Songs like Een Kindekijn Is Ons Gheboren / Die Coninghen Uut Orienten A1 (Utrecht) by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Popular
Introitus: Ad Te Levavi, Modo VII
81 bpm • E Maj • 03:24 • -24.02db
27% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Roman Hurko
3rd Antiphon - The Beatitudes
81 bpm • D# min • 01:51 • -19db
39% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
33% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Schola gregoriana mediolanensis
Iustus ut palma florebit - II modo
81 bpm • F min • 02:49 • -23.8db
22% Popularity • 19% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Cantores in Ecclesia
Asperges Me
81 bpm • D Maj • 01:46 • -22.63db
37% Popularity • 11% Danceability • 14% Energy • 27% Liveness
33% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 14% Energy • 27% Liveness
33% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
32% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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John Dunstable
Kyrie, JD 1
81 bpm • G# min • 06:13 • -20.72db
18% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Richard Farrant
Call to remembrance
81 bpm • F min • 01:55 • -23.99db
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Anonymous
Pange Lingua Gloriosi. Himno (Modo IV)
81 bpm • D min • 02:48 • -25.83db
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Landini
Angelica biltà
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Во Царрствии Твоем
81 bpm • E min • 06:16 • -22.57db
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:35 • -15db
26% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Chants From the Holyland- Graz Gregorian Chants School of Austri
Introitus
80 bpm • A Maj • 01:42 • -21db
29% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Anonymous
Christe Redemptor omnium - Hymnus ad Ves...
81 bpm • C# min • 02:44 • -31.73db
35% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
35% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
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Adam de la Halle
De ma dame vient
82 bpm • C Maj • 02:23 • -18.68db
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
30% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Anonymous
Prose of Pentecost (Veni Sancte Spiritus...
81 bpm • C min • 03:28 • -14.3db
9% Popularity • 9% Danceability • 35% Energy • 17% Liveness
66% Instrumentalness • 20% Positiveness
9% Popularity • 9% Danceability • 35% Energy • 17% Liveness
66% Instrumentalness • 20% Positiveness
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Lucien Deiss, CSSp
Instrumental Interlude, My soul is longi...
80 bpm • F Maj • 02:44 • -25.52db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
33% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Corydon Singers
In Pardisum
82 bpm • B Maj • 03:13 • -19.99db
16% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Santa Maria, S...
80 bpm • E Maj • 03:00 • -23.57db
14% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Anonymous
Veni redemptor gentium
82 bpm • C# min • 01:47 • -25.38db
29% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Cantarte Regensburg
Antiphon: Salve Regina
80 bpm • E min • 01:59 • -17.88db
39% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
36% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
36% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Anonymous
Mandatum novum do vobis- Antífona y Sal...
82 bpm • G# min • 01:44 • -18.86db
22% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
16% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
16% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Wo Carstvii Tvoiem
83 bpm • D# min • 02:58 • -21.27db
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Domestik Municipal Choir of Ekaterinburg
It Is Truly Meet
83 bpm • G Maj • 02:26 • -17.93db
18% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Anonymous
Gregorian Chant for the Dead: In paradis...
80 bpm • F# Maj • 01:35 • -32.33db
20% Popularity • 22% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
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Francesco Corteccia
Gloria patri
79 bpm • G Maj • 01:09 • -27.57db
31% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Monks Of The Benedictine Abbey
Vidi Aquam
79 bpm • F# Maj • 03:37 • -22db
23% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi dominum
79 bpm • E Maj • 02:48 • -31db
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
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Anonymous
Gloria XV (Modo IV)
79 bpm • E Maj • 02:16 • -23.36db
34% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
33% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
Ave Verum Corpus
79 bpm • D min • 01:49 • -33db
32% Popularity • 18% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Anonymous
Ave Maria
83 bpm • E Maj • 06:09 • -25.61db
14% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa. Agnus Dei: 11
79 bpm • G# Maj • 01:01 • -23.76db
37% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Jordi Savall
O Virgo splendens (canon a 2 i a 3)
79 bpm • G min • 02:21 • -15.34db
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
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Anonymous
Je ne Puis - Amors me tienent - Veritate...
83 bpm • F Maj • 02:32 • -18.76db
8% Popularity • 45% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 45% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Nicene Creed
79 bpm • F min • 04:08 • -24db
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Edinorodnij Synje
79 bpm • D# min • 02:55 • -21.67db
20% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
► Preview
Cantores in Ecclesia
O Salutaris Hostia
79 bpm • E Maj • 01:11 • -28db
28% Popularity • 11% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 11% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Credo V
78 bpm • G# Maj • 04:59 • -26db
33% Popularity • 13% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
► Preview
Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
37% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
37% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
84 bpm • F Maj • 02:01 • -20.44db
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Lucien Deiss, CSSp
Ave Maris Stella
84 bpm • E min • 02:19 • -25db
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Thomas Tallis
Audivi vocem de caelo
78 bpm • A# min • 03:42 • -25.15db
8% Popularity • 13% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 13% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
S.Yasinevich
O Theotokas and Virgin, rejoice (S.Yasin...
78 bpm • G Maj • 01:09 • -15.5db
32% Popularity • 22% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Canonici Regolari Di Sant'Antimo
Tempo Della Manifestazione. Antifona D'I...
78 bpm • G min • 01:25 • -23db
31% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Dominican House of Studies
Anima Christi
84 bpm • F Maj • 02:59 • -18.03db
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Coro Solemnis
Rorate Caeli Desuper
84 bpm • F Maj • 05:32 • -24.04db
24% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Répons bref "De ore leonis"
78 bpm • A Maj • 01:51 • -24db
39% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Anonymous
Dominus vobiscum ... Sequentia sancti Ev...
78 bpm • D Maj • 02:00 • -27.38db
27% Popularity • 24% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 3% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 3% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Agnus Dei
78 bpm • F Maj • 01:34 • -23db
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Graduale...
78 bpm • F min • 02:37 • -20.37db
26% Popularity • 21% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
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Schola gregoriana mediolanensis
12 kyrie
78 bpm • G# Maj • 01:33 • -20.07db
36% Popularity • 14% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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John Dunstable
Veni Sancte Spiritus - Veni Creator, JD ...
77 bpm • C# Maj • 06:56 • -23db
14% Popularity • 7% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 7% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
O salutaris Hostia - Hymnus (tonus monas...
77 bpm • A min • 01:21 • -25db
29% Popularity • 12% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Cheruvimskaja Piesn
77 bpm • G# min • 05:23 • -21.63db
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Beatus Choral Ensemble
Salve Regina - Solemn Tone
77 bpm • D Maj • 02:45 • -29.26db
33% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Le Beau Joseph
77 bpm • A Maj • 02:24 • -22.62db
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Anonymous
Amazing Grace
85 bpm • A Maj • 04:16 • -21db
17% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Juan de Anchieta
Ave sanctissima Maria: Ave Sanctissima M...
77 bpm • A min • 03:28 • -25db
17% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Dell'Umiliazione E Della Morte. An...
77 bpm • F# min • 02:27 • -26db
27% Popularity • 15% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 15% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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State Symphony Cappella
Amen, Allelulia
77 bpm • F Maj • 01:04 • -24.87db
26% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Roman Hurko
1st Antiphon & Small Litany
85 bpm • A# min • 02:25 • -23.81db
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Cantores in Ecclesia
Vidi Aquam
77 bpm • G min • 01:45 • -23.03db
35% Popularity • 19% Danceability • 8% Energy • 11% Liveness
99% Instrumentalness • 5% Positiveness
35% Popularity • 19% Danceability • 8% Energy • 11% Liveness
99% Instrumentalness • 5% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Olga Roussakova
Song of the Trinity (Version 2)
86 bpm • F# min • 02:34 • -16db
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
