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Eleanor Rigby
Songs like
Eleanor Rigby
by
Cody Fry
Based on a tempo of (+/- 10%) and a similar genre
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Mad Tsai
Boy Bi
130 bpm • F Maj • 02:22 • -5.07db
54% Popularity • 71% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Sushisingz
shy little frog
130 bpm • E Maj • 03:08 • -16.41db
54% Popularity • 73% Danceability • 22% Energy • 16% Liveness
3% Instrumentalness • 71% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:35 • -5.61db
50% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Egg
rises the moon
130 bpm • C Maj • 02:55 • -18db
49% Popularity • 61% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
49% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cavetown
This Is Home
130 bpm • G Maj • 03:46 • -12.48db
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 03:06 • -11db
33% Popularity • 63% Danceability • 25% Energy • 19% Liveness
4% Instrumentalness • 37% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Renée Elise Goldsberry
It's Quiet Uptown
130 bpm • F Maj • 04:30 • -14.08db
62% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Cavetown
Talk to Me
130 bpm • E Maj • 04:37 • -9.61db
59% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Sanchez
Because Of You
130 bpm • E Maj • 03:51 • -10.94db
55% Popularity • 40% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cody Fry
Things You Said
130 bpm • G# Maj • 03:54 • -13.77db
52% Popularity • 58% Danceability • 30% Energy • 16% Liveness
7% Instrumentalness • 18% Positiveness
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Vian Izak
Witchcraft
131 bpm • D Maj • 01:49 • -11db
48% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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PEGGY
LOVE
130 bpm • C# Maj • 02:52 • -8.32db
48% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jessie Mueller
Rider's Lullaby
129 bpm • C Maj • 01:04 • -14db
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Cavetown
Hug All Ur Friends
130 bpm • G Maj • 05:35 • -13.09db
55% Popularity • 62% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Kitty Kallen
It's Been a Long, Long Time
132 bpm • C Maj • 03:26 • -16.14db
58% Popularity • 33% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lyn Lapid
Itsy Bitsy
132 bpm • B min • 02:57 • -9.84db
45% Popularity • 66% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Leslie Odom Jr.
Alexander Hamilton
132 bpm • B min • 03:56 • -7.86db
71% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Cory Wong
Golden
132 bpm • F Maj • 03:32 • -5.2db
50% Popularity • 69% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Cody Fry
Eleanor Rigby
129 bpm • E min • 04:40 • -11db
59% Popularity • 32% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan McCartan
Pink and Green
128 bpm • G Maj • 02:53 • -7.04db
21% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Cody Fry
Waltz For Sweatpants
126 bpm • D# Maj • 03:15 • -8.39db
38% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Oh Hellos
Theseus
126 bpm • E Maj • 03:16 • -10db
45% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Crane Wives
Tongues & Teeth
126 bpm • C Maj • 03:41 • -6.71db
61% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Vian Izak
Mostly
134 bpm • C Maj • 01:42 • -13db
50% Popularity • 55% Danceability • 18% Energy • 16% Liveness
17% Instrumentalness • 19% Positiveness
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Ryan Gosling
A Lovely Night
135 bpm • G Maj • 03:56 • -8.65db
65% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Oh Hellos
Exeunt
126 bpm • G# Maj • 02:33 • -11db
50% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Leanna Firestone
Suneater
135 bpm • D Maj • 03:59 • -10.57db
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Adventure Time
Monster
125 bpm • E min • 01:39 • -16.62db
62% Popularity • 76% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Cavetown
Green
135 bpm • D Maj • 04:30 • -11.21db
54% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Noah Floersch
Doctor, Doctor
125 bpm • C Maj • 03:31 • -11.78db
34% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Us The Duo
Last Cup of Coffee
125 bpm • A# Maj • 01:10 • -9.4db
39% Popularity • 68% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Annika Bennett
Boy Who Has Everything
136 bpm • C# Maj • 03:06 • -13db
36% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Steven Universe
Do It For Her
136 bpm • C Maj • 02:18 • -10db
59% Popularity • 48% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Cavetown
Home
125 bpm • C# Maj • 04:29 • -5.22db
65% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Floersch
On Your Mind
125 bpm • G# Maj • 02:39 • -8.38db
51% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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The Oh Hellos
Thus Always To Tyrants
136 bpm • F min • 03:39 • -9db
56% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Eloise
Trick of the Moon
136 bpm • C Maj • 01:59 • -16db
51% Popularity • 59% Danceability • 27% Energy • 81% Liveness
0% Instrumentalness • 65% Positiveness
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Cory Wong
Underground - Live
124 bpm • F Maj • 03:13 • -12.29db
30% Popularity • 36% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Olivia Rodrigo
brutal
124 bpm • E Maj • 02:23 • -6.45db
79% Popularity • 67% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Addison Grace
Sugar Rush
123 bpm • F Maj • 04:06 • -10.05db
45% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
67% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Cody Fry
Our Love
138 bpm • G Maj • 02:59 • -7.24db
28% Popularity • 66% Danceability • 78% Energy • 19% Liveness
10% Instrumentalness • 68% Positiveness
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mxmtoon
almost home
138 bpm • F Maj • 03:28 • -6db
45% Popularity • 55% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Floersch
Use Me Like You Do
138 bpm • F# min • 02:51 • -11.08db
32% Popularity • 31% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Ricky Montgomery
Get Used to It
122 bpm • A Maj • 03:55 • -5.68db
53% Popularity • 71% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Vian Izak
The London Air Raids
122 bpm • A# Maj • 03:33 • -5.6db
44% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Cody Fry
Flying
138 bpm • A Maj • 03:58 • -11db
47% Popularity • 51% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
65% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Jonathan Groff
You'll Be Back
122 bpm • C Maj • 03:28 • -7.56db
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Juniper Vale
Keep Me Warm
139 bpm • C Maj • 03:02 • -10.96db
31% Popularity • 35% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Laufey
Bewitched
139 bpm • C# Maj • 04:06 • -12.15db
69% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cody Fry
Love Somebody
122 bpm • D Maj • 03:03 • -4.92db
29% Popularity • 61% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Rector
Love Like This
140 bpm • D Maj • 03:34 • -11.47db
60% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Cavetown
Sweet Tooth
140 bpm • C Maj • 04:06 • -13.21db
60% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tally Hall
Hidden In the Sand
121 bpm • F# Maj • 01:52 • -12.28db
76% Popularity • 55% Danceability • 29% Energy • 12% Liveness
77% Instrumentalness • 18% Positiveness
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Vian Izak
Things Will Get Better
121 bpm • D Maj • 01:53 • -10.25db
51% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
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Ricky Montgomery
This December
140 bpm • A Maj • 03:01 • -4.87db
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Mother Mother
Arms Tonite
140 bpm • E Maj • 03:36 • -3.84db
71% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Cavetown
Lemon Boy
140 bpm • E Maj • 04:32 • -10.05db
64% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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John Powell
Where No One Goes
140 bpm • C# min • 02:44 • -7.43db
57% Popularity • 50% Danceability • 87% Energy • 35% Liveness
1% Instrumentalness • 37% Positiveness
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The Oh Hellos
Second Child, Restless Child
140 bpm • G Maj • 02:46 • -6db
54% Popularity • 48% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Kaden MacKay
Your Stupid Face
140 bpm • D# Maj • 06:48 • -12.71db
54% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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J. Maya
Achilles Heel
140 bpm • A# min • 03:27 • -5.38db
49% Popularity • 51% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Mother Mother
Burning Pile
140 bpm • F Maj • 04:22 • -3.72db
73% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Eleanor Rigby