Songs like E' strano... Follie... Sempre libera - La Traviata Atto I by Renata Tebaldi
Based on a tempo of (+/- 10%) and a similar genre
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Le Nozze di Figaro, K.492 (1997 - Remast...
79 bpm • D# Maj • 04:18 • -18db
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3 Sc...
79 bpm • D# Maj • 03:55 • -15db
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
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Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: "Perdona, o mia d...
79 bpm • G# Maj • 10:58 • -18.5db
27% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
79 bpm • C Maj • 01:57 • -19.77db
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Beniamino Gigli
Una furtiva lacrima
78 bpm • F min • 03:46 • -12db
20% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Renata Tebaldi
Verdi- Aida - Ritorna Vincitor! - Origin...
80 bpm • G# Maj • 07:15 • -24.5db
0% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
17% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
80 bpm • C# Maj • 06:03 • -19.88db
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act 2: "Don Giova...
80 bpm • A# Maj • 07:12 • -13db
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
I Puritani / Act 1: "A te, o cara"
78 bpm • D Maj • 06:34 • -14.74db
11% Popularity • 16% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 16% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Renata Tebaldi
La Bohème
80 bpm • D Maj • 05:26 • -20.09db
1% Popularity • 16% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Wiegenlied Op. 41 Nª 1 (Cancion De Cuna...
80 bpm • D Maj • 05:20 • -21db
4% Popularity • 16% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
4% Popularity • 16% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Piero Cappuccilli
Rigoletto - Si, Vendetta, Tremenda Vende...
78 bpm • G# Maj • 02:28 • -12.81db
12% Popularity • 40% Danceability • 34% Energy • 69% Liveness
59% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 34% Energy • 69% Liveness
59% Instrumentalness • 35% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Quanto è bel...
80 bpm • C Maj • 03:18 • -21db
17% Popularity • 31% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Arrigo Boito
Mefistofele / Act III: "L'altra notte in...
78 bpm • C Maj • 06:52 • -22db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Leo Nucci
Mamma
77 bpm • F min • 03:21 • -11db
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Act Two (Part One)
81 bpm • G min • 06:15 • -27.35db
2% Popularity • 26% Danceability • 14% Energy • 27% Liveness
52% Instrumentalness • 8% Positiveness
2% Popularity • 26% Danceability • 14% Energy • 27% Liveness
52% Instrumentalness • 8% Positiveness
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Mirella Freni
La Traviata (Oper in 3 Akten)
81 bpm • C# Maj • 09:31 • -16.06db
8% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cilea
Cilea: L'Arlesiana - Lamento di Federico
81 bpm • F Maj • 04:39 • -13.93db
18% Popularity • 15% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
La Sonnambula (1997 - Remaster): Aria - ...
81 bpm • C Maj • 05:06 • -19db
12% Popularity • 17% Danceability • 7% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
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Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Alfredo Kraus
Les Pecheurs De Perles: Je Crois Entendr...
81 bpm • A min • 05:23 • -21.74db
13% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
81 bpm • C# Maj • 03:51 • -17.65db
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
18% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
18% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Madama Butterfly - Act II
81 bpm • F# Maj • 04:50 • -18.17db
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La forza del destino / Act 4: "Pace, pac...
77 bpm • A# min • 05:47 • -21.4db
10% Popularity • 19% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: "Un bel dì ve...
81 bpm • F# Maj • 04:47 • -20.94db
9% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
O Cieli Azzurri (Aida)
81 bpm • F Maj • 04:42 • -15.75db
2% Popularity • 21% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 21% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
39% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 2: "Deh! Non volerli...
82 bpm • A min • 04:44 • -13.7db
12% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
12% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Jean-Paul-Égide Martini
Piacer d'amor
76 bpm • F Maj • 04:04 • -21.12db
2% Popularity • 19% Danceability • 11% Energy • 8% Liveness
10% Instrumentalness • 8% Positiveness
2% Popularity • 19% Danceability • 11% Energy • 8% Liveness
10% Instrumentalness • 8% Positiveness
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Umberto Giordano
La Mamma Morta
76 bpm • D Maj • 05:29 • -15db
4% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
76 bpm • D# Maj • 03:48 • -12.19db
5% Popularity • 29% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
5% Popularity • 29% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimi (La Bohème)
82 bpm • D Maj • 05:12 • -12.87db
2% Popularity • 28% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 28% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Leo Nucci
Il tango delle capinere
82 bpm • D Maj • 02:37 • -11.21db
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Vincenzo Bellini
La Sonnanbula - Prendi, l'anel ti dono
82 bpm • G# Maj • 05:17 • -20.14db
6% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
20% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Mazeppa, TH 7 / Act 3: "Spi, mladyenits ...
76 bpm • C# Maj • 02:55 • -19db
14% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
82 bpm • D# Maj • 04:07 • -16.23db
6% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
6% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Gaetana Lama
Silenzio cantatore
83 bpm • E min • 04:52 • -18.37db
21% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Una nave da gu...
83 bpm • A Maj • 07:49 • -19db
20% Popularity • 21% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 21% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527, Act I Scene 14: Dal...
75 bpm • G Maj • 04:20 • -13.16db
10% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Vincenzo de Crescenzo
Rondine al nido: Rondine al nido - Remas...
75 bpm • G Maj • 03:35 • -14.02db
24% Popularity • 25% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 25% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Mario del Monaco
Lucia di Lammermoor Tu che a dio spiegas...
75 bpm • C# Maj • 02:12 • -13db
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
12% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Don Pasquale / Act I: Bella siccome un a...
74 bpm • C# Maj • 03:04 • -20.85db
17% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
24% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
24% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
21% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francesco Cilea
L'Arlesiana: È la solita storia del pas...
84 bpm • C Maj • 04:54 • -29db
9% Popularity • 14% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
