Songs like Eternal Source of Light Divine, HWV 74 (Arrangement) by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Eternal Source of Light Divine, HWV 74 (...
98 bpm • C Maj • 05:53 • -18.08db
37% Popularity • 18% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
44% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
44% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Joseph Haydn
String Quartet No. 17 in F Major, Hob. I...
98 bpm • C Maj • 06:02 • -25db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
97 bpm • A# Maj • 02:17 • -24db
35% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
35% Popularity • 25% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: O Rud...
98 bpm • F# min • 03:02 • -18.39db
5% Popularity • 64% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 64% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
39% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
39% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Georgs Pelēcis
Concertino bianco: 1. Con intenerimento
97 bpm • C Maj • 06:17 • -26db
51% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
51% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Raphaël Imbert
Mass in B Minor, BWV 232: Crucifixus
96 bpm • G min • 03:37 • -15db
14% Popularity • 12% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
14% Popularity • 12% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
97 bpm • A# min • 01:30 • -26db
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
43% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
43% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Violaine Cochard
St. Matthew Passion in E Minor, Pt. 2, B...
100 bpm • B min • 04:10 • -15.46db
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Henry Purcell
Trumpet Sonata in D Major, Z. 850: I. Al...
96 bpm • D Maj • 01:20 • -15db
51% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
51% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Anonymous
Jeux Interdits: Spanish Romance (Arr. fo...
100 bpm • E min • 03:02 • -25.07db
38% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
38% Popularity • 25% Danceability • 7% Energy • 19% Liveness
92% Instrumentalness • 9% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act I: Where ...
99 bpm • B min • 03:31 • -23db
6% Popularity • 38% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 38% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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John Dowland
Flow, My Tears (Arr. for Viola & Accordi...
96 bpm • C min • 04:15 • -21db
16% Popularity • 14% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Domenico Scarlatti
Sonata in D Minor, L. 108
96 bpm • D min • 04:28 • -29db
25% Popularity • 47% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
25% Popularity • 47% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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L'Arpeggiata
Ciaccona (I)
101 bpm • C Maj • 03:52 • -21db
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Robert de Visée
Sarabande
95 bpm • C# Maj • 02:12 • -42.19db
35% Popularity • 31% Danceability • 0% Energy • 21% Liveness
92% Instrumentalness • 13% Positiveness
35% Popularity • 31% Danceability • 0% Energy • 21% Liveness
92% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55: IV. Songs My Mother...
95 bpm • A min • 02:06 • -17.15db
28% Popularity • 16% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin
101 bpm • F# Maj • 02:51 • -32.06db
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
95 bpm • C Maj • 05:36 • -39.77db
42% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
42% Popularity • 12% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No. ...
96 bpm • C# Maj • 05:23 • -15.76db
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A. Le...
95 bpm • A min • 01:10 • -21db
35% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
35% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
23% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (Mr. de Sainte Colombe, versi...
102 bpm • C# min • 04:09 • -28db
30% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Inter...
96 bpm • C# Maj • 01:23 • -27db
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Quintetto in Do Maggiore La Musica Nottu...
102 bpm • G Maj • 01:50 • -28.97db
38% Popularity • 52% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
38% Popularity • 52% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
102 bpm • B Maj • 02:39 • -20db
37% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
37% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: I Rag...
101 bpm • E Maj • 01:13 • -20.09db
5% Popularity • 37% Danceability • 19% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 37% Danceability • 19% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Manuel de Falla
Nana
94 bpm • A min • 02:32 • -23.61db
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
54% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
54% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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George Frideric Handel
Deborah, HWV 51: Part I: Chorus - Let th...
101 bpm • F# Maj • 03:25 • -21.16db
31% Popularity • 31% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
31% Popularity • 31% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Violin Concerto in B-Flat Major, RV 583:...
103 bpm • A# Maj • 04:02 • -24.54db
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Federico Mompou
Musica callada I Angelico
93 bpm • A min • 02:00 • -47db
41% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
41% Popularity • 36% Danceability • 0% Energy • 6% Liveness
72% Instrumentalness • 28% Positiveness
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Edward Elgar
Sospiri, Op. 70 (Arr. for Violin and Pia...
93 bpm • D min • 04:10 • -27.26db
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
38% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas brasileiras No. 5: I. Aria (Ca...
105 bpm • E min • 05:17 • -19db
43% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Rodelinda / Act 2: Io t'abbraccio
102 bpm • F min • 06:49 • -21.74db
12% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7, Act II: Lascia ch'io pia...
94 bpm • D Maj • 04:34 • -22.36db
2% Popularity • 30% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 14% Positiveness
2% Popularity • 30% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 14% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Arvo Pärt
Vater unser (Arr. for Trombone & String ...
106 bpm • C Maj • 03:30 • -21.74db
15% Popularity • 16% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
28% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
49% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
49% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
23% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Let the Bright Seraphim from Samson, HWV...
103 bpm • D Maj • 05:31 • -21db
16% Popularity • 52% Danceability • 9% Energy • 32% Liveness
17% Instrumentalness • 30% Positiveness
16% Popularity • 52% Danceability • 9% Energy • 32% Liveness
17% Instrumentalness • 30% Positiveness
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Henry Purcell
Mighty Powers
107 bpm • A min • 02:57 • -17.5db
17% Popularity • 46% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 38% Positiveness
17% Popularity • 46% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 38% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Concerto grosso in F Major, Op. ...
104 bpm • E Maj • 02:11 • -19.07db
29% Popularity • 36% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
29% Popularity • 36% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323 "Ode f...
107 bpm • F Maj • 02:25 • -24.21db
25% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
25% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
41% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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George Frideric Handel
Gideon, Pt. 3: Air. Let the Trumpet's So...
92 bpm • C# Maj • 04:21 • -18db
26% Popularity • 47% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
26% Popularity • 47% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
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Francesco Corbetta
Passacaille en sol mineur
89 bpm • F# min • 02:37 • -26.26db
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Paolo Pandolfo
sopra Las Vacas
108 bpm • C Maj • 04:17 • -22.94db
29% Popularity • 43% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 7: Aria: Ca...
92 bpm • D# min • 10:30 • -25db
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness