Songs like Drug Is The Love by Mexico 70
Based on a tempo of (+/- 10%) and a similar genre
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The Mighty Alpha
Autumn Gray
110 bpm • F# min • 04:38 • -9.49db
17% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Legends & Deeds
Lunchtime in the '80s
110 bpm • C# Maj • 03:42 • -4.93db
15% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
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The EMC
Braver Dreams
110 bpm • A Maj • 04:37 • -8.77db
10% Popularity • 52% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
10% Popularity • 52% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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The Brothers Hiott
Troubled mind
110 bpm • D Maj • 04:58 • -12.12db
13% Popularity • 81% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 38% Positiveness
13% Popularity • 81% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 38% Positiveness
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FADED
Nuwave
110 bpm • G Maj • 03:04 • -12.72db
20% Popularity • 68% Danceability • 59% Energy • 14% Liveness
28% Instrumentalness • 57% Positiveness
20% Popularity • 68% Danceability • 59% Energy • 14% Liveness
28% Instrumentalness • 57% Positiveness
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January Fire
The Rising of the Lights
110 bpm • C Maj • 04:11 • -7.5db
12% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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The Candy Skins
Everything Just Falls Apart On Me
110 bpm • A min • 03:44 • -7.21db
10% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Mike Melan
Together Again
110 bpm • F# Maj • 03:58 • -8.7db
13% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Steve Scala
Lies
110 bpm • E min • 04:20 • -5db
16% Popularity • 56% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 56% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Dodgy
Stand By Yourself
110 bpm • E Maj • 03:47 • -10.82db
8% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Joseph Band
With You Now
110 bpm • G Maj • 04:07 • -8.72db
15% Popularity • 57% Danceability • 79% Energy • 27% Liveness
55% Instrumentalness • 89% Positiveness
15% Popularity • 57% Danceability • 79% Energy • 27% Liveness
55% Instrumentalness • 89% Positiveness
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Marnoc
When Love Goes Wrong - Demo
110 bpm • A min • 04:23 • -6.18db
10% Popularity • 43% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 43% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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Mexico 70
Drug Is The Love
110 bpm • A Maj • 03:40 • -9.39db
1% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Emile Meijboom
All I Want Is You
110 bpm • D min • 02:21 • -12.26db
20% Popularity • 68% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 68% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Trashcan Sinatras
Pop Place
111 bpm • D Maj • 03:08 • -7.11db
15% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Kingmaker
Revelation
109 bpm • C Maj • 03:26 • -10.61db
17% Popularity • 43% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 43% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Patrick Rapp
Every day is a happy day
109 bpm • E Maj • 03:59 • -7.34db
11% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Spiraling Reverb
She Called
111 bpm • C Maj • 04:22 • -13.52db
19% Popularity • 56% Danceability • 41% Energy • 20% Liveness
2% Instrumentalness • 32% Positiveness
19% Popularity • 56% Danceability • 41% Energy • 20% Liveness
2% Instrumentalness • 32% Positiveness
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Radio 45
Happily Ever Over
108 bpm • C Maj • 04:06 • -9.41db
13% Popularity • 46% Danceability • 61% Energy • 48% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 46% Danceability • 61% Energy • 48% Liveness
0% Instrumentalness • 61% Positiveness
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Ash Hayward
Frozen
108 bpm • D min • 04:41 • -12.18db
11% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Leichhardt
Hydroslide
108 bpm • C Maj • 03:43 • -4.99db
11% Popularity • 46% Danceability • 92% Energy • 20% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 46% Danceability • 92% Energy • 20% Liveness
1% Instrumentalness • 60% Positiveness
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My Life Story
Empire Line
108 bpm • F min • 04:15 • -8.5db
8% Popularity • 57% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 57% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Ed Kuepper
Not Too Soon
112 bpm • A Maj • 03:10 • -5.25db
10% Popularity • 44% Danceability • 81% Energy • 16% Liveness
5% Instrumentalness • 76% Positiveness
10% Popularity • 44% Danceability • 81% Energy • 16% Liveness
5% Instrumentalness • 76% Positiveness
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The House of Love
Shining On
108 bpm • C# min • 03:57 • -7.75db
8% Popularity • 37% Danceability • 81% Energy • 8% Liveness
16% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 81% Energy • 8% Liveness
16% Instrumentalness • 31% Positiveness
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Big Country
Somebody Else
108 bpm • E Maj • 04:04 • -9.14db
8% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Lyndon Brooke
Sympathetic CEO
112 bpm • D Maj • 05:18 • -14.36db
28% Popularity • 47% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 47% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Blue Aeroplanes
Angelwords
112 bpm • G Maj • 03:19 • -12.94db
12% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Jack Rubies
I'll Give You More
113 bpm • D Maj • 04:45 • -7.99db
9% Popularity • 25% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 25% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Cosmic Rough Riders
Justify The Rain
113 bpm • C# Maj • 02:45 • -6.71db
8% Popularity • 54% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 54% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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The Grundles
Ooh La La
107 bpm • D Maj • 03:51 • -7.8db
7% Popularity • 46% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 46% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Imaginary Friends
Where Are We Now ?
113 bpm • F min • 03:43 • -8.09db
7% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Bodines
Skankin' Queens
107 bpm • F Maj • 03:28 • -9.53db
15% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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TidyRubble
Yeah!
107 bpm • D Maj • 03:54 • -5.03db
13% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Smoky Ghosts of Big Trees
The Purple Cactus
113 bpm • C# Maj • 04:50 • -6.55db
12% Popularity • 69% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 69% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Mexico 70
In Everything
107 bpm • F# min • 02:06 • -4.47db
2% Popularity • 44% Danceability • 83% Energy • 23% Liveness
4% Instrumentalness • 48% Positiveness
2% Popularity • 44% Danceability • 83% Energy • 23% Liveness
4% Instrumentalness • 48% Positiveness
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The Candy Skins
So Easy
106 bpm • B Maj • 04:22 • -8.31db
7% Popularity • 39% Danceability • 90% Energy • 66% Liveness
12% Instrumentalness • 53% Positiveness
7% Popularity • 39% Danceability • 90% Energy • 66% Liveness
12% Instrumentalness • 53% Positiveness
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Peter Morland
Shining Star
106 bpm • A Maj • 02:12 • -8.35db
12% Popularity • 48% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 48% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Mat Leone & His Band
Everybody's Cancelled
114 bpm • A Maj • 04:21 • -6db
21% Popularity • 59% Danceability • 75% Energy • 24% Liveness
22% Instrumentalness • 62% Positiveness
21% Popularity • 59% Danceability • 75% Energy • 24% Liveness
22% Instrumentalness • 62% Positiveness
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Erik Voeks & The Ghosters
It Means Nothing Now
114 bpm • E Maj • 03:34 • -8.01db
8% Popularity • 48% Danceability • 82% Energy • 37% Liveness
5% Instrumentalness • 78% Positiveness
8% Popularity • 48% Danceability • 82% Energy • 37% Liveness
5% Instrumentalness • 78% Positiveness
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Gene
Be My Light, Be My Guide
114 bpm • E Maj • 04:01 • -8db
18% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jonathan
One Minute
114 bpm • G Maj • 03:00 • -5.97db
8% Popularity • 55% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 55% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Whitman Rinaldo
Vanishing
114 bpm • D Maj • 03:03 • -6.7db
9% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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greenhouse
Shine
106 bpm • D Maj • 04:05 • -5.52db
8% Popularity • 26% Danceability • 82% Energy • 8% Liveness
5% Instrumentalness • 66% Positiveness
8% Popularity • 26% Danceability • 82% Energy • 8% Liveness
5% Instrumentalness • 66% Positiveness
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Mexico 70
Wonderful Lie
115 bpm • G Maj • 03:27 • -9.98db
3% Popularity • 55% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 55% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Monogroove
I Don't Wanna Say
115 bpm • E Maj • 03:43 • -7.35db
22% Popularity • 39% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 39% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Matt Eckberg Band
Get You Off My Mind
115 bpm • A min • 03:29 • -10.6db
19% Popularity • 44% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 44% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Pete Jones
Spanish Snow
115 bpm • C Maj • 04:11 • -7.34db
10% Popularity • 37% Danceability • 82% Energy • 4% Liveness
7% Instrumentalness • 52% Positiveness
10% Popularity • 37% Danceability • 82% Energy • 4% Liveness
7% Instrumentalness • 52% Positiveness
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The Dalmatians
Its Only Money
115 bpm • A min • 02:55 • -6.55db
8% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Andrew Kutt
I Am Free
115 bpm • D Maj • 04:06 • -9.1db
24% Popularity • 61% Danceability • 85% Energy • 20% Liveness
29% Instrumentalness • 81% Positiveness
24% Popularity • 61% Danceability • 85% Energy • 20% Liveness
29% Instrumentalness • 81% Positiveness
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Ricky Ross
Angel and Mercedes
115 bpm • C Maj • 05:05 • -5.61db
14% Popularity • 54% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 54% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Scully
Call My Name
115 bpm • D Maj • 04:21 • -4.99db
11% Popularity • 56% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 56% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mother Earth
Only Love
115 bpm • D Maj • 03:09 • -4.31db
26% Popularity • 54% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 54% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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The Charlatans
Me. In Time
115 bpm • F Maj • 03:30 • -11.32db
9% Popularity • 42% Danceability • 71% Energy • 38% Liveness
5% Instrumentalness • 42% Positiveness
9% Popularity • 42% Danceability • 71% Energy • 38% Liveness
5% Instrumentalness • 42% Positiveness
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The Matt Eckberg Band
They Said
115 bpm • E min • 04:08 • -10.28db
16% Popularity • 48% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Babylon Jass Revival
Days Of Rain
105 bpm • E Maj • 04:16 • -11.99db
12% Popularity • 63% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Mexico 70
You Make It Worse
105 bpm • A Maj • 04:21 • -10.94db
0% Popularity • 30% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 30% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Adrian Borland
Fast Blue World
115 bpm • E Maj • 04:57 • -8.84db
8% Popularity • 55% Danceability • 69% Energy • 12% Liveness
18% Instrumentalness • 48% Positiveness
8% Popularity • 55% Danceability • 69% Energy • 12% Liveness
18% Instrumentalness • 48% Positiveness
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Okami Three
Glory
105 bpm • B Maj • 03:42 • -7.48db
22% Popularity • 38% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 38% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Gene
Child's Body
115 bpm • A Maj • 04:02 • -11.38db
8% Popularity • 45% Danceability • 74% Energy • 13% Liveness
39% Instrumentalness • 82% Positiveness
8% Popularity • 45% Danceability • 74% Energy • 13% Liveness
39% Instrumentalness • 82% Positiveness
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The Godfathers
Don't Let Me Down
116 bpm • C Maj • 03:23 • -7.99db
9% Popularity • 47% Danceability • 79% Energy • 18% Liveness
91% Instrumentalness • 56% Positiveness
9% Popularity • 47% Danceability • 79% Energy • 18% Liveness
91% Instrumentalness • 56% Positiveness
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The Royal Blue
Crazy Head
116 bpm • C Maj • 02:22 • -8.06db
10% Popularity • 36% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 36% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Lance Gibson
Here Come
116 bpm • F# Maj • 05:03 • -5.02db
24% Popularity • 39% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 39% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Lichael Dayberry
Fallen
105 bpm • A# min • 05:00 • -12db
19% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
19% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Mexico 70
Out of Sun
116 bpm • D Maj • 04:07 • -6.78db
0% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Jefferson Lawrence
Curve Ball
116 bpm • D Maj • 03:19 • -5.4db
13% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ian McCulloch
Love in Veins
116 bpm • C Maj • 03:26 • -3.98db
9% Popularity • 45% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
9% Popularity • 45% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
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RedemptionRising
You Are The King
116 bpm • D Maj • 04:34 • -17.53db
7% Popularity • 58% Danceability • 34% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 58% Danceability • 34% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
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Klovis Bray
Father Time
104 bpm • C Maj • 03:35 • -4.26db
8% Popularity • 52% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 52% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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The Blue Aeroplanes
Anti-Pretty - 2006 Remaster
104 bpm • C Maj • 04:31 • -6.59db
18% Popularity • 53% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
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The House of Love
Phillyphile
104 bpm • A Maj • 04:22 • -9db
9% Popularity • 45% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 45% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Silver Sun
Julia
117 bpm • B Maj • 03:19 • -7db
12% Popularity • 43% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 43% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Mexico 70
I Want You
117 bpm • G min • 03:26 • -5.69db
2% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Brolga
Long Way from Home
117 bpm • D Maj • 03:25 • -5.58db
17% Popularity • 53% Danceability • 78% Energy • 21% Liveness
13% Instrumentalness • 58% Positiveness
17% Popularity • 53% Danceability • 78% Energy • 21% Liveness
13% Instrumentalness • 58% Positiveness
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Hedda Wesley
Weekend Night
117 bpm • D Maj • 03:40 • -11.98db
26% Popularity • 58% Danceability • 68% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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The Blue Aeroplanes
Big Sky - 2006 Remaster
104 bpm • A# Maj • 02:48 • -5.63db
7% Popularity • 44% Danceability • 87% Energy • 11% Liveness
25% Instrumentalness • 62% Positiveness
7% Popularity • 44% Danceability • 87% Energy • 11% Liveness
25% Instrumentalness • 62% Positiveness
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The House of Love
High In Your Face
117 bpm • D Maj • 04:42 • -9.55db
11% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Gay Dad
My Son Mystic
117 bpm • C Maj • 03:25 • -6.08db
10% Popularity • 51% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 51% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Hobos Dancing
Summer Arrives
103 bpm • D Maj • 03:44 • -9.32db
18% Popularity • 54% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 54% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Justin Slater
Clownin' Round
103 bpm • F min • 04:03 • -8.02db
14% Popularity • 52% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 53% Positiveness
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Nathaniel Montero
Sweet Sixteen
117 bpm • C Maj • 04:21 • -8.77db
26% Popularity • 62% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
26% Popularity • 62% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 68% Positiveness
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Brother Swan
Swimmer
103 bpm • E min • 04:33 • -7.98db
18% Popularity • 39% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
18% Popularity • 39% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Adam Schmitt
Want Ad
118 bpm • A# min • 03:50 • -6.95db
16% Popularity • 52% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 52% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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O Positive
Talk About Love
118 bpm • E min • 04:49 • -16.25db
7% Popularity • 41% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 41% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Rimu
Mobile Noise
118 bpm • G Maj • 04:57 • -4.01db
11% Popularity • 37% Danceability • 77% Energy • 27% Liveness
7% Instrumentalness • 33% Positiveness
11% Popularity • 37% Danceability • 77% Energy • 27% Liveness
7% Instrumentalness • 33% Positiveness
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Mexico 70
Sacred Heart
118 bpm • G min • 02:50 • -13.22db
0% Popularity • 73% Danceability • 55% Energy • 23% Liveness
41% Instrumentalness • 84% Positiveness
0% Popularity • 73% Danceability • 55% Energy • 23% Liveness
41% Instrumentalness • 84% Positiveness
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The Volebeats
Like Her
118 bpm • G Maj • 03:02 • -7.11db
13% Popularity • 45% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 45% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Yanek
I Could Use A Little Rain
118 bpm • C Maj • 03:24 • -8.28db
8% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Joseph Band
Blues Bug
118 bpm • D min • 03:05 • -8.83db
15% Popularity • 51% Danceability • 49% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
15% Popularity • 51% Danceability • 49% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
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Thunder Vice
Burning Us Down
118 bpm • G Maj • 03:55 • -9.03db
14% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Beck Eddie
Shadow
118 bpm • A Maj • 04:10 • -9.46db
20% Popularity • 50% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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greenhouse
Finally Over
102 bpm • B Maj • 05:22 • -4.27db
8% Popularity • 51% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 51% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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The Mutton Birds
Winning Numbers
119 bpm • E Maj • 03:45 • -5.74db
8% Popularity • 45% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 45% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rollingexile
Running
102 bpm • D Maj • 04:10 • -7.89db
15% Popularity • 58% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 58% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Mexico 70
Movin' On
102 bpm • C Maj • 03:51 • -9.86db
0% Popularity • 53% Danceability • 70% Energy • 18% Liveness
29% Instrumentalness • 74% Positiveness
0% Popularity • 53% Danceability • 70% Energy • 18% Liveness
29% Instrumentalness • 74% Positiveness
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Louis Wagner
GLAM Lie
119 bpm • A Maj • 04:29 • -10.05db
29% Popularity • 38% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 38% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Scott
Movement Time
119 bpm • B Maj • 03:57 • -13.68db
11% Popularity • 56% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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greenhouse
Finally Over
102 bpm • B Maj • 04:40 • -3.58db
9% Popularity • 54% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 54% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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William Westcott
Pinocchio
119 bpm • G Maj • 04:57 • -8.89db
28% Popularity • 59% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
28% Popularity • 59% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
