Songs like Drunks by Johnnyswim
Based on a tempo of (+/- 10%) and a similar genre
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Ryan Corn
The Pressure - Acoustic
97 bpm • F Maj • 03:38 • -9db
31% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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JOSEPH
Blood & Tears
97 bpm • C Maj • 03:58 • -4db
21% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Francis
Tomorrow's Charms
97 bpm • C# min • 03:23 • -16.52db
10% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Gil
Woodblock
97 bpm • F# Maj • 03:52 • -8.57db
17% Popularity • 51% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 51% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Tow'rs
Swelling Sea
97 bpm • C Maj • 04:06 • -13db
31% Popularity • 68% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 68% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Johnnyswim
Drunks
97 bpm • D# Maj • 04:39 • -11db
24% Popularity • 40% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Corn
The Pressure
97 bpm • F Maj • 03:43 • -9.16db
14% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Cameron Bedell
Forward Motion
98 bpm • D Maj • 04:00 • -11.66db
12% Popularity • 74% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 74% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Old Sea Brigade
Wash Me Away
98 bpm • G Maj • 03:57 • -12.28db
26% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Graham Colton
Ring Around Your Heart
96 bpm • G Maj • 02:48 • -5.96db
29% Popularity • 54% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 80% Positiveness
29% Popularity • 54% Danceability • 81% Energy • 35% Liveness
2% Instrumentalness • 80% Positiveness
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Mathew V
If I'm Enough
98 bpm • B min • 03:37 • -6.15db
11% Popularity • 64% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 73% Positiveness
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Johnnyswim
Summertime Romance
98 bpm • D# Maj • 05:04 • -8.14db
37% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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JOSEPH
Honest
98 bpm • A# Maj • 02:48 • -8.62db
30% Popularity • 41% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Corcoran Brothers
Treasure Chest
96 bpm • B Maj • 03:06 • -11db
15% Popularity • 61% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 61% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Greg Holden
I Won't Forget
98 bpm • D Maj • 03:22 • -14.57db
8% Popularity • 45% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 45% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Jamie Sloan
I've Found Love
96 bpm • D# Maj • 03:29 • -11.61db
11% Popularity • 65% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 65% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Wilder Adkins
When I'm Married
98 bpm • A# Maj • 04:54 • -11.05db
26% Popularity • 43% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 43% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Branches
Half-Mast
99 bpm • E min • 03:24 • -8.45db
16% Popularity • 45% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 6% Positiveness
16% Popularity • 45% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 6% Positiveness
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Donovan Woods
Put On, Cologne
96 bpm • C# Maj • 02:47 • -11db
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Cameron Bedell
Heart of Hearts
95 bpm • E Maj • 03:48 • -11db
12% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan O'Shaughnessy
She Won't Wait
99 bpm • C Maj • 03:22 • -7.63db
10% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Johnnyswim
Annie
99 bpm • E Maj • 03:43 • -8db
18% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Phillip LaRue
Lighthouse
95 bpm • D# Maj • 03:41 • -14db
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
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Brumby
Leave a Light On
95 bpm • E Maj • 04:22 • -7.54db
14% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Tim McNary
The Other Man
95 bpm • C Maj • 03:39 • -8.94db
14% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tall Heights
The Running of the Bulls
95 bpm • G Maj • 03:47 • -10.23db
8% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Toby Johnson
Wristwatch
100 bpm • C# Maj • 03:32 • -8.53db
13% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Johnnyswim
Annie
99 bpm • E Maj • 04:30 • -9db
35% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Emily James
Boy in Memphis
100 bpm • D Maj • 04:25 • -13.2db
17% Popularity • 65% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 65% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Francis
From Up There
100 bpm • B min • 03:36 • -16.02db
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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East of Avenue
Paper Planes
100 bpm • F min • 03:10 • -8.32db
24% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Tall Heights
Flash Boom
94 bpm • G Maj • 03:34 • -10.66db
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Nathan Colberg
Still You Won't Let Go
100 bpm • A Maj • 03:26 • -10.05db
22% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Johnnyswim
You and I - Live
100 bpm • G# Maj • 03:44 • -6.72db
14% Popularity • 65% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 65% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
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For A Season
Water Under the Bridge
100 bpm • B Maj • 04:02 • -6.22db
12% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 59% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Kris Allen
Time Will Come
100 bpm • B Maj • 04:04 • -7.17db
12% Popularity • 63% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 63% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Phillip LaRue
Diane
100 bpm • D Maj • 05:28 • -15.56db
14% Popularity • 39% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
14% Popularity • 39% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
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Skout
Just Words
100 bpm • C# Maj • 04:04 • -9.66db
12% Popularity • 58% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 58% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Sawyer Fredericks
Take It All
94 bpm • F Maj • 03:40 • -5.29db
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Good Old War
Tell Me What You Want From Me - Acoustic
100 bpm • A min • 03:35 • -9.54db
27% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Dunwells
Was It All Worth It
94 bpm • F# Maj • 04:42 • -12db
13% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Johnnyswim
Say Goodnight Instead
100 bpm • G Maj • 04:06 • -9db
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordy Searcy
Dark in the City
93 bpm • G Maj • 03:32 • -7.79db
27% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Jocelyn
Just Like Everybody Else
101 bpm • C# min • 02:55 • -13db
19% Popularity • 90% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 90% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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East Love
Straight Lines
93 bpm • F Maj • 02:59 • -6.13db
24% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Sirs&Madams
Come Back to Me
93 bpm • G Maj • 02:54 • -11db
12% Popularity • 46% Danceability • 36% Energy • 22% Liveness
3% Instrumentalness • 35% Positiveness
12% Popularity • 46% Danceability • 36% Energy • 22% Liveness
3% Instrumentalness • 35% Positiveness
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Matt Moberg
Love on My Arm
93 bpm • E Maj • 03:15 • -11.54db
11% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Nathan Angelo
Forgetting You
101 bpm • B Maj • 03:47 • -9.24db
20% Popularity • 38% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Harmaleighs
Birds of a Feather
102 bpm • F min • 02:57 • -10db
18% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Greg Holden
Go Chase the Sun
102 bpm • C Maj • 03:45 • -11.68db
7% Popularity • 37% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 37% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lowly Spects
My Dead Body
102 bpm • B Maj • 02:47 • -9db
11% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Benjy Davis
I'm Still Here
92 bpm • G# Maj • 03:41 • -8db
21% Popularity • 63% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 63% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Sweet Remains
Moving in Slow Motion
92 bpm • G Maj • 03:57 • -10.99db
47% Popularity • 52% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 52% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Beach
Bite My Tongue - Acoustic
92 bpm • B Maj • 04:22 • -9.75db
15% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mosaic
Settled
103 bpm • E Maj • 03:32 • -12db
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Jake Etheridge
To Me
103 bpm • E Maj • 02:45 • -11.18db
29% Popularity • 62% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
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Charlie Sztyk
God Damn Fool
103 bpm • C# Maj • 02:13 • -11.17db
24% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Foreman
June & Johnny
103 bpm • C Maj • 02:36 • -13.69db
33% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Johnnyswim
Georgica Pond
103 bpm • G Maj • 04:16 • -11.69db
28% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Westward the Tide
This Heart I Know
91 bpm • A Maj • 03:50 • -9db
25% Popularity • 49% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 49% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Strangers You Know
Sparrow Hand
91 bpm • D# Maj • 03:38 • -9.13db
9% Popularity • 56% Danceability • 53% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
9% Popularity • 56% Danceability • 53% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
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Christian Hudson
Four Leaf Clover
91 bpm • C Maj • 03:15 • -8.61db
35% Popularity • 80% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 80% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Show Ponies
Sweetly
91 bpm • G Maj • 02:50 • -16.69db
30% Popularity • 62% Danceability • 20% Energy • 14% Liveness
6% Instrumentalness • 62% Positiveness
30% Popularity • 62% Danceability • 20% Energy • 14% Liveness
6% Instrumentalness • 62% Positiveness
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James TW
Different
91 bpm • G# Maj • 03:54 • -3.22db
34% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Donovan Woods
Between Cities
91 bpm • G# Maj • 03:22 • -16db
33% Popularity • 65% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 34% Positiveness
33% Popularity • 65% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 34% Positiveness
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Matthew Perryman Jones
Long Way Home from Here
104 bpm • D Maj • 03:23 • -14.65db
30% Popularity • 50% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Flannel Graph
White Picket Fence
104 bpm • D Maj • 02:36 • -15.13db
25% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Neulore
The Lightning
104 bpm • C Maj • 03:22 • -6db
12% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Galucki
We Stay Together
90 bpm • F# Maj • 03:01 • -11.95db
16% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jesse Daniel Smith
Nashville Baby (How I Tie My Shoes)
90 bpm • F# Maj • 02:56 • -13db
10% Popularity • 70% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 70% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Ahearn
Wanted to Be Loved - Acoustic
90 bpm • A min • 03:06 • -13.95db
25% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Oh Honey
Take All The Time You Need
90 bpm • G Maj • 03:24 • -9db
25% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Toby Johnson
Compass Heart
105 bpm • F# Maj • 03:51 • -17db
12% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Joel Ansett
In the Eye
90 bpm • C# Maj • 03:21 • -9.73db
9% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sedgewick
The World in You
90 bpm • F Maj • 03:38 • -13.95db
10% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
10% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
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Johnnyswim
Falling For Me
105 bpm • A# Maj • 03:23 • -12.56db
26% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan O'Shaughnessy
The News
105 bpm • F# Maj • 03:49 • -13.61db
7% Popularity • 70% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
7% Popularity • 70% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
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Cinders
Unhinged - Acoustic
105 bpm • A Maj • 03:34 • -10db
8% Popularity • 64% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 64% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Kilgannon
The Rhine
105 bpm • D Maj • 03:30 • -8db
28% Popularity • 33% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 33% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Anchor + Bell
Feels a Lot Like Love
105 bpm • C Maj • 03:21 • -10db
14% Popularity • 40% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 40% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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VACAY
Moving You
89 bpm • G Maj • 03:45 • -6.33db
12% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johnnyswim
Wicked Game
105 bpm • A min • 05:05 • -6.59db
27% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jon Foreman
I Propose A Toast
89 bpm • G Maj • 03:35 • -9.39db
34% Popularity • 57% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 57% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Donovan Woods
What They Mean
89 bpm • G Maj • 03:22 • -15.83db
30% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Firewoodisland
All in Line
89 bpm • B min • 03:07 • -10.96db
9% Popularity • 56% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 56% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 15% Positiveness
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Sawyer Fredericks
Shots Fired
106 bpm • C# min • 03:47 • -7.74db
14% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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VACAY
Howlin' Wind
89 bpm • G Maj • 02:57 • -8db
4% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hayden Calnin
White Night - Thrupence Remix
106 bpm • G# Maj • 03:47 • -13db
21% Popularity • 35% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 11% Positiveness
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Johnnyswim
Annie - Live
105 bpm • B Maj • 05:23 • -16.15db
14% Popularity • 50% Danceability • 8% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 50% Danceability • 8% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Colton
Hold onto My Heart
106 bpm • F# Maj • 02:57 • -8db
8% Popularity • 63% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
8% Popularity • 63% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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The Banner Days
My Beloved
89 bpm • A min • 03:43 • -11.55db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Sleeping At Last
Countdowns
88 bpm • D# Maj • 03:47 • -11.27db
33% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Charlie Allen
Five Twenty Seven
88 bpm • E min • 02:15 • -12db
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Hires
Hold You Up
88 bpm • A# Maj • 03:44 • -7.07db
7% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Johnnyswim
Pay Dearly - Live
106 bpm • C min • 06:13 • -12.3db
9% Popularity • 65% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 65% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Barnes
Tennyson
88 bpm • G# Maj • 06:13 • -8db
14% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Greg Holden
Save Yourself
107 bpm • B Maj • 03:21 • -7.46db
16% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Branches
It Won't Be Long
107 bpm • A Maj • 02:10 • -12db
14% Popularity • 64% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 64% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
