Songs like Enough for Now (feat. Phoebe Bridgers) by Ethan Gruska
Based on a tempo of (+/- 10%) and a similar genre
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Soccer Mommy
circle the drain
169 bpm • A Maj • 04:40 • -5.22db
54% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ethan Gruska
Enough for Now
169 bpm • B Maj • 03:16 • -8.6db
36% Popularity • 52% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 52% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Melchor
Light Year
168 bpm • D# Maj • 03:08 • -9.09db
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
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Palace
Shame On You
168 bpm • D Maj • 03:20 • -7.26db
41% Popularity • 33% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 33% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Wildermiss
Supermagical
170 bpm • G Maj • 03:08 • -4.61db
26% Popularity • 53% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 53% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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girlhouse
concussion
168 bpm • B Maj • 04:37 • -8.34db
46% Popularity • 55% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
46% Popularity • 55% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Indigo De Souza
Pretty Pictures
170 bpm • D Maj • 02:58 • -10.45db
44% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ethan Gruska
The Egotist
170 bpm • A Maj • 02:53 • -16.6db
14% Popularity • 35% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 35% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Hailaker
Toasty
171 bpm • B Maj • 03:56 • -10.35db
29% Popularity • 33% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 33% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Middle Kids
Questions
170 bpm • C Maj • 02:53 • -6db
35% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Lizzy McAlpine
Like It Tends To Do
171 bpm • F# Maj • 03:25 • -17.92db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Phoebe Bridgers
Killer
172 bpm • C Maj • 03:09 • -13.78db
57% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
57% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Shins
The Great Divide - Flipped
172 bpm • G Maj • 04:01 • -6.11db
23% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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San Fermin
The Hunger
172 bpm • C Maj • 03:45 • -5.48db
29% Popularity • 57% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Soccer Mommy
bloodstream
172 bpm • A Maj • 05:37 • -6db
42% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
42% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
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girlhouse
a long december
166 bpm • F Maj • 04:11 • -7.78db
30% Popularity • 46% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
30% Popularity • 46% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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boygenius
Stay Down
166 bpm • G Maj • 04:00 • -9.32db
54% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Deanna Petcoff
Failing Upwards
166 bpm • A# Maj • 04:03 • -4db
18% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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The Shins
The Great Divide
172 bpm • C Maj • 04:00 • -5.47db
30% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Matilda Mann
Bloom
166 bpm • F min • 02:46 • -7.08db
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
45% Popularity • 50% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 56% Positiveness
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Lucy Dacus
Going Going Gone
173 bpm • B Maj • 03:13 • -12.63db
44% Popularity • 48% Danceability • 22% Energy • 47% Liveness
6% Instrumentalness • 57% Positiveness
44% Popularity • 48% Danceability • 22% Energy • 47% Liveness
6% Instrumentalness • 57% Positiveness
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Maddie Medley
Buzz
174 bpm • G# Maj • 04:21 • -8.55db
33% Popularity • 51% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
33% Popularity • 51% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Hazel English
Nine Stories
164 bpm • C# min • 02:53 • -7.69db
49% Popularity • 47% Danceability • 84% Energy • 26% Liveness
91% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 84% Energy • 26% Liveness
91% Instrumentalness • 59% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Houses
Pink Honey
164 bpm • A Maj • 04:15 • -7.68db
28% Popularity • 47% Danceability • 73% Energy • 10% Liveness
70% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 73% Energy • 10% Liveness
70% Instrumentalness • 20% Positiveness
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BAILEN
Going On A Feeling
164 bpm • B Maj • 04:24 • -6.61db
46% Popularity • 34% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 34% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Lucy Dacus
Triple Dog Dare
174 bpm • C Maj • 07:44 • -9db
47% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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King Princess
Little Bother
164 bpm • E Maj • 02:41 • -6db
44% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Young Mister
Anybody Out There
162 bpm • F# min • 03:42 • -9.41db
46% Popularity • 40% Danceability • 80% Energy • 9% Liveness
96% Instrumentalness • 70% Positiveness
46% Popularity • 40% Danceability • 80% Energy • 9% Liveness
96% Instrumentalness • 70% Positiveness
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Ethan Gruska
Neighbors
163 bpm • F min • 01:27 • -16.63db
20% Popularity • 46% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
20% Popularity • 46% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
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boygenius
We're In Love
176 bpm • A# Maj • 04:54 • -16.33db
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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Wilderado
The Worst of It
162 bpm • B Maj • 03:20 • -6.44db
31% Popularity • 55% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
31% Popularity • 55% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Kississippi
Around Your Room
162 bpm • F# Maj • 03:30 • -5.88db
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Soccer Mommy
yellow is the color of her eyes
161 bpm • B Maj • 07:15 • -7db
50% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
50% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
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Darlingside
Ocean Bed
161 bpm • F# min • 04:00 • -7.06db
33% Popularity • 59% Danceability • 80% Energy • 10% Liveness
8% Instrumentalness • 66% Positiveness
33% Popularity • 59% Danceability • 80% Energy • 10% Liveness
8% Instrumentalness • 66% Positiveness
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Ethan Gruska
Maybe I'll Go Nowhere
161 bpm • C# Maj • 04:03 • -17.42db
30% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Paul McCartney
Seize The Day
178 bpm • C# min • 03:29 • -10.54db
35% Popularity • 21% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
35% Popularity • 21% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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mercury
I Don’t Know You Like I Used To
160 bpm • F Maj • 04:19 • -7.23db
46% Popularity • 43% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 43% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Hippo Campus
Semi Pro
160 bpm • E Maj • 03:02 • -5.63db
38% Popularity • 56% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 56% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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The National
This Isn't Helping
180 bpm • A# Maj • 04:04 • -9.87db
49% Popularity • 38% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 58% Positiveness
49% Popularity • 38% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 58% Positiveness
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Phoebe Bridgers
Sidelines
180 bpm • A# Maj • 04:24 • -9.45db
58% Popularity • 40% Danceability • 54% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
58% Popularity • 40% Danceability • 54% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
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Matilda Mann
Paper Mache World
180 bpm • D Maj • 02:59 • -5.82db
49% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Dead Emerson
Siddhartha
158 bpm • E Maj • 02:48 • -10db
28% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Corsicana
The Torchbearer
158 bpm • G Maj • 03:13 • -8.8db
9% Popularity • 51% Danceability • 58% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
9% Popularity • 51% Danceability • 58% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Dan Croll
Surreal
157 bpm • G Maj • 03:06 • -7.45db
33% Popularity • 60% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 60% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Novo Amor
Opaline
182 bpm • C# Maj • 03:12 • -10db
62% Popularity • 37% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 28% Positiveness
62% Popularity • 37% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 28% Positiveness
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Graveyard Club
It Hurts
156 bpm • A Maj • 04:13 • -8.39db
24% Popularity • 40% Danceability • 62% Energy • 33% Liveness
17% Instrumentalness • 31% Positiveness
24% Popularity • 40% Danceability • 62% Energy • 33% Liveness
17% Instrumentalness • 31% Positiveness
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TOLEDO
L-Train
156 bpm • G# Maj • 03:47 • -7.47db
33% Popularity • 62% Danceability • 81% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
33% Popularity • 62% Danceability • 81% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
35% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Julien Baker
Faith Healer
156 bpm • E Maj • 02:54 • -7db
47% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Novo Amor
I Feel Better
155 bpm • F# Maj • 02:48 • -5.7db
50% Popularity • 58% Danceability • 61% Energy • 11% Liveness
9% Instrumentalness • 35% Positiveness
50% Popularity • 58% Danceability • 61% Energy • 11% Liveness
9% Instrumentalness • 35% Positiveness
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Hippo Campus
Ride or Die
184 bpm • A Maj • 03:30 • -6.18db
45% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Joshua Speers
Bad Night
155 bpm • A# min • 03:32 • -9.76db
21% Popularity • 69% Danceability • 71% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
21% Popularity • 69% Danceability • 71% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
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half•alive
Move Me
155 bpm • D# Maj • 03:36 • -5.7db
42% Popularity • 64% Danceability • 61% Energy • 18% Liveness
8% Instrumentalness • 47% Positiveness
42% Popularity • 64% Danceability • 61% Energy • 18% Liveness
8% Instrumentalness • 47% Positiveness
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Lemondrop
Strawberry Wine
155 bpm • G# Maj • 03:53 • -8.34db
43% Popularity • 61% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Ethan Gruska
Nervous System
186 bpm • G# Maj • 02:44 • -17.84db
13% Popularity • 52% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 65% Positiveness
13% Popularity • 52% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 65% Positiveness
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![Used To Be Scared Of The Dark [Feat. Middle Kids] cover art](https://i.scdn.co/image/ab67616d00001e02e9ae0311e428a551224c5681)
Overcoats
Used To Be Scared Of The Dark [Middle Ki...
155 bpm • C Maj • 03:22 • -9.76db
26% Popularity • 49% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 49% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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The Districts
Do It Over
187 bpm • C Maj • 03:50 • -6.16db
13% Popularity • 46% Danceability • 66% Energy • 13% Liveness
17% Instrumentalness • 28% Positiveness
13% Popularity • 46% Danceability • 66% Energy • 13% Liveness
17% Instrumentalness • 28% Positiveness
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Cataldo
If You're a Lifer
152 bpm • F# Maj • 03:14 • -6.52db
10% Popularity • 50% Danceability • 92% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
10% Popularity • 50% Danceability • 92% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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COIN
You Are the Traffic
188 bpm • G Maj • 03:12 • -5.84db
39% Popularity • 43% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 43% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Berninger
Walking on a String
151 bpm • B Maj • 04:09 • -11db
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
24% Instrumentalness • 47% Positiveness
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
24% Instrumentalness • 47% Positiveness
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Middle Kids
Bad Neighbours
152 bpm • G# Maj • 03:10 • -11.1db
27% Popularity • 46% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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The Deer
Confetti to the Hurricane
151 bpm • D Maj • 03:54 • -8.63db
30% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
30% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Litany
Adult Movies
150 bpm • C Maj • 03:15 • -4.84db
41% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Marten
Garden of Eden
150 bpm • F Maj • 03:19 • -8.08db
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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girlhouse
cool guy
150 bpm • B Maj • 03:16 • -6.51db
22% Popularity • 57% Danceability • 61% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
22% Popularity • 57% Danceability • 61% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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Old Sea Brigade
Day by Day
150 bpm • F# min • 03:12 • -8.86db
47% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
47% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Bleachers
Don't Go Dark
150 bpm • B Maj • 04:03 • -7db
43% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Japanese House
Dionne
150 bpm • E Maj • 04:44 • -6.1db
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Daisy the Great
Dips
192 bpm • C Maj • 04:02 • -8db
33% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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SPINN
Is There Something That I Missed?
148 bpm • F Maj • 02:37 • -4.01db
32% Popularity • 57% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 57% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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Vacation Manor
If Only for Tonight
147 bpm • C# Maj • 04:56 • -6db
47% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
67% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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The National
Laugh Track
146 bpm • F Maj • 04:24 • -9.42db
52% Popularity • 66% Danceability • 56% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 56% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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NIGHT FLIGHT
Dreaming
146 bpm • F# min • 03:43 • -7.43db
29% Popularity • 49% Danceability • 92% Energy • 28% Liveness
12% Instrumentalness • 69% Positiveness
29% Popularity • 49% Danceability • 92% Energy • 28% Liveness
12% Instrumentalness • 69% Positiveness
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Sure Sure
Warm Animal (Acoustic)
146 bpm • F Maj • 03:00 • -9db
38% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Miel
I'll Be Holding
146 bpm • A# Maj • 03:21 • -8.89db
32% Popularity • 56% Danceability • 78% Energy • 20% Liveness
70% Instrumentalness • 62% Positiveness
32% Popularity • 56% Danceability • 78% Energy • 20% Liveness
70% Instrumentalness • 62% Positiveness
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Adam Melchor
not good for you
145 bpm • A Maj • 02:16 • -9.13db
36% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Orla Gartland
You're Not Special, Babe
145 bpm • C Maj • 03:23 • -7.29db
42% Popularity • 73% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 73% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Middle Kids
Run With You
145 bpm • F# Maj • 03:25 • -6.02db
20% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Fleet Foxes
Young Man's Game
145 bpm • D Maj • 03:11 • -8.44db
31% Popularity • 52% Danceability • 69% Energy • 60% Liveness
27% Instrumentalness • 56% Positiveness
31% Popularity • 52% Danceability • 69% Energy • 60% Liveness
27% Instrumentalness • 56% Positiveness
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Leith
Big Trees
144 bpm • G# Maj • 03:15 • -5.75db
24% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness