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Earth City
Songs like
Earth City
by
Martin O'Donnell
Based on a tempo of (+/- 10%) and a similar genre
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Halo
Peril
120 bpm • A# Maj • 02:46 • -14.33db
44% Popularity • 69% Danceability • 53% Energy • 10% Liveness
98% Instrumentalness • 90% Positiveness
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Tilman Sillescu
Close Encounter
120 bpm • C# Maj • 02:02 • -11db
19% Popularity • 59% Danceability • 88% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Raison Varner
Raid on Digistruct Peak - Holidays in th...
120 bpm • A min • 02:57 • -14db
23% Popularity • 72% Danceability • 46% Energy • 11% Liveness
58% Instrumentalness • 32% Positiveness
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Sam Hulick
Uncharted Worlds
120 bpm • C min • 01:14 • -17.65db
50% Popularity • 58% Danceability • 34% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Paradox Interactive
Battle For Supremacy
120 bpm • A min • 04:00 • -15db
32% Popularity • 53% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
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Masami Ueda
Metamorphosis
120 bpm • C Maj • 05:38 • -9.07db
20% Popularity • 46% Danceability • 83% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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John Paesano
Inside the Numbers
120 bpm • A# min • 03:32 • -20db
31% Popularity • 23% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Fate of Tsushima
120 bpm • G# Maj • 03:15 • -9.73db
31% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Akihiro Manabe
Enenra
120 bpm • G# min • 03:04 • -7.15db
24% Popularity • 51% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Halo
Farthest Outpost
120 bpm • F Maj • 05:14 • -17.2db
40% Popularity • 42% Danceability • 34% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
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Cris Velasco
Pandora's Song
120 bpm • C Maj • 02:26 • -11.84db
31% Popularity • 23% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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James Hannigan
Cry of the Ancients
120 bpm • D min • 04:26 • -19db
15% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Ola Strandh
We Are the Division
120 bpm • E min • 03:44 • -20.87db
33% Popularity • 26% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Sean Murray
Dwarka
120 bpm • G# Maj • 03:09 • -17db
28% Popularity • 51% Danceability • 26% Energy • 21% Liveness
72% Instrumentalness • 3% Positiveness
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Chris Tilton
Treneska Border Crossing
120 bpm • D# Maj • 02:12 • -21.18db
10% Popularity • 61% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 17% Positiveness
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Sam Hulick
Mars
120 bpm • D# Maj • 04:42 • -11.57db
31% Popularity • 28% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Cris Velasco
Stalker
120 bpm • E Maj • 01:55 • -9.34db
32% Popularity • 63% Danceability • 85% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
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Pawel Blaszczak
Extent
120 bpm • C Maj • 03:16 • -16.6db
27% Popularity • 46% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Rippy
Happy to You
120 bpm • G min • 02:56 • -13.03db
24% Popularity • 38% Danceability • 14% Energy • 40% Liveness
81% Instrumentalness • 6% Positiveness
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Kevin Riepl
14 Years After E-Day
119 bpm • G Maj • 02:53 • -25.71db
26% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Nick Arundel
Inner Demon
119 bpm • C# Maj • 02:01 • -23.93db
42% Popularity • 50% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
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Ludvig Forssell
Beautiful Mirage - An Unexpected Visitor
119 bpm • C min • 04:18 • -28.86db
20% Popularity • 17% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Cris Velasco
Brothers of Blood
120 bpm • G Maj • 02:44 • -8db
44% Popularity • 46% Danceability • 82% Energy • 17% Liveness
93% Instrumentalness • 20% Positiveness
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Petri Alanko
A Writer's Dream
118 bpm • F# Maj • 01:55 • -21.47db
28% Popularity • 17% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Stephen Rippy
Felonious Junk
120 bpm • C min • 02:48 • -11db
27% Popularity • 40% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Kevin Riepl
Gears of War Reprise
119 bpm • F# min • 02:59 • -19.26db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Nick Arundel
Fear Within
119 bpm • C# Maj • 01:59 • -16.61db
31% Popularity • 59% Danceability • 49% Energy • 11% Liveness
76% Instrumentalness • 50% Positiveness
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Nathan Whitehead
The Freakshow
122 bpm • C# Maj • 03:35 • -18db
28% Popularity • 26% Danceability • 26% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Ron Fish
The March of Tartarus
118 bpm • B min • 02:00 • -10.11db
30% Popularity • 47% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
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Johan Skugge
The Majestic Valkyrie
122 bpm • F Maj • 02:00 • -8.17db
31% Popularity • 47% Danceability • 66% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Ludvig Forssell
V Has Come To
118 bpm • G min • 03:08 • -17.97db
32% Popularity • 30% Danceability • 33% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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SIE Sound Team
Maiden Astraea
117 bpm • E min • 03:11 • -15db
39% Popularity • 25% Danceability • 40% Energy • 41% Liveness
74% Instrumentalness • 5% Positiveness
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Nick Arundel
All Who Follow You
121 bpm • F min • 02:29 • -20.34db
37% Popularity • 35% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Nathan Whitehead
The Rager Bear
122 bpm • A# min • 02:51 • -12.2db
24% Popularity • 52% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Joris de Man
Aloy's Theme - Part 1 - Motherland
117 bpm • A min • 02:31 • -19db
49% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
30% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Halo
Asphalt and Ablution
124 bpm • C# Maj • 06:03 • -24.45db
44% Popularity • 37% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Todd Masten
I Will Beat on Your Behind
124 bpm • G min • 04:07 • -14.39db
33% Popularity • 41% Danceability • 35% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
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Jeremy Soule
Awake
116 bpm • C min • 01:32 • -23db
61% Popularity • 17% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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AmaurisWill
Tropical Dream
124 bpm • A min • 03:07 • -4.06db
7% Popularity • 80% Danceability • 91% Energy • 8% Liveness
88% Instrumentalness • 47% Positiveness
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Harry Gregson-Williams
Gekko
124 bpm • D Maj • 02:53 • -14db
23% Popularity • 59% Danceability • 43% Energy • 22% Liveness
53% Instrumentalness • 5% Positiveness
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Stuart Chatwood
Mournweald Encounter
124 bpm • G Maj • 02:25 • -6.37db
39% Popularity • 58% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 28% Positiveness
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Metro Exodus
Overture
124 bpm • C Maj • 03:50 • -14.92db
24% Popularity • 35% Danceability • 41% Energy • 10% Liveness
76% Instrumentalness • 10% Positiveness
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Aaron Woodhouse
Halo Theme
125 bpm • D Maj • 03:55 • -15db
48% Popularity • 25% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Cris Velasco
Citadel Underbelly
125 bpm • D Maj • 03:47 • -13db
21% Popularity • 56% Danceability • 70% Energy • 17% Liveness
90% Instrumentalness • 10% Positiveness
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Joel Nielsen
End Credits Part 2
125 bpm • G min • 01:56 • -7db
32% Popularity • 41% Danceability • 39% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Jafet Meza
One Final Effort Anniversary Edition
125 bpm • A Maj • 03:58 • -10db
30% Popularity • 24% Danceability • 75% Energy • 13% Liveness
73% Instrumentalness • 8% Positiveness
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Sascha Dikiciyan
Making Our Escape
125 bpm • A min • 02:43 • -12db
19% Popularity • 45% Danceability • 82% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
► Preview
Jeremy Soule
Steel on Steel
115 bpm • C min • 01:43 • -19.35db
50% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Christopher Lennertz
The View Of Palaven
115 bpm • D min • 03:36 • -13.15db
29% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Cris Velasco
Lynchwood
115 bpm • B Maj • 03:57 • -17.67db
3% Popularity • 31% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Halo
Wake Me Up When You Need Me
125 bpm • B min • 02:19 • -23.63db
40% Popularity • 17% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Drake
See You...In Hell
115 bpm • D min • 07:47 • -13.28db
28% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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SIE Sound Team
The Beginning
125 bpm • F# Maj • 02:59 • -15.37db
29% Popularity • 37% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Erasmus Talbot
Combat & Extras: E:D Menus
115 bpm • A min • 03:37 • -19db
18% Popularity • 39% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Brian Tuey
Safehouse
115 bpm • F min • 02:01 • -15.94db
28% Popularity • 19% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Hyperduck Soundworks
The Land of Remembrance
115 bpm • D Maj • 01:26 • -18.69db
25% Popularity • 18% Danceability • 14% Energy • 13% Liveness
75% Instrumentalness • 11% Positiveness
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Mark Mothersbaugh
Rift Apart
126 bpm • F Maj • 03:19 • -11.6db
33% Popularity • 22% Danceability • 50% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Ilan Eshkeri
The Way of the Ghost
114 bpm • G min • 04:14 • -15db
47% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
34% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Sean Murray
Revenge
114 bpm • C# Maj • 03:18 • -12.12db
25% Popularity • 33% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Jim Dooley
The Beast
126 bpm • F# min • 04:06 • -12.8db
15% Popularity • 62% Danceability • 45% Energy • 14% Liveness
84% Instrumentalness • 36% Positiveness
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Keith Power
Sentient Tombs
114 bpm • G Maj • 03:34 • -14.36db
20% Popularity • 57% Danceability • 77% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Mick Gordon
Adrift
114 bpm • C# Maj • 01:46 • -31.57db
32% Popularity • 40% Danceability • 4% Energy • 18% Liveness
80% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
The Tale of Sensei Ishikawa
127 bpm • G min • 04:36 • -13.44db
31% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Kaveh Cohen
Spies vs. Mercs
113 bpm • D Maj • 02:04 • -13.09db
17% Popularity • 57% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Sascha Dikiciyan
Bonus - Exploring the Overlook
113 bpm • D min • 01:36 • -22.83db
20% Popularity • 24% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Ola Strandh
Prologue
128 bpm • E Maj • 02:18 • -17.72db
30% Popularity • 39% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
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Sam Hulick
A Cerberus Agent
112 bpm • C Maj • 01:48 • -10.63db
27% Popularity • 29% Danceability • 61% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Takeshi Furukawa
Victorious
112 bpm • F# Maj • 02:27 • -11.57db
24% Popularity • 17% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Danny Bensi and Saunder Jurriaans
Knights / Promises
112 bpm • D Maj • 03:54 • -12.02db
30% Popularity • 38% Danceability • 33% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Ludvig Forssell
Venom
112 bpm • A min • 04:13 • -22.86db
15% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Wilbert Roget, II
Marigny
129 bpm • D Maj • 03:31 • -11.04db
29% Popularity • 56% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
38% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Bill Elm
(Theme From) Red Dead Redemption
130 bpm • A min • 05:38 • -12db
49% Popularity • 43% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Sean Murray
Blackbird
130 bpm • A Maj • 03:11 • -11.33db
29% Popularity • 39% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Sam Hulick
Battle at Eden Prime
130 bpm • E min • 01:22 • -15.1db
30% Popularity • 55% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Kevin Riepl
Fish in a Barrel
130 bpm • C Maj • 02:54 • -13.74db
17% Popularity • 64% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 25% Positiveness
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Jon Opstad
Secret Service
130 bpm • C min • 02:51 • -18.76db
20% Popularity • 35% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Combat Troops
130 bpm • C Maj • 01:32 • -13.59db
30% Popularity • 57% Danceability • 80% Energy • 41% Liveness
92% Instrumentalness • 26% Positiveness
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Paradox Interactive
Nemesis Main Theme
130 bpm • C min • 04:01 • -13.04db
28% Popularity • 60% Danceability • 86% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
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Sean Murray
Eagle Claw, Pt. 1
130 bpm • G# Maj • 04:14 • -11.79db
27% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Mike Reagan
Battle with Straga
130 bpm • A# Maj • 02:00 • -12.79db
0% Popularity • 46% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
28% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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SIE Sound Team
Omen
130 bpm • A# Maj • 02:07 • -20.63db
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Video Games Live
Shadow of the Colossus®
130 bpm • E min • 03:02 • -9.91db
39% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
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Jeff Rona
Duel with Hades
130 bpm • A Maj • 01:44 • -9.84db
33% Popularity • 44% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Trevor Gureckis
Hunger for the Stars
131 bpm • G# Maj • 03:55 • -17.68db
19% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Joel Nielsen
Black Mesa Theme (Mesa Remix)
131 bpm • F# min • 01:18 • -18.67db
32% Popularity • 16% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Yuka Kitamura
Slave Knight Gael
110 bpm • F# Maj • 05:38 • -9db
45% Popularity • 19% Danceability • 70% Energy • 20% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Nick Arundel
Predator
110 bpm • C# Maj • 02:22 • -19.63db
28% Popularity • 57% Danceability • 59% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
► Preview
Tim Wynn
Outpost
110 bpm • D Maj • 01:34 • -16.31db
29% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
28% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
► Preview
Andreas Waldetoft
Assembling The Fleet
110 bpm • A min • 05:15 • -14.96db
28% Popularity • 57% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
39% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
► Preview
Paradox Interactive
Burned Bean Coffee
131 bpm • A Maj • 10:06 • -27.27db
15% Popularity • 29% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Hyperduck Soundworks
Cirromon Caverns
110 bpm • D min • 06:11 • -17db
17% Popularity • 53% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel James
Metal Gear Online
110 bpm • F# Maj • 03:26 • -15.94db
20% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Yuka Kitamura
Dragonslayer Armour
110 bpm • C min • 04:20 • -9.51db
36% Popularity • 17% Danceability • 53% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
► Preview
Ron Fish
A Monument to Your Failure
110 bpm • B min • 01:56 • -14.82db
28% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Earth City