Songs like Du bist die Ruh', D. 776 (Transc. for Cello & Piano) by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
15% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
15% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
22% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
22% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Frédéric Chopin
Études, Op. 10: Etude No. 6 in E-Flat M...
171 bpm • B Maj • 03:36 • -38db
42% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 8% Positiveness
42% Popularity • 13% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 8% Positiveness
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Franz Schubert
Meeres Stille, Op. 3 No. 2, D. 216 (Arr....
173 bpm • C Maj • 02:01 • -39.07db
29% Popularity • 8% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 8% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
174 bpm • C# Maj • 04:38 • -23db
39% Popularity • 16% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
39% Popularity • 16% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Lieder, Op. 27: 4. Morgen!
175 bpm • G Maj • 04:17 • -29db
7% Popularity • 17% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Lang Lang
Sonatina No. 1 in C Major, Op. 36: II. A...
176 bpm • F Maj • 01:31 • -27.33db
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Franz Schubert
Wandrers Nachtlied II, D. 768 (Transcr. ...
166 bpm • A# Maj • 02:19 • -27.87db
46% Popularity • 12% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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![24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] cover art](https://i.scdn.co/image/ab67616d00001e020a0d3964e8fe7a6802addb9b)
Frédéric Chopin
24 Préludes, Op. 28: No. 4 in E Minor (...
176 bpm • G Maj • 02:17 • -21.09db
35% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
179 bpm • G Maj • 02:11 • -25.7db
62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Jules Massenet
Les Erinnyes - Arr. by Mischa Maisky: El...
179 bpm • G min • 02:27 • -25.11db
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
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Tatiana Nikolayeva
Children's Album, Op. 19 (Excerpts): No....
184 bpm • D Maj • 01:18 • -30.61db
26% Popularity • 37% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 88% Positiveness
26% Popularity • 37% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 88% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
50% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
50% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
