Songs like El Dorado by Jan Cyrka
Based on a tempo of (+/- 10%) and a similar genre
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Jan Cyrka
El Dorado
117 bpm • A min • 02:38 • -13db
31% Popularity • 54% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Lari Basilio
A Million Words
117 bpm • A min • 03:52 • -7.28db
20% Popularity • 50% Danceability • 67% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
20% Popularity • 50% Danceability • 67% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
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Bozzio Levin Stevens
Tziganne
118 bpm • E min • 04:27 • -10.41db
19% Popularity • 46% Danceability • 79% Energy • 9% Liveness
76% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 79% Energy • 9% Liveness
76% Instrumentalness • 48% Positiveness
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Erick Turnbull
Sly As a Chicken
118 bpm • D Maj • 01:19 • -12.96db
31% Popularity • 68% Danceability • 46% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
31% Popularity • 68% Danceability • 46% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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The Tangent
A Sax In the Dark
116 bpm • A min • 01:14 • -4.48db
32% Popularity • 42% Danceability • 87% Energy • 47% Liveness
92% Instrumentalness • 38% Positiveness
32% Popularity • 42% Danceability • 87% Energy • 47% Liveness
92% Instrumentalness • 38% Positiveness
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The Aristocrats
Smuggler's Corridor
118 bpm • A min • 08:11 • -9.45db
29% Popularity • 47% Danceability • 65% Energy • 26% Liveness
91% Instrumentalness • 57% Positiveness
29% Popularity • 47% Danceability • 65% Energy • 26% Liveness
91% Instrumentalness • 57% Positiveness
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Neil Zaza
Turn the World Around
116 bpm • D min • 04:06 • -5.87db
26% Popularity • 51% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
26% Popularity • 51% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
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Aram Bedrosian
The Clearing
118 bpm • F Maj • 00:59 • -18.1db
19% Popularity • 63% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
19% Popularity • 63% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Lucinda Barry
Walk That Line - Instrumental Version
116 bpm • E min • 03:25 • -10.22db
2% Popularity • 56% Danceability • 38% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
2% Popularity • 56% Danceability • 38% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
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Erick Turnbull
Walkin Talkin
118 bpm • E min • 01:21 • -12.54db
33% Popularity • 50% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 65% Positiveness
33% Popularity • 50% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 65% Positiveness
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Jason Becker
Fantasy Weaver
116 bpm • D Maj • 05:08 • -13.02db
16% Popularity • 27% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
16% Popularity • 27% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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Pierre Bensusan
So Long Michael
118 bpm • D min • 03:13 • -23.32db
27% Popularity • 40% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
27% Popularity • 40% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Stuart Hamm
Prelude in C
115 bpm • C Maj • 02:31 • -19.59db
13% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
13% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
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Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
14% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
14% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Harry Valentine
Summer of Your Love
119 bpm • F Maj • 03:17 • -7.68db
4% Popularity • 58% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 58% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Cristiano Parato
Sunset Fly
115 bpm • D Maj • 01:40 • -21.69db
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Jan Cyrka
Steamroller Rocker
119 bpm • D Maj • 02:23 • -6.35db
5% Popularity • 48% Danceability • 93% Energy • 20% Liveness
79% Instrumentalness • 91% Positiveness
5% Popularity • 48% Danceability • 93% Energy • 20% Liveness
79% Instrumentalness • 91% Positiveness
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Erick Turnbull
Low C
119 bpm • C min • 05:02 • -14.41db
12% Popularity • 46% Danceability • 62% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
12% Popularity • 46% Danceability • 62% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
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Andy Wood
Junktown
115 bpm • F# min • 03:16 • -5.1db
30% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
30% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Neil Zaza
Purple Rain
115 bpm • A# Maj • 07:53 • -6.94db
27% Popularity • 44% Danceability • 56% Energy • 16% Liveness
55% Instrumentalness • 10% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 16% Liveness
55% Instrumentalness • 10% Positiveness
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Harry Valentine
Get Your Party On
115 bpm • A min • 02:56 • -6.36db
0% Popularity • 68% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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Bruce Cockburn
Islands In A Black Sky
115 bpm • D# min • 07:40 • -28.46db
17% Popularity • 34% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Buckethead
The Rock Pond
115 bpm • A min • 03:58 • -19.34db
25% Popularity • 63% Danceability • 33% Energy • 30% Liveness
25% Instrumentalness • 20% Positiveness
25% Popularity • 63% Danceability • 33% Energy • 30% Liveness
25% Instrumentalness • 20% Positiveness
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Shawn Lane
The Way It Has to Be
115 bpm • D# Maj • 04:43 • -6.65db
29% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
29% Popularity • 44% Danceability • 70% Energy • 16% Liveness
16% Instrumentalness • 31% Positiveness
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Scott Henderson
Continuum
115 bpm • E Maj • 04:00 • -14.13db
15% Popularity • 53% Danceability • 52% Energy • 33% Liveness
62% Instrumentalness • 62% Positiveness
15% Popularity • 53% Danceability • 52% Energy • 33% Liveness
62% Instrumentalness • 62% Positiveness
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Nick Johnston
As I Slowly Turn to Stone
115 bpm • E Maj • 02:42 • -15.11db
26% Popularity • 45% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Greg Koch
Funk Force Five
120 bpm • E min • 03:09 • -3.02db
25% Popularity • 51% Danceability • 88% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
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Mike Dawes
Boogie Slam
120 bpm • A# min • 04:37 • -12db
17% Popularity • 43% Danceability • 40% Energy • 11% Liveness
80% Instrumentalness • 34% Positiveness
17% Popularity • 43% Danceability • 40% Energy • 11% Liveness
80% Instrumentalness • 34% Positiveness
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Michael Hedges
Ragamuffin
120 bpm • C Maj • 03:13 • -19db
31% Popularity • 46% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Guthrie Govan
Uptown
120 bpm • G Maj • 02:19 • -7.02db
43% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
43% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Mr. Fastfinger
Effortless
120 bpm • A# Maj • 05:24 • -8.73db
15% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
15% Popularity • 70% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Buckethead
The Dream That Dreamt
120 bpm • G min • 08:55 • -20.04db
28% Popularity • 57% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
28% Popularity • 57% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Dave Martone
Coming Clean
120 bpm • D# Maj • 05:35 • -9db
14% Popularity • 66% Danceability • 32% Energy • 10% Liveness
48% Instrumentalness • 6% Positiveness
14% Popularity • 66% Danceability • 32% Energy • 10% Liveness
48% Instrumentalness • 6% Positiveness
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Jan Cyrka
The Pizzicato Paradox
120 bpm • A min • 02:27 • -12.12db
2% Popularity • 69% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
2% Popularity • 69% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
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Guthrie Govan
Hollywood Woman
120 bpm • D Maj • 01:56 • -5db
46% Popularity • 64% Danceability • 72% Energy • 13% Liveness
73% Instrumentalness • 66% Positiveness
46% Popularity • 64% Danceability • 72% Energy • 13% Liveness
73% Instrumentalness • 66% Positiveness
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Philip Jewson
Cross Talk
120 bpm • C Maj • 01:44 • -9.8db
1% Popularity • 80% Danceability • 88% Energy • 10% Liveness
83% Instrumentalness • 92% Positiveness
1% Popularity • 80% Danceability • 88% Energy • 10% Liveness
83% Instrumentalness • 92% Positiveness
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James Graydon
Wide Open Skies
120 bpm • G Maj • 03:16 • -13.15db
1% Popularity • 62% Danceability • 68% Energy • 12% Liveness
86% Instrumentalness • 68% Positiveness
1% Popularity • 62% Danceability • 68% Energy • 12% Liveness
86% Instrumentalness • 68% Positiveness
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Buckethead
The Siphoning Sequence
120 bpm • B min • 03:54 • -8.2db
35% Popularity • 68% Danceability • 56% Energy • 13% Liveness
89% Instrumentalness • 19% Positiveness
35% Popularity • 68% Danceability • 56% Energy • 13% Liveness
89% Instrumentalness • 19% Positiveness
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Mr. Fastfinger
Ocean of Neon
120 bpm • A min • 04:26 • -9.53db
22% Popularity • 62% Danceability • 55% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
22% Popularity • 62% Danceability • 55% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Jan Cyrka
Fair Warning
120 bpm • E Maj • 03:18 • -5.84db
1% Popularity • 55% Danceability • 94% Energy • 16% Liveness
76% Instrumentalness • 75% Positiveness
1% Popularity • 55% Danceability • 94% Energy • 16% Liveness
76% Instrumentalness • 75% Positiveness
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Al Joseph
I Just Wish
120 bpm • A# Maj • 05:59 • -6.1db
26% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 41% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Harry Valentine
Getting Hot
120 bpm • B min • 02:30 • -6.87db
4% Popularity • 76% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 76% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Cristiano Parato
Midnight Soldier
120 bpm • C# min • 02:40 • -13.59db
27% Popularity • 74% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
27% Popularity • 74% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
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Philip Jewson
Imagine Beyond
120 bpm • D Maj • 03:42 • -10.45db
3% Popularity • 48% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
3% Popularity • 48% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Lee Henry
Bring the House Down
114 bpm • E min • 03:35 • -4.72db
1% Popularity • 73% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 73% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Daniele Gottardo
Dick Plays the Blues
120 bpm • C Maj • 03:21 • -7.86db
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
40% Instrumentalness • 37% Positiveness
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
40% Instrumentalness • 37% Positiveness
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Neil Zaza
Journey to Texas
120 bpm • G# Maj • 03:35 • -8.99db
11% Popularity • 60% Danceability • 45% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
11% Popularity • 60% Danceability • 45% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Sessiz Sedasız Blues Band
Galaksinin En Güzel Aşk Şarkısı
120 bpm • C# Maj • 01:12 • -11.26db
11% Popularity • 54% Danceability • 30% Energy • 30% Liveness
74% Instrumentalness • 5% Positiveness
11% Popularity • 54% Danceability • 30% Energy • 30% Liveness
74% Instrumentalness • 5% Positiveness
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Shawn Lane
The Hurt, The Joy
120 bpm • A Maj • 04:07 • -10.29db
16% Popularity • 59% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
16% Popularity • 59% Danceability • 49% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Philip Jewson
Do it Feel it See it
120 bpm • A Maj • 01:58 • -5.23db
1% Popularity • 72% Danceability • 85% Energy • 13% Liveness
78% Instrumentalness • 86% Positiveness
1% Popularity • 72% Danceability • 85% Energy • 13% Liveness
78% Instrumentalness • 86% Positiveness
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Jason Becker
Triumphant Heart
121 bpm • C Maj • 04:08 • -11.37db
21% Popularity • 35% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
21% Popularity • 35% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Andrea Chiarini
The Sulfur Blues
120 bpm • G Maj • 03:26 • -12.52db
27% Popularity • 57% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Martin Webb
Cookie Cutter
121 bpm • A min • 02:57 • -8.5db
1% Popularity • 67% Danceability • 70% Energy • 73% Liveness
48% Instrumentalness • 82% Positiveness
1% Popularity • 67% Danceability • 70% Energy • 73% Liveness
48% Instrumentalness • 82% Positiveness
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Greg Howe
Tempest Pulse
113 bpm • B min • 05:20 • -5.84db
29% Popularity • 67% Danceability • 88% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
29% Popularity • 67% Danceability • 88% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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Shawn Lane
I Only Want to Know (Bonus Track)
113 bpm • G# Maj • 04:19 • -7.54db
12% Popularity • 59% Danceability • 71% Energy • 11% Liveness
59% Instrumentalness • 53% Positiveness
12% Popularity • 59% Danceability • 71% Energy • 11% Liveness
59% Instrumentalness • 53% Positiveness
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David Elliott
Taking the Time
113 bpm • E Maj • 01:52 • -14.97db
0% Popularity • 46% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
0% Popularity • 46% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Guthrie Govan
Jelly Bean
113 bpm • D Maj • 02:19 • -6.03db
45% Popularity • 57% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
45% Popularity • 57% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Victor Wooten
The Vision
121 bpm • A min • 05:36 • -20.01db
27% Popularity • 49% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
27% Popularity • 49% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Martin Webb
Funk Yeah
113 bpm • F Maj • 02:43 • -9.18db
3% Popularity • 58% Danceability • 90% Energy • 34% Liveness
96% Instrumentalness • 82% Positiveness
3% Popularity • 58% Danceability • 90% Energy • 34% Liveness
96% Instrumentalness • 82% Positiveness
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Gregor Hilden
Apostle
121 bpm • B min • 02:08 • -17.46db
27% Popularity • 67% Danceability • 4% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
27% Popularity • 67% Danceability • 4% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
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Shawn Lane
Epilogue: Bach for Lisa (Ich Ruf Zu Dir)
122 bpm • D# min • 02:27 • -14.48db
21% Popularity • 30% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 30% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Mike Dawes
Somewhere Home
122 bpm • E Maj • 06:41 • -15.31db
19% Popularity • 42% Danceability • 28% Energy • 12% Liveness
5% Instrumentalness • 35% Positiveness
19% Popularity • 42% Danceability • 28% Energy • 12% Liveness
5% Instrumentalness • 35% Positiveness
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Guthrie Govan
T&C
113 bpm • C Maj • 02:25 • -5.31db
42% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
42% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
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Philip Jewson
Sonic Rebound
122 bpm • F min • 02:18 • -11.66db
2% Popularity • 80% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 39% Positiveness
2% Popularity • 80% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 39% Positiveness
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Neil Zaza
Somewhere in Time
122 bpm • D Maj • 04:08 • -6.47db
33% Popularity • 43% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
33% Popularity • 43% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
19% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
19% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Jan Cyrka
Away We Go
122 bpm • A Maj • 01:46 • -8.36db
2% Popularity • 74% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 39% Positiveness
2% Popularity • 74% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 39% Positiveness
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Mike Dawes
Forest Party
122 bpm • D Maj • 03:14 • -11.46db
18% Popularity • 63% Danceability • 35% Energy • 9% Liveness
58% Instrumentalness • 64% Positiveness
18% Popularity • 63% Danceability • 35% Energy • 9% Liveness
58% Instrumentalness • 64% Positiveness
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Martin Webb
Uplifter
112 bpm • G Maj • 03:34 • -7.6db
1% Popularity • 70% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 85% Positiveness
1% Popularity • 70% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 85% Positiveness
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Maneli Jamal
Daft Funk
112 bpm • G# min • 02:48 • -7.99db
28% Popularity • 50% Danceability • 73% Energy • 9% Liveness
75% Instrumentalness • 78% Positiveness
28% Popularity • 50% Danceability • 73% Energy • 9% Liveness
75% Instrumentalness • 78% Positiveness
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Berdon Kirksaether
Ray of Light
122 bpm • A# Maj • 03:04 • -19.11db
34% Popularity • 38% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
34% Popularity • 38% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Philip Sayce
Triumph
123 bpm • D Maj • 05:02 • -7.06db
22% Popularity • 31% Danceability • 57% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
22% Popularity • 31% Danceability • 57% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
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Jan Cyrka
Andalucian Sunset
112 bpm • C min • 03:08 • -11db
32% Popularity • 67% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
32% Popularity • 67% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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The Aristocrats
Pressure Relief
112 bpm • D Maj • 06:56 • -12.43db
16% Popularity • 65% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 52% Positiveness
16% Popularity • 65% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 52% Positiveness
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Djabe
Lake By The Sea
111 bpm • D Maj • 05:07 • -13.93db
9% Popularity • 59% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
9% Popularity • 59% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Shawn Lane
Minarets
124 bpm • E Maj • 03:30 • -7.2db
13% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
13% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
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Steve Rothery
Summer's End
111 bpm • D Maj • 08:46 • -13.12db
21% Popularity • 36% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
21% Popularity • 36% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 25% Positiveness
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Neal Schon
I Can't Make You Love Me
124 bpm • A# Maj • 04:46 • -10.61db
18% Popularity • 56% Danceability • 28% Energy • 24% Liveness
38% Instrumentalness • 16% Positiveness
18% Popularity • 56% Danceability • 28% Energy • 24% Liveness
38% Instrumentalness • 16% Positiveness
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Jan Cyrka
Aching Heart
124 bpm • A# Maj • 01:47 • -8.79db
34% Popularity • 50% Danceability • 36% Energy • 6% Liveness
57% Instrumentalness • 38% Positiveness
34% Popularity • 50% Danceability • 36% Energy • 6% Liveness
57% Instrumentalness • 38% Positiveness
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The Aristocrats
Spanish Eddie
124 bpm • A# Maj • 06:56 • -8db
34% Popularity • 39% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 36% Positiveness
34% Popularity • 39% Danceability • 64% Energy • 17% Liveness
85% Instrumentalness • 36% Positiveness
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Bozzio Levin Stevens
Black Light Syndrome
124 bpm • D Maj • 08:46 • -9.8db
10% Popularity • 37% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
10% Popularity • 37% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Spencer Elliott
Insignificant
110 bpm • B min • 03:18 • -9.36db
15% Popularity • 38% Danceability • 63% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
15% Popularity • 38% Danceability • 63% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
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Jake Willson
Mistral
110 bpm • C# min • 04:51 • -6db
21% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
21% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
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The Black Noodle Project
Ready to Go, part. 1
110 bpm • D# min • 04:10 • -14.03db
32% Popularity • 52% Danceability • 34% Energy • 17% Liveness
86% Instrumentalness • 8% Positiveness
32% Popularity • 52% Danceability • 34% Energy • 17% Liveness
86% Instrumentalness • 8% Positiveness
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David Elliott
All Summer Long
110 bpm • D Maj • 01:16 • -9.88db
1% Popularity • 62% Danceability • 58% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
1% Popularity • 62% Danceability • 58% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Andy James
Retribution
110 bpm • F# Maj • 03:30 • -6.69db
5% Popularity • 47% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 47% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Cristiano Parato
Slyly
110 bpm • A# Maj • 04:11 • -8.25db
18% Popularity • 66% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
18% Popularity • 66% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
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Derek Sherinian
Dragonfly
110 bpm • D# Maj • 03:44 • -8.76db
13% Popularity • 47% Danceability • 85% Energy • 21% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 47% Danceability • 85% Energy • 21% Liveness
88% Instrumentalness • 52% Positiveness
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Buckethead
Hypnagogia
110 bpm • A# Maj • 05:58 • -19.77db
17% Popularity • 54% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 54% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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James Davies
Raw Power
110 bpm • C Maj • 02:48 • -8.61db
5% Popularity • 65% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
5% Popularity • 65% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Isato Nakagawa
Ramon no ki
110 bpm • G min • 04:02 • -16.67db
29% Popularity • 48% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
29% Popularity • 48% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Matteo Mancuso
Drop D
110 bpm • G min • 04:47 • -8.8db
36% Popularity • 31% Danceability • 75% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
36% Popularity • 31% Danceability • 75% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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Tony Levin
Endless
125 bpm • G Maj • 10:08 • -6.32db
12% Popularity • 35% Danceability • 81% Energy • 27% Liveness
65% Instrumentalness • 28% Positiveness
12% Popularity • 35% Danceability • 81% Energy • 27% Liveness
65% Instrumentalness • 28% Positiveness
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Bozzio Levin Stevens
Book of Hours
110 bpm • D Maj • 09:43 • -11.14db
11% Popularity • 48% Danceability • 47% Energy • 30% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 30% Liveness
86% Instrumentalness • 5% Positiveness
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Jeff Kollman
West Coast Swagger
110 bpm • F# min • 05:07 • -9.83db
12% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
12% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness