Songs like Şems-i Tebrizi by Can Atilla
Based on a tempo of (+/- 10%) and a similar genre
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Mehrdad Mehdi
Tehran Waltz, #1
100 bpm • B min • 08:42 • -7.62db
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
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Hasan Cihat Örter
Jamais (Sultaniyegah Sirto)
100 bpm • A min • 07:42 • -16.51db
17% Popularity • 63% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
17% Popularity • 63% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Can Atilla
Yeni Hayat
100 bpm • A min • 04:57 • -7.36db
16% Popularity • 55% Danceability • 69% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
16% Popularity • 55% Danceability • 69% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
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Imamyar Hasanov
Fikret Amirov Aria From Sevil Opera
100 bpm • A min • 04:12 • -10.05db
8% Popularity • 31% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
8% Popularity • 31% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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MIDWAVES
Senden Vazgeçmeyeceğim
100 bpm • G min • 02:30 • -9db
30% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Tuluyhan Uğurlu
Akıncılar
99 bpm • F min • 09:23 • -15db
12% Popularity • 29% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 20% Positiveness
12% Popularity • 29% Danceability • 30% Energy • 20% Liveness
90% Instrumentalness • 20% Positiveness
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Farid Farjad
Aylirigh
101 bpm • A min • 04:34 • -18.77db
38% Popularity • 28% Danceability • 14% Energy • 8% Liveness
52% Instrumentalness • 17% Positiveness
38% Popularity • 28% Danceability • 14% Energy • 8% Liveness
52% Instrumentalness • 17% Positiveness
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Vassilis Saleas
The Seaside Of Your Dreams
102 bpm • F min • 05:23 • -15.96db
29% Popularity • 34% Danceability • 22% Energy • 40% Liveness
91% Instrumentalness • 7% Positiveness
29% Popularity • 34% Danceability • 22% Energy • 40% Liveness
91% Instrumentalness • 7% Positiveness
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Anonymous
Sofya'Da Dans
102 bpm • C min • 04:13 • -10.02db
27% Popularity • 25% Danceability • 28% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 28% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
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Evanthia Reboutsika
My Family
98 bpm • D min • 03:13 • -9.69db
32% Popularity • 21% Danceability • 33% Energy • 15% Liveness
89% Instrumentalness • 18% Positiveness
32% Popularity • 21% Danceability • 33% Energy • 15% Liveness
89% Instrumentalness • 18% Positiveness
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Nicos
Muwashah
98 bpm • G Maj • 06:12 • -16db
20% Popularity • 51% Danceability • 30% Energy • 6% Liveness
91% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 30% Energy • 6% Liveness
91% Instrumentalness • 30% Positiveness
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Omar Faruk Tekbilek
Common Spirit
98 bpm • A min • 04:37 • -10.25db
20% Popularity • 38% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
20% Popularity • 38% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Farid Farjad
Agrabe Zolfe Kaje
99 bpm • A min • 04:52 • -11db
28% Popularity • 27% Danceability • 31% Energy • 39% Liveness
86% Instrumentalness • 6% Positiveness
28% Popularity • 27% Danceability • 31% Energy • 39% Liveness
86% Instrumentalness • 6% Positiveness
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Can Atilla
Cariyeler Ve Geceler
102 bpm • B min • 05:09 • -5.61db
17% Popularity • 72% Danceability • 90% Energy • 26% Liveness
41% Instrumentalness • 81% Positiveness
17% Popularity • 72% Danceability • 90% Energy • 26% Liveness
41% Instrumentalness • 81% Positiveness
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Stefan Andre
Masumiyet
98 bpm • B Maj • 03:24 • -23db
31% Popularity • 27% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Esin Engin
Hayallerim Askim ve Sen - Anatema
98 bpm • D min • 02:20 • -17.28db
10% Popularity • 36% Danceability • 16% Energy • 42% Liveness
59% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 16% Energy • 42% Liveness
59% Instrumentalness • 18% Positiveness
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MIDWAVES
Kardeşimi Bulacağım
102 bpm • E min • 01:20 • -10.59db
32% Popularity • 61% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
32% Popularity • 61% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
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Alihan Samedov
Sarı Gelin
103 bpm • C# min • 06:08 • -11.69db
15% Popularity • 20% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 21% Positiveness
15% Popularity • 20% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 21% Positiveness
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Farid Farjad
Robabeh Jan
99 bpm • D min • 03:13 • -16.36db
44% Popularity • 40% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 40% Positiveness
44% Popularity • 40% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 40% Positiveness
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Evanthia Reboutsika
Childhood Dreams
97 bpm • D min • 01:39 • -11.78db
32% Popularity • 34% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 34% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Stefan Andre
Dokunuş
98 bpm • C Maj • 03:32 • -23db
21% Popularity • 32% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 32% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Tarlan Gazenferoğlu
Ayrılık
103 bpm • E min • 02:40 • -7.05db
29% Popularity • 26% Danceability • 39% Energy • 14% Liveness
16% Instrumentalness • 14% Positiveness
29% Popularity • 26% Danceability • 39% Energy • 14% Liveness
16% Instrumentalness • 14% Positiveness
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Hiçkimse
Sessiz Çığlıklar
97 bpm • C min • 02:13 • -24.88db
30% Popularity • 57% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
30% Popularity • 57% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Serhat Erdem
Papatya Falı
103 bpm • F min • 01:21 • -15.29db
36% Popularity • 49% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 74% Positiveness
36% Popularity • 49% Danceability • 12% Energy • 14% Liveness
61% Instrumentalness • 74% Positiveness
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Farid Farjad
Shaneh
98 bpm • D min • 02:49 • -15db
37% Popularity • 33% Danceability • 20% Energy • 16% Liveness
67% Instrumentalness • 36% Positiveness
37% Popularity • 33% Danceability • 20% Energy • 16% Liveness
67% Instrumentalness • 36% Positiveness
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Evgeny Grinko
Jane Maryam
97 bpm • C min • 01:30 • -19.02db
63% Popularity • 39% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
63% Popularity • 39% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Mine Mucur
Yine Bir Gülnihal
97 bpm • C Maj • 02:57 • -14.62db
15% Popularity • 31% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 31% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
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Tarlan Gazenferoğlu
Tek Başına - Da troppo tempo
103 bpm • G min • 03:19 • -7.04db
30% Popularity • 32% Danceability • 45% Energy • 13% Liveness
15% Instrumentalness • 29% Positiveness
30% Popularity • 32% Danceability • 45% Energy • 13% Liveness
15% Instrumentalness • 29% Positiveness
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Can Atilla
Mara Despina
103 bpm • E min • 05:21 • -17.84db
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 10% Positiveness
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Serhat Erdem
Vedaları Hiç Sevemedim
96 bpm • A# min • 01:52 • -20.97db
32% Popularity • 48% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 25% Positiveness
32% Popularity • 48% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 25% Positiveness
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Tyufyakin Konstantin
Je Peux Entendre Ta Musique a Travers la...
96 bpm • F# min • 01:45 • -19.15db
49% Popularity • 52% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
49% Popularity • 52% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Hasan Isakkut
Fly Away
96 bpm • D min • 04:19 • -13.98db
20% Popularity • 55% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 55% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Farid Farjad
Shekare Ahoo Va Jane Maryam
96 bpm • A min • 04:52 • -14.11db
33% Popularity • 35% Danceability • 20% Energy • 8% Liveness
35% Instrumentalness • 51% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 8% Liveness
35% Instrumentalness • 51% Positiveness
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Cahit Berkay
Arda Kalan
96 bpm • D Maj • 04:42 • -10.02db
27% Popularity • 71% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
27% Popularity • 71% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Evgeny Grinko
Valse
96 bpm • F# min • 03:25 • -13.58db
63% Popularity • 59% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
63% Popularity • 59% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Tolga Sunter
Piano-Keman Resitali
96 bpm • A min • 04:52 • -6.07db
20% Popularity • 34% Danceability • 38% Energy • 12% Liveness
30% Instrumentalness • 51% Positiveness
20% Popularity • 34% Danceability • 38% Energy • 12% Liveness
30% Instrumentalness • 51% Positiveness
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Ayşenur Kolivar
Anne - Oğul
95 bpm • D Maj • 01:23 • -20.58db
24% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 54% Positiveness
24% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 54% Positiveness
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Tarlan Gazenferoğlu
Laçin
95 bpm • F min • 03:43 • -10.27db
19% Popularity • 27% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 15% Positiveness
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Sertaç Özgümüş
Homecoming
105 bpm • E min • 01:13 • -19.81db
29% Popularity • 48% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 6% Positiveness
29% Popularity • 48% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 6% Positiveness
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Büşra Kayıkçı
Yol
105 bpm • F# min • 04:08 • -32.59db
35% Popularity • 22% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
35% Popularity • 22% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Alihan Samedov
Aygız
95 bpm • C# min • 03:14 • -8.36db
16% Popularity • 58% Danceability • 74% Energy • 19% Liveness
84% Instrumentalness • 40% Positiveness
16% Popularity • 58% Danceability • 74% Energy • 19% Liveness
84% Instrumentalness • 40% Positiveness
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Can Atilla
Ask-i Huma
95 bpm • E min • 06:52 • -14.63db
10% Popularity • 50% Danceability • 27% Energy • 30% Liveness
85% Instrumentalness • 8% Positiveness
10% Popularity • 50% Danceability • 27% Energy • 30% Liveness
85% Instrumentalness • 8% Positiveness
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Beysun Yildiz
Kimseye Etmem Şikayet
95 bpm • C min • 02:58 • -6.96db
27% Popularity • 67% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
27% Popularity • 67% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
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Hilal Çalıkoğlu
Nihavent Peşrev
95 bpm • G min • 02:07 • -13.76db
26% Popularity • 31% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 31% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Mehmet Yesilcay
Gülümcan
105 bpm • E min • 05:30 • -7.4db
17% Popularity • 26% Danceability • 29% Energy • 17% Liveness
69% Instrumentalness • 15% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 17% Liveness
69% Instrumentalness • 15% Positiveness
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Jamal Aliyev
Yiğidim Aslanım
95 bpm • C min • 04:24 • -18.32db
26% Popularity • 30% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 13% Positiveness
26% Popularity • 30% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 13% Positiveness
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Evgeny Grinko
Valse Cm
106 bpm • C min • 02:54 • -13.47db
41% Popularity • 48% Danceability • 31% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
41% Popularity • 48% Danceability • 31% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
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Can Atilla
Gül Bahçesi
95 bpm • C min • 04:19 • -9.23db
11% Popularity • 64% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
11% Popularity • 64% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 69% Positiveness
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Mine Mucur
Burası Muştur
106 bpm • D min • 03:40 • -15.13db
12% Popularity • 33% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
12% Popularity • 33% Danceability • 22% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Arti Huisman
Gnossienne No.1
94 bpm • F min • 03:39 • -18.84db
30% Popularity • 44% Danceability • 7% Energy • 15% Liveness
96% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 7% Energy • 15% Liveness
96% Instrumentalness • 18% Positiveness
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The French Touch
Amélie Suite (J'y suis jamais allé)
106 bpm • E min • 01:27 • -8.31db
30% Popularity • 52% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 84% Positiveness
30% Popularity • 52% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 84% Positiveness
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Eleni Karaindrou
Young Man´s Theme I
106 bpm • E min • 01:56 • -24.52db
17% Popularity • 33% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
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Evgeny Grinko
Epilogue
94 bpm • C min • 02:52 • -25.82db
48% Popularity • 43% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
48% Popularity • 43% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Can Atilla
Bir Mektup Iki Hayat
95 bpm • A min • 03:12 • -17.75db
5% Popularity • 34% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
5% Popularity • 34% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Ara Dinkjian
The Long Goodbye
94 bpm • A min • 06:43 • -24db
25% Popularity • 48% Danceability • 10% Energy • 69% Liveness
72% Instrumentalness • 11% Positiveness
25% Popularity • 48% Danceability • 10% Energy • 69% Liveness
72% Instrumentalness • 11% Positiveness
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Mark Eliyahu
Tribe
107 bpm • G min • 03:33 • -6db
38% Popularity • 44% Danceability • 72% Energy • 54% Liveness
38% Instrumentalness • 65% Positiveness
38% Popularity • 44% Danceability • 72% Energy • 54% Liveness
38% Instrumentalness • 65% Positiveness
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Kelly Thoma
Ice Tree
107 bpm • A# Maj • 09:24 • -10.2db
27% Popularity • 21% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 21% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Henri Seroka
Ataturk Celesta
107 bpm • C Maj • 01:39 • -22.64db
24% Popularity • 41% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 9% Positiveness
24% Popularity • 41% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 9% Positiveness
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Evgeny Grinko
Winter Sunshine
93 bpm • C Maj • 03:15 • -24.29db
39% Popularity • 25% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
39% Popularity • 25% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Mine Mucur
Sarı Gelin
107 bpm • B min • 02:56 • -13.8db
23% Popularity • 32% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
23% Popularity • 32% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Eric Badanti
Tamburello
93 bpm • F min • 02:20 • -30.26db
48% Popularity • 30% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
48% Popularity • 30% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
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Can Atilla
Ölümsüz
108 bpm • C min • 02:48 • -12.67db
20% Popularity • 28% Danceability • 42% Energy • 9% Liveness
32% Instrumentalness • 12% Positiveness
20% Popularity • 28% Danceability • 42% Energy • 9% Liveness
32% Instrumentalness • 12% Positiveness
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Eleni Karaindrou
The Weeping Meadow
92 bpm • E min • 03:56 • -14db
36% Popularity • 23% Danceability • 24% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
36% Popularity • 23% Danceability • 24% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Deniz Türkmen
Bana Ellerini Ver
92 bpm • F Maj • 02:28 • -26.31db
23% Popularity • 32% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 23% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 23% Positiveness
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Françoise Atlan
Durme querido hijico
108 bpm • A min • 03:01 • -20.75db
38% Popularity • 49% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Francis Lai
La Course Du Lievre A Travers Les Champs
109 bpm • B min • 03:27 • -10.66db
29% Popularity • 19% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Hasan Isakkut
The Long Goodbye
92 bpm • A min • 05:32 • -15.21db
22% Popularity • 55% Danceability • 24% Energy • 24% Liveness
84% Instrumentalness • 28% Positiveness
22% Popularity • 55% Danceability • 24% Energy • 24% Liveness
84% Instrumentalness • 28% Positiveness
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Can Atilla
Vivaldi İstanbul'da
91 bpm • D min • 04:53 • -10.71db
46% Popularity • 30% Danceability • 43% Energy • 8% Liveness
42% Instrumentalness • 17% Positiveness
46% Popularity • 30% Danceability • 43% Energy • 8% Liveness
42% Instrumentalness • 17% Positiveness
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Eleni Karaindrou
Departute for Greece: The Letter
91 bpm • D Maj • 01:10 • -17db
35% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
35% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Henri Seroka
Ataturk 1
110 bpm • E min • 00:59 • -23.71db
37% Popularity • 28% Danceability • 8% Energy • 14% Liveness
28% Instrumentalness • 10% Positiveness
37% Popularity • 28% Danceability • 8% Energy • 14% Liveness
28% Instrumentalness • 10% Positiveness
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Serhat Erdem
Kış Çiçeği
110 bpm • D# Maj • 02:36 • -21.1db
36% Popularity • 63% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
36% Popularity • 63% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Melih Kibar
Sessiz Veda
110 bpm • G min • 04:26 • -19.68db
19% Popularity • 44% Danceability • 12% Energy • 17% Liveness
58% Instrumentalness • 29% Positiveness
19% Popularity • 44% Danceability • 12% Energy • 17% Liveness
58% Instrumentalness • 29% Positiveness
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Beysun Yildiz
Yıldızların Altında
110 bpm • C min • 03:31 • -6.02db
20% Popularity • 69% Danceability • 48% Energy • 30% Liveness
50% Instrumentalness • 32% Positiveness
20% Popularity • 69% Danceability • 48% Energy • 30% Liveness
50% Instrumentalness • 32% Positiveness
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Taksim Trio
Lotus Feet
110 bpm • A min • 06:18 • -7.87db
31% Popularity • 44% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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M.C.Y
Bayati - Zalim
110 bpm • G Maj • 04:31 • -6.51db
25% Popularity • 67% Danceability • 64% Energy • 22% Liveness
42% Instrumentalness • 71% Positiveness
25% Popularity • 67% Danceability • 64% Energy • 22% Liveness
42% Instrumentalness • 71% Positiveness
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Adam Saunders
Torn from the Heart
110 bpm • B min • 02:17 • -10db
29% Popularity • 17% Danceability • 28% Energy • 21% Liveness
69% Instrumentalness • 7% Positiveness
29% Popularity • 17% Danceability • 28% Energy • 21% Liveness
69% Instrumentalness • 7% Positiveness
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Serhat Erdem
Boşluk
110 bpm • A# min • 01:59 • -28.48db
36% Popularity • 52% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
36% Popularity • 52% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Anadolu Quartet
Kiremite Su Düştü
91 bpm • D min • 01:18 • -16db
32% Popularity • 44% Danceability • 23% Energy • 52% Liveness
87% Instrumentalness • 91% Positiveness
32% Popularity • 44% Danceability • 23% Energy • 52% Liveness
87% Instrumentalness • 91% Positiveness
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Mark Eliyahu
Endless
110 bpm • G min • 04:37 • -8db
42% Popularity • 61% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
42% Popularity • 61% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
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Omar Faruk Tekbilek
Hasret
110 bpm • G min • 08:55 • -18db
37% Popularity • 65% Danceability • 24% Energy • 21% Liveness
93% Instrumentalness • 35% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 21% Liveness
93% Instrumentalness • 35% Positiveness
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Tolga Sunter
Sans toi je suis seul
91 bpm • C min • 03:30 • -3.29db
24% Popularity • 39% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 39% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chingiz Sadykhov
Dance
90 bpm • D min • 01:45 • -18.64db
31% Popularity • 44% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 79% Positiveness
31% Popularity • 44% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 79% Positiveness
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Emre Aracı
Sultan V. Murad İçin Şarkı-i Duaiye
90 bpm • C min • 02:48 • -22.7db
19% Popularity • 16% Danceability • 11% Energy • 20% Liveness
23% Instrumentalness • 11% Positiveness
19% Popularity • 16% Danceability • 11% Energy • 20% Liveness
23% Instrumentalness • 11% Positiveness
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Özdemir
Sözün Bittiği Yer
90 bpm • A min • 03:40 • -4.21db
35% Popularity • 34% Danceability • 53% Energy • 10% Liveness
20% Instrumentalness • 28% Positiveness
35% Popularity • 34% Danceability • 53% Energy • 10% Liveness
20% Instrumentalness • 28% Positiveness
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Cem Ergunoğlu
Motinas, Pt.1
90 bpm • D# min • 01:29 • -14.17db
35% Popularity • 28% Danceability • 20% Energy • 16% Liveness
17% Instrumentalness • 7% Positiveness
35% Popularity • 28% Danceability • 20% Energy • 16% Liveness
17% Instrumentalness • 7% Positiveness
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Hasan Isakkut
Hope
90 bpm • C min • 06:27 • -15.41db
21% Popularity • 70% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
21% Popularity • 70% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Tolga Sunter
Scent of a Woman - Por una Cabeza
111 bpm • G Maj • 04:11 • -1.46db
13% Popularity • 55% Danceability • 45% Energy • 22% Liveness
12% Instrumentalness • 49% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 22% Liveness
12% Instrumentalness • 49% Positiveness
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Can Atilla
Constantinople
111 bpm • D min • 05:28 • -9.18db
18% Popularity • 23% Danceability • 41% Energy • 16% Liveness
27% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 41% Energy • 16% Liveness
27% Instrumentalness • 4% Positiveness
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Dursun Ali Erzincanlı
Bir Gül - Enstrümantal
90 bpm • D min • 05:47 • -19.04db
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Manon Clément
Comptine d'un autre été: L'après mid...
111 bpm • D Maj • 01:59 • -14.89db
26% Popularity • 39% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
26% Popularity • 39% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Sercan Halili
Ay Laçin
111 bpm • D min • 03:36 • -14.56db
12% Popularity • 33% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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Farid Farjad
Taghatam Deh
90 bpm • D min • 04:13 • -11.72db
47% Popularity • 33% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
47% Popularity • 33% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Tolga Sunter
Pervane
90 bpm • D min • 04:40 • -6.33db
21% Popularity • 29% Danceability • 33% Energy • 15% Liveness
61% Instrumentalness • 12% Positiveness
21% Popularity • 29% Danceability • 33% Energy • 15% Liveness
61% Instrumentalness • 12% Positiveness
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Erkin Arslan
Mesopotamia
90 bpm • E min • 03:56 • -11.18db
21% Popularity • 38% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
21% Popularity • 38% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Melih Kibar
Sessiz Veda
112 bpm • G min • 04:54 • -16.6db
21% Popularity • 41% Danceability • 20% Energy • 14% Liveness
73% Instrumentalness • 23% Positiveness
21% Popularity • 41% Danceability • 20% Energy • 14% Liveness
73% Instrumentalness • 23% Positiveness
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Arianna Savall
Adoucit La Mélodie
112 bpm • G min • 04:18 • -20db
43% Popularity • 54% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
43% Popularity • 54% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Mine Mucur
Kaybolan Yıllar
89 bpm • E min • 03:52 • -19.57db
21% Popularity • 22% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
21% Popularity • 22% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Jamal Aliyev
Oblivion
89 bpm • C min • 03:56 • -15.16db
17% Popularity • 16% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness