Songs like Dust2 by Daniel Levak
Based on a tempo of (+/- 10%) and a similar genre
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A.D.H.S.
Razor
132 bpm • F min • 06:53 • -5.89db
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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LEVT
Vibrant
132 bpm • C# min • 07:04 • -7.15db
21% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
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Tom Wax
The Sound of the Underground
132 bpm • C# Maj • 07:36 • -7.3db
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
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Wehbba
Strange Dreamz
132 bpm • C# min • 04:14 • -6.96db
31% Popularity • 74% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
31% Popularity • 74% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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F-Rontal
Graphit
132 bpm • C# Maj • 05:51 • -8.12db
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
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Belocca
The Greatest Question
132 bpm • G Maj • 06:51 • -6.38db
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Sisko Electrofanatik
Ametista
132 bpm • G Maj • 04:12 • -8db
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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LEVT
Feelings
132 bpm • G Maj • 07:01 • -7.07db
14% Popularity • 62% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 62% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Matteo Vitanza
Becoming Light - Original Mix
132 bpm • A Maj • 04:06 • -5db
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Adam Beyer
Restore My Soul - Remix
132 bpm • D Maj • 04:32 • -6.48db
31% Popularity • 65% Danceability • 96% Energy • 5% Liveness
80% Instrumentalness • 40% Positiveness
31% Popularity • 65% Danceability • 96% Energy • 5% Liveness
80% Instrumentalness • 40% Positiveness
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M.Smith
Assid
132 bpm • D Maj • 05:31 • -7.58db
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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HI-LO
Athena - Ramon Tapia Remix
132 bpm • C# min • 06:08 • -6.39db
16% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Daniel Levak
Dust2
132 bpm • G Maj • 06:26 • -6.64db
43% Popularity • 79% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
43% Popularity • 79% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
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Marco V
ME/AN
132 bpm • G# Maj • 03:49 • -8db
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
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Patrick Scuro
Escalate
132 bpm • G Maj • 04:06 • -6.65db
30% Popularity • 76% Danceability • 98% Energy • 37% Liveness
19% Instrumentalness • 27% Positiveness
30% Popularity • 76% Danceability • 98% Energy • 37% Liveness
19% Instrumentalness • 27% Positiveness
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Sam WOLFE
Prison Break - Original Mix
132 bpm • F# min • 03:28 • -7.47db
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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DANNY AVILA
Notre Dame - Radio Edit
132 bpm • B min • 03:43 • -6.22db
35% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
35% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
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Enrico Sangiuliano
Future Dust
132 bpm • G Maj • 08:29 • -4.9db
48% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
48% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Daniel Levak
I'm In Your Mind - Instrumental
132 bpm • B min • 06:23 • -8.76db
0% Popularity • 72% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
0% Popularity • 72% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Karim Alkhayat
The Bigger Picture
132 bpm • D Maj • 06:50 • -7.41db
19% Popularity • 66% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
19% Popularity • 66% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Patrick Scuro
Pulchra
132 bpm • G Maj • 04:14 • -5.47db
43% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
43% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
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Sam WOLFE
Gone - Original Mix
132 bpm • E min • 04:00 • -5.42db
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Belocca
Chemical Substance
132 bpm • C# Maj • 07:03 • -8db
28% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Sisko Electrofanatik
Desolate - Radio Edit
132 bpm • D Maj • 04:05 • -7db
15% Popularity • 71% Danceability • 93% Energy • 59% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 71% Danceability • 93% Energy • 59% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Levak
Bells of Notre Dame
132 bpm • D Maj • 04:11 • -9.25db
44% Popularity • 71% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
44% Popularity • 71% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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UMEK
Once Again - Original Mix
132 bpm • G Maj • 07:09 • -4.81db
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Patrick Scuro
Creatures on Acid - Radio-Edit
132 bpm • F Maj • 04:30 • -7.25db
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Sabura
Tribal Space
132 bpm • D Maj • 05:59 • -10.87db
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Adam Beyer
Control - Remix
132 bpm • G Maj • 04:04 • -7.12db
29% Popularity • 63% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
29% Popularity • 63% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Karla Blum
Free Your Mind - Alex Stein Remix
132 bpm • B min • 05:43 • -7.82db
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Jason Johnson
Move
132 bpm • C# min • 05:52 • -5.45db
28% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
28% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
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Joyhauser
Crawler
132 bpm • B Maj • 05:23 • -7.1db
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Ramon Tapia
Morphing
132 bpm • E min • 04:52 • -6.98db
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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A.D.H.S.
Dancin' 4Ever
132 bpm • G Maj • 06:51 • -5.11db
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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UMEK
Exodus - Radio Edit
132 bpm • G# Maj • 06:40 • -5.47db
16% Popularity • 75% Danceability • 85% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
16% Popularity • 75% Danceability • 85% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
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Xenia (UA)
Acid React - Original Mix
132 bpm • C# Maj • 04:07 • -5.07db
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
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Nusha
Cip Cirip - Original Mix
132 bpm • B min • 06:36 • -6db
19% Popularity • 79% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 79% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Spektre
Badlands
132 bpm • A# min • 04:00 • -7.59db
38% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
38% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Thomas Schumacher
No Rules Involved
132 bpm • E Maj • 03:49 • -8.26db
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Pleasurekraft
Body Horror
132 bpm • B min • 04:00 • -5.79db
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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D72
Switch Play
132 bpm • G Maj • 03:34 • -5.71db
32% Popularity • 30% Danceability • 98% Energy • 66% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 30% Danceability • 98% Energy • 66% Liveness
91% Instrumentalness • 7% Positiveness
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Karim Alkhayat
Symphony on Acid
132 bpm • G Maj • 04:27 • -4.93db
20% Popularity • 58% Danceability • 96% Energy • 32% Liveness
88% Instrumentalness • 22% Positiveness
20% Popularity • 58% Danceability • 96% Energy • 32% Liveness
88% Instrumentalness • 22% Positiveness
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Karla Blum
Something Unreal
132 bpm • G# Maj • 05:47 • -5.53db
29% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
29% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
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Matteo Vitanza
Altered Consciousness
132 bpm • E min • 04:38 • -4.82db
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
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Mark Michael
Blackout - Radio Edit
132 bpm • G Maj • 04:38 • -8.62db
25% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Belocca
Rave Cave
132 bpm • G# Maj • 07:24 • -7.86db
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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U96
Das Boot (V2) - D72 Remix
132 bpm • G Maj • 02:30 • -6.75db
43% Popularity • 70% Danceability • 91% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
43% Popularity • 70% Danceability • 91% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
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Lister
This Is Acid
132 bpm • A Maj • 02:07 • -9.17db
40% Popularity • 64% Danceability • 90% Energy • 47% Liveness
79% Instrumentalness • 4% Positiveness
40% Popularity • 64% Danceability • 90% Energy • 47% Liveness
79% Instrumentalness • 4% Positiveness
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Daniel Levak
Strange
132 bpm • G Maj • 06:00 • -7.03db
8% Popularity • 66% Danceability • 99% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
8% Popularity • 66% Danceability • 99% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
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Anahit Vardanyan
Huys
132 bpm • F# Maj • 07:20 • -8.31db
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Luca Morris
Summer Rain
132 bpm • C# min • 04:23 • -6.74db
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
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Layton Giordani
Digital Age
132 bpm • F# min • 03:58 • -7.77db
43% Popularity • 64% Danceability • 94% Energy • 8% Liveness
80% Instrumentalness • 18% Positiveness
43% Popularity • 64% Danceability • 94% Energy • 8% Liveness
80% Instrumentalness • 18% Positiveness
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Wehbba
Ataraxia
132 bpm • C Maj • 04:29 • -6.76db
24% Popularity • 67% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 67% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Jason Johnson
Hypoesthesia
132 bpm • G Maj • 06:21 • -5.57db
13% Popularity • 71% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 71% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Belocca
Metamorphosis - Daniel Levak Remix
132 bpm • B min • 06:03 • -5.55db
7% Popularity • 77% Danceability • 94% Energy • 32% Liveness
88% Instrumentalness • 24% Positiveness
7% Popularity • 77% Danceability • 94% Energy • 32% Liveness
88% Instrumentalness • 24% Positiveness
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Matt Sassari
Goi - Ramon Tapia Remix
132 bpm • C# Maj • 04:10 • -7.24db
26% Popularity • 62% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
26% Popularity • 62% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Mac N Dan
Take You Higher
132 bpm • C# Maj • 05:43 • -4.98db
30% Popularity • 66% Danceability • 96% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
30% Popularity • 66% Danceability • 96% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Joris Turenhout
Fauna
132 bpm • A# min • 05:10 • -8.91db
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Mark Dekoda
Illusion
132 bpm • G Maj • 06:32 • -9.2db
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Sam WOLFE
Disruption - Original Mix
132 bpm • B Maj • 04:58 • -6.36db
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
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NoTune
Subconsious Mind
132 bpm • D Maj • 05:44 • -8.19db
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Clap Codex
Falling Apart
132 bpm • B min • 06:53 • -6.59db
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Daniel Levak
Universe
132 bpm • C# Maj • 05:14 • -5.49db
7% Popularity • 81% Danceability • 97% Energy • 59% Liveness
74% Instrumentalness • 41% Positiveness
7% Popularity • 81% Danceability • 97% Energy • 59% Liveness
74% Instrumentalness • 41% Positiveness
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Jay Lumen
The Fact
132 bpm • A Maj • 04:38 • -5.69db
23% Popularity • 60% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 34% Positiveness
23% Popularity • 60% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 34% Positiveness
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ShortRound
Astral
132 bpm • F# Maj • 04:59 • -7.51db
22% Popularity • 72% Danceability • 87% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 72% Danceability • 87% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Adam Beyer
Legend
132 bpm • C Maj • 03:40 • -6.6db
32% Popularity • 54% Danceability • 97% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 54% Danceability • 97% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Noseda
Girl On Fire
132 bpm • F min • 06:56 • -8db
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Clap Codex
Quantum State - Julien Riess Remix
132 bpm • G Maj • 06:38 • -9.66db
18% Popularity • 64% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
18% Popularity • 64% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Droplex
Unity - Original Mix
132 bpm • E Maj • 05:12 • -6.46db
51% Popularity • 70% Danceability • 81% Energy • 11% Liveness
35% Instrumentalness • 52% Positiveness
51% Popularity • 70% Danceability • 81% Energy • 11% Liveness
35% Instrumentalness • 52% Positiveness
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Alex Stein
Human Robot
132 bpm • C Maj • 06:56 • -7.32db
37% Popularity • 72% Danceability • 82% Energy • 30% Liveness
88% Instrumentalness • 31% Positiveness
37% Popularity • 72% Danceability • 82% Energy • 30% Liveness
88% Instrumentalness • 31% Positiveness
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Heerhorst
Usp
132 bpm • G Maj • 06:24 • -6.23db
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
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Mea Inferno
God Loves Techno
132 bpm • C# Maj • 06:54 • -7.79db
28% Popularity • 68% Danceability • 87% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
28% Popularity • 68% Danceability • 87% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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ShortRound
Touch Me
132 bpm • F# Maj • 02:54 • -8.46db
31% Popularity • 64% Danceability • 79% Energy • 47% Liveness
87% Instrumentalness • 9% Positiveness
31% Popularity • 64% Danceability • 79% Energy • 47% Liveness
87% Instrumentalness • 9% Positiveness
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Daniel Levak
Warehouse
132 bpm • G# Maj • 04:56 • -10.8db
8% Popularity • 48% Danceability • 73% Energy • 26% Liveness
75% Instrumentalness • 37% Positiveness
8% Popularity • 48% Danceability • 73% Energy • 26% Liveness
75% Instrumentalness • 37% Positiveness
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Reinier Zonneveld
Flying Octopus
131 bpm • F# Maj • 03:31 • -5.89db
51% Popularity • 64% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
51% Popularity • 64% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Chris Veron
My Vision - Original Mix
131 bpm • F min • 03:19 • -5.53db
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
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UMEK
Frequency Differ - Original Mix
131 bpm • F# min • 06:49 • -6.08db
30% Popularity • 74% Danceability • 96% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
30% Popularity • 74% Danceability • 96% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
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Kai Tracid
Mockmoon (Peace, Love, XTC)
133 bpm • E min • 06:08 • -5.32db
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
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DANNY AVILA
The Procedure - Radio Edit
133 bpm • G Maj • 03:13 • -2.84db
45% Popularity • 68% Danceability • 99% Energy • 32% Liveness
2% Instrumentalness • 33% Positiveness
45% Popularity • 68% Danceability • 99% Energy • 32% Liveness
2% Instrumentalness • 33% Positiveness
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Marie Vaunt
Dark Room
133 bpm • B min • 04:03 • -5.37db
48% Popularity • 70% Danceability • 97% Energy • 34% Liveness
7% Instrumentalness • 6% Positiveness
48% Popularity • 70% Danceability • 97% Energy • 34% Liveness
7% Instrumentalness • 6% Positiveness
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Reinier Zonneveld
Drugs From Amsterdam - Reinier Zonneveld...
133 bpm • E min • 03:53 • -7.38db
45% Popularity • 72% Danceability • 96% Energy • 69% Liveness
56% Instrumentalness • 40% Positiveness
45% Popularity • 72% Danceability • 96% Energy • 69% Liveness
56% Instrumentalness • 40% Positiveness
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Sisko Electrofanatik
Solar Rock
131 bpm • C# min • 04:34 • -8.45db
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Jay Lumen
Here We Go
133 bpm • C Maj • 06:56 • -5.67db
19% Popularity • 73% Danceability • 95% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
19% Popularity • 73% Danceability • 95% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
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Mark Dekoda
The Raven
133 bpm • G Maj • 06:51 • -7.31db
28% Popularity • 70% Danceability • 78% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
28% Popularity • 70% Danceability • 78% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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DANNY AVILA
Be Real! - Extended
131 bpm • C Maj • 06:08 • -7.34db
22% Popularity • 71% Danceability • 89% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
22% Popularity • 71% Danceability • 89% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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LEVT
Fears Fight
133 bpm • A# min • 06:34 • -5.95db
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Layton Giordani
Hyper World
131 bpm • G Maj • 06:25 • -6.22db
36% Popularity • 74% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
36% Popularity • 74% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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BAMI
My Body
131 bpm • G# Maj • 05:07 • -8.95db
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
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Chris Veron
Pluto Fever
131 bpm • G Maj • 06:24 • -8.04db
36% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
36% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Thomas Schumacher
Hype
133 bpm • F# Maj • 06:33 • -7.12db
29% Popularity • 58% Danceability • 95% Energy • 11% Liveness
79% Instrumentalness • 49% Positiveness
29% Popularity • 58% Danceability • 95% Energy • 11% Liveness
79% Instrumentalness • 49% Positiveness
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DANNY AVILA
Atlantis - Original Mix
131 bpm • G Maj • 06:01 • -8.07db
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Levak
Rebellion of the Machines
131 bpm • C# Maj • 05:00 • -7.27db
9% Popularity • 73% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
9% Popularity • 73% Danceability • 62% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Layton Giordani
UFOs & LFOs
131 bpm • C# Maj • 04:56 • -6.86db
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
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Ramon Tapia
303 State
133 bpm • C Maj • 07:33 • -5.25db
41% Popularity • 73% Danceability • 93% Energy • 8% Liveness
83% Instrumentalness • 16% Positiveness
41% Popularity • 73% Danceability • 93% Energy • 8% Liveness
83% Instrumentalness • 16% Positiveness
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Herbrido
Melodic Assault
131 bpm • G Maj • 06:10 • -8.18db
21% Popularity • 84% Danceability • 79% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
21% Popularity • 84% Danceability • 79% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Tiger Stripes
Renegade
133 bpm • D min • 04:18 • -7.16db
25% Popularity • 60% Danceability • 98% Energy • 32% Liveness
76% Instrumentalness • 3% Positiveness
25% Popularity • 60% Danceability • 98% Energy • 32% Liveness
76% Instrumentalness • 3% Positiveness
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DANNY AVILA
Diablo
133 bpm • F# Maj • 05:55 • -4.58db
18% Popularity • 43% Danceability • 97% Energy • 21% Liveness
75% Instrumentalness • 28% Positiveness
18% Popularity • 43% Danceability • 97% Energy • 21% Liveness
75% Instrumentalness • 28% Positiveness
