Songs like Dutilleux: Cello Concerto (Tout un monde lointain): II. Regard [Extrêmement calme] by Henri Dutilleux
Based on a tempo of (+/- 10%) and a similar genre
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Karol Szymanowski
Violin Concerto No. 2 in D Minor, Op. 61...
89 bpm • G Maj • 01:38 • -18.94db
3% Popularity • 38% Danceability • 27% Energy • 62% Liveness
22% Instrumentalness • 71% Positiveness
3% Popularity • 38% Danceability • 27% Energy • 62% Liveness
22% Instrumentalness • 71% Positiveness
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George Enescu
Symphony No. 1, Op. 13: III. Vif et vigo...
89 bpm • F min • 09:11 • -20.9db
2% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
2% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Anders Hillborg
11 Gates: No. 10. Seafloor Meditation (W...
89 bpm • F Maj • 01:45 • -43db
9% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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William Bolcom
Three Rags: Poltergeist (arr. by Hamilto...
89 bpm • D# min • 04:12 • -21.08db
10% Popularity • 38% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 39% Positiveness
10% Popularity • 38% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 39% Positiveness
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Manuel de Falla
El amor brujo (Love, the Magician): En l...
89 bpm • G# Maj • 02:15 • -34db
9% Popularity • 14% Danceability • 1% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
88 bpm • A# min • 01:17 • -25db
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VIII. ...
88 bpm • D# Maj • 04:56 • -37.18db
18% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): XVIII. R...
90 bpm • A# min • 02:45 • -24db
10% Popularity • 10% Danceability • 0% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
10% Popularity • 10% Danceability • 0% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
90 bpm • G Maj • 02:41 • -30.3db
18% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
18% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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GĂ©rard Grisey
MĂ©galithes, Version 3: II. 5-2 - III. 9...
88 bpm • E Maj • 01:49 • -21.25db
13% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
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AntonĂn Dvořák
Bohemian Stillness
90 bpm • F# min • 01:36 • -36db
13% Popularity • 21% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Dutilleux: Au gré des ondes: IV. Mouvem...
88 bpm • D Maj • 02:00 • -29.93db
3% Popularity • 52% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
3% Popularity • 52% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Hans Abrahamsen
Schoenberg - 4 Pieces from 6 Kleine Klav...
90 bpm • A# min • 02:05 • -30.81db
7% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 17% Liveness
24% Instrumentalness • 3% Positiveness
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Paul Hindemith
Konzertmusik fĂĽr Streichorchester und B...
88 bpm • D min • 05:11 • -18.01db
9% Popularity • 34% Danceability • 33% Energy • 63% Liveness
92% Instrumentalness • 22% Positiveness
9% Popularity • 34% Danceability • 33% Energy • 63% Liveness
92% Instrumentalness • 22% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: VI. Te...
88 bpm • G Maj • 02:09 • -22.48db
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 42% Liveness
89% Instrumentalness • 22% Positiveness
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Manuel de Falla
Falla: El sombrero de tres picos, Pt. 2:...
88 bpm • D Maj • 03:32 • -27.02db
25% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
25% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Henri Dutilleux
Trois Strophes sur le nom de Sacher: II....
88 bpm • C# Maj • 03:05 • -24.45db
7% Popularity • 13% Danceability • 3% Energy • 15% Liveness
73% Instrumentalness • 3% Positiveness
7% Popularity • 13% Danceability • 3% Energy • 15% Liveness
73% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
88 bpm • G Maj • 04:26 • -32.75db
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
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John Cage
Nocturne for Violin & Piano
90 bpm • C# min • 05:37 • -28.79db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
The Wooden Prince, Sz. 60 (Final Version...
88 bpm • D Maj • 02:04 • -22.5db
11% Popularity • 22% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 15% Positiveness
11% Popularity • 22% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 15% Positiveness
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Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
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Othmar Schoeck
Schoeck: Notturno, Op. 47: V. Ach, wer m...
90 bpm • E min • 09:34 • -25.88db
12% Popularity • 17% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
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Henri Dutilleux
Cello Concerto (Tout un monde lointain):...
88 bpm • C# Maj • 05:12 • -31.86db
1% Popularity • 11% Danceability • 4% Energy • 55% Liveness
23% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 4% Energy • 55% Liveness
23% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonie "Mathis der Maler": 2. Grableg...
88 bpm • F# min • 04:09 • -20.26db
11% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Allan Pettersson
Romanza for Violin & Piano
87 bpm • A# min • 03:12 • -16.94db
19% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
19% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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BĂ©la BartĂłk
The Wooden Prince, Sz. 60 (Final Version...
87 bpm • F# Maj • 01:53 • -23.19db
7% Popularity • 28% Danceability • 12% Energy • 55% Liveness
8% Instrumentalness • 9% Positiveness
7% Popularity • 28% Danceability • 12% Energy • 55% Liveness
8% Instrumentalness • 9% Positiveness
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Claude Debussy
Première Rapsodie, L. 116
87 bpm • F# Maj • 08:12 • -25.8db
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
91 bpm • A# Maj • 03:18 • -47.46db
12% Popularity • 10% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Carlo Rizzi
Tosca Symphonic Suite - Radio Edit
91 bpm • F# Maj • 03:49 • -15.74db
10% Popularity • 21% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R: Ein Heldenleben, Op. 40: V. ...
87 bpm • D Maj • 06:21 • -21.12db
11% Popularity • 15% Danceability • 12% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 12% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
87 bpm • G# Maj • 02:30 • -35.71db
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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BĂ©la BartĂłk
The Wooden Prince, Sz. 60 (Final Version...
87 bpm • G Maj • 02:26 • -22.66db
10% Popularity • 22% Danceability • 8% Energy • 52% Liveness
79% Instrumentalness • 9% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 52% Liveness
79% Instrumentalness • 9% Positiveness
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Claude Debussy
Petite pièce, CD 127 (Version for Oboe ...
87 bpm • G Maj • 01:35 • -30.11db
8% Popularity • 14% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Métaboles: II. Linéaire
91 bpm • F# min • 02:48 • -31db
5% Popularity • 13% Danceability • 2% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
5% Popularity • 13% Danceability • 2% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
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Carl Nielsen
Pan og Syrinx, Op. 49, FS 87
87 bpm • C Maj • 08:32 • -22.96db
22% Popularity • 10% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Jules Massenet
Bacchus, Act III Tableau 2: Les Mysteres...
91 bpm • F Maj • 01:57 • -36.52db
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57, Première Part...
91 bpm • F# Maj • 01:35 • -24.26db
10% Popularity • 22% Danceability • 3% Energy • 27% Liveness
14% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 3% Energy • 27% Liveness
14% Instrumentalness • 4% Positiveness
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Jacques Ibert
Ibert: Pièce pour flute seule
87 bpm • C# Maj • 05:12 • -31db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 5, Alla...
91 bpm • D min • 02:48 • -17.96db
12% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
12% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
6% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
6% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
86 bpm • A min • 01:43 • -24.47db
23% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
23% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Richard Strauss
Strauss, R: Der BĂĽrger als Edelmann Sui...
92 bpm • A Maj • 01:34 • -31.22db
12% Popularity • 24% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
12% Popularity • 24% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Yi Chen
Happy Tune for violin and viola
92 bpm • D Maj • 02:42 • -13.14db
11% Popularity • 60% Danceability • 21% Energy • 8% Liveness
74% Instrumentalness • 59% Positiveness
11% Popularity • 60% Danceability • 21% Energy • 8% Liveness
74% Instrumentalness • 59% Positiveness
► Preview
BĂ©la BartĂłk
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
► Preview
AntonĂn Dvořák
Dvořák: Symphonic Variations in C Majo...
92 bpm • A# min • 01:25 • -30.32db
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Imants Zemzaris
Moonlight
86 bpm • C Maj • 04:42 • -26.52db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
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Carl Nielsen
Flute Concerto, FS 119: II. Allegretto, ...
92 bpm • G Maj • 07:27 • -26.44db
6% Popularity • 25% Danceability • 6% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
6% Popularity • 25% Danceability • 6% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57, Troisième Par...
86 bpm • C# Maj • 03:28 • -18.08db
7% Popularity • 33% Danceability • 35% Energy • 8% Liveness
57% Instrumentalness • 4% Positiveness
7% Popularity • 33% Danceability • 35% Energy • 8% Liveness
57% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Introducti...
92 bpm • D Maj • 06:20 • -23.4db
14% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
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BĂ©la BartĂłk
Divertimento for Strings, Sz. 113: I. Al...
92 bpm • F Maj • 09:32 • -19.72db
8% Popularity • 19% Danceability • 9% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 9% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
92 bpm • A# Maj • 01:14 • -46.76db
9% Popularity • 10% Danceability • 0% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
9% Popularity • 10% Danceability • 0% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 9, Danse de la femm...
92 bpm • D# Maj • 01:27 • -34.67db
6% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
6% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Gabriel Fauré
Élégie in C Minor, Op. 24 (Arr. for Vi...
86 bpm • G# Maj • 06:24 • -26.81db
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Henri Dutilleux
Tout un monde lointain…: IV. Miroirs
86 bpm • C# Maj • 05:38 • -31.86db
4% Popularity • 9% Danceability • 5% Energy • 59% Liveness
27% Instrumentalness • 3% Positiveness
4% Popularity • 9% Danceability • 5% Energy • 59% Liveness
27% Instrumentalness • 3% Positiveness
► Preview
RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Olivier Messiaen
Turangalîla-Symphony: X. Final. Modér�...
85 bpm • C# Maj • 07:35 • -15.98db
8% Popularity • 23% Danceability • 50% Energy • 5% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 23% Danceability • 50% Energy • 5% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Christian Lindberg
Loneliness
85 bpm • G Maj • 02:33 • -23.23db
12% Popularity • 23% Danceability • 7% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: III. Keh...
85 bpm • A min • 04:03 • -25.73db
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Douglas Anderson
Chamber Symphony No. 4: I. Introduction
85 bpm • G Maj • 04:49 • -22.17db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
85 bpm • D# Maj • 08:52 • -22.42db
12% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Igor Stravinsky
Orpheus: Scene I: Lento sostenuto
85 bpm • C Maj • 02:20 • -43.64db
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Adam Pounds
Symphony No. 3: II. Tempo di Waltz
93 bpm • D min • 04:29 • -22.88db
7% Popularity • 20% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
7% Popularity • 20% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Dmitri Shostakovich
String Quartet No. 7 in F-Sharp Minor, O...
85 bpm • F# min • 05:04 • -17.1db
8% Popularity • 38% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
8% Popularity • 38% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
► Preview
Henri Dutilleux
L'Arbre des songes (Violin Concerto): I....
85 bpm • C# Maj • 04:35 • -27.1db
1% Popularity • 14% Danceability • 14% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 14% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: I. Introduction...
93 bpm • C# Maj • 01:32 • -29.64db
11% Popularity • 20% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major: I. Toccata
93 bpm • G Maj • 05:55 • -17.95db
9% Popularity • 47% Danceability • 22% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 22% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
► Preview
Aivars Kalējs
French Quadrilogy: No. 2, The Dream
94 bpm • G min • 03:43 • -24.4db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
► Preview
Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
BĂ©la BartĂłk
The Wooden Prince, Sz. 60 (Final Version...
85 bpm • D min • 03:29 • -18.06db
9% Popularity • 16% Danceability • 25% Energy • 39% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 25% Energy • 39% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
String Quartet No. 1, JW vii/8 "Kreutzer...
85 bpm • E Maj • 04:03 • -20db
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Darius Milhaud
Suite, Op. 157b: III. Jeu
85 bpm • D Maj • 01:38 • -14.96db
14% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
14% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: III. D...
94 bpm • A# Maj • 07:11 • -37.31db
9% Popularity • 15% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 4, "...
94 bpm • D Maj • 01:14 • -22.49db
8% Popularity • 28% Danceability • 12% Energy • 38% Liveness
96% Instrumentalness • 32% Positiveness
8% Popularity • 28% Danceability • 12% Energy • 38% Liveness
96% Instrumentalness • 32% Positiveness
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Ăśmit ArmaÄźan
Three Doors (II) - Concert Performance
94 bpm • D# Maj • 01:50 • -16.11db
13% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
13% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Molto rallentan...
84 bpm • F# min • 04:53 • -19.93db
9% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
84 bpm • F min • 09:44 • -24.3db
7% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
84 bpm • A Maj • 05:50 • -25.31db
13% Popularity • 19% Danceability • 7% Energy • 35% Liveness
49% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 35% Liveness
49% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Thème et variations: I. Thème. Modér�...
84 bpm • C min • 01:50 • -32.26db
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: IV. T...
94 bpm • C# Maj • 05:33 • -15.66db
8% Popularity • 13% Danceability • 28% Energy • 66% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 28% Energy • 66% Liveness
93% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Timbres, espace, mouvement "La nuit etoi...
94 bpm • E min • 04:03 • -34.01db
0% Popularity • 13% Danceability • 0% Energy • 11% Liveness
12% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 0% Energy • 11% Liveness
12% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Akio Yashiro
Yashiro: String Quartet: I. Adagio ma no...
94 bpm • A# Maj • 05:11 • -17.99db
8% Popularity • 26% Danceability • 14% Energy • 5% Liveness
74% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 5% Liveness
74% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
String Quartet No. 2, Op. 10: III. Litan...
84 bpm • F# Maj • 05:30 • -18.8db
7% Popularity • 17% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVa. The ...
84 bpm • D Maj • 01:13 • -18.42db
17% Popularity • 23% Danceability • 29% Energy • 28% Liveness
88% Instrumentalness • 69% Positiveness
17% Popularity • 23% Danceability • 29% Energy • 28% Liveness
88% Instrumentalness • 69% Positiveness
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CĂ©sar Franck
Symphony in D Minor, FWV 48: II. Allegre...
94 bpm • F# Maj • 10:09 • -29.75db
7% Popularity • 12% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Tout un monde lointain…: Tout un monde...
84 bpm • C# Maj • 06:59 • -29.34db
6% Popularity • 9% Danceability • 8% Energy • 38% Liveness
47% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 8% Energy • 38% Liveness
47% Instrumentalness • 3% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: II. Al...
84 bpm • G Maj • 02:13 • -19.11db
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
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Andre Caplet
Estampes: No. 1. Pagodes (arr. A. Caplet...
95 bpm • C# min • 06:25 • -23.22db
11% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
BĂ©la BartĂłk
The Wooden Prince, Sz. 60 (Final Version...
94 bpm • E min • 03:11 • -18.15db
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Il tabarro, SC 85: Introduzione
84 bpm • A min • 02:02 • -26.17db
10% Popularity • 13% Danceability • 6% Energy • 77% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 13% Danceability • 6% Energy • 77% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Witold Lutosławski
Dance Preludes *: No. 3. Allegro giocoso
95 bpm • A# min • 01:12 • -18db
11% Popularity • 45% Danceability • 24% Energy • 29% Liveness
91% Instrumentalness • 33% Positiveness
11% Popularity • 45% Danceability • 24% Energy • 29% Liveness
91% Instrumentalness • 33% Positiveness
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Henri Dutilleux
Ainsi la nuit: I. Nocturne I
84 bpm • C min • 03:17 • -23.9db
3% Popularity • 26% Danceability • 6% Energy • 15% Liveness
38% Instrumentalness • 4% Positiveness
3% Popularity • 26% Danceability • 6% Energy • 15% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
9% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
