Songs like Drive by The Gaslight Anthem
Based on a tempo of (+/- 10%) and a similar genre
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The Copyrights
Crutches
95 bpm • B Maj • 02:17 • -5.75db
22% Popularity • 62% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 62% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Tim Vantol
Mercy Will Kill Me
95 bpm • C# Maj • 02:55 • -7.97db
10% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Wollard & The Ship Thieves
Undertakers
95 bpm • C Maj • 03:02 • -5.53db
26% Popularity • 41% Danceability • 96% Energy • 35% Liveness
6% Instrumentalness • 54% Positiveness
26% Popularity • 41% Danceability • 96% Energy • 35% Liveness
6% Instrumentalness • 54% Positiveness
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Samiam
80 West
95 bpm • D Maj • 01:52 • -5.67db
38% Popularity • 39% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
38% Popularity • 39% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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The Gaslight Anthem
Drive
95 bpm • C Maj • 02:55 • -2.31db
35% Popularity • 41% Danceability • 98% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 41% Danceability • 98% Energy • 88% Liveness
0% Instrumentalness • 52% Positiveness
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Smoke Or Fire
Fire Escapes
95 bpm • D Maj • 01:39 • -6.51db
16% Popularity • 45% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 45% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Banner Pilot
Letterbox
94 bpm • A Maj • 04:02 • -3.62db
16% Popularity • 52% Danceability • 97% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
16% Popularity • 52% Danceability • 97% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
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Tim Vantol
What Norm?
95 bpm • E Maj • 02:21 • -6.9db
8% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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None More Black
We Dance on the Ruins of the Stupid Stag...
96 bpm • A Maj • 03:32 • -6.95db
18% Popularity • 45% Danceability • 98% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 98% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
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Audio Karate
Nintendo 89
94 bpm • E Maj • 03:38 • -4.15db
27% Popularity • 27% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 27% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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The Gaslight Anthem
Selected Poems
96 bpm • C Maj • 02:53 • -5.22db
32% Popularity • 49% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 49% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Smoke Or Fire
Filter
96 bpm • B min • 01:51 • -5.77db
19% Popularity • 50% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Banner Pilot
Red Line
96 bpm • B min • 03:11 • -2.73db
32% Popularity • 54% Danceability • 99% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
32% Popularity • 54% Danceability • 99% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
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Nothington
The Escapist
96 bpm • B Maj • 03:21 • -3.56db
13% Popularity • 47% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 47% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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None More Black
Dinner's for Suckers
96 bpm • A Maj • 01:48 • -4db
30% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Dead To Me
The Monarch Hotel
94 bpm • D Maj • 03:00 • -5.24db
11% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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The Gaslight Anthem
High Lonesome
94 bpm • A# Maj • 02:51 • -4.09db
23% Popularity • 44% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 44% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Samiam
Dead
93 bpm • C# min • 03:16 • -4.24db
29% Popularity • 46% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 46% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Latterman
Fear And Loathing On Long Island
97 bpm • E Maj • 02:24 • -4.17db
29% Popularity • 35% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 35% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 52% Positiveness
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Banner Pilot
Intervention
96 bpm • C Maj • 03:43 • -3.33db
26% Popularity • 59% Danceability • 99% Energy • 50% Liveness
46% Instrumentalness • 21% Positiveness
26% Popularity • 59% Danceability • 99% Energy • 50% Liveness
46% Instrumentalness • 21% Positiveness
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Iron Chic
In One Ear
93 bpm • A Maj • 03:35 • -6.06db
20% Popularity • 40% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 40% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Brendan Kelly and the Wandering Birds
Suffer the Children, Come Unto Me
93 bpm • E Maj • 02:51 • -5.06db
30% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 47% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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The Ataris
Up, Up, Down, Down,, Left, Right, Left, ...
97 bpm • D Maj • 03:01 • -4.68db
21% Popularity • 47% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 47% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Samiam
Clean Up The Mess
93 bpm • G Maj • 02:02 • -5.13db
36% Popularity • 43% Danceability • 95% Energy • 17% Liveness
1% Instrumentalness • 47% Positiveness
36% Popularity • 43% Danceability • 95% Energy • 17% Liveness
1% Instrumentalness • 47% Positiveness
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Broadway Calls
Suffer the Kids
97 bpm • C Maj • 02:12 • -5.13db
16% Popularity • 56% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 56% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Banner Pilot
Skeleton Key
97 bpm • B Maj • 03:02 • -4.75db
28% Popularity • 44% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 44% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Cobra Skulls
Rebel Fate
97 bpm • C Maj • 02:52 • -5.61db
19% Popularity • 37% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 37% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Hause (Featuring Chuck Ragan And Joe Ginsberg)
Prague
97 bpm • A min • 02:55 • -4.98db
21% Popularity • 63% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 63% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Ataris
Teenage Riot
97 bpm • G Maj • 02:58 • -6.17db
29% Popularity • 49% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 49% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Laura Jane Grace
Harsh Realms
97 bpm • F Maj • 02:40 • -5.55db
32% Popularity • 72% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 72% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Dead To Me
Something New
97 bpm • C Maj • 02:41 • -6.28db
23% Popularity • 49% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 49% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Falcon
Building The Perfect Asshole Parade or S...
93 bpm • C# min • 02:41 • -2.72db
10% Popularity • 44% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 44% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Banner Pilot
Farewell to Iron Bastards
97 bpm • B min • 02:40 • -4.76db
19% Popularity • 51% Danceability • 99% Energy • 32% Liveness
19% Instrumentalness • 46% Positiveness
19% Popularity • 51% Danceability • 99% Energy • 32% Liveness
19% Instrumentalness • 46% Positiveness
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Dan Andriano in the Emergency Room
Hollow Sounds
97 bpm • G Maj • 02:36 • -7db
22% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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CHEWIE
Let Me Let You Down
98 bpm • C Maj • 03:40 • -7db
22% Popularity • 44% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 44% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Gaslight Anthem
Patient Ferris Wheel
92 bpm • D Maj • 03:25 • -3.5db
27% Popularity • 36% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 36% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Against Me!
High Pressure Low (Acoustic Version)
93 bpm • B Maj • 04:18 • -5db
16% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Wollard & The Ship Thieves
No Anchor
98 bpm • B min • 03:15 • -5.25db
35% Popularity • 46% Danceability • 97% Energy • 28% Liveness
3% Instrumentalness • 68% Positiveness
35% Popularity • 46% Danceability • 97% Energy • 28% Liveness
3% Instrumentalness • 68% Positiveness
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The Draft
Out of tune
98 bpm • G Maj • 02:56 • -4.7db
15% Popularity • 40% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 56% Positiveness
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The Lillingtons
All I Hear Is Static
98 bpm • G Maj • 02:06 • -3db
37% Popularity • 49% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 49% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Tony Sly
Homecoming
98 bpm • G# Maj • 02:09 • -6.18db
20% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Gaslight Anthem
Orphans
92 bpm • C Maj • 03:23 • -2.75db
33% Popularity • 46% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 46% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Good Riddance
Shame
91 bpm • F# Maj • 01:48 • -6.19db
29% Popularity • 48% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 48% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Skiba and the Sekrets
Luciferian Blues
99 bpm • G Maj • 02:59 • -2.56db
29% Popularity • 43% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
29% Popularity • 43% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
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The Movielife
Hey
90 bpm • G# Maj • 02:41 • -3.56db
32% Popularity • 50% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 50% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Smoke Or Fire
What Separates Us All
100 bpm • B min • 02:27 • -7db
15% Popularity • 42% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 42% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Tony Sly
Already Won
99 bpm • G Maj • 02:26 • -6.13db
22% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Gaslight Anthem
Say I Won't (Recognize)
91 bpm • F Maj • 02:52 • -2.84db
34% Popularity • 42% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 42% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Latterman
Doom! Doom! Doom!
90 bpm • D Maj • 02:38 • -4db
22% Popularity • 31% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 31% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Banner Pilot
Central Standard
100 bpm • B Maj • 02:50 • -4db
25% Popularity • 43% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 43% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Andriano in the Emergency Room
My Human Being
90 bpm • C Maj • 03:09 • -2.83db
13% Popularity • 51% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 51% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Sundowner
Cemetery West
100 bpm • D Maj • 03:45 • -11.53db
20% Popularity • 55% Danceability • 65% Energy • 11% Liveness
20% Instrumentalness • 38% Positiveness
20% Popularity • 55% Danceability • 65% Energy • 11% Liveness
20% Instrumentalness • 38% Positiveness
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Brian Fallon
Smoke
100 bpm • C Maj • 03:41 • -4.12db
43% Popularity • 58% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 58% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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The Gaslight Anthem
Stay Lucky
92 bpm • A# Maj • 03:08 • -3.23db
43% Popularity • 46% Danceability • 98% Energy • 38% Liveness
3% Instrumentalness • 94% Positiveness
43% Popularity • 46% Danceability • 98% Energy • 38% Liveness
3% Instrumentalness • 94% Positiveness
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Off With Their Heads
Drive
100 bpm • C Maj • 02:45 • -4.36db
31% Popularity • 53% Danceability • 97% Energy • 14% Liveness
4% Instrumentalness • 46% Positiveness
31% Popularity • 53% Danceability • 97% Energy • 14% Liveness
4% Instrumentalness • 46% Positiveness
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Matt Skiba
The City That Day
100 bpm • A# min • 01:53 • -5db
30% Popularity • 63% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 63% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Dan Andriano in the Emergency Room
Say Say Say
100 bpm • A min • 03:34 • -6.29db
16% Popularity • 60% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 60% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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The Horrible Crowes
Last Rites
90 bpm • C Maj • 01:27 • -13.69db
13% Popularity • 45% Danceability • 53% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
13% Popularity • 45% Danceability • 53% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
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Brian Fallon
Mojo Hand
90 bpm • D Maj • 03:27 • -5.87db
25% Popularity • 57% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 57% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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The Gaslight Anthem
Red In The Morning
91 bpm • F# min • 02:51 • -2.8db
28% Popularity • 41% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 41% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Off With Their Heads
Keep Falling Down
100 bpm • C Maj • 03:05 • -6.17db
34% Popularity • 50% Danceability • 98% Energy • 14% Liveness
9% Instrumentalness • 74% Positiveness
34% Popularity • 50% Danceability • 98% Energy • 14% Liveness
9% Instrumentalness • 74% Positiveness
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Matt Skiba
Next To You
100 bpm • G# Maj • 03:04 • -9.64db
20% Popularity • 60% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 60% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Andriano in the Emergency Room
Fire Pit
90 bpm • C Maj • 03:34 • -2.17db
17% Popularity • 38% Danceability • 94% Energy • 55% Liveness
8% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 94% Energy • 55% Liveness
8% Instrumentalness • 42% Positiveness
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Brendan Kelly and the Wandering Birds
Shitty Margarita
90 bpm • C# min • 03:17 • -5.33db
16% Popularity • 46% Danceability • 94% Energy • 13% Liveness
78% Instrumentalness • 87% Positiveness
16% Popularity • 46% Danceability • 94% Energy • 13% Liveness
78% Instrumentalness • 87% Positiveness
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The Horrible Crowes
Mary Ann
90 bpm • G# Maj • 03:35 • -4.3db
5% Popularity • 57% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 57% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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The Gaslight Anthem
I Coul'da Been A Contender
90 bpm • G min • 03:22 • -3.8db
33% Popularity • 43% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 43% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Off With Their Heads
Clear the Air
90 bpm • E Maj • 03:49 • -7.34db
28% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 53% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Northcote
Bitter End
90 bpm • A Maj • 03:14 • -3.12db
25% Popularity • 50% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Samiam
Mud Hill
100 bpm • C Maj • 03:28 • -4.87db
18% Popularity • 63% Danceability • 61% Energy • 11% Liveness
21% Instrumentalness • 44% Positiveness
18% Popularity • 63% Danceability • 61% Energy • 11% Liveness
21% Instrumentalness • 44% Positiveness
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None More Black
StillsSternLange&Norris
101 bpm • G Maj • 01:48 • -5.97db
16% Popularity • 42% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 42% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Propagandhi
Anchorless
90 bpm • D Maj • 01:39 • -8db
38% Popularity • 50% Danceability • 88% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
38% Popularity • 50% Danceability • 88% Energy • 12% Liveness
34% Instrumentalness • 68% Positiveness
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The Gaslight Anthem
Wooderson
90 bpm • G Maj • 02:11 • -2.6db
37% Popularity • 33% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 33% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Smoke Or Fire
Monsters Among Us
101 bpm • C Maj • 03:09 • -4.73db
19% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Northcote
Your Rock And Roll
90 bpm • C Maj • 03:09 • -4.98db
9% Popularity • 21% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 21% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Elway
Kristina's Last Song
101 bpm • E min • 03:16 • -7.95db
15% Popularity • 49% Danceability • 74% Energy • 18% Liveness
49% Instrumentalness • 24% Positiveness
15% Popularity • 49% Danceability • 74% Energy • 18% Liveness
49% Instrumentalness • 24% Positiveness
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Motion City Soundtrack
Don't Call It A Comeback
101 bpm • C# Maj • 01:52 • -3.84db
34% Popularity • 63% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 63% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Sundowner
Steal Your Words
101 bpm • G Maj • 02:16 • -6db
15% Popularity • 39% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 39% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Strike Anywhere
Hollywood Cemetery
101 bpm • C Maj • 01:42 • -4db
27% Popularity • 42% Danceability • 99% Energy • 24% Liveness
1% Instrumentalness • 25% Positiveness
27% Popularity • 42% Danceability • 99% Energy • 24% Liveness
1% Instrumentalness • 25% Positiveness
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Nothington
St. Andrews Hall
102 bpm • B Maj • 03:10 • -4.77db
16% Popularity • 44% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 44% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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NOFX
My Orphan Year
102 bpm • A Maj • 02:59 • -4.68db
32% Popularity • 41% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 41% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Laura Jane Grace
Cowards Sing at Night
102 bpm • D Maj • 02:05 • -4.55db
25% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Dead To Me
By the Throat
102 bpm • E Maj • 02:23 • -6.29db
29% Popularity • 55% Danceability • 89% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 55% Danceability • 89% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
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Brendan Kelly and the Wandering Birds
American Vagina
102 bpm • A Maj • 01:30 • -3.34db
16% Popularity • 39% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 39% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
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Red City Radio
Two Notes Shy of an Octave
102 bpm • C# Maj • 03:03 • -3.69db
36% Popularity • 50% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 37% Positiveness
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Off With Their Heads
Janie
102 bpm • G Maj • 02:03 • -3.27db
27% Popularity • 35% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Banner Pilot
Forty Degrees
102 bpm • C Maj • 02:14 • -2.68db
30% Popularity • 49% Danceability • 99% Energy • 32% Liveness
25% Instrumentalness • 50% Positiveness
30% Popularity • 49% Danceability • 99% Energy • 32% Liveness
25% Instrumentalness • 50% Positiveness
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Chris Cresswell
Liver Alone
88 bpm • C# Maj • 03:09 • -7.16db
30% Popularity • 44% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 44% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Brian Fallon
Red Lights
103 bpm • C Maj • 03:35 • -5db
42% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Wollard & The Ship Thieves
The Same to You
88 bpm • D Maj • 04:25 • -6db
18% Popularity • 45% Danceability • 93% Energy • 8% Liveness
52% Instrumentalness • 52% Positiveness
18% Popularity • 45% Danceability • 93% Energy • 8% Liveness
52% Instrumentalness • 52% Positiveness
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Red City Radio
A Joke with No Words
102 bpm • A Maj • 03:10 • -4.69db
21% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Andriano in the Emergency Room
Me and Denver
87 bpm • G Maj • 02:23 • -5.35db
24% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Banner Pilot
Heat Rash
103 bpm • D Maj • 02:47 • -3.14db
25% Popularity • 52% Danceability • 99% Energy • 33% Liveness
74% Instrumentalness • 51% Positiveness
25% Popularity • 52% Danceability • 99% Energy • 33% Liveness
74% Instrumentalness • 51% Positiveness
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The Draft
All we can count on
103 bpm • D Maj • 02:40 • -5.42db
13% Popularity • 49% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 49% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Tony Sly
Chasing Rainbows
104 bpm • A# Maj • 03:26 • -5.01db
26% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Skiba
In Your Wake
104 bpm • G# Maj • 02:36 • -5.31db
27% Popularity • 62% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 62% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Red City Radio
Whatcha Got?
103 bpm • G# Maj • 02:07 • -4.97db
38% Popularity • 44% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 44% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Eat World
(Splash) Turn Twist
104 bpm • F Maj • 04:10 • -3.36db
21% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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NOFX
Ballad of Me and My Friends
105 bpm • B Maj • 01:50 • -4.39db
28% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
