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Duck Shoot
Songs like
Duck Shoot
by
Rupert Gregson-Williams
Based on a tempo of (+/- 10%) and a similar genre
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Rupert Gregson-Williams
Sagana
120 bpm • D min • 04:32 • -28.13db
32% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Secession Studios
The Untold
120 bpm • C# Maj • 03:11 • -17.06db
55% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Carlos Rafael Rivera
Mexico City Invitational 1966
120 bpm • G# Maj • 02:21 • -19.98db
38% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
In This Together
120 bpm • G min • 05:59 • -20db
32% Popularity • 18% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Jeff Russo
The Next Screen (Bonus)
120 bpm • E min • 02:42 • -14.8db
34% Popularity • 38% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Goodbye
120 bpm • C Maj • 02:11 • -18.51db
47% Popularity • 34% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
49% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Stephen Warbeck
Train Journey
120 bpm • E min • 02:34 • -25db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
47% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
39% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Nick Glennie-Smith
Look Around You
119 bpm • F min • 08:45 • -19.88db
28% Popularity • 17% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 2% Positiveness
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Hans Zimmer
The Crown Main Title
121 bpm • D min • 01:24 • -14.4db
47% Popularity • 18% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Steven Price
Great Rolling Waves
121 bpm • D# min • 06:36 • -14db
25% Popularity • 22% Danceability • 36% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
44% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Howard Shore
The Battle of the Pelennor Fields
121 bpm • E min • 04:10 • -14.87db
51% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
41% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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John Murphy
Adagio in D Minor
119 bpm • G Maj • 04:09 • -8.42db
47% Popularity • 17% Danceability • 48% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
60% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
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Nicholas Britell
Concerto Grosso in C Minor + End Credits...
122 bpm • F min • 01:58 • -13.88db
42% Popularity • 35% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
39% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
49% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Carter Burwell
Opening
117 bpm • C min • 02:13 • -15.27db
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
The Downfall
122 bpm • C min • 06:19 • -19.05db
33% Popularity • 30% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 3% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Clinton Shorter
The Expanse Theme
123 bpm • C Maj • 01:04 • -13.27db
47% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Alan Silvestri
Even for You
124 bpm • A min • 02:16 • -15db
42% Popularity • 17% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Dressing Down
116 bpm • A min • 03:09 • -19.95db
30% Popularity • 29% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Martin Phipps
Voices
124 bpm • C min • 03:30 • -17db
37% Popularity • 18% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
51% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
One Man At A Time
116 bpm • D Maj • 02:30 • -13db
49% Popularity • 21% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
30% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
33% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
33% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Russo
Vanya's Orchestra
115 bpm • F min • 01:48 • -14.08db
29% Popularity • 45% Danceability • 23% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Bit of Fluff
115 bpm • D# Maj • 02:30 • -30.97db
27% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Clinton Shorter
The Ocean
115 bpm • D min • 02:19 • -22db
43% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
43% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
30% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
Playing Townes
114 bpm • A min • 03:45 • -29db
40% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
32% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Jeff Russo
Star Trek Picard Main Title
114 bpm • D Maj • 01:43 • -12.88db
29% Popularity • 22% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Amelia Warner
Mary Shelley
127 bpm • C Maj • 02:02 • -17.66db
24% Popularity • 21% Danceability • 20% Energy • 6% Liveness
99% Instrumentalness • 8% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
44% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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John Powell
Coming Back Around
113 bpm • E Maj • 02:51 • -7.5db
50% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
51% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Rupert Gregson-Williams
Headlines
128 bpm • G# Maj • 04:24 • -16db
37% Popularity • 44% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Searching for Home
128 bpm • C min • 02:16 • -21db
31% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Bear McCreary
Brianna and Roger Theme
128 bpm • A min • 03:24 • -21.95db
35% Popularity • 52% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
38% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
49% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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John Powell
Forbidden Friendship
129 bpm • F# Maj • 04:11 • -15.14db
55% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
30% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
45% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
17% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Henry Jackman
Safe Now
130 bpm • D min • 03:12 • -21db
44% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Real Hero
130 bpm • G Maj • 05:54 • -18.02db
45% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Patrick Doyle
Harry in Winter
110 bpm • B min • 02:54 • -16.71db
56% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Okinawa Battlefield
110 bpm • E min • 03:59 • -19db
32% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Bornlöf
Flight
110 bpm • C# Maj • 02:16 • -16db
46% Popularity • 36% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Zoe Mthiyane
Opar
131 bpm • G Maj • 03:28 • -18.83db
28% Popularity • 16% Danceability • 8% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Nicholas Britell
Adagio in C Minor
131 bpm • C min • 01:30 • -17.87db
60% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Beal
Losing Rachel
110 bpm • G# Maj • 02:26 • -17db
31% Popularity • 34% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Pretty Corny
131 bpm • A min • 01:44 • -30.01db
46% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Kris Bowers
A Grand Finish
109 bpm • G# Maj • 03:33 • -16.71db
50% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Power and Purpose
132 bpm • F Maj • 04:42 • -18.38db
36% Popularity • 16% Danceability • 19% Energy • 18% Liveness
96% Instrumentalness • 5% Positiveness
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Justin Hurwitz
Houston
132 bpm • D# min • 02:16 • -20.76db
34% Popularity • 77% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 83% Positiveness
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Duck Shoot