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En svensk Markuspassion: Introduction: Han var fö...
Songs like
En svensk Markuspassion: Introduction: Han var föraktad och övergiven av alla
by
Fredrik Sixten
Based on a tempo of (+/- 10%) and a similar genre
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Edward Elgar
2 Partsongs, Op. 26: No. 1, The Snow
81 bpm • E min • 04:31 • -19.46db
11% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
9% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
10% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
11% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Eleanor Daley
Requiem: IV. In Remembrance
81 bpm • C# Maj • 02:56 • -25.63db
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Stabat Mater dolorosa
81 bpm • B min • 04:14 • -29.04db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
26% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Jean L'héritier
Regnum mundi et omne ornatum, IJL 13
81 bpm • F Maj • 03:57 • -22.29db
14% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
23% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
22% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
21% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Karin Rehnqvist
Natt över jorden
81 bpm • D min • 04:05 • -30.19db
8% Popularity • 11% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Gustav Mahler
Rückert Lieder: V. Ich bin der Welt abh...
81 bpm • D# Maj • 07:25 • -31.78db
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
17% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
80 bpm • C min • 01:51 • -38.83db
14% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
16% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
12% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Robert Lowry
O hur saligt att fa vandra
82 bpm • F Maj • 03:14 • -16.98db
0% Popularity • 14% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 20% Positiveness
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Fredrik Sixten
Messa misteriosa: VI. Angus Dei
82 bpm • F min • 04:41 • -47.19db
0% Popularity • 7% Danceability • 0% Energy • 9% Liveness
17% Instrumentalness • 50% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Henryk Górecki
Sicut parvi amplectamur
80 bpm • F Maj • 04:39 • -24.91db
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Melchior Vulpius
Oppstanden Er Vår Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
13% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
14% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Fredrik Sixten
Prelude, Aria & Fugue for Organ: I. Prel...
80 bpm • C Maj • 05:38 • -23.41db
0% Popularity • 14% Danceability • 2% Energy • 19% Liveness
11% Instrumentalness • 4% Positiveness
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Trond Kverno
Det Hellige Kors Vår Herre Han Bar
80 bpm • C# min • 02:40 • -22.01db
10% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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LeoRoads
Choirs of Eternity
80 bpm • B min • 02:23 • -18.48db
10% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
22% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Richard Rodney Bennett
A Good-Night
80 bpm • D# min • 03:03 • -26.18db
8% Popularity • 8% Danceability • 8% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Lovely Night
82 bpm • G Maj • 04:38 • -18.89db
13% Popularity • 13% Danceability • 19% Energy • 18% Liveness
14% Instrumentalness • 4% Positiveness
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Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: IV. O Salutaris Host...
82 bpm • F Maj • 02:19 • -35.08db
16% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Fredrik Sixten
Prelude & Fugue: Fugue
83 bpm • F# min • 03:31 • -19db
0% Popularity • 8% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Spotless Rose
79 bpm • G Maj • 02:55 • -25db
17% Popularity • 18% Danceability • 20% Energy • 28% Liveness
17% Instrumentalness • 21% Positiveness
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F. Mendelsohn
Lyftu þínum augum upp
79 bpm • B Maj • 02:00 • -34.4db
12% Popularity • 14% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Amy Beach
Peace I Leave With You
79 bpm • D# Maj • 01:48 • -25.82db
10% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Schola Cantorum de la Universidad Pontificia de Comillas
Responsorios: Animan mean (a 4 v.m.) - R...
79 bpm • E min • 04:58 • -14.56db
9% Popularity • 9% Danceability • 27% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
11% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Fredrik Sixten
Messa misteriosa: III. Gloria
79 bpm • F Maj • 02:35 • -23.06db
0% Popularity • 19% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Et Incarnatus Est
79 bpm • C Maj • 02:57 • -21.15db
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Credo, RV 591: Crucifixus
83 bpm • A min • 04:28 • -30.75db
2% Popularity • 14% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Evert Taube
Sjosala vals
79 bpm • D min • 02:39 • -16.67db
11% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
17% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Haderslev Domkirkes Pigekor
Et misericordia
79 bpm • A# Maj • 05:00 • -19db
11% Popularity • 15% Danceability • 15% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
18% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jan Campanus Vodnansky
Rorando coeli
83 bpm • A Maj • 02:14 • -27db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Josu Elberdin
Ave Maria, Gratia Plena
78 bpm • D Maj • 04:21 • -27.73db
8% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: XIII. The Tropa...
84 bpm • C# min • 02:19 • -21.79db
9% Popularity • 15% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Diane Boudreau
In Song: I. Intro: Entre nos voix
78 bpm • G Maj • 01:50 • -18.33db
9% Popularity • 27% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 43% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Thomas Morley
Fyer, Fyer!
78 bpm • F Maj • 02:30 • -17db
7% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
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John Moren
Se, vi ga upp till Jerusalem (La, we go ...
84 bpm • C min • 03:58 • -27.94db
7% Popularity • 20% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": We p...
78 bpm • G# Maj • 01:56 • -20.13db
20% Popularity • 12% Danceability • 22% Energy • 36% Liveness
71% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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John Wells
Now Is the Hour
78 bpm • D# Maj • 02:24 • -25.74db
10% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
16% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Pekka Kostiainen
Triduum Paschale, Pt. 1, Missa viridium:...
78 bpm • F# min • 10:57 • -21.81db
7% Popularity • 14% Danceability • 12% Energy • 32% Liveness
5% Instrumentalness • 4% Positiveness
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Arild Sandvold
Fem Latinske Kirkekor: 3. Venite, Filii
78 bpm • A Maj • 01:23 • -24.18db
18% Popularity • 16% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
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John Ireland
Communion Service in C Major: Agnus Dei
84 bpm • A min • 02:09 • -33.91db
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Evert Taube
Kosterflickornas sang
78 bpm • A# Maj • 02:12 • -25db
5% Popularity • 30% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
20% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Laurence Equilbey
Sept chansons - La Blanche Neige
78 bpm • D min • 01:10 • -29.9db
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Frank La Rocca
Mass of the Americas: IX. Salve regina
78 bpm • A Maj • 04:36 • -19.34db
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Thomas Tallis
Lamentations of Jeremiah I: VI. Jerusale...
78 bpm • D# min • 01:21 • -29.77db
14% Popularity • 17% Danceability • 3% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: IV. Gladsome Light
78 bpm • A# min • 03:22 • -29.27db
8% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
13% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Horatio W. Parker
Now Sinks the Sun
85 bpm • G Maj • 06:56 • -23db
8% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
84 bpm • F# Maj • 03:13 • -40.77db
8% Popularity • 13% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
17% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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David Wikander
Förvårskväll
78 bpm • C Maj • 04:22 • -29db
7% Popularity • 16% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Göteborgs Gosskör
Sommarpsalm
78 bpm • A# Maj • 02:51 • -24db
15% Popularity • 22% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Fredrik Sixten
Jag ar framling, jag ar en pilgrim
77 bpm • D Maj • 03:46 • -17.93db
0% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Teitur Lassen
Undiscovered
77 bpm • C Maj • 02:27 • -24db
9% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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En svensk Markuspassion: Introduction: Han var fö...