Songs like Ektuku Chnoa Lage by Srikanta Acharya
Based on a tempo of (+/- 10%) and a similar genre
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Chandrabindoo
Geet Gobindo
165 bpm • E Maj • 03:31 • -6db
35% Popularity • 73% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 73% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Asha Bhosle
Naina Tose Lage
164 bpm • A Maj • 06:43 • -16.02db
7% Popularity • 36% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 36% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Ujjaini Mukherjee
Bodhu Kon Aalo
163 bpm • E Maj • 03:37 • -8db
21% Popularity • 35% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 35% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Manomay Bhattacharya
Sajani Sajani
165 bpm • A Maj • 04:15 • -6.5db
31% Popularity • 34% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Srikanta Acharya
Chokkhe Amar Trishna
161 bpm • F# min • 05:00 • -8.79db
2% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sandeep Khare
Sariwar Sar
167 bpm • C Maj • 04:13 • -14.35db
24% Popularity • 55% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 75% Positiveness
24% Popularity • 55% Danceability • 36% Energy • 10% Liveness
24% Instrumentalness • 75% Positiveness
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Subhamita
Jodi Bondhu Hao
168 bpm • C# Maj • 04:45 • -4.74db
28% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Niranjan Pandya
Agad Bam Daak Vage Damru
168 bpm • G# Maj • 07:39 • -7.98db
35% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 38% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Bappa Mazumder
Purano Shei Diner Kotha
168 bpm • D# Maj • 03:49 • -13.84db
37% Popularity • 28% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 28% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sandhya Mukherjee
Mayaboti Meghe Elo Tandra
160 bpm • D Maj • 03:10 • -10db
16% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Rupankar Bagchi
Chupi Chupi Raat
169 bpm • C Maj • 05:02 • -9db
16% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Srikanta Acharya
Ei Je Tomar Prem Ogo
169 bpm • F# Maj • 02:49 • -9.73db
1% Popularity • 29% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
1% Popularity • 29% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
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Upasana Mehta
Pakad Lo Hath Banwari
170 bpm • G# min • 07:25 • -12.61db
50% Popularity • 59% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 59% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Kavita Krishnamurthy
Sokhi, Bhabona Kahare Bole
158 bpm • C Maj • 04:11 • -6.29db
17% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Shreya Ghoshal
Purab Se
158 bpm • C# Maj • 06:17 • -7.72db
43% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Pappu Karki
Devi Bhagwati Maiya
157 bpm • G Maj • 06:04 • -4db
24% Popularity • 31% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 31% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Sharma Brothers
Jaise Suraj Ki Garmi Se
172 bpm • D# min • 06:24 • -15.14db
20% Popularity • 32% Danceability • 33% Energy • 53% Liveness
88% Instrumentalness • 60% Positiveness
20% Popularity • 32% Danceability • 33% Energy • 53% Liveness
88% Instrumentalness • 60% Positiveness
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Aarti Mukherji
Laje Ranga Holo Kone Bou Go
172 bpm • F Maj • 03:15 • -12db
8% Popularity • 43% Danceability • 34% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 43% Danceability • 34% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Sanatana Sankirtan
Mere Pyaare Banke Bihari
172 bpm • A# min • 05:16 • -13.22db
45% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Subhomita
Ghorete Bhramor Elo - Female Vocals
172 bpm • B Maj • 04:06 • -6db
6% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Pousali Banerjee
Bonomali
172 bpm • C# min • 03:20 • -14db
28% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sayantani Ghosh
Shyama Aan Baso Vrindavan Mein
172 bpm • C min • 04:49 • -6.56db
50% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Shreya Ghoshal
Tumi Amar Chiro Sathi
156 bpm • G Maj • 03:57 • -7db
33% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Aditi Munshi
Brindabono Bilasini
156 bpm • F# Maj • 04:55 • -2.56db
34% Popularity • 38% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 38% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Mehdi Hassan
Zindagi Mein To Sabhi Pyar Kiy
173 bpm • A# min • 03:21 • -7.85db
26% Popularity • 26% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 26% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Ravindra Jain
Jin Par Kirpa Ram Kare Vo Paththar Bhi T...
155 bpm • F# min • 03:01 • -8.3db
41% Popularity • 35% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 35% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Jayati Chakraborty
Bhalobese Sokhi
155 bpm • C Maj • 04:32 • -9.06db
37% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Babla Mehta
Main Balak Tu Mata Sheranwaliye
174 bpm • A# Maj • 06:10 • -10.72db
47% Popularity • 31% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 31% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Bhoomi
Bhador Ashwin Mase
174 bpm • F Maj • 03:47 • -7.43db
32% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Srabani Sen
Shokhi Bhabona
154 bpm • G# Maj • 03:47 • -7.32db
21% Popularity • 40% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 40% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Madhuraa Bhattacharya
Shyamo Shundoro
154 bpm • D# Maj • 05:05 • -8.86db
27% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Aditi Munshi
Shree Krishna Vandana
154 bpm • D Maj • 05:08 • -8.09db
32% Popularity • 59% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 59% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Srikanta Acharya
Ami Kan Pete Roi
154 bpm • B Maj • 03:53 • -17.37db
18% Popularity • 39% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 39% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Lagnajita Chakraborty
Amar Onge Onge
154 bpm • A# Maj • 02:37 • -7.63db
43% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
43% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Sudeshna Chatterjee
Amar Mukti Aloye Aloye
175 bpm • A# Maj • 03:34 • -10.19db
17% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Nandesh Umap
Arya Hindu Ho Utha Utha
175 bpm • C# Maj • 07:52 • -5.23db
16% Popularity • 55% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 55% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Pandavaas
Kedarnath Live (Pandavaas)
153 bpm • E Maj • 04:22 • -5.83db
44% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Soumyojit
Modhuro Tomar Sesh
176 bpm • C Maj • 03:56 • -9db
23% Popularity • 26% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 26% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Srikanta Acharya
Cheltir Naam Megh
154 bpm • D Maj • 04:00 • -12.35db
21% Popularity • 45% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 45% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Bhoomi
Golemale Golemale Pirit Koro Na
177 bpm • G min • 03:33 • -5.39db
34% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Pousali Banerjee
Krishna Bole Amar Radha
150 bpm • C Maj • 06:24 • -8.92db
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Hemanta Mukhopadhyay
Aamar Hiyar Majhe Lukiye
150 bpm • F# min • 04:13 • -13.61db
21% Popularity • 29% Danceability • 34% Energy • 17% Liveness
5% Instrumentalness • 53% Positiveness
21% Popularity • 29% Danceability • 34% Energy • 17% Liveness
5% Instrumentalness • 53% Positiveness
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Imon Chakraborty
Gahana Kusumo
150 bpm • A Maj • 04:05 • -9db
20% Popularity • 64% Danceability • 42% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 42% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Kishore Kumar, Manna Dey, Hemonta Mukherjee, Rabindranath Tagore
Jadi Tare Nai
152 bpm • B Maj • 03:13 • -9db
6% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Srikanta Acharya
Amra Sobai Raja
153 bpm • A# Maj • 02:24 • -7.25db
25% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Lagnajita Chakraborty
More Bare Bare Phiraile
150 bpm • A# Maj • 02:30 • -12.18db
28% Popularity • 65% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 65% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Pousali Banerjee
Bondhu Bine Pran Bache na
150 bpm • C Maj • 05:18 • -12db
26% Popularity • 74% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
26% Popularity • 74% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Bijendra Chauhan
Shri Shyam Stuti
150 bpm • C# min • 01:57 • -2.44db
54% Popularity • 72% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 72% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Subhamita
Bol Mon Sukh
150 bpm • D# min • 04:34 • -5.04db
34% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kumar Vishu
Nand Ghar Anand Bhaye Jai Kanhaiya Lal K...
150 bpm • F Maj • 09:55 • -11.66db
39% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 40% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Srikanta Acharya
Pathe Pathe Cholte Cholte
176 bpm • F min • 05:13 • -14.44db
21% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Shreya Ghoshal
Jaidev Jaidev Aarti
180 bpm • G Maj • 03:24 • -7.81db
43% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Rishi Panda
Amay Bhashaili Re
150 bpm • D Maj • 03:05 • -7.18db
43% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Bappa Mazumder
Ami Chini Go Chini
180 bpm • C# Maj • 02:53 • -12.78db
44% Popularity • 51% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 51% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Sajjad Ali
Bane the dost dil dukhane ko
149 bpm • A# min • 04:07 • -9db
12% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Indranil Sen
Boro asha kore eshechi
180 bpm • B Maj • 02:18 • -10.94db
20% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Srikanta Acharya
Keu Bolche
148 bpm • C# Maj • 03:14 • -14.9db
24% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Sahana Bajpaie
Tomra Kunjo Sajao Go
149 bpm • C# min • 05:25 • -7.2db
25% Popularity • 49% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 49% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Lagnajita Chakraborty
Megh Boleche Jabo Jabo
148 bpm • A Maj • 03:56 • -12.14db
28% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Swagatalakshmi Dasgupta
Kotobaro Bhebechinu
148 bpm • C Maj • 03:41 • -7.5db
28% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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S. D. Burman
Barne Gandhe Chhande Gitite
183 bpm • D Maj • 03:13 • -12.46db
11% Popularity • 42% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 42% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Somlata Acharyya Chowdhury
O Je Mane Na Mana
146 bpm • A Maj • 04:54 • -16.38db
47% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Srikanta Acharya
Brishti Jhare Madhur
147 bpm • C# min • 03:51 • -10.68db
29% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Mahesh Kale
Shabdavachun Kalale Sare
147 bpm • D min • 05:58 • -14.81db
13% Popularity • 29% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Babul Supriyo
Kotobaro Bhebechhinu
184 bpm • C Maj • 03:59 • -12db
19% Popularity • 45% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 45% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Rupankar Bagchi
Jawkhon Porbena Mor
184 bpm • D Maj • 07:43 • -10.37db
42% Popularity • 33% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 33% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Rupankar
Khelaghor Baandhte Legechhi
146 bpm • B Maj • 04:06 • -7db
15% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mehdi Hassan
Pyar Bhare Do Sharmile Nain
146 bpm • G min • 06:38 • -13.25db
33% Popularity • 25% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 25% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Srikanta Acharya
Akash Bhora Surya Tara
145 bpm • A# Maj • 03:41 • -4.42db
24% Popularity • 19% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 19% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Gajendra Pratap Singh
Mahakal Darshan
145 bpm • A# min • 04:32 • -7.98db
43% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Suresh Wadkar
Pahile Nabi Tula
144 bpm • F min • 06:36 • -8.65db
44% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Sourendro-Soumyojit
Dure Kothae
144 bpm • C# Maj • 03:38 • -16.11db
14% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Sahana Bajpaie
O Je Mane Na Mana
144 bpm • A Maj • 04:18 • -11.06db
29% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Arindom
Megh Boleche Jabo Jabo
144 bpm • B min • 03:50 • -9.34db
37% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Chanchal Chowdhury
Nisha Lagilo Re
144 bpm • G# min • 04:02 • -6.52db
26% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Srikanta Acharya
Khelaghor Badhte Legechhi
144 bpm • B Maj • 03:34 • -12.97db
20% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Shalini Sharma
Shyam Stuti
144 bpm • G Maj • 04:17 • -4.01db
21% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Pousali Banerjee
Jugol Milon Hoilo
144 bpm • D Maj • 02:51 • -10.32db
29% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sudhir Vyas
Sita Ram Kirtan
144 bpm • F# Maj • 05:17 • -2.04db
15% Popularity • 77% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Subhamita
Amar Moner Koner
144 bpm • A# Maj • 02:56 • -11.53db
18% Popularity • 61% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Devendra Pathak
Parbhu Hum Bhi Sharnagat Hai
188 bpm • G# Maj • 07:18 • -6db
28% Popularity • 45% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 45% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Srikanta Acharya
Sedin Dujone
144 bpm • C min • 04:42 • -11.46db
23% Popularity • 54% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 54% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Pujya Rajan Ji Official
Charo Dulha Me Badka Kamal Sakhiya
143 bpm • D# min • 05:38 • -10.87db
44% Popularity • 49% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 49% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Pousali Banerjee
Brindabono Bilashini
143 bpm • C Maj • 04:46 • -8.63db
31% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Salma Agha
Faza Bhi Hai Jawan, Pt. 3
142 bpm • A Maj • 05:49 • -9db
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
12% Popularity • 34% Danceability • 32% Energy • 16% Liveness
40% Instrumentalness • 53% Positiveness
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Sahana Bajpaie
Moloyo Batashe
142 bpm • C Maj • 05:32 • -10.44db
27% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Salil Kulkarni
Durdeshi Gela Baba
141 bpm • F Maj • 05:15 • -13.17db
25% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Srikanta Acharya
Amaro Parano
143 bpm • C Maj • 07:59 • -10.4db
10% Popularity • 46% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 37% Positiveness
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Subhamita
Megheder Minare Digante
142 bpm • D Maj • 05:12 • -12.6db
24% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Shamik Guha Roy
Amar Praner Manush - Ektara
141 bpm • G# Maj • 03:30 • -8.66db
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Milind Ingle
Gaarva - Version 1
141 bpm • A min • 04:38 • -11.23db
40% Popularity • 50% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Mehdi Hassan
Gulon Mein Rang Bharey
141 bpm • C Maj • 06:13 • -12.55db
44% Popularity • 31% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 31% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
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Anjan Dutt
Ogo Bideshini
141 bpm • A Maj • 03:57 • -14.99db
41% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Srikanta Acharya
Taar Kathai Bolte Chai
143 bpm • G Maj • 04:14 • -14.55db
14% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Somlata
Sokhi Bhabona Kahare Bole
140 bpm • B Maj • 04:03 • -10.94db
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Srabani Sen
Amar Mukti Aloy Aloy
140 bpm • G# Maj • 04:18 • -8.69db
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Subhamita
Bhalobasi Bhalobasi
140 bpm • E Maj • 02:57 • -13.41db
27% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sahana Bajpaie
Maharaj Eki Saje
140 bpm • G Maj • 04:36 • -10.98db
22% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
