Songs like Esquisses Hebraïques No. 1, Op. 12: II. Allegro moderato by Alexander Krein
Based on a tempo of (+/- 10%) and a similar genre
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Markolyno
Fugue in G Major
110 bpm • D min • 02:10 • -36.89db
12% Popularity • 48% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 48% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Alejandro Llovet Abascal
Sounds of joy
110 bpm • C Maj • 02:15 • -18.48db
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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The Gerst Ensemble
5 pièces de clavecin: Le petit rien
110 bpm • D Maj • 01:08 • -35.13db
17% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
17% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
110 bpm • F Maj • 06:10 • -18.03db
8% Popularity • 37% Danceability • 21% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 37% Danceability • 21% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Asklepios
Como en las Grandes Citas
110 bpm • C Maj • 02:26 • -15.99db
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Philippe Quint
Samson et Dalila Op. 47, Act II, Scene I...
110 bpm • G Maj • 03:34 • -22.78db
9% Popularity • 22% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Markolyno
Presto Prelude in D Minor
110 bpm • A min • 02:37 • -40db
12% Popularity • 44% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
12% Popularity • 44% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
110 bpm • F Maj • 03:23 • -31.1db
13% Popularity • 19% Danceability • 3% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Scena e cant...
110 bpm • D Maj • 04:49 • -20.44db
9% Popularity • 32% Danceability • 15% Energy • 77% Liveness
45% Instrumentalness • 11% Positiveness
9% Popularity • 32% Danceability • 15% Energy • 77% Liveness
45% Instrumentalness • 11% Positiveness
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Alexander Krein
Esquisses hebraïques No. 2, Op.13: II. ...
110 bpm • G min • 04:19 • -20.06db
0% Popularity • 28% Danceability • 11% Energy • 27% Liveness
26% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 11% Energy • 27% Liveness
26% Instrumentalness • 8% Positiveness
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アントニーン・ドヴォルザーク
Romantic Pieces, Op.75, Larghetto
110 bpm • C min • 05:16 • -22.82db
13% Popularity • 25% Danceability • 7% Energy • 80% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 7% Energy • 80% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 24 - Du bist wie ei...
109 bpm • G# Maj • 01:41 • -22.36db
28% Popularity • 25% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4, Raymonda
110 bpm • D min • 03:05 • -32.07db
17% Popularity • 34% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Dick Walter
Mini Swan Lake Waltz
111 bpm • A Maj • 01:02 • -18.2db
16% Popularity • 31% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 12% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 12% Positiveness
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Alexander Krein
4 Pieces, Op. 7: No. 3, Poem-fantasy
111 bpm • A# min • 06:21 • -18.69db
0% Popularity • 49% Danceability • 14% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 49% Danceability • 14% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Ferruccio Busoni
Concerto in D Major, Op. 35a: I. Allegro...
108 bpm • D Maj • 07:43 • -28.09db
13% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Jules Massenet
Espada Suite: I. Panaderos
108 bpm • G Maj • 01:53 • -22.98db
17% Popularity • 32% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
17% Popularity • 32% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
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Robert Schumann
Symphony No.4 in D minor, Op.120 (1841):...
112 bpm • A min • 04:11 • -27.38db
16% Popularity • 19% Danceability • 3% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
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Nino Rota
5 Pezzi facili: No. 5. Il soldatino
108 bpm • F Maj • 01:39 • -24.57db
21% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
21% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
112 bpm • F# Maj • 01:42 • -30.74db
10% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Alexander Krein
Jewish Sketches, Suite No. 1, Op. 12: II...
112 bpm • G min • 03:37 • -18.38db
0% Popularity • 39% Danceability • 14% Energy • 9% Liveness
50% Instrumentalness • 39% Positiveness
0% Popularity • 39% Danceability • 14% Energy • 9% Liveness
50% Instrumentalness • 39% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
112 bpm • A Maj • 01:14 • -16.33db
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
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Markolyno
Andante Ascension
108 bpm • A min • 02:04 • -39.48db
12% Popularity • 37% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Ryan McTear
Danse Macabre
108 bpm • D# Maj • 02:24 • -15.12db
9% Popularity • 35% Danceability • 39% Energy • 7% Liveness
77% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 39% Energy • 7% Liveness
77% Instrumentalness • 14% Positiveness
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Georges Bizet
《アルルの女》第2組曲: ファ�...
108 bpm • D Maj • 03:27 • -11.96db
14% Popularity • 50% Danceability • 45% Energy • 67% Liveness
92% Instrumentalness • 58% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 67% Liveness
92% Instrumentalness • 58% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
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Alexander Krein
Jewish Sketches, Suite No. 2, Op. 13: II...
112 bpm • G min • 04:24 • -16.16db
0% Popularity • 38% Danceability • 19% Energy • 31% Liveness
5% Instrumentalness • 37% Positiveness
0% Popularity • 38% Danceability • 19% Energy • 31% Liveness
5% Instrumentalness • 37% Positiveness
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Pyotr Ilyich Tchaikovsky
La Belle au bois dormant, Op. 66 ; TH 13...
113 bpm • A# Maj • 04:29 • -11.97db
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
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Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
113 bpm • C Maj • 00:59 • -24.34db
15% Popularity • 30% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 31% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 31% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
113 bpm • D min • 04:59 • -22.35db
11% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Adolphe Adam
La jolie fille de Gand: Scene 4
113 bpm • D min • 02:08 • -25.05db
22% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
22% Popularity • 43% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
The New Four Seasons - Spring: I. Ice Me...
107 bpm • E Maj • 03:38 • -13.33db
13% Popularity • 37% Danceability • 32% Energy • 27% Liveness
23% Instrumentalness • 20% Positiveness
13% Popularity • 37% Danceability • 32% Energy • 27% Liveness
23% Instrumentalness • 20% Positiveness
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Alexander Krein
Esquisses Hebraïques No. 1, Op. 12: II....
108 bpm • G min • 04:31 • -12.97db
0% Popularity • 34% Danceability • 30% Energy • 68% Liveness
4% Instrumentalness • 23% Positiveness
0% Popularity • 34% Danceability • 30% Energy • 68% Liveness
4% Instrumentalness • 23% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
107 bpm • C Maj • 01:58 • -18.44db
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50: II. Varia...
107 bpm • C# min • 03:04 • -20.07db
13% Popularity • 21% Danceability • 12% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 12% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Peter Warlock
Capriol Suite: III. Tordion
107 bpm • G min • 01:04 • -26.17db
10% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
10% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
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Jules Massenet
Thais Ballet Music: III. Presto vivace
107 bpm • A Maj • 01:18 • -23.42db
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
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Evergreen Symphony Orchestra
Paquita, Act II, Scene II, 8.4: "Girl’...
114 bpm • A Maj • 02:26 • -31.1db
10% Popularity • 38% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
10% Popularity • 38% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Alexander Krein
Esquisses hébraïques No. 1, Op. 12: II...
107 bpm • G Maj • 03:14 • -21.48db
0% Popularity • 27% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Norwegian Dances, Op. 35: No. 2 in A Maj...
106 bpm • A Maj • 02:27 • -28.51db
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VII. ...
114 bpm • E min • 01:27 • -24db
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a, TH 219, Act II...
106 bpm • E min • 02:47 • -21.88db
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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slowed nation
Concerto in F Minor, BWV. 1056. I. Adagi...
114 bpm • E Maj • 03:29 • -34.28db
10% Popularity • 43% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
10% Popularity • 43% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Concerto for Bass Tuba and Orchestra: I....
115 bpm • A# min • 04:48 • -23db
11% Popularity • 42% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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Alexander Krein
Hebrew Sketches, Op. 12: III. Allegro mo...
114 bpm • C min • 03:23 • -16db
0% Popularity • 38% Danceability • 18% Energy • 21% Liveness
27% Instrumentalness • 36% Positiveness
0% Popularity • 38% Danceability • 18% Energy • 21% Liveness
27% Instrumentalness • 36% Positiveness
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Adelaide Symphony Orchestra
Soirées Musicales, Op. 9 (After Rossini...
115 bpm • A# Maj • 01:36 • -20.59db
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Raphael Fimm
Les Hypermnésiques
115 bpm • E Maj • 01:39 • -15.79db
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 15% Liveness
85% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
105 bpm • A Maj • 04:13 • -30.36db
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Luke Faulkner
The Road to Casterbridge
115 bpm • A min • 03:09 • -25.58db
26% Popularity • 22% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
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Antal Gyorgy Csermak
Az intezett veszedelem vagy Hazy szerete...
115 bpm • D Maj • 01:12 • -22.46db
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Alexander Krein
Lyric Fragment, Op. 1a (Live)
114 bpm • A min • 03:30 • -24.35db
0% Popularity • 18% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
115 bpm • G# Maj • 09:06 • -24.22db
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
115 bpm • A min • 05:02 • -21.13db
13% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
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Paul Le Flem
7 Pieces enfantines (7 Children's Pieces...
115 bpm • A# Maj • 02:34 • -34.07db
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
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Giacomo Puccini
わたしが町を歩くと～歌劇『�...
105 bpm • A Maj • 02:33 • -17.7db
8% Popularity • 28% Danceability • 15% Energy • 15% Liveness
52% Instrumentalness • 14% Positiveness
8% Popularity • 28% Danceability • 15% Energy • 15% Liveness
52% Instrumentalness • 14% Positiveness
► Preview
Karl Jenkins
Ad Lumen (Towards Light)
105 bpm • F Maj • 01:52 • -19.79db
12% Popularity • 25% Danceability • 19% Energy • 17% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 19% Energy • 17% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Alexander Krein
Hebrew Sketches, Op. 12: II. Andante con...
105 bpm • A min • 02:47 • -17.08db
0% Popularity • 38% Danceability • 6% Energy • 18% Liveness
77% Instrumentalness • 30% Positiveness
0% Popularity • 38% Danceability • 6% Energy • 18% Liveness
77% Instrumentalness • 30% Positiveness
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Various Artists
Voices of Spring Waltz
105 bpm • C min • 06:33 • -23.01db
8% Popularity • 24% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
8% Popularity • 24% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
► Preview
Colwell Snodbury
Torches Aloft
116 bpm • F Maj • 02:57 • -18db
16% Popularity • 21% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
16% Popularity • 21% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Dmitri Shostakovich
FIVE PIECES: I PRELUDE
104 bpm • E min • 01:57 • -23.58db
23% Popularity • 23% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
23% Popularity • 23% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 01:56 • -26db
14% Popularity • 47% Danceability • 10% Energy • 25% Liveness
83% Instrumentalness • 75% Positiveness
14% Popularity • 47% Danceability • 10% Energy • 25% Liveness
83% Instrumentalness • 75% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: VII. Second Int...
116 bpm • E Maj • 02:22 • -26.03db
20% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Mathieu Lamboley
Ennui
104 bpm • A min • 01:40 • -30.8db
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Joseph Haydn
String Quartet in E-Flat Major, Op. 1 No...
117 bpm • A# Maj • 05:16 • -26.34db
9% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
► Preview
Alexander Krein
Elegy in C Minor, Op. 16
117 bpm • C# Maj • 05:16 • -17.12db
0% Popularity • 26% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
► Preview
Dorothy Howell
Divertissements: I. Three Divertissement...
118 bpm • F Maj • 03:45 • -24.13db
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: VIII, Ankunf...
102 bpm • A min • 02:01 • -12.89db
15% Popularity • 31% Danceability • 29% Energy • 34% Liveness
61% Instrumentalness • 33% Positiveness
15% Popularity • 31% Danceability • 29% Energy • 34% Liveness
61% Instrumentalness • 33% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: V. Carmen’s E...
118 bpm • G Maj • 03:19 • -23.62db
15% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
15% Popularity • 38% Danceability • 3% Energy • 73% Liveness
8% Instrumentalness • 27% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
102 bpm • G Maj • 03:36 • -31.22db
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Christian Lindberg
A Vulgar Mind
119 bpm • G Maj • 01:42 • -16.85db
14% Popularity • 53% Danceability • 59% Energy • 29% Liveness
78% Instrumentalness • 51% Positiveness
14% Popularity • 53% Danceability • 59% Energy • 29% Liveness
78% Instrumentalness • 51% Positiveness
► Preview
Alexander Krein
2 Pieces on Jewish Themes: No. 2. Woloch...
102 bpm • G min • 02:14 • -23.05db
0% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
0% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
7 Variations on "Bei Männern, welche Li...
119 bpm • D# Maj • 02:17 • -31.98db
11% Popularity • 25% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 25% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Erik Satie
Gnossienne No. 3 (Orch. Corp)
102 bpm • A min • 02:20 • -41.1db
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
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リリウオカラニ
アロハ・オエ
119 bpm • A# Maj • 02:54 • -22.11db
11% Popularity • 27% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
11% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
11% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Max Richtar
Forgive My Error
120 bpm • C min • 02:15 • -23.43db
8% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24: Lensky's Aria (Ar...
101 bpm • E min • 05:02 • -18.82db
19% Popularity • 22% Danceability • 9% Energy • 26% Liveness
4% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 26% Liveness
4% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Violin Concerto in D Major: IV. Capricci...
121 bpm • D Maj • 06:18 • -19.87db
8% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
8% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
How Fair This Spot, Op. 21 No. 7 (Transc...
100 bpm • A Maj • 01:57 • -22.08db
10% Popularity • 27% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 27% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24 - Part 2: ...
121 bpm • D Maj • 03:01 • -37.85db
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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balsimo rolon
unidad de corazon roto
100 bpm • A min • 01:49 • -22.66db
7% Popularity • 57% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Danke Timi Briggs
Rivulet of Truth
121 bpm • G min • 02:29 • -18.68db
16% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
16% Popularity • 38% Danceability • 20% Energy • 20% Liveness
77% Instrumentalness • 25% Positiveness
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Misya
Distant
100 bpm • B min • 02:47 • -24.73db
18% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
121 bpm • C Maj • 00:59 • -26.07db
9% Popularity • 23% Danceability • 12% Energy • 27% Liveness
50% Instrumentalness • 47% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 27% Liveness
50% Instrumentalness • 47% Positiveness
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Miljan Minic
Lemonade Stand
100 bpm • C min • 02:24 • -32.21db
16% Popularity • 56% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 56% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Carl Albert Loeschhorn
Kinderstücke Nr. 3 Op. 182 for Orchestr...
100 bpm • D min • 00:59 • -31.94db
13% Popularity • 88% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 77% Positiveness
13% Popularity • 88% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 77% Positiveness
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Reinhold Glière
Concerto for Harp and Orchestra, Op. 74:...
121 bpm • D# Maj • 04:45 • -21.3db
8% Popularity • 33% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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balsimo rolon
sabe que soltera ese bajo
100 bpm • C min • 01:59 • -26.76db
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
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Robert Schumann
Symphonie No. 3 in E-Flat Major, Op. 97:...
100 bpm • G# Maj • 04:53 • -27.53db
28% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Alexander Krein
Aria, Op. 41
99 bpm • D min • 08:11 • -17.07db
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Maya Badian
Sinfonietta: III. Allegro
122 bpm • F min • 02:53 • -18db
13% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
13% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
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蔡榮吉
世界名曲:泰綺思
99 bpm • D Maj • 02:15 • -17.95db
16% Popularity • 25% Danceability • 19% Energy • 22% Liveness
40% Instrumentalness • 7% Positiveness
16% Popularity • 25% Danceability • 19% Energy • 22% Liveness
40% Instrumentalness • 7% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
99 bpm • D min • 02:10 • -26.47db
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Mario Castelnuovo-Tedesco
'Violetta', Fantasia for Violin and Pian...
122 bpm • G# Maj • 03:28 • -26.16db
12% Popularity • 26% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
