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Krystina Alabado
Based on a tempo of (+/- 10%) and a similar genre
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Brett Sullivan
These Friends of Mine
142 bpm • G Maj • 03:29 • -6.99db
2% Popularity • 62% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 74% Positiveness
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Lauren Zakrin
Phoenix
142 bpm • C Maj • 03:12 • -6.54db
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Griffin Matthews
Invisible Thread
144 bpm • A# Maj • 03:20 • -8.29db
7% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Wonu Ogunfowora
Wallflower
141 bpm • F# Maj • 02:51 • -7db
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Scott Oliver
How We Grow
141 bpm • C Maj • 04:15 • -8.42db
14% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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StarKid Productions
If I Fail You
141 bpm • A Maj • 05:21 • -14db
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Krystina Alabado
Turbulent Flow
146 bpm • D# Maj • 04:48 • -9.98db
0% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Karen Mason
Hail the Queen
146 bpm • C Maj • 01:58 • -12.07db
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Hannah Waddingham
Fear & Whispers
140 bpm • D# min • 03:23 • -10.44db
16% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
The Trapdoor
140 bpm • G min • 01:29 • -14.59db
17% Popularity • 34% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Emma Hunton
The Other Hourglass
146 bpm • A min • 00:43 • -5.65db
20% Popularity • 56% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Fankhauser
Song On Spec
140 bpm • F# Maj • 03:20 • -8.56db
3% Popularity • 67% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Cathy Ang
Mattie's Lament
140 bpm • G# Maj • 03:26 • -8db
18% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
24% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Eva Noblezada
Gone, I'm Gone
139 bpm • C Maj • 01:41 • -10.26db
48% Popularity • 43% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Katie Thompson
Aurora - Reprise 1
138 bpm • F Maj • 00:56 • -7.21db
18% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Between the Lines Original Cast
Happily Ever After Hour
148 bpm • G Maj • 03:28 • -8.47db
17% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Bryonha Marie Parham
Look Ahead
138 bpm • G# Maj • 04:43 • -9.29db
2% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ryah Nixon
If You Knew
138 bpm • G Maj • 03:06 • -9db
19% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
24% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Mimi Scardulla
Captain of the Team
138 bpm • F Maj • 04:17 • -8.1db
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Katie Thompson
Say Goodbye
137 bpm • B Maj • 02:34 • -7db
12% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
48% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Fankhauser
Connecting the Dots
137 bpm • F Maj • 03:29 • -7.81db
3% Popularity • 68% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Jessica Keenan Wynn
Hands Out!
150 bpm • A Maj • 03:39 • -4.26db
7% Popularity • 64% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Sullivan
Who Needs Friends Like Mine
137 bpm • C Maj • 03:11 • -8.48db
1% Popularity • 39% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
33% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Diana Original Broadway Cast
Snap, Click
150 bpm • C# min • 02:22 • -6.65db
26% Popularity • 67% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
23% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Griffin Matthews
New World
136 bpm • F Maj • 04:44 • -8.12db
4% Popularity • 40% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
46% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter Foster
I'm Trying
152 bpm • F# Maj • 04:47 • -13.77db
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Dahan
Something After All
135 bpm • A# Maj • 02:12 • -12db
21% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Diana Original Broadway Cast
The Words Came Pouring Out
152 bpm • C Maj • 04:32 • -6.75db
23% Popularity • 69% Danceability • 73% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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Kaitlyn Frank
Forever
134 bpm • D Maj • 04:30 • -7.24db
18% Popularity • 52% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Stephanie Styles
Understudy Buddy
152 bpm • C Maj • 03:37 • -7.18db
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Bonnie Milligan
Automatic Rainy Day
134 bpm • G Maj • 03:16 • -4.68db
23% Popularity • 65% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Annaleigh Ashford
What You Want
133 bpm • F Maj • 08:07 • -10.64db
49% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Jared Gertner
Beautiful
153 bpm • G Maj • 02:45 • -17.09db
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
21% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lauren Marcus
Upgrade
133 bpm • G# min • 03:48 • -6.91db
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Diana Original Broadway Cast
The Dress
155 bpm • D Maj • 03:20 • -6.48db
23% Popularity • 65% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
33% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Lauren Lopez
Eyes on the Prize I
155 bpm • D Maj • 01:56 • -13.74db
28% Popularity • 47% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Carrie Manolakos
This Is Not Love
132 bpm • D Maj • 03:19 • -8.84db
22% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Krystina Alabado
Goosebumps (Reprise)
132 bpm • G Maj • 02:50 • -10.53db
22% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Ryback
Sweet as I Dreamed
156 bpm • C Maj • 02:38 • -10db
1% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Spies Are Forever Original Cast
Spy Dance
155 bpm • D Maj • 01:25 • -10.25db
28% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Shaw Fisher
Washington DC in the '70s / Rats
156 bpm • F Maj • 03:08 • -7.56db
2% Popularity • 48% Danceability • 63% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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