Songs like erase me (feat. Jacob Collier) by Lizzy McAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Olivia Rodrigo
so american
93 bpm • G# Maj • 02:49 • -1.88db
84% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
84% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Lizzy McAlpine
erase me
93 bpm • F# min • 03:34 • -8.53db
58% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
girl i’ve always been
94 bpm • G Maj • 02:01 • -7.12db
78% Popularity • 51% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
78% Popularity • 51% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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Lizzy McAlpine
Movie Star
94 bpm • A Maj • 01:32 • -12.13db
61% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Holly Humberstone
Paint My Bedroom Black
92 bpm • C Maj • 03:49 • -9.59db
54% Popularity • 72% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 72% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Atwater
why did you invite me to your wedding
92 bpm • D# Maj • 02:44 • -15.21db
41% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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JP Saxe
Everything Ends
94 bpm • E Maj • 02:13 • -13.66db
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
61% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
61% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Matilda Mann
The Day That I Met You
92 bpm • C# Maj • 02:45 • -9.87db
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Ethel Cain
Crush
95 bpm • E Maj • 03:24 • -10.94db
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call
92 bpm • E min • 04:04 • -12db
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Jensen McRae
Starting To Get To You
91 bpm • G# Maj • 02:41 • -8.35db
43% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Zeph
Lucky
95 bpm • C Maj • 03:12 • -17db
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lilacs.
7PM
95 bpm • E Maj • 03:22 • -8.09db
50% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Katie Gregson-MacLeod
complex (demo)
95 bpm • C Maj • 04:16 • -9.92db
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jacob Collier
Never Gonna Be Alone
91 bpm • C Maj • 04:10 • -9.37db
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
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Lizzy McAlpine
...What Are We?
92 bpm • E Maj • 03:38 • -14.92db
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Backseat Lovers
Snowbank Blues
96 bpm • F Maj • 03:17 • -11.49db
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The 1975
About You
96 bpm • D Maj • 05:26 • -7.39db
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
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Lizzy McAlpine
I Don't Know You At All
91 bpm • A min • 04:31 • -15.38db
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Suki Waterhouse
Melrose Meltdown
90 bpm • C Maj • 03:32 • -10.78db
54% Popularity • 41% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 41% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Taylor Swift
marjorie
96 bpm • F Maj • 04:17 • -11.62db
65% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Orla Gartland
Why Am I Like This?
90 bpm • D Maj • 03:32 • -7.71db
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Hazlett
Mama's Boy
90 bpm • E Maj • 03:16 • -14.51db
59% Popularity • 53% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
59% Popularity • 53% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
36% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
36% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call (Andrew)
91 bpm • C Maj • 06:10 • -14.45db
49% Popularity • 63% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 63% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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dodie
When
90 bpm • G# Maj • 03:43 • -15.89db
45% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Swift
august
90 bpm • F Maj • 04:21 • -9.21db
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Delaney Bailey
we were girls together
97 bpm • G Maj • 02:17 • -15.2db
49% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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MUNA
Silk Chiffon
97 bpm • G# Maj • 03:26 • -6.22db
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
Same Boat
95 bpm • D Maj • 03:22 • -11.92db
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Olivia Rodrigo
enough for you
88 bpm • G Maj • 03:22 • -10.71db
77% Popularity • 64% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 64% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Hazlett
Stolen Seasons
98 bpm • A# Maj • 03:01 • -14.01db
62% Popularity • 66% Danceability • 21% Energy • 12% Liveness
20% Instrumentalness • 32% Positiveness
62% Popularity • 66% Danceability • 21% Energy • 12% Liveness
20% Instrumentalness • 32% Positiveness
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The Japanese House
Sunshine Baby
88 bpm • C Maj • 03:39 • -8.3db
61% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Lizzy McAlpine
Means Something
95 bpm • G# Maj • 02:24 • -15db
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Chappell Roan
Kaleidoscope
88 bpm • B Maj • 03:42 • -7.11db
62% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tiny Habits
pennies (voice memo)
98 bpm • E Maj • 03:02 • -8.75db
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Sanchez
Please Don't Go Home Yet
98 bpm • C Maj • 03:34 • -10.59db
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Griff
Astronaut
88 bpm • G Maj • 03:35 • -6.67db
58% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
58% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lizzy McAlpine
You Forced Me To
96 bpm • C# min • 03:03 • -13.62db
60% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Kessler
It Could Be Worse
99 bpm • F Maj • 01:33 • -14.29db
50% Popularity • 48% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 48% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Gracie Abrams
This is what the drugs are for
99 bpm • C# Maj • 04:05 • -8.14db
59% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Lizzy McAlpine
Older
89 bpm • D# Maj • 03:21 • -12.99db
59% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Chappell Roan
My Kink Is Karma
87 bpm • D Maj • 03:42 • -5.62db
71% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Jensen McRae
Adam's Ribs
87 bpm • D Maj • 03:14 • -7.24db
41% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Sanchez
No One Knows
100 bpm • F Maj • 03:59 • -10.63db
65% Popularity • 48% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 48% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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SYML
You and I
100 bpm • F Maj • 03:13 • -10db
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Tiny Habits
Small Enough
100 bpm • G Maj • 03:32 • -9.61db
48% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sydney Rose
You’d Be Stars
100 bpm • C Maj • 03:42 • -8.01db
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Laufey
Love Flew Away
86 bpm • F Maj • 02:27 • -8.47db
62% Popularity • 41% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 41% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sabrina Carpenter
emails i can’t send
86 bpm • G Maj • 01:44 • -10.61db
70% Popularity • 52% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
70% Popularity • 52% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
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Field Guide
Yellow
86 bpm • B Maj • 03:30 • -11.88db
41% Popularity • 67% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
41% Popularity • 67% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Lizzy McAlpine
Hold On
86 bpm • C# Maj • 02:36 • -10.72db
44% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Holly Humberstone
Superbloodmoon
86 bpm • B Maj • 02:31 • -7.92db
54% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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boygenius
Letter To An Old Poet
85 bpm • C Maj • 03:07 • -13.99db
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
Better Than This
85 bpm • F Maj • 03:34 • -11.49db
59% Popularity • 58% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 58% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Conan Gray
Footnote
102 bpm • G Maj • 03:44 • -10.55db
59% Popularity • 34% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 34% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Sophie May
Lover Boy
85 bpm • E Maj • 01:59 • -11db
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Suki Waterhouse
Moves
85 bpm • C Maj • 03:13 • -8.27db
70% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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quinnie
touch tank
102 bpm • E Maj • 02:59 • -7db
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Matilda Mann
In Plain Sight
102 bpm • C# Maj • 02:36 • -8.84db
37% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
37% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Lana Del Rey
Margaret
102 bpm • A Maj • 05:39 • -13.24db
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
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Lizzy McAlpine
ceilings - Spotify Singles
85 bpm • A Maj • 02:44 • -14db
43% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Paris Paloma
labour
84 bpm • B min • 03:57 • -10.3db
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
86% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
86% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
