Songs like Enter Spring by Frank Bridge
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Franz Liszt
Liszt: Années de pèlerinage, Troisièm...
98 bpm • F# Maj • 07:15 • -22db
13% Popularity • 30% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Leonard Bernstein
5 Anniversaries: No. 5, For Susanna Kyle
98 bpm • C Maj • 01:56 • -41db
51% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
51% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Gabriel Fauré
3 Songs, Op. 7: I. Après un rêve (Vers...
98 bpm • F min • 03:13 • -15.26db
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Frank Bridge
Four Short Pieces, H104: Spring Song
100 bpm • G Maj • 02:18 • -30.14db
1% Popularity • 20% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
1% Popularity • 20% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Frank Bridge
Heart's Ease, H161a
96 bpm • C# min • 02:43 • -38.05db
2% Popularity • 22% Danceability • 0% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
2% Popularity • 22% Danceability • 0% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Paul Hindemith
In einer Nacht, Op. 15: No. 2, Sehr lang...
100 bpm • C# min • 01:24 • -34db
43% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
43% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Frank Bridge
Oration, H. 180: IV. Allegro giusto
96 bpm • G min • 02:54 • -16.43db
0% Popularity • 35% Danceability • 25% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 25% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Elena Kats-Chernin
Lullaby for Nick
95 bpm • A min • 03:23 • -32.45db
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Traditional
Blow The Wind Southerly (Arr. Kanneh-Mas...
95 bpm • C Maj • 02:22 • -28db
45% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
45% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Germaine Tailleferre
Berceuse
101 bpm • A Maj • 02:28 • -26.14db
35% Popularity • 22% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
35% Popularity • 22% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Max Bruch
8 Pieces, Op. 83 (Arr. for Violin, Viola...
102 bpm • B min • 02:39 • -23db
45% Popularity • 22% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
45% Popularity • 22% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Frank Bridge
Miniatures: II. Tempo di valse
94 bpm • G min • 02:09 • -37.12db
3% Popularity • 28% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
3% Popularity • 28% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Ernest John Moeran
Prelude for Cello & Piano
93 bpm • E Maj • 04:49 • -26.43db
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Federico Mompou
Musica callada I Angelico
93 bpm • A min • 02:00 • -47db
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
39% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
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Edward Elgar
Sospiri, Op. 70 (Arr. for Violin and Pia...
93 bpm • D min • 04:10 • -27.26db
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Amy Beach
4 Sketches, Op. 15: III. Dreaming
93 bpm • F Maj • 04:53 • -22.6db
39% Popularity • 19% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Edward Elgar
Romance in D Minor, Op. 62 (Arr. Parkin ...
93 bpm • D min • 05:36 • -23.66db
19% Popularity • 14% Danceability • 6% Energy • 32% Liveness
93% Instrumentalness • 10% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 32% Liveness
93% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Finzi
Clear and gentle stream, Op. 17, No. 4 -...
92 bpm • F Maj • 04:30 • -25db
14% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
14% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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AntonÃn Dvořák
Silent Woods, Op. 68/5 - version for Cel...
92 bpm • F# Maj • 05:03 • -28.4db
32% Popularity • 17% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
30% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
45% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
30% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Frank Bridge
Oration, H. 180: I. Poco lento
91 bpm • C min • 05:44 • -24.18db
0% Popularity • 11% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
14 Romances, Op. 34/14: No. 14, Vocalise...
105 bpm • E min • 05:55 • -22.56db
46% Popularity • 18% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 18% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
► Preview
Cyril Scott
Lullaby, Op. 57 No. 2 (Arr. for Cello & ...
91 bpm • D Maj • 02:19 • -27db
29% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
A Moorside Suite, H. 173: Nocturne
91 bpm • B min • 07:05 • -32db
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47: Mon coeur s'ou...
91 bpm • G Maj • 03:10 • -23.44db
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Frank Bridge
String Quartet in G Minor: III. Molto ad...
90 bpm • G Maj • 08:40 • -20db
0% Popularity • 24% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
0% Popularity • 24% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Viola & Pian...
90 bpm • D Maj • 02:53 • -26.71db
31% Popularity • 28% Danceability • 7% Energy • 11% Liveness
29% Instrumentalness • 11% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 11% Liveness
29% Instrumentalness • 11% Positiveness
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Frank Bridge
Phantasie Piano Trio in C Minor, "Piano ...
107 bpm • D# Maj • 06:19 • -23.01db
2% Popularity • 23% Danceability • 4% Energy • 14% Liveness
33% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 4% Energy • 14% Liveness
33% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
24% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
47% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Frank Bridge
Suite For String: III. Nocturne
90 bpm • F Maj • 06:17 • -40.44db
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
6% Popularity • 10% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sonate pour hautbois et piano: Déplorat...
108 bpm • A# min • 04:19 • -29db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Julius Klengel
Hymnus, Op. 57
89 bpm • G Maj • 05:14 • -23db
17% Popularity • 10% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Frank Bridge
Four Short Pieces, H104: Country Dance
108 bpm • C min • 01:51 • -24.16db
1% Popularity • 54% Danceability • 6% Energy • 23% Liveness
89% Instrumentalness • 48% Positiveness
1% Popularity • 54% Danceability • 6% Energy • 23% Liveness
89% Instrumentalness • 48% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Songs without Words, Op. 67, No. 3 in B-...
89 bpm • A# Maj • 02:49 • -28db
42% Popularity • 41% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
42% Popularity • 41% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Howard Blake
Archangel's Lullaby
89 bpm • D min • 01:39 • -35.15db
46% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Frank Bridge
Hence Care, H. 154
108 bpm • A Maj • 01:50 • -19.3db
1% Popularity • 42% Danceability • 10% Energy • 19% Liveness
4% Instrumentalness • 40% Positiveness
1% Popularity • 42% Danceability • 10% Energy • 19% Liveness
4% Instrumentalness • 40% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
