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Endless
Songs like
Endless
by
Rence
Based on a tempo of (+/- 10%) and a similar genre
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Motel 7
Same Side
164 bpm • B Maj • 02:21 • -9.91db
16% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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DOUBLECAMP
I Don't Wanna
164 bpm • C# Maj • 02:40 • -5.53db
23% Popularity • 75% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
39% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Graham Riley
Rain
166 bpm • D Maj • 03:09 • -6db
33% Popularity • 46% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Mills
Five N' Dime
161 bpm • A Maj • 02:53 • -8.13db
32% Popularity • 61% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Renao
Nobody
161 bpm • G# Maj • 02:31 • -8db
47% Popularity • 66% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Motel 7
Things I Hate
162 bpm • F# Maj • 03:37 • -6.87db
28% Popularity • 65% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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remy
drunk at dinner
161 bpm • F Maj • 02:46 • -5db
30% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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SEBASTIAN PAUL
CRUSH
168 bpm • F# Maj • 03:08 • -8.13db
42% Popularity • 54% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Arden Jones
either way
168 bpm • G Maj • 03:00 • -4.27db
39% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Christian French
OH WELL
168 bpm • G Maj • 02:54 • -4.59db
42% Popularity • 69% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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contradash
white lie
160 bpm • C# min • 02:42 • -4.86db
37% Popularity • 61% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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remy
he's not your boyfriend, he's your boy f...
160 bpm • F# Maj • 02:55 • -7.96db
34% Popularity • 73% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Hudson
Let Me
160 bpm • D min • 02:11 • -6db
40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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OCTAVIO the Dweeb
4letterword
160 bpm • G# Maj • 03:20 • -4.91db
32% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Arden Jones
Parallel Parking
168 bpm • G# min • 01:58 • -4.18db
52% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Trevor Daniel
Past Life
160 bpm • D# Maj • 03:01 • -5.88db
45% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Austin George
Hands On You
160 bpm • B min • 02:35 • -5.87db
53% Popularity • 62% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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MacKenzie Bourg
Big
170 bpm • D Maj • 02:44 • -5.68db
24% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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ROLE MODEL
minimal
170 bpm • C# Maj • 02:43 • -4.44db
49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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CVBZ
Feel Like You’re Mine (Taigo Remix)
159 bpm • C Maj • 03:23 • -5db
31% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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HARBOUR
Get You High
170 bpm • C Maj • 03:54 • -6.14db
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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sad alex
i'm glad that you found someone
170 bpm • B Maj • 02:18 • -5.23db
34% Popularity • 83% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blanks
What You Do To Me
170 bpm • D# Maj • 03:16 • -5.84db
36% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Thoreau
Dunno
170 bpm • C# Maj • 03:15 • -6.09db
24% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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pluko
used to
158 bpm • F# min • 02:47 • -6.44db
28% Popularity • 66% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Zach Hood
Pink Ferrari
158 bpm • D# Maj • 02:29 • -4.22db
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Phil Good
Falling
157 bpm • A# Maj • 02:50 • -6.78db
23% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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sad alex
i’m glad that you found someone - Rem...
170 bpm • B Maj • 03:14 • -4db
28% Popularity • 81% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Trevor Daniel
Fingers Crossed
172 bpm • A Maj • 02:35 • -5db
43% Popularity • 62% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Joshua Golden
143
156 bpm • F# min • 03:07 • -8.33db
37% Popularity • 65% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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lovelytheband
love somebody else
155 bpm • B min • 03:20 • -8.28db
27% Popularity • 50% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Claire Rosinkranz
BeVerly Hills BoYfRiEnd
173 bpm • C Maj • 02:43 • -11db
40% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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John K
Rum n Tequila
155 bpm • A Maj • 02:17 • -5.18db
51% Popularity • 61% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Matthew Chaim
Byways
155 bpm • E Maj • 03:41 • -11.56db
25% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Yung Sum
Just Me
174 bpm • F Maj • 03:31 • -10.02db
9% Popularity • 76% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kid Quill
Playlist
174 bpm • A Maj • 03:18 • -5.78db
51% Popularity • 75% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Rence
Type 2
174 bpm • A Maj • 02:48 • -7.23db
21% Popularity • 70% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Boon
i might like u
154 bpm • A# Maj • 02:15 • -7.4db
34% Popularity • 75% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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SEBASTIAN PAUL
BACK AND FORTH
154 bpm • D# Maj • 03:00 • -7.05db
50% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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kees.
Set in Stone
175 bpm • F Maj • 02:55 • -10.7db
29% Popularity • 42% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
36% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Hood
Main Character
176 bpm • B Maj • 03:02 • -5db
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Setton
Santiago
176 bpm • E min • 03:40 • -7db
30% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Rence
I know
152 bpm • F min • 02:53 • -6.65db
13% Popularity • 74% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Jude Barclay
Breaks My Soul
153 bpm • D Maj • 04:00 • -7.71db
26% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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X Lovers
Sweatshirt
152 bpm • F Maj • 03:17 • -5.72db
32% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Robert DeLong
Better In College
178 bpm • C Maj • 03:28 • -5db
31% Popularity • 51% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Christian French
time of our lives
178 bpm • C min • 03:00 • -6.48db
28% Popularity • 56% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Peach Tree Rascals
Change My Mind
178 bpm • C# Maj • 02:01 • -5.47db
47% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Brendan Bennett
SAME DAMN SONG
150 bpm • C Maj • 02:22 • -8.52db
9% Popularity • 77% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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CAL
So Cal
150 bpm • G Maj • 02:44 • -8.2db
32% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Hazel Bloom
Royal
150 bpm • G Maj • 03:21 • -6.72db
12% Popularity • 67% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Olmos
SUV
150 bpm • F Maj • 03:02 • -4.54db
32% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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DOUBLECAMP
Smoke and Mirrors
150 bpm • E Maj • 03:11 • -5.73db
51% Popularity • 74% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Robert Grace
Fake Fine
150 bpm • F Maj • 02:50 • -8.17db
34% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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SZNS
Comin' Thru
150 bpm • C# Maj • 03:17 • -13db
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Kwesi
Mistakes of My Youth
150 bpm • C Maj • 02:43 • -7db
39% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jack Omstead
Back
180 bpm • D Maj • 02:24 • -8.97db
14% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Abe Parker
Cool Kid
180 bpm • C Maj • 03:12 • -3.13db
23% Popularity • 60% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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We Three
hold me, baby
180 bpm • G# Maj • 03:19 • -5.21db
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Rence
Too Many Times
180 bpm • C min • 04:34 • -8.32db
2% Popularity • 27% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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John K
in case you miss me
149 bpm • D# Maj • 02:50 • -7.11db
36% Popularity • 67% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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.irg
new jersey
148 bpm • G# min • 03:43 • -11.02db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Omstead
AEIOU
180 bpm • A# Maj • 02:19 • -11.93db
22% Popularity • 72% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Hall
gut feelings
148 bpm • G# Maj • 02:51 • -4.14db
28% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Christian French
bright side of the moon
148 bpm • B min • 03:10 • -5.88db
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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david hugo
Hot Mess
146 bpm • C# Maj • 02:17 • -5.45db
37% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Two Friends
Hell
146 bpm • C Maj • 03:27 • -3db
46% Popularity • 50% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Bryce Vine
Care At All
146 bpm • C# min • 03:09 • -7.74db
39% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Landon Cube
Eighties
185 bpm • E Maj • 01:46 • -3.12db
45% Popularity • 50% Danceability • 79% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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Ocean Park Standoff
Good Time
145 bpm • G# Maj • 02:52 • -5.9db
49% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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LALAKI
Catch Phrase
145 bpm • G Maj • 03:10 • -5.89db
16% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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MIDLO
Emotional
145 bpm • D Maj • 03:02 • -7.42db
23% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:27 • -6.79db
21% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Olmos
Cherry on Top
186 bpm • G# Maj • 03:16 • -6db
33% Popularity • 49% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
20% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rence
Evergreen
187 bpm • A min • 01:54 • -9.05db
6% Popularity • 30% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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push baby
@thebackoftheparty
188 bpm • C Maj • 02:48 • -8.17db
24% Popularity • 73% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Harry Hudson
It's Okay
143 bpm • E min • 03:28 • -6.47db
29% Popularity • 69% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Nox Holloway
Parachute
142 bpm • G Maj • 03:50 • -6.03db
12% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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John K
everything
189 bpm • C# Maj • 02:52 • -7.53db
43% Popularity • 45% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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SEBASTIAN PAUL
IMPATIENT
142 bpm • C# Maj • 03:09 • -5.76db
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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19&YOU
RUNNIN'
142 bpm • C Maj • 03:47 • -6.11db
15% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Stay Over
Happy
190 bpm • D Maj • 02:06 • -11.82db
33% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Endless