Songs like Eleanor Rigby by David Moore
Based on a tempo of (+/- 10%) and a similar genre
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David Moore
Test Match Special
120 bpm • C Maj • 02:39 • -15.68db
3% Popularity • 75% Danceability • 36% Energy • 15% Liveness
78% Instrumentalness • 79% Positiveness
3% Popularity • 75% Danceability • 36% Energy • 15% Liveness
78% Instrumentalness • 79% Positiveness
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ピアノ
モーツァルト - Sonata No. 16 C maj...
120 bpm • C Maj • 04:56 • -23db
22% Popularity • 61% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
22% Popularity • 61% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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Andrew David Moore Johnson (PRS)
Action Adventure Chase
120 bpm • G# Maj • 03:06 • -13.05db
0% Popularity • 76% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 70% Positiveness
0% Popularity • 76% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 70% Positiveness
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Richard Burton
Part VI
120 bpm • G Maj • 06:12 • -13.58db
0% Popularity • 67% Danceability • 45% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 67% Danceability • 45% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
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Philip Glass
Echorus
120 bpm • C Maj • 05:51 • -24.31db
25% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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The Royal Festival Orchestra
"Für Elise" Bagatelle No. 25 in A Minor
121 bpm • A min • 03:31 • -20.17db
30% Popularity • 36% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
30% Popularity • 36% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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David Moore
Eleanor Rigby
120 bpm • E min • 02:26 • -15.55db
0% Popularity • 80% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
0% Popularity • 80% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Lima Musica
Für Elise
119 bpm • A min • 03:20 • -38.11db
24% Popularity • 28% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 15% Positiveness
24% Popularity • 28% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 15% Positiveness
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Pilates L'école
Pilates Concentration Music
121 bpm • C Maj • 02:17 • -11db
39% Popularity • 27% Danceability • 22% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
39% Popularity • 27% Danceability • 22% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
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Millie Vernon
There'll Be Some Changes Made
121 bpm • B Maj • 02:48 • -10.49db
1% Popularity • 57% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 57% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Karl Jenkins
Over the Stone: IV. Crossing the Stone
118 bpm • F min • 04:17 • -13.32db
11% Popularity • 19% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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The O'Neill Brothers Group
Gabriel's Oboe Mission
119 bpm • D Maj • 02:57 • -18.03db
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
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David Moore
Eve of the War
120 bpm • C Maj • 04:02 • -7.62db
1% Popularity • 50% Danceability • 70% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
1% Popularity • 50% Danceability • 70% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Kevin Kern
Pearls of Joy
118 bpm • F# min • 03:53 • -18.83db
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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Michael Maxwell
Eine Kleine Nachtmusik, Serenade No. 13 ...
117 bpm • C Maj • 06:52 • -15.34db
11% Popularity • 33% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
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Lü Wencheng
Autumn Moon on a Calm Lake
124 bpm • C# Maj • 04:08 • -30.03db
29% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Winter Flowers
Pachelbel-Canon In D Major
124 bpm • D Maj • 02:12 • -20db
42% Popularity • 66% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
42% Popularity • 66% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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David T. Little
Soldier Songs: Part II, Warrior: Still L...
116 bpm • G Maj • 02:18 • -7.3db
0% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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David Moore
Home to Me
120 bpm • E Maj • 04:38 • -7.87db
0% Popularity • 60% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 60% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
124 bpm • D# Maj • 08:08 • -22db
14% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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John Philip Sousa
Stars & Stripes - A Ballet in Five Campa...
125 bpm • A# Maj • 00:47 • -17.02db
1% Popularity • 51% Danceability • 52% Energy • 50% Liveness
61% Instrumentalness • 90% Positiveness
1% Popularity • 51% Danceability • 52% Energy • 50% Liveness
61% Instrumentalness • 90% Positiveness
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Alexander Pitamic
Serenade für Streicher Nr. 13, G-Dur, K...
125 bpm • C Maj • 06:44 • -25.89db
15% Popularity • 34% Danceability • 2% Energy • 7% Liveness
47% Instrumentalness • 22% Positiveness
15% Popularity • 34% Danceability • 2% Energy • 7% Liveness
47% Instrumentalness • 22% Positiveness
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Piratebrain
Subversive Material - DJ Aladdin Afrorub...
125 bpm • B min • 06:49 • -6.34db
0% Popularity • 89% Danceability • 86% Energy • 67% Liveness
61% Instrumentalness • 45% Positiveness
0% Popularity • 89% Danceability • 86% Energy • 67% Liveness
61% Instrumentalness • 45% Positiveness
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Bradley Joseph
Symphony in a Major, Op. 92, No. 7: Ii. ...
125 bpm • E min • 05:20 • -23.87db
25% Popularity • 52% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
25% Popularity • 52% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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David Moore
After a Dream
120 bpm • F min • 02:45 • -24.75db
3% Popularity • 33% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 12% Positiveness
3% Popularity • 33% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 12% Positiveness
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Samantha Dougherty
3 Solfeggios, Wq. 117, Solfeggio in C mi...
125 bpm • C min • 01:07 • -19db
24% Popularity • 43% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
24% Popularity • 43% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
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Philip Glass
Metamorphosis Two
115 bpm • A min • 06:46 • -19db
10% Popularity • 20% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Sylvia Capova
Prelude für Klavier in E Minor, Op. 28,...
126 bpm • A min • 01:56 • -30db
33% Popularity • 44% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Slovak Philharmonic
Orchestersuite in D Major, BWV 1068: II....
114 bpm • D Maj • 05:00 • -19.15db
28% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
28% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
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Bradley Joseph
Well Tempered Clavichord, Book 1: Prelud...
126 bpm • C Maj • 04:58 • -23.42db
30% Popularity • 35% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
30% Popularity • 35% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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David Moore
Soliloquy
114 bpm • C# Maj • 01:08 • -26.93db
0% Popularity • 71% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 71% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Giuseppe Verdi
La traviata, Act I: Prelude
113 bpm • B Maj • 03:48 • -32.95db
18% Popularity • 27% Danceability • 3% Energy • 39% Liveness
78% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 3% Energy • 39% Liveness
78% Instrumentalness • 11% Positiveness
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Millie Vernon
That Old Feeling
113 bpm • B min • 02:46 • -9.73db
0% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Isisip
My Lonely Road
127 bpm • F min • 02:35 • -15.03db
20% Popularity • 36% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
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Gustav Holst
Holst: The Planets, Op. 32: IV. Jupiter,...
127 bpm • C min • 04:48 • -12db
36% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
36% Popularity • 29% Danceability • 30% Energy • 15% Liveness
81% Instrumentalness • 27% Positiveness
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David T. Little
Soldier Songs: Part III, Elder: Introduc...
127 bpm • C min • 04:11 • -12.15db
0% Popularity • 75% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
0% Popularity • 75% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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David Moore
Gnossienne: No.1
119 bpm • F min • 02:43 • -28.98db
2% Popularity • 67% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
2% Popularity • 67% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Richard Burton
Part III
113 bpm • C# Maj • 05:26 • -12.09db
0% Popularity • 48% Danceability • 50% Energy • 18% Liveness
2% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 50% Energy • 18% Liveness
2% Instrumentalness • 20% Positiveness
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Edward Elgar
Salute D'Amour
128 bpm • E Maj • 03:08 • -19.51db
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Madison
113 bpm • B min • 03:00 • -26.18db
29% Popularity • 28% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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ピアノ
ショパン - Nocturne
113 bpm • A# Maj • 01:20 • -23.33db
36% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
36% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Sean Finn
Let You Go - DBN Remix
128 bpm • F Maj • 06:05 • -6.54db
0% Popularity • 68% Danceability • 74% Energy • 6% Liveness
89% Instrumentalness • 39% Positiveness
0% Popularity • 68% Danceability • 74% Energy • 6% Liveness
89% Instrumentalness • 39% Positiveness
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David Moore
Escapada
122 bpm • F min • 03:25 • -20.25db
3% Popularity • 36% Danceability • 25% Energy • 68% Liveness
96% Instrumentalness • 29% Positiveness
3% Popularity • 36% Danceability • 25% Energy • 68% Liveness
96% Instrumentalness • 29% Positiveness
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Benita Calrado
Mozart: Piano Concerto No. 21 - Andante
129 bpm • A# Maj • 02:22 • -24db
42% Popularity • 41% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
42% Popularity • 41% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
25% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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I Musici
Concerto In D Major, II. Larghetto
112 bpm • D Maj • 04:20 • -25db
21% Popularity • 27% Danceability • 5% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
21% Popularity • 27% Danceability • 5% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Saint Saens
Carnival of Animals, VII Aquarium
111 bpm • A min • 02:36 • -28.65db
20% Popularity • 22% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Wolfgang Sawallisch
Beethoven: Symphony No. 7 in A Major, Op...
111 bpm • E min • 03:18 • -19.76db
21% Popularity • 19% Danceability • 5% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 5% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
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David Moore
Day Is Done
124 bpm • C Maj • 04:47 • -9.89db
0% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bianca Sitzius
Preludes, Op.28, No.4 in E Minor: Largo
129 bpm • C Maj • 02:15 • -31.79db
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Walter Rinaldi
Canon in D Major for 12 String and Class...
130 bpm • D Maj • 06:53 • -9.17db
13% Popularity • 82% Danceability • 32% Energy • 28% Liveness
82% Instrumentalness • 65% Positiveness
13% Popularity • 82% Danceability • 32% Energy • 28% Liveness
82% Instrumentalness • 65% Positiveness
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Drew Tretick
Nocturne Op. 9, No. 2 (Frederic Chopin)
111 bpm • A# Maj • 04:06 • -15.81db
9% Popularity • 23% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E minor, Op. 27: 3. Ad...
130 bpm • A Maj • 03:51 • -19.4db
12% Popularity • 16% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Sylvia Capova
Prelude No.4 Op.28 E Minor
130 bpm • F Maj • 02:08 • -33db
32% Popularity • 42% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
32% Popularity • 42% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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David Moore
Sweat It Out
127 bpm • C Maj • 03:20 • -9.04db
0% Popularity • 59% Danceability • 80% Energy • 15% Liveness
84% Instrumentalness • 51% Positiveness
0% Popularity • 59% Danceability • 80% Energy • 15% Liveness
84% Instrumentalness • 51% Positiveness
► Preview
Kerrilyn Renshaw
Pathetique
130 bpm • G# Maj • 04:15 • -30.43db
13% Popularity • 31% Danceability • 21% Energy • 89% Liveness
95% Instrumentalness • 57% Positiveness
13% Popularity • 31% Danceability • 21% Energy • 89% Liveness
95% Instrumentalness • 57% Positiveness
► Preview
Adolf Drescher
Nocturne, B-Moll, op. 9, No. 1: Larghett...
130 bpm • C# Maj • 05:25 • -22db
12% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ketevan Badridze
Waltz No.6 in D flat major, Minute Waltz...
130 bpm • C# Maj • 01:51 • -24db
29% Popularity • 32% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 31% Positiveness
29% Popularity • 32% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
Joaquín Rodrigo
En Aranjuez Con Tu Amor - Based On The S...
110 bpm • A min • 05:26 • -15.21db
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101: No. 7, Poco lent...
131 bpm • F# Maj • 03:24 • -20.42db
17% Popularity • 32% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
David Moore
Canon in D
128 bpm • B min • 05:35 • -7.79db
6% Popularity • 62% Danceability • 80% Energy • 12% Liveness
58% Instrumentalness • 66% Positiveness
6% Popularity • 62% Danceability • 80% Energy • 12% Liveness
58% Instrumentalness • 66% Positiveness
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Current
Chamber Concerto in D major, RV 93: II. ...
110 bpm • D Maj • 05:33 • -23.77db
23% Popularity • 41% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
23% Popularity • 41% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Richard Burton
Part VII
110 bpm • C Maj • 08:25 • -15.2db
0% Popularity • 66% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
0% Popularity • 66% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Sylvia Capova
Klaviersolo " Kinderszenen " , Op. 15, N...
131 bpm • F Maj • 03:08 • -33db
25% Popularity • 56% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
25% Popularity • 56% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Brian Crain
Earth - Solo Piano
110 bpm • B Maj • 04:18 • -20.83db
29% Popularity • 45% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 45% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Rik
Bagatelle No. 25 in a Minor, WoO 59 : "F...
131 bpm • D min • 03:15 • -25db
36% Popularity • 35% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
36% Popularity • 35% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
David Moore
Keeping Pumping
128 bpm • C min • 03:27 • -7.06db
0% Popularity • 70% Danceability • 83% Energy • 5% Liveness
89% Instrumentalness • 68% Positiveness
0% Popularity • 70% Danceability • 83% Energy • 5% Liveness
89% Instrumentalness • 68% Positiveness
► Preview
Alexander Chapman Campbell
Light Through The Day
131 bpm • A# min • 02:39 • -33.09db
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Richard Burton
Part I
110 bpm • C Maj • 05:22 • -15db
2% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
St. Mark's Philharmonic Orchestra
Aquarium
132 bpm • A min • 02:30 • -31db
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending: Op...
132 bpm • B min • 06:25 • -25.38db
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Clair de Lune
Moonlight Sonata No. 1
132 bpm • C# min • 06:54 • -23.88db
22% Popularity • 42% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
David Moore
Hooked on Classics
128 bpm • B min • 05:25 • -7.89db
0% Popularity • 55% Danceability • 92% Energy • 6% Liveness
90% Instrumentalness • 87% Positiveness
0% Popularity • 55% Danceability • 92% Energy • 6% Liveness
90% Instrumentalness • 87% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
132 bpm • G min • 05:21 • -25.06db
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Michael Kieran Harvey
The Well-Tempered Clavier: Book 1, BWV 8...
132 bpm • C Maj • 02:18 • -32.11db
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Bracken / Roessingh
Canon in D Major - Pachelbel
132 bpm • D Maj • 05:44 • -18db
12% Popularity • 24% Danceability • 17% Energy • 34% Liveness
97% Instrumentalness • 24% Positiveness
12% Popularity • 24% Danceability • 17% Energy • 34% Liveness
97% Instrumentalness • 24% Positiveness
► Preview
Phamie Gow
War Song
109 bpm • D Maj • 03:17 • -26.05db
25% Popularity • 38% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 38% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
John Philip Sousa
Stars & Stripes - A Ballet in Five Campa...
132 bpm • F Maj • 01:13 • -17.76db
3% Popularity • 47% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 47% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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David Moore
Hidden Depths
128 bpm • G Maj • 03:32 • -6.23db
0% Popularity • 80% Danceability • 83% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
0% Popularity • 80% Danceability • 83% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: Benedi...
109 bpm • C Maj • 05:25 • -16db
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Ennio Morricone
Moses and Marco Polo Suite: Theme from "...
109 bpm • C min • 02:06 • -19.62db
32% Popularity • 18% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Allegri: Miserere (Excerpt)
108 bpm • G min • 05:48 • -23.51db
36% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
36% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Jeremy Siepmann
Instruments Of The Orchestra: Saint-Saen...
133 bpm • A min • 02:20 • -33db
31% Popularity • 21% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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David Moore
Chariots of Fire
130 bpm • C# Maj • 03:25 • -17.21db
0% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Dôme épais le...
135 bpm • B Maj • 04:44 • -23.83db
25% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 6% Energy • 25% Liveness
65% Instrumentalness • 4% Positiveness
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RR
Préludes No.9 : La sérénade interromp...
135 bpm • C# Maj • 06:08 • -33db
15% Popularity • 40% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 40% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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David Carlson
To A Wild Rose
135 bpm • A Maj • 02:32 • -25.09db
4% Popularity • 67% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
4% Popularity • 67% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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South German Philharmonic Orchestra
Traumerei Op.15/7 (Dreaming from Scenes ...
136 bpm • F Maj • 02:05 • -29db
27% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
27% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Philip Glass
Morning Passages
106 bpm • D# Maj • 05:33 • -23db
39% Popularity • 24% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
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David Moore
Consolations, S172, No.3
130 bpm • C# Maj • 03:52 • -31.18db
0% Popularity • 56% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
0% Popularity • 56% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
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Adolf Drescher
Nocturne, Es-Dur, op. 9, Nr. 2: Andante
106 bpm • A# Maj • 04:25 • -24db
7% Popularity • 46% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
7% Popularity • 46% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Ennio Morricone
Moses and Marco Polo Suite: Main Theme f...
106 bpm • G Maj • 03:21 • -14.19db
31% Popularity • 19% Danceability • 16% Energy • 24% Liveness
72% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 16% Energy • 24% Liveness
72% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1
105 bpm • F Maj • 06:42 • -22.11db
36% Popularity • 16% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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David Moore
Lily Was Here
110 bpm • B min • 04:15 • -14.71db
0% Popularity • 68% Danceability • 45% Energy • 5% Liveness
15% Instrumentalness • 98% Positiveness
0% Popularity • 68% Danceability • 45% Energy • 5% Liveness
15% Instrumentalness • 98% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
