Songs like Drunk on You by Andy Powell
Based on a tempo of (+/- 10%) and a similar genre
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Juliet Roberts
Bang Bang Boom
134 bpm • D Maj • 03:33 • -3.89db
20% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Roberts
Angel Mine
134 bpm • B Maj • 02:35 • -10.73db
9% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Bitter:Sweet
Being Bad
134 bpm • F min • 02:59 • -4.94db
20% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Emilie Gassin
Break You as I Go
134 bpm • C Maj • 03:26 • -5.74db
23% Popularity • 70% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 70% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Olivia Henry
In My Touch
133 bpm • E min • 03:11 • -5.45db
19% Popularity • 44% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 44% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Cecilia Krull
Losing My Mind
135 bpm • F min • 03:04 • -8.48db
20% Popularity • 58% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 58% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Wizardz Of Oz
Love of Your Life
133 bpm • G min • 04:36 • -5db
14% Popularity • 80% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 80% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bzzz
New Girl
135 bpm • F Maj • 03:14 • -6db
17% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Officialheir
Good BOY
135 bpm • D min • 02:31 • -11db
17% Popularity • 90% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
17% Popularity • 90% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Adriana Stone
Favourite Dream
136 bpm • D min • 02:53 • -13.04db
11% Popularity • 44% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 44% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Quentin Travade
Play with Me
136 bpm • A min • 02:52 • -8.06db
17% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sam Joseph Delves
Hush
136 bpm • B min • 02:24 • -15db
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
36% Instrumentalness • 9% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
36% Instrumentalness • 9% Positiveness
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Sasha Lazard
Bird in a Cage
136 bpm • D# Maj • 02:56 • -11.53db
10% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sky Ferreira
Easy (Baby Driver Mix)
132 bpm • A min • 03:49 • -12.57db
28% Popularity • 56% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
28% Popularity • 56% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Matthew Todd Naylor
Love Runs Dry
136 bpm • F Maj • 03:35 • -9.7db
3% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Vance Westlake
This Is My Empire
136 bpm • G min • 02:52 • -13db
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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The Prams
Two Waves
132 bpm • B min • 03:44 • -11db
27% Popularity • 91% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 19% Positiveness
27% Popularity • 91% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 19% Positiveness
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TOMI
Hideaway
132 bpm • A Maj • 04:01 • -7.27db
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
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Katrina Parker
People Are Strange
132 bpm • C min • 02:39 • -7.28db
15% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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FOXY Willim
Ain't Nobody Like You
132 bpm • D min • 04:20 • -5.52db
18% Popularity • 70% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 70% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jill Barber
Une femme doit faire
132 bpm • D Maj • 03:07 • -8.41db
21% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 81% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Samuel Stockton
Real Good
132 bpm • D min • 02:30 • -4.26db
1% Popularity • 54% Danceability • 96% Energy • 12% Liveness
23% Instrumentalness • 89% Positiveness
1% Popularity • 54% Danceability • 96% Energy • 12% Liveness
23% Instrumentalness • 89% Positiveness
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Katie Hargrove
Break the Sky
136 bpm • A min • 04:23 • -6db
15% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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René De La Moné
I Believe in Love - Andy Jay Powell Remi...
132 bpm • D# min • 03:28 • -4.44db
0% Popularity • 54% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 54% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Randall Breneman
Bad Sometimes
132 bpm • A min • 03:44 • -10.3db
13% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Oskura
Everything Now
136 bpm • D Maj • 03:04 • -6.58db
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Universal Production Music
Upswing
131 bpm • D Maj • 02:40 • -6.28db
11% Popularity • 72% Danceability • 77% Energy • 14% Liveness
68% Instrumentalness • 69% Positiveness
11% Popularity • 72% Danceability • 77% Energy • 14% Liveness
68% Instrumentalness • 69% Positiveness
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Gran Bel Fisher
Buckets
137 bpm • F# Maj • 02:49 • -7.53db
12% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jai Freedom Lewis,Kevin Skaggs
Whispers
138 bpm • A# min • 03:23 • -8db
16% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
16% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
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René De La Moné
I Believe in Love - Andy Powell Remix
132 bpm • D# min • 06:00 • -5.18db
0% Popularity • 56% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 43% Positiveness
0% Popularity • 56% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 43% Positiveness
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Samuel Stockton
Tomorrow is Looking Bright
130 bpm • B Maj • 03:58 • -6.42db
0% Popularity • 49% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 49% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Nousdeuxtheband
L'amour en face
138 bpm • G# min • 02:13 • -18.75db
16% Popularity • 58% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
16% Popularity • 58% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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Benjamin Wheeler
Body Rock
138 bpm • C# min • 02:36 • -7.42db
14% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Taylor
Sexy Funky
130 bpm • A min • 02:58 • -7.01db
0% Popularity • 74% Danceability • 76% Energy • 37% Liveness
85% Instrumentalness • 97% Positiveness
0% Popularity • 74% Danceability • 76% Energy • 37% Liveness
85% Instrumentalness • 97% Positiveness
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Andy Powell
Pretty Little Lies
130 bpm • G# Maj • 03:49 • -8.26db
34% Popularity • 70% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Skinner & Dan Skinner
Can't Stand The Rain
130 bpm • D Maj • 03:08 • -6.42db
20% Popularity • 74% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 74% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Samuel Stockton
Come Alive
130 bpm • A Maj • 03:00 • -8.9db
0% Popularity • 58% Danceability • 62% Energy • 15% Liveness
76% Instrumentalness • 91% Positiveness
0% Popularity • 58% Danceability • 62% Energy • 15% Liveness
76% Instrumentalness • 91% Positiveness
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Jeff Meegan
Dance With Destiny
130 bpm • A# min • 04:05 • -8.19db
16% Popularity • 66% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 66% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Memory Spells
Can't Hold Me Down
130 bpm • A min • 04:07 • -8.82db
26% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
26% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
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Tobi Bob Snoid
Rise And Fall
130 bpm • E min • 02:55 • -13.58db
14% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Andy Powell
Never Wanna Say Goodbye
130 bpm • G min • 02:44 • -7.92db
9% Popularity • 56% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 56% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Les Très Bien Ensemble
La poupée
129 bpm • E Maj • 03:20 • -9.49db
27% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Samuel Stockton
Transformal
130 bpm • F min • 03:07 • -4.76db
0% Popularity • 64% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 96% Positiveness
0% Popularity • 64% Danceability • 98% Energy • 8% Liveness
83% Instrumentalness • 96% Positiveness
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Stéphane Huguenin
My Empty Sky
129 bpm • F min • 02:42 • -6.81db
29% Popularity • 81% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 81% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Amy Irving
Why Don't You Do Right?
129 bpm • A min • 02:23 • -6.94db
12% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Eamon
You and Only You
139 bpm • D# min • 03:53 • -5.04db
30% Popularity • 70% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 70% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Tomáš Valiček accordionist
7 RINGS - Special Accordion Version
140 bpm • C# min • 02:58 • -15.5db
10% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Kovacs
Beggin' (TikTok Classics Version)
129 bpm • D# min • 03:00 • -7.06db
33% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Meaghan Smith
Let's Always Stay in Love
140 bpm • C Maj • 03:21 • -4.98db
20% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Alberte Winding
Looking For A Lonestar
140 bpm • G min • 03:40 • -10db
12% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jacob Miller
Slipping Away
140 bpm • B min • 03:49 • -7.45db
34% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Andy Powell
Feel No Gravity
140 bpm • F Maj • 03:04 • -6.81db
2% Popularity • 63% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
2% Popularity • 63% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Samuel Stockton
Merry-Go-Round
140 bpm • C min • 03:01 • -7.03db
0% Popularity • 61% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 61% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Homegrown
Why Baby Why
140 bpm • E min • 05:13 • -14db
9% Popularity • 60% Danceability • 28% Energy • 9% Liveness
19% Instrumentalness • 15% Positiveness
9% Popularity • 60% Danceability • 28% Energy • 9% Liveness
19% Instrumentalness • 15% Positiveness
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Charlie Bethel
One Time
140 bpm • D min • 02:31 • -6.54db
31% Popularity • 70% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
31% Popularity • 70% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
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The Fake Arts
Devil's Inside
140 bpm • G# Maj • 04:02 • -10.68db
23% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Tauese Tofa
Burn It Down
140 bpm • A min • 03:49 • -6.52db
19% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Andy Powell
Speak Up
140 bpm • E Maj • 02:43 • -10.58db
3% Popularity • 56% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
3% Popularity • 56% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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Samuel Stockton
You and Your Ego
140 bpm • C min • 03:12 • -5.53db
1% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Audrey Morgan
Birds
140 bpm • A Maj • 04:35 • -8db
21% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Bette Midler
Mambo Italiano
140 bpm • G min • 02:50 • -7.09db
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Eben Stone
A Frozen Teardrop
140 bpm • F# Maj • 02:50 • -12.3db
15% Popularity • 56% Danceability • 33% Energy • 14% Liveness
21% Instrumentalness • 26% Positiveness
15% Popularity • 56% Danceability • 33% Energy • 14% Liveness
21% Instrumentalness • 26% Positiveness
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Timothy Lee
Working My Way Up
140 bpm • C Maj • 03:01 • -6.04db
9% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Andy Powell
I Just Want to Be Here
140 bpm • C min • 03:25 • -8.58db
15% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Julien Glabs
I Have Never Felt so Good
128 bpm • F min • 02:58 • -7.23db
14% Popularity • 54% Danceability • 58% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
14% Popularity • 54% Danceability • 58% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
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Lee Richardson
Cut for My Condition
128 bpm • G min • 03:43 • -8.1db
26% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Lana McDonagh
Last Goodbye
140 bpm • E min • 02:36 • -12db
20% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Clooney
We Are the Party People
128 bpm • A min • 04:02 • -5.95db
27% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Gloria Gaynor
First Be a Woman
128 bpm • D# min • 04:05 • -3db
17% Popularity • 68% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Andy Powell
Love Me Up
140 bpm • A Maj • 03:25 • -5.62db
8% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Javier Bayon
The Innocent
141 bpm • D# min • 02:24 • -13.79db
12% Popularity • 44% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
12% Popularity • 44% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
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Oliver & the Spectacles
Hit the Ground Running
128 bpm • C Maj • 02:47 • -6.17db
17% Popularity • 68% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 68% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Sandrone
The Girl Who Stole My Heart
141 bpm • C Maj • 03:19 • -12.62db
11% Popularity • 23% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
11% Popularity • 23% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
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Marc Ferrari
Break The Dam
128 bpm • E min • 03:09 • -11.35db
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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SaraoMusic
Delilah
141 bpm • E min • 03:17 • -6.56db
11% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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DeathbyRomy
It's Raining Men
127 bpm • E min • 03:43 • -4.29db
25% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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John Runefelt
Dark Ages
127 bpm • G min • 02:30 • -3.07db
26% Popularity • 87% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 87% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Lilly Wolf
Love Too Serious
127 bpm • C# min • 04:24 • -4.32db
14% Popularity • 68% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 68% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Greg Hatwell
Beautiful Lies
142 bpm • C Maj • 03:20 • -6.26db
13% Popularity • 43% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 43% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Daniel Farrant
The Beauty Of Love
142 bpm • F Maj • 02:37 • -15.99db
7% Popularity • 50% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 50% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Mariama
There Is a Place
142 bpm • D Maj • 02:39 • -9db
24% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Kingslow
Without You I Am Lost
142 bpm • F Maj • 03:08 • -8.65db
13% Popularity • 60% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Granfelt
New 7
126 bpm • E Maj • 04:31 • -5.38db
1% Popularity • 30% Danceability • 93% Energy • 18% Liveness
74% Instrumentalness • 43% Positiveness
1% Popularity • 30% Danceability • 93% Energy • 18% Liveness
74% Instrumentalness • 43% Positiveness
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Prime Rockerz
Summer Wine
126 bpm • A min • 03:50 • -4.78db
11% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Eben Stone
Wave Walking
126 bpm • C min • 03:29 • -14.76db
13% Popularity • 45% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 21% Positiveness
13% Popularity • 45% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 21% Positiveness
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VELVET MOON
Balcony
126 bpm • F Maj • 04:13 • -7db
19% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mr and Mrs Cactus
Synchronized
126 bpm • C min • 02:56 • -8.41db
14% Popularity • 86% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 86% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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5 Alarm
How the Mighty Fall
126 bpm • A# min • 03:04 • -9.51db
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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The Trevor Horn Orchestra
Istanbul (Not Constantinople)
143 bpm • C# Maj • 02:24 • -7.81db
23% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Joshua Ortiz
Forget About Me
126 bpm • F min • 03:27 • -12.52db
30% Popularity • 66% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 66% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Slightly Stirred
Get Up (If You Wanna Get Down)
125 bpm • C# Maj • 03:06 • -3.7db
10% Popularity • 72% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 72% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Roxy Plas
En vérité
125 bpm • E min • 01:24 • -15db
16% Popularity • 72% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 72% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Cavale
Burst Into Flames
125 bpm • A Maj • 03:24 • -12db
37% Popularity • 74% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 74% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Andy Powell
Couldn't Care Less
125 bpm • C Maj • 02:51 • -7.45db
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Arno Alyvan
Follow Me
125 bpm • E min • 04:34 • -9.13db
24% Popularity • 78% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 78% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Martin Mey
Where Are You Now
125 bpm • C min • 03:37 • -7.41db
21% Popularity • 84% Danceability • 50% Energy • 9% Liveness
6% Instrumentalness • 65% Positiveness
21% Popularity • 84% Danceability • 50% Energy • 9% Liveness
6% Instrumentalness • 65% Positiveness
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Janice Dempsey
Stoned Soul
125 bpm • D Maj • 02:01 • -6.71db
26% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Éric Serra
I Am Criminal
144 bpm • A min • 03:16 • -7.82db
19% Popularity • 47% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 47% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
