Songs like Elijah by Matthew And The Atlas
Based on a tempo of (+/- 10%) and a similar genre
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Matthew And The Atlas
Elijah
102 bpm • D# min • 04:10 • -13db
41% Popularity • 48% Danceability • 34% Energy • 9% Liveness
7% Instrumentalness • 16% Positiveness
41% Popularity • 48% Danceability • 34% Energy • 9% Liveness
7% Instrumentalness • 16% Positiveness
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Beta Radio
Aware for It All
103 bpm • C# Maj • 03:08 • -16.43db
45% Popularity • 34% Danceability • 21% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
45% Popularity • 34% Danceability • 21% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
60% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
60% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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The Paper Kites
Halcyon
101 bpm • D Maj • 03:59 • -13.64db
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Darlingside
Old Friend
101 bpm • D# Maj • 02:28 • -13db
49% Popularity • 41% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 37% Positiveness
49% Popularity • 41% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 37% Positiveness
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Johnny Flynn
Einstein's Idea
101 bpm • E Maj • 05:49 • -11db
27% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Tallest Man On Earth
Rivers
101 bpm • F Maj • 03:56 • -12db
49% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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James Vincent McMorrow
Follow You Down To The Red Oak Tree
103 bpm • E min • 03:27 • -13.45db
16% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fionn Regan
Cormorant Bird
100 bpm • F# min • 03:27 • -18.42db
30% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
30% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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The Paper Kites
On the Train Ride Home
103 bpm • F# Maj • 03:47 • -18.63db
42% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Luis Trindade
Old Town
100 bpm • A# Maj • 03:07 • -15.74db
40% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Matthew And The Atlas
Sleepless River
100 bpm • D Maj • 02:58 • -17.03db
15% Popularity • 57% Danceability • 23% Energy • 17% Liveness
4% Instrumentalness • 7% Positiveness
15% Popularity • 57% Danceability • 23% Energy • 17% Liveness
4% Instrumentalness • 7% Positiveness
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Harrison Storm
Feeling You
104 bpm • C# min • 03:21 • -9.37db
64% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
64% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
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isaac gracie
you only live once
104 bpm • G Maj • 03:38 • -13.06db
43% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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The Paper Kites
St Clarity
104 bpm • G Maj • 03:47 • -12.54db
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
73% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
73% Instrumentalness • 34% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Richard Walters
July Bones
100 bpm • D Maj • 03:59 • -11.49db
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
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Matthew And The Atlas
Into Gold
100 bpm • C# Maj • 03:50 • -11.49db
24% Popularity • 50% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
24% Popularity • 50% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
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Beta Radio
Realistic City Living
100 bpm • C Maj • 02:58 • -15.32db
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Keaton Henson
Lying to You
104 bpm • F Maj • 05:18 • -14.37db
32% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 39% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Rosenthal
Run for Those Hills, Babe
104 bpm • B Maj • 02:28 • -10.37db
40% Popularity • 40% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
40% Popularity • 40% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Sean Christopher
Carry On
100 bpm • A# Maj • 03:55 • -11.46db
25% Popularity • 37% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
25% Popularity • 37% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Matthew And The Atlas
Can't You See
104 bpm • A Maj • 04:23 • -13.96db
19% Popularity • 28% Danceability • 30% Energy • 9% Liveness
25% Instrumentalness • 12% Positiveness
19% Popularity • 28% Danceability • 30% Energy • 9% Liveness
25% Instrumentalness • 12% Positiveness
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Scott Orr
Always Everything
104 bpm • D Maj • 03:25 • -23.02db
19% Popularity • 38% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 18% Positiveness
19% Popularity • 38% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 18% Positiveness
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Ian Randall Thornton
Do You Rise
100 bpm • D Maj • 03:51 • -19.5db
33% Popularity • 36% Danceability • 22% Energy • 9% Liveness
73% Instrumentalness • 5% Positiveness
33% Popularity • 36% Danceability • 22% Energy • 9% Liveness
73% Instrumentalness • 5% Positiveness
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Nick Mulvey
We Are Never Apart
104 bpm • F# Maj • 04:34 • -8db
51% Popularity • 71% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
51% Popularity • 71% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Tom Rosenthal
Going to be Wonderful
104 bpm • G Maj • 02:57 • -14.07db
44% Popularity • 53% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Isbells
Looking for the Beauty in the World
99 bpm • G# Maj • 03:38 • -16.79db
16% Popularity • 43% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 43% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew And The Atlas
Modern World - Acoustic Version
105 bpm • B min • 04:00 • -13.64db
19% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Firewoodisland
Dome
105 bpm • F Maj • 04:00 • -9.75db
30% Popularity • 29% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
30% Popularity • 29% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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The National
About Today - 2021 Remaster
105 bpm • A min • 04:10 • -13.7db
58% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
58% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
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Fionn Regan
The Meetings of the Waters
105 bpm • B Maj • 05:00 • -16db
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Bear's Den
Sahara Pt. II
106 bpm • B min • 04:12 • -9db
10% Popularity • 29% Danceability • 68% Energy • 12% Liveness
42% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 68% Energy • 12% Liveness
42% Instrumentalness • 15% Positiveness
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The Milk Carton Kids
Younger Years
106 bpm • F Maj • 03:49 • -13db
43% Popularity • 61% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
43% Popularity • 61% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Matthew And The Atlas
Gutter Heart
105 bpm • C# min • 03:59 • -8.54db
13% Popularity • 57% Danceability • 64% Energy • 10% Liveness
22% Instrumentalness • 24% Positiveness
13% Popularity • 57% Danceability • 64% Energy • 10% Liveness
22% Instrumentalness • 24% Positiveness
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Blanco White
El Búho
106 bpm • D# min • 03:51 • -12.32db
54% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The National
Nobody Else Will Be There
99 bpm • A Maj • 04:40 • -10.88db
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
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Rosie Carney
Winter
106 bpm • E Maj • 03:54 • -16.07db
30% Popularity • 55% Danceability • 23% Energy • 12% Liveness
37% Instrumentalness • 10% Positiveness
30% Popularity • 55% Danceability • 23% Energy • 12% Liveness
37% Instrumentalness • 10% Positiveness
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Foreign Fields
Little Lover
106 bpm • D min • 05:24 • -7.96db
24% Popularity • 59% Danceability • 32% Energy • 7% Liveness
57% Instrumentalness • 28% Positiveness
24% Popularity • 59% Danceability • 32% Energy • 7% Liveness
57% Instrumentalness • 28% Positiveness
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Peter Bradley Adams
Who Else Could I Be
98 bpm • A# min • 04:35 • -14db
41% Popularity • 65% Danceability • 44% Energy • 10% Liveness
32% Instrumentalness • 56% Positiveness
41% Popularity • 65% Danceability • 44% Energy • 10% Liveness
32% Instrumentalness • 56% Positiveness
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Foy Vance
Be the Song
106 bpm • G Maj • 06:31 • -17.24db
35% Popularity • 50% Danceability • 31% Energy • 14% Liveness
78% Instrumentalness • 13% Positiveness
35% Popularity • 50% Danceability • 31% Energy • 14% Liveness
78% Instrumentalness • 13% Positiveness
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Hollow Coves
The Woods
106 bpm • A Maj • 04:02 • -11.83db
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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isaac gracie
love (ainÂ’t always so good)
106 bpm • B Maj • 03:44 • -17.81db
37% Popularity • 54% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 54% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Blanco White
Samara
106 bpm • C min • 04:12 • -10.02db
54% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
54% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
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Keaton Henson
Small Hands
98 bpm • F min • 03:00 • -8db
46% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Mulvey
Fever To The Form
106 bpm • C min • 04:12 • -8.93db
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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Ciaran Lavery
Sonoma
98 bpm • F# Maj • 01:50 • -16.28db
37% Popularity • 47% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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MaJLo
Escape
107 bpm • B Maj • 03:47 • -13.91db
28% Popularity • 42% Danceability • 32% Energy • 7% Liveness
20% Instrumentalness • 21% Positiveness
28% Popularity • 42% Danceability • 32% Energy • 7% Liveness
20% Instrumentalness • 21% Positiveness
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Rosie Carney
Bare
107 bpm • B Maj • 03:54 • -15db
36% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
36% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
50% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
50% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
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Aquilo
Thin
97 bpm • C Maj • 02:58 • -9.73db
48% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
48% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Stu Larsen
Far from Me
97 bpm • C# Maj • 03:38 • -18.34db
33% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Keaton Henson
Alright
97 bpm • F Maj • 04:39 • -13.59db
38% Popularity • 35% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 35% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Darlingside
Whippoorwill
96 bpm • B Maj • 04:38 • -9.09db
30% Popularity • 64% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
30% Popularity • 64% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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Sean Christopher
A Thousand Hues - Single Version
96 bpm • B Maj • 04:06 • -16.69db
27% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew And The Atlas
Modern World
108 bpm • D Maj • 04:10 • -8.88db
13% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Fink
Yesterday Was Hard On All Of Us
96 bpm • A min • 05:36 • -18db
39% Popularity • 46% Danceability • 41% Energy • 70% Liveness
35% Instrumentalness • 20% Positiveness
39% Popularity • 46% Danceability • 41% Energy • 70% Liveness
35% Instrumentalness • 20% Positiveness
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Stu Larsen
Till the Sun Comes Back
108 bpm • G Maj • 06:19 • -13.66db
36% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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James Vincent McMorrow
If I Had A Boat
108 bpm • G Maj • 04:08 • -10db
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Keaton Henson
Old Lovers in Dressing Rooms
109 bpm • C# Maj • 05:05 • -14.72db
33% Popularity • 43% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 43% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Tall Heights
White Frost (Acoustic)
96 bpm • F min • 03:25 • -12db
27% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Donovan Woods
Put On, Cologne
96 bpm • C# Maj • 02:47 • -11db
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:22 • -16db
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
56% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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A Blaze of Feather
Valkyrie
109 bpm • D min • 05:00 • -9.38db
24% Popularity • 51% Danceability • 38% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
24% Popularity • 51% Danceability • 38% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
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Keaton Henson
10am Gare du Nord
109 bpm • C Maj • 03:58 • -12db
36% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Milk Carton Kids
Secrets Of The Stars
95 bpm • B min • 02:44 • -15db
36% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Shoecraft
Cheeks
95 bpm • D Maj • 04:29 • -14.78db
24% Popularity • 54% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
24% Popularity • 54% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
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Jade Bird
Cathedral
95 bpm • G# Maj • 02:50 • -6db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matthew And The Atlas
Palace
95 bpm • E Maj • 03:08 • -16.78db
40% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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SYML
Girl - Acoustic
110 bpm • C# Maj • 03:31 • -12db
58% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
58% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Keaton Henson
You Don't Know How Lucky You Are
96 bpm • D Maj • 03:48 • -8.56db
44% Popularity • 39% Danceability • 31% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
44% Popularity • 39% Danceability • 31% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Steve Benjamins
Purification Ritual
110 bpm • D Maj • 03:00 • -6db
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Callow
110 bpm • C# Maj • 03:16 • -11.91db
49% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
49% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Matthew And The Atlas
Gutter Heart - Acoustic Version
110 bpm • C# min • 03:39 • -15db
26% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Graeme James
Young Blood
110 bpm • C Maj • 03:40 • -6.83db
27% Popularity • 69% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 58% Positiveness
27% Popularity • 69% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 58% Positiveness
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Sons Of The East
Into The Sun - EP Version
110 bpm • B Maj • 05:00 • -10.27db
59% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Allman Brown
Shapes in the Sun
110 bpm • B min • 04:55 • -8.74db
27% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Canyon City
Olivia - Bonus Track
95 bpm • D Maj • 04:45 • -12.11db
33% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ciaran Lavery
Lovers Who Make Love
110 bpm • A# min • 03:38 • -12db
32% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew And The Atlas
When The Light Hits The Water
95 bpm • C Maj • 04:44 • -15.41db
12% Popularity • 45% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
12% Popularity • 45% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Austin Basham
Find a Way
110 bpm • B Maj • 04:55 • -10db
26% Popularity • 54% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 54% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Findlay Brown
Mountain Falls for the Sea
94 bpm • D# Maj • 03:07 • -17.7db
34% Popularity • 46% Danceability • 11% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
34% Popularity • 46% Danceability • 11% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
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Tow'rs
Girl in Calico
94 bpm • C Maj • 04:43 • -14db
44% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
44% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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Tom Rosenthal
Got Gold
110 bpm • B Maj • 02:59 • -16db
22% Popularity • 47% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
22% Popularity • 47% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Gregory Alan Isakov
Dandelion Wine
111 bpm • C Maj • 03:04 • -16.35db
60% Popularity • 41% Danceability • 10% Energy • 8% Liveness
38% Instrumentalness • 19% Positiveness
60% Popularity • 41% Danceability • 10% Energy • 8% Liveness
38% Instrumentalness • 19% Positiveness
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Matthew And The Atlas
A Long Year
110 bpm • D Maj • 03:33 • -16.87db
15% Popularity • 62% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
15% Popularity • 62% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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George Ogilvie
IIWII
94 bpm • C# Maj • 04:48 • -15.84db
28% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
28% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
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Down Like Silver
Light That Match
111 bpm • G# min • 03:02 • -15db
43% Popularity • 71% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
43% Popularity • 71% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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The Lumineers
My Eyes
94 bpm • E Maj • 03:36 • -8.34db
51% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
49% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Matthew And The Atlas
Counting Paths
110 bpm • G Maj • 04:06 • -11.5db
33% Popularity • 53% Danceability • 51% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
33% Popularity • 53% Danceability • 51% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Tall Heights
Back to Autumn
111 bpm • G# Maj • 03:19 • -8db
50% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
