Songs like En natus est Emmanuel by Michael Praetorius
Based on a tempo of (+/- 10%) and a similar genre
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Samuel Scheidt
Battle Suite: I. Intrada
78 bpm • G Maj • 01:35 • -18db
18% Popularity • 35% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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John Dowland
Lady Hunsdon's Puffe, P. 54
78 bpm • A# Maj • 01:49 • -20.52db
25% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
25% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
14% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
14% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
19% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
19% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
10% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Michael Praetorius
Sixteenth Century French Dances: Pavane
77 bpm • D min • 02:03 • -32.86db
4% Popularity • 14% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
4% Popularity • 14% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Karl Jenkins
Gloria: I'll Make Music
79 bpm • G# Maj • 04:39 • -22db
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
17% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
17% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
14% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
24% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
24% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Zoltán Kodály
Veni, veni Emmanuel
77 bpm • F min • 03:26 • -24db
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
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Giovanni Gabrieli
Deus, qui beatum Marcum a 10, C. 36
79 bpm • G# Maj • 02:32 • -19.08db
20% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
20% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude
79 bpm • D# min • 01:02 • -21db
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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John Dunstable
Veni Sancte Spiritus et emitte/Veni Sanc...
77 bpm • E Maj • 06:26 • -20.93db
11% Popularity • 10% Danceability • 12% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 12% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Michael Praetorius
Spagnoletta
76 bpm • G min • 05:40 • -25.12db
7% Popularity • 25% Danceability • 12% Energy • 30% Liveness
98% Instrumentalness • 44% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 30% Liveness
98% Instrumentalness • 44% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
32% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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John Dowland
M. George Whitehead his Almand from Lach...
76 bpm • A# Maj • 01:31 • -25db
17% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
17% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Giaches de Wert
O Crux ave, spes unica
80 bpm • C min • 03:40 • -24.46db
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
25% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
32% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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John Dunstable
Quam pulchra es - 1987 Remastered Versio...
76 bpm • C# Maj • 02:47 • -27db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
14% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
76 bpm • E Maj • 01:36 • -21.63db
8% Popularity • 24% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
8% Popularity • 24% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Francesco Landini
Angelica biltÃ
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Michael Praetorius
Terpsichore: No. 210, Volte in G Major
81 bpm • G# Maj • 01:00 • -18.55db
6% Popularity • 30% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
6% Popularity • 30% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
► Preview
Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Heinrich Isaac
O Welt, ich muss dich lassen (arr. M. Pr...
75 bpm • F Maj • 02:21 • -26.86db
7% Popularity • 21% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 21% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Io Mi Son Giovinetta
75 bpm • G# min • 02:19 • -26db
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
7% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
7% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
► Preview
Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
► Preview
Karl Jenkins
Requiem: Pie Jesu
75 bpm • D# Maj • 03:08 • -24.7db
21% Popularity • 8% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Morten Lauridsen
Ave Maria
81 bpm • E Maj • 06:44 • -26.16db
31% Popularity • 8% Danceability • 8% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 8% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Michael Praetorius
Es ist ein Ros' entsprungen
75 bpm • F# Maj • 03:08 • -24.82db
7% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
16% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
► Preview
Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Adoramus te Christe
82 bpm • G Maj • 03:39 • -20.56db
14% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
82 bpm • A# min • 01:01 • -20.84db
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Michael Praetorius
Bransles de la Grenée / Puisque le ciel...
82 bpm • G min • 04:07 • -18.01db
3% Popularity • 56% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
3% Popularity • 56% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Claude Gervaise
Suite I: Bransle de Champaigne I
83 bpm • G min • 01:19 • -22.8db
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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John Playford
Dances From the English Dancing Master: ...
73 bpm • A min • 01:56 • -25.9db
19% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Michael Praetorius
Terpsichore, Musarum Aoniarum: Ballet, T...
82 bpm • G Maj • 03:13 • -18.61db
24% Popularity • 38% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
24% Popularity • 38% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Die Himmel...
73 bpm • C Maj • 04:07 • -22db
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 1. Mater Patris E...
73 bpm • D min • 01:01 • -23.66db
32% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
