Songs like Eliza Aria - Piano Accompaniment by Elena Kats-Chernin
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Gabriel Fauré
Pavane, Op. 50 (arr. H. Busser for cello...
149 bpm • F# min • 05:42 • -22db
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Elena Kats-Chernin
Scherzino
149 bpm • C min • 05:48 • -19.76db
2% Popularity • 45% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
2% Popularity • 45% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Vaja Azarashvili
Nostalgie (Version for Cello & Piano)
145 bpm • F min • 02:49 • -30.02db
36% Popularity • 23% Danceability • 2% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
36% Popularity • 23% Danceability • 2% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
► Preview
Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
43% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
43% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
► Preview
Edwards Stephen
Bach Prelude in C
142 bpm • C Maj • 02:03 • -24.63db
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
► Preview
Elena Kats-Chernin
The Rain Puzzle
162 bpm • A min • 01:14 • -32.02db
17% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
17% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Edvard Grieg
Arietta
142 bpm • D# Maj • 01:38 • -26.7db
50% Popularity • 40% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 40% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Four Seasons Variation (Arr. for Piano f...
164 bpm • C# Maj • 02:01 • -27db
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
141 bpm • G# Maj • 02:51 • -27.78db
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
► Preview
Elena Kats-Chernin
Wild Swans Suite - Version For Violin An...
164 bpm • F Maj • 03:08 • -23db
24% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
► Preview
Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Alma Deutscher
The Lonely Pine-Tree
165 bpm • A min • 03:22 • -30.72db
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Maryna Aksenov
Conversation with Myself
138 bpm • C min • 02:18 • -26.14db
34% Popularity • 30% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 30% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Dustin O'Halloran
Opus 18 - Silfur Version
138 bpm • D min • 03:31 • -29db
45% Popularity • 31% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
45% Popularity • 31% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Benjamin Britten
Concord
167 bpm • A# Maj • 02:26 • -25.1db
31% Popularity • 9% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Elena Kats-Chernin
Green Leaf Prelude
166 bpm • C min • 02:22 • -23.01db
2% Popularity • 16% Danceability • 8% Energy • 13% Liveness
66% Instrumentalness • 16% Positiveness
2% Popularity • 16% Danceability • 8% Energy • 13% Liveness
66% Instrumentalness • 16% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
168 bpm • C# min • 05:23 • -44.07db
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Rebecca Dale
Materna Requiem: 6. Paradisum Interlude
137 bpm • C# Maj • 02:37 • -29.72db
33% Popularity • 15% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
The Heart Asks Pleasure First
169 bpm • A min • 03:07 • -21.4db
38% Popularity • 22% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
38% Popularity • 22% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
► Preview
Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Elena Kats-Chernin
Wild Swans Suite, No. 2. Eliza's Aria
166 bpm • F Maj • 02:57 • -16.43db
4% Popularity • 26% Danceability • 17% Energy • 14% Liveness
13% Instrumentalness • 34% Positiveness
4% Popularity • 26% Danceability • 17% Energy • 14% Liveness
13% Instrumentalness • 34% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Anatoly Lyadov
3 Morceaux, Op. 11: No. 1, Prelude in B ...
170 bpm • E min • 03:42 • -28db
17% Popularity • 28% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
17% Popularity • 28% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
170 bpm • A# Maj • 03:10 • -30.44db
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Frédéric Chopin
Nocturnes, Op. 27: II. Lento sotenuto
136 bpm • C# Maj • 05:53 • -27.98db
39% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Jess Gillam
On the Nature of Daylight (Arr. Mackay)
135 bpm • A# min • 06:21 • -22db
40% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Tamara Anna Cislowska
Fantasia (for Nausicaä) [from "Nausica�...
171 bpm • C min • 07:27 • -24.71db
28% Popularity • 30% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Sergei Lyapunov
Lyapunov: 6 Morceaux faciles, Op. 59: No...
171 bpm • E min • 02:03 • -26db
28% Popularity • 27% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
28% Popularity • 27% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Philip Glass
The Hours - The Hours - Arr. for cello a...
172 bpm • G min • 03:44 • -28.86db
37% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
37% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Elena Kats-Chernin
Blue Silence
171 bpm • G min • 08:32 • -17.67db
1% Popularity • 14% Danceability • 7% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 7% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Joep Beving
Zoetrope
134 bpm • D min • 03:53 • -28db
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Clara Schumann
Three Romances, Op. 11: No. 1 in E-Flat ...
134 bpm • D# min • 03:03 • -24db
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Damjan Krajacic
Le Musicien
134 bpm • A min • 03:31 • -17.18db
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu (Arr....
172 bpm • F Maj • 02:37 • -16.13db
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Franz Schubert
Meeres Stille, Op. 3 No. 2, D. 216 (Arr....
173 bpm • C Maj • 02:01 • -39.07db
29% Popularity • 8% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 8% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
134 bpm • F Maj • 02:28 • -32.82db
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Chad Lawson
Herr Jesu Christ, Meins Lebens Licht, Ch...
134 bpm • B min • 02:54 • -34db
31% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
31% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
► Preview
Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Karl Jenkins
Hymn
133 bpm • F Maj • 02:32 • -29.95db
50% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Antonio Vivaldi
Winter Meditation (after The Four Season...
174 bpm • D# Maj • 02:51 • -13.28db
37% Popularity • 8% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 13% Positiveness
37% Popularity • 8% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 13% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Tomaso Albinoni
Adagio in G Minor (Arr. for Harp and Orc...
175 bpm • C min • 05:00 • -16.16db
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gertrude van den Bergh
Lied für Piano-Forte
132 bpm • E Maj • 04:42 • -33.04db
12% Popularity • 24% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Konstantia Gourzi
wind whispers, Op. 85: II. floating leaf
175 bpm • F min • 02:17 • -38db
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Elena Kats-Chernin
Conversation
175 bpm • F Maj • 02:33 • -29.19db
4% Popularity • 29% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
4% Popularity • 29% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
36% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Thomas Adès
Colette
131 bpm • C# Maj • 04:09 • -25.18db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
► Preview
Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
► Preview
Elena Kats-Chernin
Sunday Rag
131 bpm • A# min • 04:53 • -22.9db
1% Popularity • 44% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
1% Popularity • 44% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
![24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] cover art](https://i.scdn.co/image/ab67616d00001e020a0d3964e8fe7a6802addb9b)
Frédéric Chopin
24 Préludes, Op. 28: No. 4 in E Minor (...
176 bpm • G Maj • 02:17 • -21.09db
34% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
22% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Arvo Pärt
Pärt: Für Alina
130 bpm • G Maj • 03:08 • -35.14db
11% Popularity • 48% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
11% Popularity • 48% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Philip Glass
Glassworks: Opening
213 bpm • D# Maj • 07:44 • -39.51db
49% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
49% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
