Songs like Duet No. 1 by Larry Tuttle
Based on a tempo of (+/- 10%) and a similar genre
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French Cafe 24 x 7
Glamour sur les Champs Elysées
140 bpm • C Maj • 03:48 • -14.64db
18% Popularity • 46% Danceability • 27% Energy • 14% Liveness
42% Instrumentalness • 43% Positiveness
18% Popularity • 46% Danceability • 27% Energy • 14% Liveness
42% Instrumentalness • 43% Positiveness
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Ricardo Lopez
Philippe
140 bpm • F Maj • 03:28 • -8.01db
1% Popularity • 64% Danceability • 58% Energy • 16% Liveness
63% Instrumentalness • 86% Positiveness
1% Popularity • 64% Danceability • 58% Energy • 16% Liveness
63% Instrumentalness • 86% Positiveness
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Giovanni Tornambene
Sunset Boulevard
140 bpm • C Maj • 04:06 • -8db
29% Popularity • 86% Danceability • 46% Energy • 12% Liveness
18% Instrumentalness • 80% Positiveness
29% Popularity • 86% Danceability • 46% Energy • 12% Liveness
18% Instrumentalness • 80% Positiveness
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Larry Tuttle
Duet No. 1
140 bpm • C Maj • 03:02 • -16.35db
0% Popularity • 44% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
0% Popularity • 44% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Jack Jezzro
Tra Veglia E. Sonno
140 bpm • G Maj • 02:50 • -13db
39% Popularity • 54% Danceability • 29% Energy • 21% Liveness
9% Instrumentalness • 69% Positiveness
39% Popularity • 54% Danceability • 29% Energy • 21% Liveness
9% Instrumentalness • 69% Positiveness
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Jacques Montagne
Canone
140 bpm • G# Maj • 03:12 • -10.99db
26% Popularity • 70% Danceability • 57% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
26% Popularity • 70% Danceability • 57% Energy • 14% Liveness
90% Instrumentalness • 85% Positiveness
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Dan Newton
Memories of Paris
140 bpm • F Maj • 02:32 • -8.49db
41% Popularity • 45% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 45% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Sugarpie And The Candymen
Nel blu dipinto di blu - Volare
141 bpm • G# Maj • 02:48 • -5.47db
38% Popularity • 58% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 58% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Francois Parisi
Le Parc De Plaisir
138 bpm • A# min • 02:12 • -9db
37% Popularity • 36% Danceability • 21% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
37% Popularity • 36% Danceability • 21% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
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Larry Tuttle
Soliloquy
141 bpm • F# Maj • 03:29 • -16.31db
0% Popularity • 36% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Zazou
Menilmontant
138 bpm • G Maj • 04:49 • -10.57db
50% Popularity • 64% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 64% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Daniele Benati
Sophia's Cocktail
138 bpm • C min • 03:02 • -13db
17% Popularity • 48% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Vincent Carenzi
Childhood Dream
142 bpm • C# Maj • 02:02 • -9.29db
28% Popularity • 56% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 56% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Henri Salvador
All I Really Want Is Love
142 bpm • C# Maj • 04:08 • -10.16db
52% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Anthony Strong
Sixteen Tons
142 bpm • B min • 02:33 • -11.9db
45% Popularity • 60% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 60% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Ken Peplowski Gypsy Jazz Band
I've Had My Moments
138 bpm • G Maj • 04:26 • -8db
13% Popularity • 62% Danceability • 41% Energy • 18% Liveness
14% Instrumentalness • 36% Positiveness
13% Popularity • 62% Danceability • 41% Energy • 18% Liveness
14% Instrumentalness • 36% Positiveness
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George Gershwin
Mine
138 bpm • C Maj • 02:55 • -26.25db
33% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Lyambiko
Summer Samba
138 bpm • A min • 05:06 • -9.71db
16% Popularity • 77% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 77% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Weiss Ensemble
Whispering
138 bpm • G Maj • 04:28 • -16.17db
6% Popularity • 67% Danceability • 31% Energy • 10% Liveness
70% Instrumentalness • 58% Positiveness
6% Popularity • 67% Danceability • 31% Energy • 10% Liveness
70% Instrumentalness • 58% Positiveness
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Stefano Bollani
Luz Negra
142 bpm • A min • 05:00 • -14.78db
30% Popularity • 56% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
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Patricia Wood
Pipi
137 bpm • F Maj • 02:16 • -15.9db
14% Popularity • 77% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
14% Popularity • 77% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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Larry Tuttle
Mirrors
137 bpm • G Maj • 03:11 • -15.7db
0% Popularity • 20% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
0% Popularity • 20% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Paris Combo
High Low In
136 bpm • G min • 03:30 • -11db
46% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Big Lucky Hot Jazz Orchestra
My Days Are with You
144 bpm • G min • 02:57 • -10.62db
14% Popularity • 73% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
14% Popularity • 73% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
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Les Chiques
Samba de mon coeur qui bat
144 bpm • D# Maj • 04:39 • -8db
30% Popularity • 68% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
30% Popularity • 68% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
47% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Nikki Yanofsky
Bienvenue dans ma vie
144 bpm • F min • 03:49 • -10db
45% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Larry Tuttle
Getting the Vibe
144 bpm • G Maj • 02:49 • -11.37db
0% Popularity • 85% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
0% Popularity • 85% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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Trio Manouche
Anna Banana
136 bpm • E min • 02:34 • -7.77db
17% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremy Moyer
Fishing Secrets
144 bpm • E min • 03:09 • -12.56db
47% Popularity • 88% Danceability • 31% Energy • 16% Liveness
9% Instrumentalness • 64% Positiveness
47% Popularity • 88% Danceability • 31% Energy • 16% Liveness
9% Instrumentalness • 64% Positiveness
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Maurice Larcange
Mister Bolero
144 bpm • D# Maj • 03:09 • -11.36db
18% Popularity • 54% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 54% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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![Conrad's Theme (Bossa) [feat. Tatum Greenblatt] cover art](https://i.scdn.co/image/ab67616d00001e02e69b6f9ba7a283f8a1c2080f)
Jay Israelson
Conrad's Theme (Bossa)
136 bpm • G# Maj • 02:12 • -10db
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
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La Belle Vie Band (Gypsy Jazz)
Anything You Like
136 bpm • A Maj • 04:03 • -10.83db
16% Popularity • 80% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 65% Positiveness
16% Popularity • 80% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 65% Positiveness
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Jacques Montagne
X-men
136 bpm • G# Maj • 02:43 • -12.26db
23% Popularity • 56% Danceability • 40% Energy • 10% Liveness
77% Instrumentalness • 29% Positiveness
23% Popularity • 56% Danceability • 40% Energy • 10% Liveness
77% Instrumentalness • 29% Positiveness
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Southside Aces
Back to Black
136 bpm • D min • 04:35 • -12.5db
29% Popularity • 64% Danceability • 28% Energy • 26% Liveness
20% Instrumentalness • 53% Positiveness
29% Popularity • 64% Danceability • 28% Energy • 26% Liveness
20% Instrumentalness • 53% Positiveness
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String Swing
Comment Te Dire Adieu
136 bpm • A# min • 03:16 • -9db
40% Popularity • 81% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
40% Popularity • 81% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Daniel May
Good to Go
145 bpm • D# Maj • 02:24 • -14db
17% Popularity • 59% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
17% Popularity • 59% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
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Zimbelius
Swing Trombone
135 bpm • F min • 02:51 • -11db
35% Popularity • 73% Danceability • 40% Energy • 7% Liveness
80% Instrumentalness • 87% Positiveness
35% Popularity • 73% Danceability • 40% Energy • 7% Liveness
80% Instrumentalness • 87% Positiveness
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Coralie Clement
Salle des pas perdus
135 bpm • A Maj • 02:52 • -10.95db
39% Popularity • 54% Danceability • 40% Energy • 12% Liveness
31% Instrumentalness • 28% Positiveness
39% Popularity • 54% Danceability • 40% Energy • 12% Liveness
31% Instrumentalness • 28% Positiveness
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Les Petits Parisians
Creme de Jour
135 bpm • C Maj • 02:56 • -13.7db
20% Popularity • 67% Danceability • 27% Energy • 11% Liveness
30% Instrumentalness • 57% Positiveness
20% Popularity • 67% Danceability • 27% Energy • 11% Liveness
30% Instrumentalness • 57% Positiveness
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Martijn Luttmer
Les Parapluies de Cherbourg
135 bpm • D min • 05:29 • -14.53db
16% Popularity • 58% Danceability • 28% Energy • 9% Liveness
30% Instrumentalness • 43% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 9% Liveness
30% Instrumentalness • 43% Positiveness
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Gypsy Jazz Caravan
La Vie En Rose
134 bpm • F Maj • 03:48 • -16db
52% Popularity • 59% Danceability • 23% Energy • 8% Liveness
26% Instrumentalness • 63% Positiveness
52% Popularity • 59% Danceability • 23% Energy • 8% Liveness
26% Instrumentalness • 63% Positiveness
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Pink Turtle
Every Breath You Take
134 bpm • G# Maj • 03:18 • -6.88db
31% Popularity • 72% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 72% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Nicola Arigliano
Carina - 2004 Remaster
134 bpm • C min • 03:01 • -11.51db
48% Popularity • 54% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 54% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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48th St. Collective
Breakfast in America
147 bpm • A# min • 03:13 • -9.24db
36% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ninine Garcia Quintet
Estate
133 bpm • F min • 03:10 • -11.42db
30% Popularity • 64% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 55% Positiveness
30% Popularity • 64% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 55% Positiveness
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Paris Combo
On N'a Pas Besoin
133 bpm • D min • 04:07 • -12.97db
51% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Samy Daussat
Souvenirs souvenirs
133 bpm • G Maj • 02:49 • -11.67db
34% Popularity • 65% Danceability • 42% Energy • 9% Liveness
73% Instrumentalness • 72% Positiveness
34% Popularity • 65% Danceability • 42% Energy • 9% Liveness
73% Instrumentalness • 72% Positiveness
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Larry Tuttle
Fat Rat Strut
148 bpm • A# Maj • 03:35 • -13.19db
0% Popularity • 49% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
0% Popularity • 49% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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John Rowcroft
Piano Chase
148 bpm • D min • 01:23 • -6.6db
19% Popularity • 54% Danceability • 61% Energy • 28% Liveness
58% Instrumentalness • 69% Positiveness
19% Popularity • 54% Danceability • 61% Energy • 28% Liveness
58% Instrumentalness • 69% Positiveness
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Catherine Russell
Satchel Mouth Baby
133 bpm • G# Maj • 03:19 • -11.7db
20% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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THE SCHWINGS BAND
Dark Eyes
132 bpm • A Maj • 03:03 • -12.17db
24% Popularity • 53% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 53% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Paris Combo
Fibre De Verre
132 bpm • A min • 03:40 • -8.64db
56% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lindsay Tomasic
Swamp Revival
132 bpm • D Maj • 03:10 • -10.44db
0% Popularity • 86% Danceability • 81% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
0% Popularity • 86% Danceability • 81% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
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Antonio Vernuccio
Jazz Feel One
132 bpm • A# min • 03:09 • -11.31db
14% Popularity • 60% Danceability • 49% Energy • 31% Liveness
81% Instrumentalness • 22% Positiveness
14% Popularity • 60% Danceability • 49% Energy • 31% Liveness
81% Instrumentalness • 22% Positiveness
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Delicatessen
Do it again
132 bpm • F# min • 02:41 • -13.11db
49% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Zazou
Merle Noir
132 bpm • G Maj • 03:33 • -11.74db
34% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Angelo Debarre Quartet
Flèche d'or
132 bpm • B Maj • 03:18 • -8.92db
13% Popularity • 62% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Catherine Russell
Just Because You Can
132 bpm • G# Maj • 04:09 • -9.9db
25% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Wawau Adler
Sheik Of Araby
149 bpm • A# Maj • 02:01 • -11.4db
25% Popularity • 64% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Ray Gelato
Mambo Italiano
149 bpm • E min • 03:14 • -6.74db
32% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Larry Tuttle
Nocturne
131 bpm • C# Maj • 01:54 • -15.51db
0% Popularity • 37% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
0% Popularity • 37% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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The Speakeasies' Swing Band!
Sinner's Advice
131 bpm • C min • 05:11 • -8.99db
31% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Pierre-Antoine Martin
Pauvre Jean
150 bpm • C Maj • 02:43 • -15.24db
43% Popularity • 38% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
43% Popularity • 38% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Paris Combo
Lettre A P
150 bpm • G Maj • 03:42 • -9.4db
53% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Big Lucky Hot Jazz Orchestra
Red Hot Gypsy Jazz
150 bpm • E Maj • 02:47 • -11.01db
12% Popularity • 70% Danceability • 31% Energy • 9% Liveness
41% Instrumentalness • 84% Positiveness
12% Popularity • 70% Danceability • 31% Energy • 9% Liveness
41% Instrumentalness • 84% Positiveness
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Maurizio Carlini
Circus Song
150 bpm • B min • 02:25 • -11db
21% Popularity • 70% Danceability • 46% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
21% Popularity • 70% Danceability • 46% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Larry Tuttle
Surf Crazy
150 bpm • C min • 02:45 • -10.2db
0% Popularity • 77% Danceability • 56% Energy • 8% Liveness
82% Instrumentalness • 93% Positiveness
0% Popularity • 77% Danceability • 56% Energy • 8% Liveness
82% Instrumentalness • 93% Positiveness
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Nathalie Et Guillaume
Un Homme Et Une Femme
130 bpm • G Maj • 02:45 • -14.47db
48% Popularity • 61% Danceability • 29% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
48% Popularity • 61% Danceability • 29% Energy • 16% Liveness
2% Instrumentalness • 57% Positiveness
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Sarah McKenzie
Paris In The Rain
130 bpm • D Maj • 03:47 • -10.38db
27% Popularity • 63% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 63% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Sugarpie And The Candymen
Lemon Tree
130 bpm • F min • 04:10 • -7.9db
31% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ralf Gscheidle
Paris Pigalle
130 bpm • C min • 02:00 • -8db
42% Popularity • 83% Danceability • 41% Energy • 13% Liveness
26% Instrumentalness • 88% Positiveness
42% Popularity • 83% Danceability • 41% Energy • 13% Liveness
26% Instrumentalness • 88% Positiveness
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Lindsay Tomasic
Traveling South
130 bpm • E Maj • 02:29 • -13.23db
0% Popularity • 76% Danceability • 57% Energy • 12% Liveness
81% Instrumentalness • 76% Positiveness
0% Popularity • 76% Danceability • 57% Energy • 12% Liveness
81% Instrumentalness • 76% Positiveness
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Larry Tuttle
Where the Heart Is
130 bpm • G Maj • 02:29 • -7.39db
0% Popularity • 70% Danceability • 54% Energy • 30% Liveness
6% Instrumentalness • 54% Positiveness
0% Popularity • 70% Danceability • 54% Energy • 30% Liveness
6% Instrumentalness • 54% Positiveness
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Atlantic Five Jazz Band
Black Orpheus
151 bpm • A min • 04:58 • -6.79db
19% Popularity • 48% Danceability • 79% Energy • 12% Liveness
50% Instrumentalness • 58% Positiveness
19% Popularity • 48% Danceability • 79% Energy • 12% Liveness
50% Instrumentalness • 58% Positiveness
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Renzo Arbore
My Clarinetto (Il Clarinetto)
130 bpm • G Maj • 03:12 • -7.69db
23% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Francois Parisi
Ballad Du Paris
129 bpm • C# Maj • 03:14 • -10db
47% Popularity • 49% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
47% Popularity • 49% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
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DANIEL ROURE
C`est Magnifique
151 bpm • F Maj • 04:32 • -15db
35% Popularity • 68% Danceability • 24% Energy • 9% Liveness
18% Instrumentalness • 66% Positiveness
35% Popularity • 68% Danceability • 24% Energy • 9% Liveness
18% Instrumentalness • 66% Positiveness
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Paul Reeves
Swingin' Out
129 bpm • E min • 01:03 • -9.59db
35% Popularity • 79% Danceability • 52% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
35% Popularity • 79% Danceability • 52% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
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Bernd Schoenhart
French Riviera
129 bpm • F Maj • 02:07 • -12.48db
12% Popularity • 51% Danceability • 43% Energy • 16% Liveness
5% Instrumentalness • 39% Positiveness
12% Popularity • 51% Danceability • 43% Energy • 16% Liveness
5% Instrumentalness • 39% Positiveness
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Nicola Arigliano
Maramao Perchè Sei Morto
152 bpm • A# min • 02:09 • -9.47db
44% Popularity • 56% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 56% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Gaucho
Chou Chou
129 bpm • A# Maj • 04:33 • -15.62db
20% Popularity • 66% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 34% Positiveness
20% Popularity • 66% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 34% Positiveness
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Samy Daussat
Yéyé manouche
129 bpm • E min • 02:44 • -8db
27% Popularity • 72% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
27% Popularity • 72% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
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Rodolphe Raffalli Quartet
Je me suis fait tout petit
128 bpm • B min • 02:08 • -13.27db
22% Popularity • 64% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 73% Positiveness
22% Popularity • 64% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 73% Positiveness
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Ludovic Beier
La bossa du vieux port
153 bpm • F min • 05:40 • -8.23db
15% Popularity • 51% Danceability • 56% Energy • 10% Liveness
11% Instrumentalness • 38% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 10% Liveness
11% Instrumentalness • 38% Positiveness
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Jack Jezzro
Oh Marie
128 bpm • D Maj • 03:44 • -12.62db
37% Popularity • 42% Danceability • 35% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
37% Popularity • 42% Danceability • 35% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
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Glenn Miller Orchestra
Chattanooga Choo Choo
154 bpm • G# Maj • 03:41 • -10.06db
20% Popularity • 58% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 58% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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John Rowcroft
Tango Cubano
128 bpm • F Maj • 02:16 • -7.67db
22% Popularity • 89% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
22% Popularity • 89% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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André Charlier
Fouquet's
127 bpm • F min • 01:35 • -11.85db
37% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
37% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
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La Belle Vie Band (Gypsy Jazz)
Happy But Blue
127 bpm • F Maj • 03:05 • -8.26db
26% Popularity • 85% Danceability • 54% Energy • 11% Liveness
72% Instrumentalness • 90% Positiveness
26% Popularity • 85% Danceability • 54% Energy • 11% Liveness
72% Instrumentalness • 90% Positiveness
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Lindsay Tomasic
Humble Creek
127 bpm • B Maj • 02:20 • -15.26db
0% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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The Speakeasies' Swing Band!
I Istoria tou Zormpa (Zormpas' Story)
126 bpm • G min • 05:06 • -8.28db
33% Popularity • 77% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 77% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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DANIEL ROURE
J'ai Vu
126 bpm • C Maj • 05:32 • -12.86db
43% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Michel Warlop
Strange Harmony
126 bpm • D# Maj • 02:36 • -7.67db
23% Popularity • 77% Danceability • 53% Energy • 33% Liveness
75% Instrumentalness • 61% Positiveness
23% Popularity • 77% Danceability • 53% Energy • 33% Liveness
75% Instrumentalness • 61% Positiveness
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Club des Belugas
Please Don't Tease
126 bpm • F min • 03:35 • -9.82db
34% Popularity • 86% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 86% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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La Belle Vie Band (Gypsy Jazz)
Bertie's Bolero
126 bpm • E Maj • 04:17 • -8.72db
22% Popularity • 60% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
22% Popularity • 60% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
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John Rowcroft
Gypsy Swing King
126 bpm • G Maj • 02:09 • -7.39db
18% Popularity • 89% Danceability • 52% Energy • 9% Liveness
77% Instrumentalness • 92% Positiveness
18% Popularity • 89% Danceability • 52% Energy • 9% Liveness
77% Instrumentalness • 92% Positiveness
