Songs like E=MC2 by Big Audio Dynamite
Based on a tempo of (+/- 10%) and a similar genre
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Big Audio Dynamite
E=MC2 - 12 Inch Remix
130 bpm • D min • 06:27 • -8.19db
18% Popularity • 73% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 73% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Dolby
One of Our Submarines
130 bpm • C# min • 05:07 • -13.58db
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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XTC
Senses Working Overtime - Remastered 200...
130 bpm • C Maj • 04:50 • -11.89db
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
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Orchestral Manoeuvres In The Dark
Messages - Single Version / Remastered 2...
130 bpm • C# Maj • 04:46 • -6.38db
45% Popularity • 55% Danceability • 87% Energy • 7% Liveness
15% Instrumentalness • 80% Positiveness
45% Popularity • 55% Danceability • 87% Energy • 7% Liveness
15% Instrumentalness • 80% Positiveness
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Prefab Sprout
The King of Rock 'N' Roll
130 bpm • F min • 04:22 • -9.07db
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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World Party
Put the Message In the Box
130 bpm • G Maj • 04:16 • -6.52db
44% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
44% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
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Big Audio Dynamite
E=MC2
130 bpm • D min • 05:54 • -9.72db
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Stranglers
Duchess
130 bpm • A Maj • 02:30 • -7.97db
40% Popularity • 47% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 58% Positiveness
40% Popularity • 47% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 58% Positiveness
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The Clash
Rock the Casbah - Remastered
130 bpm • A min • 03:42 • -6.73db
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
72% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Sinéad O'Connor
Mandinka
130 bpm • A Maj • 03:47 • -8.43db
58% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Squeeze
Slap & Tickle
130 bpm • B min • 04:01 • -9.34db
29% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Big Audio Dynamite
Harrow Road - Ska Mix
130 bpm • G Maj • 03:39 • -8.37db
15% Popularity • 90% Danceability • 87% Energy • 27% Liveness
1% Instrumentalness • 100% Positiveness
15% Popularity • 90% Danceability • 87% Energy • 27% Liveness
1% Instrumentalness • 100% Positiveness
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Deacon Blue
Real Gone Kid
130 bpm • C Maj • 04:03 • -11db
39% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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New Order
The Perfect Kiss - 2015 Remaster
130 bpm • C Maj • 04:49 • -6db
48% Popularity • 63% Danceability • 86% Energy • 13% Liveness
25% Instrumentalness • 80% Positiveness
48% Popularity • 63% Danceability • 86% Energy • 13% Liveness
25% Instrumentalness • 80% Positiveness
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Joe Jackson
Look Sharp!
130 bpm • D Maj • 03:22 • -7db
40% Popularity • 70% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 70% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Altered Images
I Could Be Happy
130 bpm • A Maj • 05:39 • -12db
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
72% Instrumentalness • 60% Positiveness
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
72% Instrumentalness • 60% Positiveness
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Romeo Void
A Girl in Trouble (Is a Temporary Thing)
131 bpm • C min • 04:17 • -12db
38% Popularity • 68% Danceability • 72% Energy • 16% Liveness
39% Instrumentalness • 88% Positiveness
38% Popularity • 68% Danceability • 72% Energy • 16% Liveness
39% Instrumentalness • 88% Positiveness
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Big Audio Dynamite
Stone Thames
130 bpm • A Maj • 04:06 • -10.01db
16% Popularity • 78% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 78% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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The Tourists
I Only Want to Be with You
130 bpm • F Maj • 02:24 • -13.47db
40% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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New Order
Regret - 2015 Remaster
130 bpm • F Maj • 04:08 • -5.64db
57% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
57% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Lloyd Cole and the Commotions
Perfect Skin
131 bpm • G Maj • 03:16 • -10db
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Japan
Quiet Life
131 bpm • E min • 04:49 • -12.45db
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Big Audio Dynamite
Everybody Needs a Holiday
131 bpm • C Maj • 05:33 • -18.33db
11% Popularity • 77% Danceability • 28% Energy • 15% Liveness
73% Instrumentalness • 60% Positiveness
11% Popularity • 77% Danceability • 28% Energy • 15% Liveness
73% Instrumentalness • 60% Positiveness
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The Style Council
Speak Like A Child
131 bpm • A Maj • 03:17 • -11.76db
42% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
48% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Pop Will Eat Itself
Can U Dig It?
129 bpm • A min • 03:15 • -12db
26% Popularity • 66% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 66% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Lloyd Cole and the Commotions
My Bag
129 bpm • D Maj • 03:55 • -13db
35% Popularity • 74% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 74% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Altered Images
I Could Be Happy
131 bpm • C Maj • 03:30 • -6.33db
34% Popularity • 66% Danceability • 77% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
34% Popularity • 66% Danceability • 77% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
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The Stranglers
Walk on By
131 bpm • A min • 06:22 • -8db
40% Popularity • 40% Danceability • 78% Energy • 28% Liveness
14% Instrumentalness • 72% Positiveness
40% Popularity • 40% Danceability • 78% Energy • 28% Liveness
14% Instrumentalness • 72% Positiveness
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Duran Duran
Planet Earth - 2010 Remaster
131 bpm • C Maj • 04:03 • -5.21db
53% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Big Audio Dynamite
Can't Wait / Live
131 bpm • C Maj • 04:37 • -11.99db
22% Popularity • 66% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 66% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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The Go-Go's
Our Lips Are Sealed - Single Version
131 bpm • G# Maj • 02:47 • -7.1db
62% Popularity • 61% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
62% Popularity • 61% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Thomas Dolby
She Blinded Me With Science
129 bpm • A Maj • 03:41 • -11.54db
54% Popularity • 80% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 98% Positiveness
54% Popularity • 80% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 98% Positiveness
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The B-52's
Channel Z
131 bpm • C# Maj • 04:50 • -7.45db
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
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The Lemonheads
It's a Shame About Ray - Remastered
131 bpm • A Maj • 03:07 • -9db
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Psychedelic Furs
Here Come Cowboys
128 bpm • E min • 03:57 • -15db
30% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Echo & the Bunnymen
The Game
129 bpm • C Maj • 03:51 • -4db
33% Popularity • 56% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 56% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Lowe
Cruel to Be Kind
132 bpm • C Maj • 03:30 • -11db
57% Popularity • 69% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 69% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Go-Betweens
Streets Of Your Town
132 bpm • D# Maj • 03:36 • -9.97db
46% Popularity • 61% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 61% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Fine Young Cannibals
Ever Fallen in Love
128 bpm • A Maj • 03:53 • -11db
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Gary Numan
Cars
128 bpm • D Maj • 03:58 • -8.75db
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Big Country
Look Away
128 bpm • C# min • 04:24 • -10.32db
45% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
45% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
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Inspiral Carpets
Saturn 5
128 bpm • C Maj • 03:59 • -10.03db
44% Popularity • 58% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 58% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Psychedelic Furs
Pretty in Pink
132 bpm • D Maj • 04:12 • -6.72db
26% Popularity • 47% Danceability • 82% Energy • 31% Liveness
1% Instrumentalness • 70% Positiveness
26% Popularity • 47% Danceability • 82% Energy • 31% Liveness
1% Instrumentalness • 70% Positiveness
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The Call
The Walls Came Down
132 bpm • A# Maj • 03:38 • -6.51db
26% Popularity • 61% Danceability • 89% Energy • 65% Liveness
51% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 89% Energy • 65% Liveness
51% Instrumentalness • 72% Positiveness
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World Party
Is It Like Today?
132 bpm • G Maj • 05:11 • -7.48db
49% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Stranglers
Hanging Around - 1996 Remaster
132 bpm • C Maj • 04:25 • -6.76db
44% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Flesh For Lulu
I Go Crazy
127 bpm • G Maj • 03:51 • -6.67db
42% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Thomas Dolby
Windpower
127 bpm • F# min • 04:19 • -13.61db
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Re-Flex
The Politics of Dancing
127 bpm • B Maj • 03:57 • -8db
44% Popularity • 68% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 68% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Pete Shelley
Homosapien
133 bpm • D Maj • 04:34 • -8.08db
40% Popularity • 61% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 61% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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The Waterboys
A Girl Called Johnny - 2002 Remaster
133 bpm • A min • 03:57 • -4db
44% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Heaven 17
Temptation - 12" Version / Remastered 20...
127 bpm • D# min • 04:43 • -6db
48% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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The B-52's
Deadbeat Club
127 bpm • C# Maj • 04:56 • -6.07db
39% Popularity • 71% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 71% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Happy Mondays
Twenty Four Hour Party People
127 bpm • D Maj • 04:40 • -15db
41% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Aztec Camera
The Crying Scene
133 bpm • C Maj • 03:34 • -9.77db
27% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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The Human League
Open Your Heart - 2002 Mix
133 bpm • C Maj • 03:56 • -6db
42% Popularity • 55% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Bryan Ferry
The 'In' Crowd
127 bpm • C Maj • 04:36 • -4.9db
33% Popularity • 40% Danceability • 86% Energy • 34% Liveness
7% Instrumentalness • 61% Positiveness
33% Popularity • 40% Danceability • 86% Energy • 34% Liveness
7% Instrumentalness • 61% Positiveness
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Heaven 17
Temptation - Remastered 2006
127 bpm • A# min • 03:34 • -5.16db
42% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Elvis Costello
Watching The Detectives - Single Version
133 bpm • A min • 03:46 • -12.15db
53% Popularity • 79% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 79% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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Elvis Costello & The Attractions
This Year's Girl - 2021 Remaster
133 bpm • A Maj • 03:20 • -6.04db
38% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Human League
Seconds - Remaster 2002
127 bpm • D Maj • 04:58 • -9db
40% Popularity • 57% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 57% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Big Audio Dynamite
Contact
126 bpm • A# min • 04:43 • -14.48db
22% Popularity • 74% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 74% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Talking Heads
And She Was - 2005 Remaster
126 bpm • A Maj • 03:39 • -5.47db
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
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Split Enz
I Got You
126 bpm • D Maj • 03:29 • -9.29db
53% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Human League
Mirror Man
134 bpm • C Maj • 03:50 • -11.15db
50% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Big Audio Dynamite
The Big V
134 bpm • A Maj • 04:48 • -17.81db
12% Popularity • 81% Danceability • 34% Energy • 31% Liveness
87% Instrumentalness • 89% Positiveness
12% Popularity • 81% Danceability • 34% Energy • 31% Liveness
87% Instrumentalness • 89% Positiveness
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Julian Cope
World Shut Your Mouth
126 bpm • A min • 03:35 • -6.79db
44% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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ABC
When Smokey Sings
126 bpm • F Maj • 04:19 • -8.75db
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
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Prefab Sprout
When Love Breaks Down - 2007 Remastered ...
134 bpm • C# Maj • 04:05 • -8.09db
49% Popularity • 45% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 45% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 34% Positiveness
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The Stranglers
Strange Little Girl
126 bpm • C Maj • 02:41 • -13.58db
46% Popularity • 63% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 24% Positiveness
46% Popularity • 63% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 24% Positiveness
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The Human League
The Things That Dreams Are Made Of - Rem...
126 bpm • B min • 04:17 • -6db
44% Popularity • 86% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 86% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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The Psychedelic Furs
Love My Way
126 bpm • C Maj • 03:33 • -5.05db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Bananarama
Really Sayin' Something
134 bpm • F min • 02:42 • -6db
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Big Audio Dynamite
V. Thirteen
134 bpm • B min • 04:38 • -17.18db
27% Popularity • 78% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 78% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Squeeze
Hourglass
126 bpm • F Maj • 03:17 • -11.75db
41% Popularity • 73% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 73% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Big Country
In A Big Country - Radio Edit
126 bpm • E Maj • 03:50 • -5.37db
41% Popularity • 57% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 57% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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ABC
Poison Arrow
126 bpm • B min • 03:24 • -6db
54% Popularity • 74% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
54% Popularity • 74% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Lloyd Cole and the Commotions
Jennifer She Said
134 bpm • A Maj • 03:01 • -9.65db
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Echo & the Bunnymen
Seven Seas
134 bpm • C Maj • 03:19 • -5db
45% Popularity • 56% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 56% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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New Order
Temptation - 7" Version; 2015 Remaster
126 bpm • C Maj • 05:24 • -9db
42% Popularity • 78% Danceability • 74% Energy • 18% Liveness
7% Instrumentalness • 65% Positiveness
42% Popularity • 78% Danceability • 74% Energy • 18% Liveness
7% Instrumentalness • 65% Positiveness
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Fun Boy Three
Our Lips Are Sealed
126 bpm • C Maj • 02:51 • -11db
51% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Gary Numan
We Are Glass
135 bpm • C Maj • 04:47 • -8.47db
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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The Beat
Too Nice to Talk to - 2012 Remaster
135 bpm • B min • 03:07 • -9.42db
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
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The B-52's
Roam - Edit
135 bpm • A Maj • 04:06 • -9.38db
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Tears For Fears
Change
125 bpm • A min • 04:14 • -5.98db
55% Popularity • 61% Danceability • 80% Energy • 24% Liveness
30% Instrumentalness • 84% Positiveness
55% Popularity • 61% Danceability • 80% Energy • 24% Liveness
30% Instrumentalness • 84% Positiveness
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Big Audio Dynamite
Dragon Town
125 bpm • G Maj • 04:46 • -15.22db
12% Popularity • 63% Danceability • 76% Energy • 24% Liveness
5% Instrumentalness • 93% Positiveness
12% Popularity • 63% Danceability • 76% Energy • 24% Liveness
5% Instrumentalness • 93% Positiveness
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Lloyd Cole and the Commotions
Brand New Friend
125 bpm • D Maj • 04:52 • -13db
38% Popularity • 76% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
38% Popularity • 76% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Thompson Twins
We Are Detective
125 bpm • F Maj • 03:03 • -10.41db
32% Popularity • 80% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 80% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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The House of Love
I Don't Know Why I Love You
135 bpm • B Maj • 03:29 • -10.72db
38% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
