Songs like Eat The Music - 2011 Remastered Version by Kate Bush
Based on a tempo of (+/- 10%) and a similar genre
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Billy Joel
Uptown Girl
129 bpm • E Maj • 03:17 • -2.99db
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
84% Popularity • 70% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Fleetwood Mac
Rhiannon
129 bpm • A min • 04:12 • -14.75db
74% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
74% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
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Kate Bush
The Morning Fog
129 bpm • E Maj • 02:37 • -10.91db
39% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
80% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
80% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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This Mortal Coil
Song To The Siren - Remastered
129 bpm • A# Maj • 03:31 • -13db
54% Popularity • 22% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
54% Popularity • 22% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Sparks
This Town Ain't Big Enough For Both Of U...
130 bpm • D Maj • 03:04 • -10.59db
50% Popularity • 46% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 46% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Kate Bush
This Woman's Work - 2018 Remaster
128 bpm • G# Maj • 03:36 • -16.23db
59% Popularity • 36% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 36% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record)
128 bpm • F# min • 03:15 • -3.76db
75% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
75% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Clash
Rock the Casbah - Remastered
130 bpm • A min • 03:42 • -6.73db
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Gary Numan
Cars
128 bpm • D Maj • 03:58 • -8.75db
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jeff Buckley
Grace
128 bpm • B min • 05:22 • -4db
63% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
63% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Ghost
Mary On A Cross
130 bpm • B Maj • 04:04 • -4.51db
73% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
73% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Depeche Mode
Personal Jesus
130 bpm • B Maj • 04:54 • -7.6db
60% Popularity • 68% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
60% Popularity • 68% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
79% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
79% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Sinéad O'Connor
Mandinka
130 bpm • A Maj • 03:47 • -8.43db
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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New Order
Blue Monday
130 bpm • C Maj • 07:29 • -13.34db
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Kate Bush
Waking The Witch
128 bpm • G# min • 04:18 • -13.89db
39% Popularity • 39% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 39% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Duran Duran
Hungry Like the Wolf - 2009 Remaster
128 bpm • C Maj • 03:40 • -7.77db
74% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
74% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Bryan Ferry
Don't Stop The Dance
127 bpm • A min • 04:19 • -5.93db
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
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Pink Floyd
Comfortably Numb
127 bpm • B min • 06:22 • -12.6db
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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New Order
Blue Monday '88
130 bpm • G Maj • 04:04 • -8.49db
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
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Fleetwood Mac
Gypsy
131 bpm • F Maj • 04:24 • -13.99db
75% Popularity • 62% Danceability • 54% Energy • 26% Liveness
1% Instrumentalness • 85% Positiveness
75% Popularity • 62% Danceability • 54% Energy • 26% Liveness
1% Instrumentalness • 85% Positiveness
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Kate Bush
Night Of The Swallow
131 bpm • B min • 05:23 • -15.76db
35% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
81% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Talking Heads
And She Was - 2005 Remaster
126 bpm • A Maj • 03:39 • -5.47db
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
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Fleetwood Mac
You Make Loving Fun - 2004 Remaster
127 bpm • G min • 03:33 • -9.13db
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
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Duran Duran
Girls on Film - 2010 Remaster
132 bpm • G Maj • 03:32 • -6.21db
63% Popularity • 72% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
63% Popularity • 72% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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Kate Bush
Moving
127 bpm • D min • 03:01 • -13.51db
46% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Eurythmics
Here Comes the Rain Again - Remastered V...
126 bpm • C Maj • 04:54 • -7.9db
67% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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The Psychedelic Furs
Love My Way
126 bpm • C Maj • 03:33 • -5.05db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Big Country
The Seer
126 bpm • G Maj • 05:25 • -11.83db
34% Popularity • 55% Danceability • 80% Energy • 55% Liveness
28% Instrumentalness • 66% Positiveness
34% Popularity • 55% Danceability • 80% Energy • 55% Liveness
28% Instrumentalness • 66% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Jefferson Airplane
Somebody to Love
132 bpm • E Maj • 02:54 • -9.3db
69% Popularity • 50% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 50% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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David Bowie
Rebel Rebel - 2016 Remaster
126 bpm • A Maj • 04:34 • -15.65db
71% Popularity • 64% Danceability • 69% Energy • 28% Liveness
2% Instrumentalness • 46% Positiveness
71% Popularity • 64% Danceability • 69% Energy • 28% Liveness
2% Instrumentalness • 46% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
84% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Duran Duran
A View to a Kill
125 bpm • C# Maj • 03:37 • -5.41db
63% Popularity • 71% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
63% Popularity • 71% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Elton John
Bennie And The Jets - Remastered 2014
133 bpm • C Maj • 05:22 • -7.95db
75% Popularity • 66% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
75% Popularity • 66% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
61% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
61% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Eurythmics
Sweet Dreams (Are Made of This) - Remast...
125 bpm • C min • 03:36 • -7.5db
85% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
85% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Grace Jones
I've Seen That Face Before (Libertango)
133 bpm • A min • 04:30 • -9db
49% Popularity • 81% Danceability • 62% Energy • 6% Liveness
18% Instrumentalness • 96% Positiveness
49% Popularity • 81% Danceability • 62% Energy • 6% Liveness
18% Instrumentalness • 96% Positiveness
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ABBA
SOS
125 bpm • F Maj • 03:22 • -5.55db
71% Popularity • 42% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
71% Popularity • 42% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Yes
Owner of a Lonely Heart
125 bpm • G Maj • 04:28 • -5.98db
70% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
70% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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New Order
Temptation
125 bpm • C Maj • 06:59 • -9.48db
58% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
58% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
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Cutting Crew
(I Just) Died In Your Arms
125 bpm • B min • 04:40 • -11.4db
79% Popularity • 62% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 62% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Joel
Vienna
125 bpm • A# Maj • 03:34 • -6.66db
82% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
82% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Fleetwood Mac
Little Lies - 2017 Remaster
125 bpm • D Maj • 03:41 • -10.35db
75% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
75% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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ABBA
Lay All Your Love On Me
133 bpm • D min • 04:34 • -7.84db
78% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Roxy Music
Love Is The Drug
125 bpm • D Maj • 04:11 • -5.4db
59% Popularity • 84% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
59% Popularity • 84% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
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Kate Bush
L'Amour Looks Something Like You
134 bpm • G min • 02:28 • -12db
44% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Tori Amos
Cornflake Girl
134 bpm • G Maj • 05:05 • -8.96db
61% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
72% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
72% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Bush
Wuthering Heights
125 bpm • C# Maj • 04:29 • -11.38db
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
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Groove Cartel
Groove
124 bpm • A# min • 04:55 • -8db
5% Popularity • 65% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 65% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
62% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Hole
Celebrity Skin
134 bpm • A Maj • 02:42 • -6.16db
71% Popularity • 44% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
71% Popularity • 44% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Kate Bush
The Red Shoes - 2011 Remastered Version
124 bpm • D Maj • 04:02 • -13db
28% Popularity • 58% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 58% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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n/a
Wuthering Heights
124 bpm • F# Maj • 04:47 • -10db
6% Popularity • 63% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 39% Positiveness
6% Popularity • 63% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 39% Positiveness
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Sinéad O'Connor
Drink Before the War
124 bpm • G# min • 05:23 • -12db
59% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
81% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
81% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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David Bowie
Space Oddity - 2015 Remaster
134 bpm • C Maj • 05:18 • -13.66db
72% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Kate Bush
Sunset - 2018 Remaster
124 bpm • C# min • 05:58 • -19db
42% Popularity • 62% Danceability • 44% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
42% Popularity • 62% Danceability • 44% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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The Kinks
Sunny Afternoon
124 bpm • C Maj • 03:32 • -8.06db
66% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
76% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
76% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Patti Smith
Because the Night
124 bpm • B min • 03:24 • -7.75db
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kraftwerk
The Model - 2009 Remaster
124 bpm • E min • 03:40 • -7.77db
58% Popularity • 71% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 46% Positiveness
58% Popularity • 71% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 46% Positiveness
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The Smiths
Bigmouth Strikes Again - 2011 Remaster
135 bpm • C# min • 03:13 • -5.01db
74% Popularity • 40% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
74% Popularity • 40% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 84% Positiveness
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Kate Bush
Moments Of Pleasure - 2011 Remastered Ve...
123 bpm • C# Maj • 05:17 • -14.3db
35% Popularity • 28% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
35% Popularity • 28% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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David Bowie
Life on Mars? - 2015 Remaster
123 bpm • A# Maj • 03:55 • -14.64db
69% Popularity • 44% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 44% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Fleetwood Mac
Gold Dust Woman - 2004 Remaster
123 bpm • G Maj • 04:55 • -9.34db
65% Popularity • 67% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 67% Positiveness
65% Popularity • 67% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 67% Positiveness
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Talking Heads
Psycho Killer - 2005 Remaster
123 bpm • D Maj • 04:21 • -8.12db
76% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
76% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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Kate Bush
Wow - 2018 Remaster
123 bpm • A min • 04:01 • -15db
35% Popularity • 37% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 37% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Amy Winehouse
Back To Black
123 bpm • G min • 04:01 • -13.96db
80% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
80% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Goes To Hollywood
The Power Of Love
123 bpm • F min • 05:32 • -17.14db
65% Popularity • 46% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
65% Popularity • 46% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Bush
There Goes A Tenner
123 bpm • G min • 03:25 • -17.82db
37% Popularity • 83% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 83% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
