:59 • -4.89db
9% Popularity • 57% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Deadstar
Texas
144 bpm • C Maj • 04:55 • -8.5db
7% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Don McGlashan
Lucky Stars
140 bpm • G Maj • 03:47 • -9.41db
22% Popularity • 72% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Seeker Lover Keeper
Light All My Lights
140 bpm • F Maj • 03:22 • -12db
29% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
140 bpm • C# Maj • 03:54 • -9.7db
16% Popularity • 38% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Harmer
Don't Get Your Back Up
140 bpm • B Maj • 03:54 • -7.91db
33% Popularity • 64% Danceability • 64% Energy • 25% Liveness
2% Instrumentalness • 71% Positiveness
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Leonardo's Bride
Your Love
143 bpm • C Maj • 02:27 • -6.57db
1% Popularity • 45% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Tanya Donelly
Keeping You
144 bpm • G Maj • 04:19 • -9db
10% Popularity • 61% Danceability • 55% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Bertie Blackman
Television
145 bpm • D Maj • 03:26 • -6.82db
21% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
22% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Meg Washington
Underground
145 bpm • A Maj • 03:46 • -10.22db
21% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Leonardo's Bride
Stay
143 bpm • C min • 03:21 • -7.39db
17% Popularity • 42% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cathy Davey
Sing for Your Supper
139 bpm • G Maj • 03:44 • -7.67db
17% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dyson Stringer Cloher
Too Seriously
146 bpm • G Maj • 02:50 • -8.24db
17% Popularity • 75% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Falling Joys
Jennifer
146 bpm • C Maj • 03:01 • -6db
18% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Gemma Hayes
Happy Sad
138 bpm • E Maj • 04:20 • -4.68db
12% Popularity • 50% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Don McGlashan
On My Way to You
146 bpm • A min • 03:42 • -8.99db
28% Popularity • 68% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Leonardo's Bride
Buddha Baby
144 bpm • D min • 07:06 • -6.47db
10% Popularity • 36% Danceability • 0% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Liz Stringer
Anyone
138 bpm • D# Maj • 03:04 • -5.28db
19% Popularity • 65% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Jen Cloher
Mothers Desk
138 bpm • D Maj • 04:53 • -6.37db
14% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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George
Surrender
146 bpm • G min • 05:37 • -13.17db
12% Popularity • 23% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
41% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Leonardo's Bride
Sonic
140 bpm • A# Maj • 03:00 • -6.65db
3% Popularity • 43% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Go-Betweens
Going Blind
147 bpm • E Maj • 02:58 • -15db
9% Popularity • 49% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Jen Cloher
The Longing Song
138 bpm • C Maj • 03:32 • -9.18db
16% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Phoenix Over Water
So Blinding
137 bpm • G Maj • 04:11 • -6.65db
12% Popularity • 47% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tex Perkins
She Speaks A Different Language - Biling...
148 bpm • E min • 04:45 • -9.13db
12% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
33% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Leonardo's Bride
Blue Gone Green
144 bpm • C# Maj • 02:49 • -13.53db
1% Popularity • 42% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Sweet Whirl
Patterns Of Nature
136 bpm • A# Maj • 04:07 • -7.41db
14% Popularity • 40% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Tiddas
For A Short Time
136 bpm • A# Maj • 04:59 • -8.25db
9% Popularity • 45% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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78 Saab
Iris-Ann
136 bpm • B Maj • 01:02 • -9.23db
10% Popularity • 50% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Ivy
This Is The Day
149 bpm • F# min • 03:32 • -6.13db
30% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Monique Brumby
Fool For You
149 bpm • B Maj • 04:13 • -6.92db
9% Popularity • 25% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Leonardo's Bride
Fortyone False Starts
137 bpm • A min • 03:32 • -4.4db
6% Popularity • 33% Danceability • 72% Energy • 9% Liveness
7% Instrumentalness • 32% Positiveness
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Big Heavy Stuff
Hibernate
135 bpm • E Maj • 03:41 • -9.58db
20% Popularity • 61% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Kate Ceberano
Pash
135 bpm • F min • 04:20 • -5db
36% Popularity • 70% Danceability • 91% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Bob Evans
Wintersong
149 bpm • G# Maj • 04:15 • -10.26db
1% Popularity • 37% Danceability • 39% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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Cordrazine
Crazy
150 bpm • A min • 04:37 • -8.72db
9% Popularity • 36% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Snout
Got Sold on Heaven
135 bpm • E min • 03:19 • -8.53db
22% Popularity • 48% Danceability • 66% Energy • 18% Liveness
14% Instrumentalness • 75% Positiveness
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Christine Anu
Wanem Time
135 bpm • B min • 02:49 • -8.27db
11% Popularity • 61% Danceability • 88% Energy • 23% Liveness
8% Instrumentalness • 96% Positiveness
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The Orbweavers
The Distant Call of Home
135 bpm • E min • 03:31 • -28db
8% Popularity • 60% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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ThornBird
All The Things
150 bpm • F Maj • 04:05 • -8.24db
18% Popularity • 61% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Beth Orton
Pass in Time
134 bpm • B Maj • 07:17 • -10.25db
24% Popularity • 41% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Augie March
Victoria's Secrets
134 bpm • A Maj • 04:47 • -7.11db
12% Popularity • 33% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Martha Wainwright
The Ship Song
151 bpm • G Maj • 04:04 • -12.21db
13% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Liz Stringer
Dangerous
134 bpm • C min • 04:02 • -5db
24% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Rebecca's Empire
Empty
151 bpm • A Maj • 03:14 • -6db
24% Popularity • 31% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Olenka and the Autumn Lovers
Watching Neighbours
133 bpm • E min • 03:37 • -20.39db
13% Popularity • 37% Danceability • 15% Energy • 14% Liveness
40% Instrumentalness • 29% Positiveness
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Falling Joys
You're in a Mess
133 bpm • D Maj • 04:25 • -6.87db
26% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Frente!
Most Beautiful
133 bpm • B min • 02:51 • -10.98db
11% Popularity • 79% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Aimee Mann
You Could Make A Killing
133 bpm • D# Maj • 03:42 • -13.79db
35% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Liz Stringer
First Time Really Feeling
151 bpm • A# Maj • 05:50 • -8db
22% Popularity • 50% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Alice Skye
Party Tricks
133 bpm • G Maj • 04:40 • -8.64db
12% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Panics
This Day Last Year
152 bpm • F min • 05:17 • -8db
21% Popularity • 28% Danceability • 68% Energy • 40% Liveness
2% Instrumentalness • 39% Positiveness
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Goldenhorse
Golden Dawn
152 bpm • D Maj • 04:41 • -6.14db
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Died Pretty
D.C.
133 bpm • D Maj • 04:32 • -3.03db
31% Popularity • 55% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Buffalo Tom
Late At Night
133 bpm • G Maj • 03:58 • -8db
36% Popularity • 43% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Liz Stringer
High Open Hills
133 bpm • E Maj • 05:38 • -9db
20% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Leonardo's Bride
Disappear
152 bpm • A# min • 02:18 • -7.59db
0% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Bic Runga
Election Night
132 bpm • G Maj • 03:03 • -8.09db
4% Popularity • 63% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Mick Thomas
See You When I'm Looking at You - Radio ...
132 bpm • D Maj • 03:56 • -8db
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Lee
Arsehole
152 bpm • C Maj • 04:28 • -8.48db
8% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Frente!
Accidently Kelly Street
153 bpm • A# Maj • 03:21 • -10db
41% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Goldenhorse
Fish
132 bpm • A Maj • 03:26 • -7.55db
13% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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RVG
I Used To Love You
132 bpm • C Maj • 03:33 • -5.93db
22% Popularity • 41% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Augie March
The Cold Acre
132 bpm • B min • 05:38 • -9.28db
20% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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Madder Rose
Panic On
132 bpm • F Maj • 03:53 • -8.4db
19% Popularity • 52% Danceability • 72% Energy • 16% Liveness
40% Instrumentalness • 62% Positiveness
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Deadstar
Over the Radio
131 bpm • G Maj • 04:42 • -5.76db
9% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Frente!
No Time
131 bpm • G Maj • 03:20 • -9.36db
15% Popularity • 73% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Leah Flanagan
Love Like Water
154 bpm • F Maj • 03:53 • -7.42db
15% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lo-tel
Teenager Of The Year
131 bpm • A# Maj • 04:29 • -7.99db
32% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Longpigs
On & On
154 bpm • C Maj • 04:10 • -10db
48% Popularity • 27% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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George
Holiday - Just Here for a Few Days...
154 bpm • A# min • 04:24 • -8.01db
12% Popularity • 24% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The Whitlams
Fall for You
155 bpm • F min • 03:47 • -8.86db
33% Popularity • 56% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Frente!
Girl
131 bpm • F# Maj • 02:43 • -21.43db
14% Popularity • 65% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Monique Brumby
The Change In Me
130 bpm • E Maj • 04:31 • -11.33db
9% Popularity • 34% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Sleepy Jackson
Come To This
130 bpm • F# Maj • 03:28 • -3.54db
28% Popularity • 53% Danceability • 95% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
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Patti Rothberg
Looking For A Girl
130 bpm • D Maj • 02:33 • -8.67db
9% Popularity • 64% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Mia Dyson
Tell Me
130 bpm • E Maj • 04:08 • -5.28db
27% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Decoder Ring
Somersault
130 bpm • A# Maj • 02:37 • -8.38db
20% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
The Orbweavers
Spotswood
130 bpm • C Maj • 03:34 • -12.5db
14% Popularity • 31% Danceability • 35% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Epicure
Tightrope Walker
130 bpm • A Maj • 04:33 • -9.2db
16% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Melody Pool
Fantasy Girl
130 bpm • F# Maj • 04:32 • -10.41db
2% Popularity • 46% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Dreamship