Songs like El Poder de Hacerlo Mal by Verkeren
Based on a tempo of (+/- 10%) and a similar genre
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Verkeren
El Poder de Hacerlo Mal
134 bpm • G Maj • 03:30 • -6.05db
0% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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LUIS BREA
Singles
134 bpm • G# Maj • 04:08 • -4.58db
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mon Band
Polinizando Estrellas
134 bpm • F# min • 03:34 • -10.15db
8% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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El Columpio Asesino
Perlas
134 bpm • D Maj • 04:25 • -8db
32% Popularity • 54% Danceability • 50% Energy • 13% Liveness
41% Instrumentalness • 59% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 13% Liveness
41% Instrumentalness • 59% Positiveness
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Los Punsetes
Bonzo
134 bpm • G Maj • 03:03 • -4db
8% Popularity • 41% Danceability • 94% Energy • 33% Liveness
80% Instrumentalness • 68% Positiveness
8% Popularity • 41% Danceability • 94% Energy • 33% Liveness
80% Instrumentalness • 68% Positiveness
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Nistal
No Tengo Miedo al Fracaso
134 bpm • A Maj • 03:17 • -7.52db
10% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Res_Co
Hoy Es El DÃa - Res_Co Remix
133 bpm • D Maj • 02:40 • -7.6db
7% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sr. Chinarro
Mañana, Tarde y Noche
134 bpm • E Maj • 04:09 • -5.35db
12% Popularity • 48% Danceability • 85% Energy • 18% Liveness
1% Instrumentalness • 61% Positiveness
12% Popularity • 48% Danceability • 85% Energy • 18% Liveness
1% Instrumentalness • 61% Positiveness
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Second
Primera Vez
135 bpm • F Maj • 04:52 • -3.54db
37% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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LUIS BREA
El Verano del Incendio
135 bpm • F# Maj • 03:43 • -5db
35% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Carlos Sadness
Hoy Es el Dia
133 bpm • D Maj • 02:44 • -7db
39% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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El Columpio Asesino
Diamantes
135 bpm • A Maj • 05:47 • -11db
29% Popularity • 57% Danceability • 55% Energy • 10% Liveness
50% Instrumentalness • 6% Positiveness
29% Popularity • 57% Danceability • 55% Energy • 10% Liveness
50% Instrumentalness • 6% Positiveness
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Grises
Animal
135 bpm • D Maj • 03:41 • -5.06db
16% Popularity • 51% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 51% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Sr. Chinarro
Una Llamada a la Acción
135 bpm • F# min • 02:33 • -4.06db
36% Popularity • 56% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 56% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Fabián D Cuesta
La Luz Distinta
135 bpm • F# Maj • 03:49 • -2.69db
16% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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LUIS BREA
Discotecas
135 bpm • G# min • 03:49 • -3.77db
21% Popularity • 54% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 54% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Second
2502
135 bpm • A Maj • 04:25 • -6.16db
38% Popularity • 58% Danceability • 83% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
38% Popularity • 58% Danceability • 83% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Doble Pletina
La Progresión Exponencial
135 bpm • G Maj • 02:26 • -12.59db
13% Popularity • 75% Danceability • 56% Energy • 10% Liveness
24% Instrumentalness • 79% Positiveness
13% Popularity • 75% Danceability • 56% Energy • 10% Liveness
24% Instrumentalness • 79% Positiveness
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Los Flamingos
Reyno
135 bpm • B min • 03:19 • -5db
9% Popularity • 40% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 40% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Amatria
En Palabras Absolutas
135 bpm • A Maj • 03:25 • -5.35db
9% Popularity • 62% Danceability • 76% Energy • 8% Liveness
86% Instrumentalness • 69% Positiveness
9% Popularity • 62% Danceability • 76% Energy • 8% Liveness
86% Instrumentalness • 69% Positiveness
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Sidonie
Siglo XX
135 bpm • E min • 04:00 • -4.94db
29% Popularity • 66% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 66% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Muchachito Bombo Infierno
Te perdÃ
135 bpm • G Maj • 04:28 • -7.67db
11% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Second
Esto Es Solo el Principio
135 bpm • G min • 04:04 • -2.78db
18% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Ellos
Mientes
133 bpm • A Maj • 03:32 • -6db
15% Popularity • 67% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 67% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Papa Topo
Acomodador
136 bpm • A Maj • 02:52 • -6.25db
15% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Miss Caffeina
Hielo t
136 bpm • F# min • 03:49 • -4.04db
28% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Napoleon Solo
No Puedo Disfrutar
135 bpm • F# min • 04:00 • -8.89db
7% Popularity • 59% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 37% Positiveness
7% Popularity • 59% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 37% Positiveness
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Los Punsetes
Presagios de Partida
136 bpm • G Maj • 02:30 • -5.46db
16% Popularity • 47% Danceability • 99% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
16% Popularity • 47% Danceability • 99% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
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Estereotypo
A todos nos pasa
136 bpm • B min • 04:21 • -5.31db
17% Popularity • 65% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Grises
Despierto
132 bpm • C Maj • 04:08 • -3.78db
9% Popularity • 34% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 34% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Noises
PacÃfico
136 bpm • F Maj • 04:10 • -5.61db
30% Popularity • 61% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 61% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 53% Positiveness
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Sr. Chinarro
Famélicos Famosos
132 bpm • C Maj • 02:44 • -8.88db
10% Popularity • 69% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
10% Popularity • 69% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Los lagos de Hinault
Las Chicas Rubias de Serrano
136 bpm • G Maj • 02:04 • -5.03db
16% Popularity • 72% Danceability • 72% Energy • 14% Liveness
11% Instrumentalness • 79% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 14% Liveness
11% Instrumentalness • 79% Positiveness
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Second
Atrévete
132 bpm • D Maj • 04:21 • -3.69db
24% Popularity • 54% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 54% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lori Meyers
Religión
136 bpm • C Maj • 03:51 • -7.9db
30% Popularity • 65% Danceability • 69% Energy • 19% Liveness
28% Instrumentalness • 57% Positiveness
30% Popularity • 65% Danceability • 69% Energy • 19% Liveness
28% Instrumentalness • 57% Positiveness
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Grises
Parfait
132 bpm • D# Maj • 03:39 • -3db
26% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Love of Lesbian
Algunas plantas
132 bpm • A min • 04:06 • -7.12db
37% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 60% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Mucho
Las Puertas del Infierno
132 bpm • F# min • 03:56 • -5db
13% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Band À Part
Verano Azul, Invierno Nuclear
132 bpm • G# Maj • 03:51 • -6db
9% Popularity • 59% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
9% Popularity • 59% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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Second
Espectador
132 bpm • C# Maj • 04:06 • -6.02db
16% Popularity • 61% Danceability • 87% Energy • 7% Liveness
7% Instrumentalness • 62% Positiveness
16% Popularity • 61% Danceability • 87% Energy • 7% Liveness
7% Instrumentalness • 62% Positiveness
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Jero Romero
Cabeza de león
136 bpm • A# Maj • 02:37 • -6db
23% Popularity • 70% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 70% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Egon Soda
Lorem ipsum
132 bpm • B min • 03:46 • -3.94db
8% Popularity • 54% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 54% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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El Columpio Asesino
Susúrrame
132 bpm • E Maj • 03:53 • -9.92db
20% Popularity • 58% Danceability • 92% Energy • 8% Liveness
44% Instrumentalness • 6% Positiveness
20% Popularity • 58% Danceability • 92% Energy • 8% Liveness
44% Instrumentalness • 6% Positiveness
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Napoleon Solo
Tiene Que Acabar
136 bpm • F# min • 03:02 • -5db
21% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Dani Colt
Hacerte Un Caño
137 bpm • G Maj • 02:31 • -9.23db
11% Popularity • 67% Danceability • 59% Energy • 9% Liveness
18% Instrumentalness • 85% Positiveness
11% Popularity • 67% Danceability • 59% Energy • 9% Liveness
18% Instrumentalness • 85% Positiveness
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LUIS BREA
Como una Ola
137 bpm • G Maj • 03:49 • -3.79db
34% Popularity • 53% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 53% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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La Sonrisa De Julia
Mitos
131 bpm • C Maj • 04:24 • -7.15db
11% Popularity • 50% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 57% Positiveness
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Niños Mutantes
Sto. Domingo
137 bpm • C min • 04:14 • -5.46db
17% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Papa Topo
Lágrimas De Cocodrilo
137 bpm • A min • 03:09 • -7.24db
12% Popularity • 72% Danceability • 70% Energy • 14% Liveness
8% Instrumentalness • 90% Positiveness
12% Popularity • 72% Danceability • 70% Energy • 14% Liveness
8% Instrumentalness • 90% Positiveness
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Napoleon Solo
Ramira
137 bpm • F# min • 03:21 • -6.07db
10% Popularity • 52% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 52% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Rooster
Brighton
137 bpm • C# Maj • 04:03 • -9.07db
16% Popularity • 57% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 41% Positiveness
16% Popularity • 57% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 41% Positiveness
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Corizonas
Nueva Dimensión Vital
138 bpm • A Maj • 04:21 • -3.65db
10% Popularity • 50% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Egon Soda
La recuperación
138 bpm • D Maj • 03:57 • -6.47db
13% Popularity • 41% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 41% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Ellos
No finjas
138 bpm • E Maj • 03:54 • -5.78db
9% Popularity • 62% Danceability • 90% Energy • 27% Liveness
1% Instrumentalness • 89% Positiveness
9% Popularity • 62% Danceability • 90% Energy • 27% Liveness
1% Instrumentalness • 89% Positiveness
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Alex Ferreira
Camino Raro
138 bpm • E min • 03:43 • -10.63db
7% Popularity • 70% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 83% Positiveness
7% Popularity • 70% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 83% Positiveness
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Ivan Ferreiro
Pájaro azul
138 bpm • A# Maj • 04:44 • -3.75db
26% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Maga
El Gran Final
130 bpm • A Maj • 03:20 • -4.05db
11% Popularity • 48% Danceability • 81% Energy • 14% Liveness
9% Instrumentalness • 37% Positiveness
11% Popularity • 48% Danceability • 81% Energy • 14% Liveness
9% Instrumentalness • 37% Positiveness
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Tachenko
Dame una Pista
138 bpm • C Maj • 04:12 • -4.53db
13% Popularity • 42% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 42% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Love of Lesbian
El yin y el yen
138 bpm • A min • 03:25 • -4.59db
32% Popularity • 69% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 69% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Niños Mutantes
NM
130 bpm • D Maj • 03:39 • -6.05db
27% Popularity • 56% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 29% Positiveness
27% Popularity • 56% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 29% Positiveness
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Amatria
Cara de Monstruito
130 bpm • D Maj • 02:34 • -6.43db
10% Popularity • 68% Danceability • 70% Energy • 16% Liveness
9% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 70% Energy • 16% Liveness
9% Instrumentalness • 83% Positiveness
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Marsella
5. 11. 16 - GLAS Remix
130 bpm • B min • 04:06 • -5.42db
11% Popularity • 54% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Carmen 113
Anticiclón
138 bpm • B min • 04:00 • -5db
11% Popularity • 55% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 55% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Mateo Tavella
Se Siente Como Libertad
130 bpm • D Maj • 02:20 • -9.74db
10% Popularity • 58% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 58% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Second
Lo Único
130 bpm • C Maj • 04:41 • -4.16db
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Niños Mutantes
Pura Vida
130 bpm • A min • 04:10 • -5.12db
11% Popularity • 54% Danceability • 73% Energy • 34% Liveness
69% Instrumentalness • 38% Positiveness
11% Popularity • 54% Danceability • 73% Energy • 34% Liveness
69% Instrumentalness • 38% Positiveness
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Love of Lesbian
El hambre invisible
130 bpm • E min • 05:08 • -8db
29% Popularity • 57% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 57% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Crepúsculo
Leyenda
130 bpm • G Maj • 04:57 • -3.58db
12% Popularity • 65% Danceability • 90% Energy • 9% Liveness
64% Instrumentalness • 89% Positiveness
12% Popularity • 65% Danceability • 90% Energy • 9% Liveness
64% Instrumentalness • 89% Positiveness
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ALIS
Minimo - Chino (Supersubmarina)
130 bpm • D Maj • 03:23 • -6.77db
12% Popularity • 45% Danceability • 74% Energy • 9% Liveness
39% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 74% Energy • 9% Liveness
39% Instrumentalness • 45% Positiveness
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Verkeren
ColibrÃ
130 bpm • E min • 02:48 • -8.18db
0% Popularity • 38% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 38% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Dinero
Bajo cero
130 bpm • C Maj • 03:41 • -5db
14% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Mucho
La casa en pie
130 bpm • G Maj • 02:33 • -4.29db
9% Popularity • 58% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 58% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Amatria
Los Sofás de Mis Amigos
130 bpm • F# min • 02:36 • -7.15db
16% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Corizonas
Todo Va Bien
130 bpm • G Maj • 04:26 • -4db
16% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Paterson
Nada me detiene
130 bpm • A min • 03:21 • -6.89db
24% Popularity • 52% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
24% Popularity • 52% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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El Club de Los López
Oh!
130 bpm • C# min • 03:37 • -4db
17% Popularity • 61% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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GLAS
Hoy Todo Puede Suceder
130 bpm • G min • 03:43 • -4.69db
8% Popularity • 54% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 54% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Verkeren
Miss Mundo
130 bpm • A min • 03:45 • -6.33db
0% Popularity • 52% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 52% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Mucho
Como Si No Hubiera Mañana
130 bpm • C Maj • 03:18 • -4db
9% Popularity • 52% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Jero Romero
Las leves
130 bpm • B Maj • 02:37 • -6db
22% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Templeton
Miedo de Verdad y en Condiciones
130 bpm • G Maj • 03:41 • -7db
9% Popularity • 54% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
9% Popularity • 54% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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Modelo de Respuesta Polar
Momentos similares
130 bpm • F# Maj • 04:07 • -6.37db
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Second
Si todo se oxida
139 bpm • A# min • 04:02 • -5.03db
9% Popularity • 58% Danceability • 85% Energy • 14% Liveness
31% Instrumentalness • 77% Positiveness
9% Popularity • 58% Danceability • 85% Energy • 14% Liveness
31% Instrumentalness • 77% Positiveness
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Verkeren
Fecha De Caducidad
130 bpm • B Maj • 03:31 • -13db
0% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Manos De Topo
Morir de Celos
130 bpm • A min • 02:35 • -3.36db
23% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Carmen 113
Las Peluqueras
139 bpm • A Maj • 04:00 • -6.91db
14% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Crepúsculo
Baraja de Cuchillos
139 bpm • D Maj • 03:57 • -4.92db
8% Popularity • 54% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 54% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Trepà t
Torturas en los Bares
129 bpm • B Maj • 04:57 • -7.61db
19% Popularity • 68% Danceability • 74% Energy • 33% Liveness
1% Instrumentalness • 25% Positiveness
19% Popularity • 68% Danceability • 74% Energy • 33% Liveness
1% Instrumentalness • 25% Positiveness
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Delafe y las flores azules
Nadie va a pararnos mientras no dejemos ...
140 bpm • D Maj • 02:45 • -5.42db
15% Popularity • 20% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 20% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Verkeren
Alianza
130 bpm • F Maj • 04:03 • -5.62db
0% Popularity • 48% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 48% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Kokoshca
No Queda Nada
140 bpm • E Maj • 04:23 • -6.77db
10% Popularity • 38% Danceability • 84% Energy • 39% Liveness
75% Instrumentalness • 59% Positiveness
10% Popularity • 38% Danceability • 84% Energy • 39% Liveness
75% Instrumentalness • 59% Positiveness
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Love of Lesbian
Houston, Tenemos un Poema
140 bpm • G Maj • 03:59 • -7.52db
33% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Ferreira
Nos Daba Igual Cualquier Canción
140 bpm • A Maj • 02:40 • -9db
12% Popularity • 67% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Napoleon Solo
Antes de Que Ocurriera
140 bpm • F Maj • 03:28 • -6.67db
18% Popularity • 46% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 46% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Christina Rosenvinge
Segundo Acto
140 bpm • B min • 03:26 • -8.17db
11% Popularity • 63% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 69% Positiveness
11% Popularity • 63% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 69% Positiveness
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Ivan Ferreiro
Cómo conocà a vuestra madre
140 bpm • A Maj • 03:11 • -4.43db
34% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Verkeren
Vienen a por Ti
140 bpm • D Maj • 02:50 • -5.77db
0% Popularity • 49% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 49% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Niños Mutantes
Hermana MÃa
140 bpm • E min • 04:16 • -4.91db
24% Popularity • 55% Danceability • 87% Energy • 37% Liveness
2% Instrumentalness • 48% Positiveness
24% Popularity • 55% Danceability • 87% Energy • 37% Liveness
2% Instrumentalness • 48% Positiveness
