Songs like E Soffitto, E Pareti by Jan Peerce
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
132 bpm • D# Maj • 01:38 • -14.56db
13% Popularity • 42% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 42% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Simon Masterson Smith
The Pirates of Penzance: With Cat-Like T...
132 bpm • D Maj • 02:28 • -18db
10% Popularity • 50% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 50% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Act I Scene 14 App...
132 bpm • G Maj • 04:01 • -12.13db
0% Popularity • 30% Danceability • 43% Energy • 67% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 30% Danceability • 43% Energy • 67% Liveness
1% Instrumentalness • 18% Positiveness
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Georges Bizet
Carmen: Act I: Tra la la (Carmen)
132 bpm • A min • 03:28 • -19.42db
0% Popularity • 38% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
133 bpm • F Maj • 10:24 • -19.5db
9% Popularity • 50% Danceability • 11% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 67% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander Olshanetsky
Di Letzteh Tantz: Glick (arr. W.S. Bass)
133 bpm • C min • 03:56 • -16.41db
0% Popularity • 42% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 42% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
131 bpm • A Maj • 04:21 • -13.63db
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Can I survive t...
130 bpm • D# Maj • 09:43 • -15.86db
11% Popularity • 42% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 42% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Appressati,...
134 bpm • G Maj • 01:22 • -24.47db
11% Popularity • 32% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Francis Poulenc
Gloria, FP 177: II. Laudamus te
130 bpm • D min • 02:58 • -20.18db
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Gioachino Rossini
La Danza, Tarantella napoletana from "Le...
133 bpm • A# Maj • 02:58 • -16.46db
9% Popularity • 46% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
9% Popularity • 46% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Jan Peerce
Song of Songs
134 bpm • B min • 03:33 • -9.72db
0% Popularity • 27% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 17% Positiveness
0% Popularity • 27% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 17% Positiveness
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Richard Tauber
Dein ist Mein Ganzes Herz
134 bpm • C# Maj • 03:13 • -8.82db
9% Popularity • 30% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 40% Positiveness
9% Popularity • 30% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 40% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: When the Foe-Ma...
129 bpm • C Maj • 04:27 • -21.36db
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
129 bpm • C Maj • 03:16 • -20db
11% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Jacinto Guerrero
La Rosa del Azafrán: Preludio: "Aunque ...
135 bpm • E Maj • 04:06 • -11.4db
8% Popularity • 44% Danceability • 45% Energy • 49% Liveness
12% Instrumentalness • 54% Positiveness
8% Popularity • 44% Danceability • 45% Energy • 49% Liveness
12% Instrumentalness • 54% Positiveness
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Gioachino Rossini
Otello: Oh Dio! Qual mal strepito è que...
128 bpm • D# Maj • 02:46 • -20.34db
13% Popularity • 39% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 39% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Jan Peerce
Della mia bella - Questa o quella (Rigol...
130 bpm • G# Maj • 03:19 • -11.26db
1% Popularity • 50% Danceability • 51% Energy • 40% Liveness
2% Instrumentalness • 57% Positiveness
1% Popularity • 50% Danceability • 51% Energy • 40% Liveness
2% Instrumentalness • 57% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
128 bpm • G Maj • 01:20 • -18.22db
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
Carmen: Act II: Flower Song: La fleur qu...
128 bpm • C# Maj • 03:37 • -16.62db
0% Popularity • 24% Danceability • 25% Energy • 30% Liveness
9% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 25% Energy • 30% Liveness
9% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Christus am Oelberge (Christ on the Moun...
137 bpm • G# Maj • 06:39 • -25.75db
0% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
The Barber of Seville, Act I: La la la l...
136 bpm • G Maj • 04:39 • -16.83db
8% Popularity • 44% Danceability • 36% Energy • 20% Liveness
7% Instrumentalness • 48% Positiveness
8% Popularity • 44% Danceability • 36% Energy • 20% Liveness
7% Instrumentalness • 48% Positiveness
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Jan Peerce
Bella figlia dell` amore (Rigoletto)
136 bpm • C# Maj • 03:46 • -8.49db
0% Popularity • 32% Danceability • 47% Energy • 37% Liveness
3% Instrumentalness • 41% Positiveness
0% Popularity • 32% Danceability • 47% Energy • 37% Liveness
3% Instrumentalness • 41% Positiveness
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Tania Libertad
La Hija Del Regimiento: Convien partir -...
137 bpm • F Maj • 04:34 • -9.37db
8% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lesley Garrett
The Mikado: So Please You Sir
127 bpm • G Maj • 01:52 • -19.35db
10% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 2: Never mind the ...
137 bpm • B Maj • 03:27 • -18db
11% Popularity • 56% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Act II Scene 8: Se...
127 bpm • D# Maj • 02:18 • -11.36db
0% Popularity • 42% Danceability • 36% Energy • 13% Liveness
25% Instrumentalness • 49% Positiveness
0% Popularity • 42% Danceability • 36% Energy • 13% Liveness
25% Instrumentalness • 49% Positiveness
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Jane Powell
Finale : I Could Have Danced All Night
137 bpm • B Maj • 02:37 • -24.7db
0% Popularity • 30% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 30% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Jan Peerce
Funiculi-Funicula
127 bpm • F Maj • 02:40 • -11.92db
0% Popularity • 42% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 42% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 56% Positiveness
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Ludwig van Beethoven
Christus am Oelberge (Christ on the Moun...
137 bpm • F Maj • 01:28 • -26.74db
0% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Orff
Carmina Burana, Introduction: No. 2, For...
127 bpm • G min • 02:42 • -24.04db
11% Popularity • 40% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 40% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Arthur Sullivan
H.M.S.Pinafore: Never mind the why and w...
137 bpm • B Maj • 02:43 • -16.86db
5% Popularity • 56% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 56% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Modest Mussorgsky
Boris Godunov
126 bpm • G Maj • 04:46 • -12.98db
9% Popularity • 25% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
9% Popularity • 25% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: II. September
138 bpm • D Maj • 04:04 • -22.24db
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson and Delilah (Highlights): Act III...
138 bpm • D min • 07:18 • -10db
7% Popularity • 28% Danceability • 44% Energy • 12% Liveness
27% Instrumentalness • 19% Positiveness
7% Popularity • 28% Danceability • 44% Energy • 12% Liveness
27% Instrumentalness • 19% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
17% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Overture
139 bpm • D Maj • 05:37 • -11.73db
1% Popularity • 34% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
1% Popularity • 34% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Charles Gounod
gounod : Faust : Act 3 "Gloire immortell...
125 bpm • A# Maj • 03:03 • -18.71db
2% Popularity • 46% Danceability • 38% Energy • 24% Liveness
1% Instrumentalness • 25% Positiveness
2% Popularity • 46% Danceability • 38% Energy • 24% Liveness
1% Instrumentalness • 25% Positiveness
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Arrigo Boito
Mefistofele: Epilogue - Ave Signor - Odi...
139 bpm • E Maj • 03:42 • -15db
11% Popularity • 18% Danceability • 41% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 41% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
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Ofelia Nieto
Dúo de Maruxa y Pablo, Pt. 1
125 bpm • F Maj • 04:31 • -9.89db
8% Popularity • 43% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 34% Positiveness
8% Popularity • 43% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 34% Positiveness
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Jan Peerce
Lomir Sich Iberbeten
140 bpm • G Maj • 03:01 • -12.77db
0% Popularity • 42% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 42% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Fredell caparon
your game
140 bpm • A Maj • 02:17 • -17db
9% Popularity • 42% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Bonaventura Bottone
The Mikado: Behold the Lord High Executi...
140 bpm • D# Maj • 02:37 • -16.85db
9% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
Les Pêcheurs de perles: Que vois-je? (Z...
140 bpm • E Maj • 02:08 • -20db
13% Popularity • 27% Danceability • 17% Energy • 28% Liveness
2% Instrumentalness • 24% Positiveness
13% Popularity • 27% Danceability • 17% Energy • 28% Liveness
2% Instrumentalness • 24% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, III parte: "Pantomima"
124 bpm • C Maj • 02:25 • -10.37db
10% Popularity • 38% Danceability • 34% Energy • 34% Liveness
86% Instrumentalness • 24% Positiveness
10% Popularity • 38% Danceability • 34% Energy • 34% Liveness
86% Instrumentalness • 24% Positiveness
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Jaroslav Jankovec
Srdce v rákosí: "Hvězdy se líbají"
124 bpm • G Maj • 03:01 • -19.62db
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jan Peerce
I Could Have Danced All Night
140 bpm • B Maj • 02:33 • -12.95db
0% Popularity • 34% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 34% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 2: "...
124 bpm • G Maj • 03:39 • -11.78db
1% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Deborah Rees
The Mikado: Three Little Maids from Scho...
124 bpm • C Maj • 01:30 • -22.66db
10% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
141 bpm • F Maj • 03:12 • -13.77db
9% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 37% Danceability • 35% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Act I Scene 19: Pr...
124 bpm • A# Maj • 02:39 • -16.37db
0% Popularity • 29% Danceability • 36% Energy • 80% Liveness
10% Instrumentalness • 12% Positiveness
0% Popularity • 29% Danceability • 36% Energy • 80% Liveness
10% Instrumentalness • 12% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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Jan Peerce
Duca, duca? Ebben? (Rigoletto)
124 bpm • A Maj • 02:01 • -12.97db
0% Popularity • 52% Danceability • 40% Energy • 37% Liveness
33% Instrumentalness • 92% Positiveness
0% Popularity • 52% Danceability • 40% Energy • 37% Liveness
33% Instrumentalness • 92% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act III: S'avanza E...
124 bpm • F# Maj • 02:48 • -12.77db
7% Popularity • 38% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
7% Popularity • 38% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
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Carl Maria von Weber
Der Freischütz, Op. 77, J. 277: Jägerc...
123 bpm • D Maj • 02:46 • -20.29db
11% Popularity • 45% Danceability • 35% Energy • 75% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 45% Danceability • 35% Energy • 75% Liveness
62% Instrumentalness • 31% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Trio: Nein, mit s...
142 bpm • G Maj • 04:02 • -14.55db
8% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Vèpres solennelles d'un confesseur en D...
123 bpm • F Maj • 04:57 • -12.44db
16% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Verdi
Nabucco
122 bpm • F Maj • 07:17 • -18db
11% Popularity • 32% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
122 bpm • E min • 04:53 • -27.07db
8% Popularity • 40% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 40% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Amadeo Vives
Doña Francisquita, Act I: Canción de l...
143 bpm • E Maj • 03:33 • -13.77db
9% Popularity • 29% Danceability • 23% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 29% Danceability • 23% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Isidore Godfrey
The Mikado: Act I: Three little maids fr...
122 bpm • C Maj • 01:27 • -20.2db
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Johann Strauss II
Die Fledermaus: Act III: Finale: O Flede...
123 bpm • D Maj • 02:50 • -15.16db
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jan Peerce
The Rain in Spain
121 bpm • F Maj • 02:08 • -12.69db
0% Popularity • 59% Danceability • 25% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 59% Danceability • 25% Energy • 60% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Gounod
Le veau d'or - from Faust
121 bpm • C min • 02:01 • -10.59db
13% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda, Act II, Scene 4: Cielo e ma...
145 bpm • D# Maj • 04:51 • -17.99db
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
André Rieu
Czardasfürstin - Live
121 bpm • D Maj • 04:59 • -13.74db
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Leo Nucci
La mia canzone al vento
120 bpm • C Maj • 02:31 • -12.53db
16% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Byron McKay
Step By Step
120 bpm • G Maj • 01:31 • -21.38db
11% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
11% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Jan Peerce
Gualtier Malde - Caro nome (Rigoletto)
121 bpm • E Maj • 07:53 • -16.3db
0% Popularity • 39% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 39% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: A British tar
120 bpm • E Maj • 04:49 • -20.33db
11% Popularity • 57% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 57% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Sir Arthur Sullivan
Ruddigore: Trio: "My eyes are fully open...
119 bpm • G Maj • 02:10 • -23.59db
10% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen: Act I: Avec la garde montante (L...
118 bpm • D min • 05:15 • -17.19db
0% Popularity • 57% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 57% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Al Goodhart
Momele
149 bpm • G min • 04:50 • -14.16db
13% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
149 bpm • A Maj • 01:56 • -8.69db
9% Popularity • 35% Danceability • 53% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
9% Popularity • 35% Danceability • 53% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
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Jan Peerce
Sha, Shtil
120 bpm • G# Maj • 03:55 • -14.49db
0% Popularity • 42% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Arthur Sullivan
‘Neath My Lattice Through the Night (T...
117 bpm • B Maj • 03:06 • -13.86db
12% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Georges Bizet
Carmen: Act II: La la la … Attends un ...
117 bpm • D min • 04:13 • -17.94db
0% Popularity • 46% Danceability • 30% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 46% Danceability • 30% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
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Bonaventura Bottone
The Mikado: If You Want to Know Who We A...
116 bpm • G Maj • 03:06 • -17.8db
10% Popularity • 40% Danceability • 24% Energy • 58% Liveness
3% Instrumentalness • 62% Positiveness
10% Popularity • 40% Danceability • 24% Energy • 58% Liveness
3% Instrumentalness • 62% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
116 bpm • G Maj • 02:56 • -11.65db
1% Popularity • 41% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 41% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Jan Peerce
A Nigun
145 bpm • D min • 03:11 • -13.22db
0% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
14% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
14% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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André Rieu
Adieu, mein kleiner Gardeoffizier - Live
114 bpm • D# Maj • 03:50 • -12.29db
24% Popularity • 36% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 36% Danceability • 64% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen: Act II: Cest un beau dragon: Hal...
117 bpm • A min • 02:55 • -23.3db
0% Popularity • 41% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 41% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
114 bpm • B min • 03:53 • -10.73db
9% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Soffriva ne...
152 bpm • A# Maj • 03:42 • -17.28db
8% Popularity • 22% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
8% Popularity • 22% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Jan Peerce
Reb Dovid'L
114 bpm • A min • 02:56 • -14.92db
0% Popularity • 39% Danceability • 29% Energy • 16% Liveness
11% Instrumentalness • 28% Positiveness
0% Popularity • 39% Danceability • 29% Energy • 16% Liveness
11% Instrumentalness • 28% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Introduction: Ei...
114 bpm • E Maj • 01:31 • -12.64db
23% Popularity • 46% Danceability • 40% Energy • 27% Liveness
88% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 40% Energy • 27% Liveness
88% Instrumentalness • 73% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: Valse. "Ainsi que ...
114 bpm • D Maj • 02:58 • -20db
14% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Georges Bizet
Carmen: Act III: Ecoute, compagnon (Smug...
115 bpm • F min • 04:08 • -22.23db
0% Popularity • 35% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Aaron Copland
Simple Gifts (Shaker Song)
114 bpm • G# Maj • 01:40 • -21.31db
8% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jan Peerce
Blue Bird Of Happiness
116 bpm • C# Maj • 04:53 • -15.98db
1% Popularity • 32% Danceability • 22% Energy • 17% Liveness
3% Instrumentalness • 10% Positiveness
1% Popularity • 32% Danceability • 22% Energy • 17% Liveness
3% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Salut...
113 bpm • D# Maj • 01:18 • -16.49db
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
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André Messager
Il est dans les nuits espagnoles (La Fia...
113 bpm • C Maj • 03:13 • -14.15db
8% Popularity • 45% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
