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Everglow
Songs like
Everglow
by
Kate Rusby
Based on a tempo of (+/- 10%) and a similar genre
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West Of Eden
The Awful Execution of Charles Christoph...
146 bpm • D Maj • 03:47 • -9.89db
13% Popularity • 45% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Sharon Shannon
A Song of the Rosy Cross
146 bpm • E Maj • 01:41 • -11.53db
29% Popularity • 47% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Cathie Ryan
Be Like the Sea
146 bpm • A Maj • 04:01 • -8.61db
13% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Eliza Carthy
Worcester City
145 bpm • D min • 04:48 • -4.93db
11% Popularity • 32% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Kate Rusby
The Squire and the Parson
147 bpm • C Maj • 03:41 • -10.1db
11% Popularity • 56% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Julie Fowlis
Go Your Way
145 bpm • B Maj • 03:55 • -10db
25% Popularity • 32% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Waterson:Carthy
Raggle Taggle Gipsies
148 bpm • D Maj • 04:26 • -10db
15% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Show Of Hands
Cousin Jack
148 bpm • E min • 06:50 • -8.61db
28% Popularity • 32% Danceability • 61% Energy • 88% Liveness
0% Instrumentalness • 29% Positiveness
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Ewan McLennan
Jock Stewart
144 bpm • C Maj • 03:25 • -12db
23% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kathryn Tickell
Big River
144 bpm • A# Maj • 05:34 • -10db
14% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kasim Steijaert
Glory To You
148 bpm • F# min • 03:59 • -12.24db
20% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Cathie Ryan
In the Wishing Well
148 bpm • A# Maj • 03:21 • -8.23db
15% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Karen Matheson
Luadh An Toraidh
144 bpm • B min • 03:18 • -10.93db
21% Popularity • 64% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Show Of Hands
Battlefield Dance Floor
144 bpm • D Maj • 02:45 • -8.5db
24% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Siobhan Miller
All Is Not Forgotten
148 bpm • B Maj • 04:52 • -12.59db
20% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 40% Positiveness
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Karine Polwart
The Light on the Shore
144 bpm • A Maj • 04:24 • -15.3db
13% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kate Rusby
Pace Egging Song
149 bpm • C Maj • 03:40 • -8.6db
13% Popularity • 61% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Lau
January Man
143 bpm • G# min • 04:01 • -11db
19% Popularity • 44% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Changing Room
A River Runs Between
150 bpm • E min • 03:03 • -7.94db
7% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Show Of Hands
Next Best Western
144 bpm • G Maj • 04:50 • -9.11db
14% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Caladh Nua
Song - Beeswing
150 bpm • D Maj • 04:45 • -9.54db
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Emma Langford
The Winding Way Down to Kells Bay
150 bpm • A Maj • 04:03 • -9.68db
30% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jim Moray
Sweet England
150 bpm • C Maj • 03:55 • -8.45db
9% Popularity • 38% Danceability • 43% Energy • 17% Liveness
8% Instrumentalness • 10% Positiveness
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Capercaillie
At the Heart of It All
142 bpm • G Maj • 04:59 • -9db
28% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Niamh Parsons
Clohinne Winds
142 bpm • A min • 04:48 • -13db
13% Popularity • 40% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Nancy Kerr
Instar
142 bpm • E Maj • 04:40 • -11.23db
8% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Breabach
Birds of Passage
142 bpm • A# Maj • 03:57 • -9db
22% Popularity • 32% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Wise
All the Streets
151 bpm • E Maj • 03:36 • -13db
7% Popularity • 42% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Josienne Clarke and Ben Walker
It Would Not Be A Rose
151 bpm • C min • 03:22 • -11.44db
24% Popularity • 46% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Steve Knightley
Cousin Jack
141 bpm • E min • 05:53 • -11.84db
7% Popularity • 38% Danceability • 37% Energy • 99% Liveness
0% Instrumentalness • 21% Positiveness
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The Bothy Band
Do You Love an Apple
141 bpm • G Maj • 02:53 • -12.61db
24% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Zoë Conway
The Curra Road
141 bpm • C# Maj • 03:36 • -21db
19% Popularity • 56% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Ruth Notman
Still I Love Him
140 bpm • A Maj • 02:43 • -6.39db
21% Popularity • 43% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Katherine Priddy
Still Winter, Still Waiting
152 bpm • D# Maj • 03:11 • -10.14db
25% Popularity • 22% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Ninebarrow
The Hour of the Blackbird
152 bpm • A# Maj • 02:43 • -13.65db
15% Popularity • 55% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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This Morning
Caught Up
140 bpm • E Maj • 03:09 • -11db
13% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Arcady
The Boys Of Barr Na Sraide
140 bpm • F Maj • 04:46 • -16.79db
27% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Show Of Hands
'Twas on One April's Morning
140 bpm • G Maj • 04:52 • -6.71db
9% Popularity • 61% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 77% Positiveness
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Megson
The Road to Hell (Pt. 2)
140 bpm • A# Maj • 04:11 • -8db
15% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Kate Rusby
The Goodman
140 bpm • A# Maj • 04:32 • -10.6db
16% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Ruth Notman
Lark in the Clear Air
140 bpm • E Maj • 02:45 • -11.15db
21% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ewan McLennan
Jock Stewart
152 bpm • B Maj • 02:55 • -12.1db
29% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Pete McCormack
Be Brave Tonight
140 bpm • F# Maj • 05:16 • -8.33db
20% Popularity • 41% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Kitty Macfarlane
Dawn & Dark
154 bpm • F# Maj • 02:40 • -15.43db
28% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jackie Oates
May the Kindness
139 bpm • G# Maj • 04:39 • -11db
15% Popularity • 43% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Rusby
Annan Waters - Remastered 2022 (25th Ann...
139 bpm • C Maj • 05:29 • -8.68db
12% Popularity • 24% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Emma Langford
The Unbearable Lightness of Being
154 bpm • D Maj • 03:16 • -12.47db
6% Popularity • 52% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Ewan McLennan
Such a Thing as Society
140 bpm • E Maj • 03:28 • -13db
23% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ruth Notman
The Life of Lilly
140 bpm • A# Maj • 03:38 • -11.05db
10% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Breabach
Winter Winds
154 bpm • F Maj • 03:59 • -11.01db
24% Popularity • 46% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Julie Fowlis
A Phiuthrag 's a Phiuthar
154 bpm • F# Maj • 04:34 • -12.26db
35% Popularity • 20% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Claire Hastings
Annie Laurie
138 bpm • A Maj • 02:56 • -9.32db
12% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Jackie Oates
Hail! Hail! the First of May
138 bpm • D Maj • 02:38 • -9.63db
22% Popularity • 68% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Ewan McLennan
Out on the Banks
139 bpm • B Maj • 05:08 • -15db
16% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Maura O'Connell
Western Highway
155 bpm • D Maj • 05:00 • -17.72db
19% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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West Of Eden
The Bee That Stung
155 bpm • C Maj • 03:50 • -10.7db
6% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Julie Fowlis
Wind and Rain
137 bpm • D Maj • 03:45 • -9.36db
22% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Katherine Priddy
The Isle of Eigg
137 bpm • G min • 03:28 • -12.73db
25% Popularity • 41% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Karan Casey
Bright Winter's Day
137 bpm • D min • 03:36 • -16.88db
28% Popularity • 54% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Spell Songs
Charm on, Goldfinch
156 bpm • F Maj • 04:29 • -11.68db
21% Popularity • 39% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Paul Brady
The Lakes Of Pontchartrain
137 bpm • F Maj • 05:44 • -11.28db
10% Popularity • 42% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Seth Lakeman
The White Hare
137 bpm • A# Maj • 03:03 • -7db
29% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Rachael McShane
The Molecatcher
156 bpm • D Maj • 04:28 • -8.32db
23% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Siobhan Miller
Star O' the Bar
137 bpm • C Maj • 04:04 • -8.26db
23% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Megson
Generation Rent
156 bpm • C# Maj • 03:47 • -6.98db
21% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Full English
Awake Awake
136 bpm • C Maj • 03:11 • -15db
26% Popularity • 77% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sharon Shannon
On the Banks of the Old Pontchertrain
136 bpm • E Maj • 04:26 • -9.52db
27% Popularity • 38% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jason Manford
Falling Slowly
136 bpm • C Maj • 04:16 • -14.2db
7% Popularity • 46% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Kate Rusby
Benjamin Bowmaneer
157 bpm • C Maj • 03:49 • -9.08db
26% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Outside Track
Sweet Lover of Mine
136 bpm • C Maj • 03:38 • -14.62db
16% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Aoife Scott
Sweet October
136 bpm • B Maj • 03:45 • -15.32db
22% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Karine Polwart
Rivers Run
157 bpm • D Maj • 03:10 • -9.37db
29% Popularity • 56% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Ruth Notman
Roaming
135 bpm • D# min • 04:04 • -9db
15% Popularity • 41% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Nancy Kerr
Light Rolls Home
158 bpm • A Maj • 03:35 • -9.64db
12% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Rusby
Cruel
136 bpm • D# Maj • 04:32 • -10.51db
18% Popularity • 42% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Eleanor Shanley
Child of Mine
157 bpm • C Maj • 03:17 • -8.69db
19% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Josienne Clarke and Ben Walker
The Queen Of Hearts
134 bpm • G min • 02:53 • -13.35db
21% Popularity • 44% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Oysterband
Lay Your Dreams Down Gently
134 bpm • C Maj • 03:34 • -10.28db
22% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Emma Langford
Mariana
134 bpm • F Maj • 04:10 • -11.7db
3% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cindy Kallet
Tide And The River Rising (Oars)
134 bpm • A# Maj • 03:22 • -18.69db
12% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Aoife Scott
All Along the Wild Atlantic Way
160 bpm • A Maj • 03:49 • -13db
28% Popularity • 58% Danceability • 30% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Siobhan Miller
Tranent
133 bpm • A Maj • 03:06 • -10db
31% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Kate Rusby
If I Had a Boat
160 bpm • A# Maj • 04:33 • -12.38db
21% Popularity • 56% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 28% Positiveness
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O'Hooley & Tidow
Colne Valley Hearts
133 bpm • B min • 03:40 • -9.78db
19% Popularity • 61% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Jon Boden
Hounds of Love
132 bpm • A# Maj • 04:01 • -9db
12% Popularity • 27% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Ruth Notman
Dark Eyed Sailor
133 bpm • D Maj • 05:33 • -10.32db
10% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Davy Steele
O My Luve's Like a Red, Red Rose
132 bpm • A# Maj • 02:32 • -17.89db
9% Popularity • 37% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Siobhan Miller
Bonny Light Horseman
133 bpm • C Maj • 05:12 • -12.68db
28% Popularity • 35% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Bella Hardy
Hares on the Mountain
132 bpm • A# Maj • 03:23 • -11.81db
18% Popularity • 48% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 31% Positiveness
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Kate Rusby
Bitter Boy
133 bpm • B Maj • 04:53 • -14.3db
18% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Heidi Talbot
Here We Go 1, 2, 3
161 bpm • G# Maj • 04:26 • -8.76db
11% Popularity • 34% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Lady Maisery
Order and Chaos
162 bpm • A# Maj • 04:04 • -17db
18% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Kelly
Bluebird
132 bpm • B Maj • 03:49 • -6.91db
19% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Karine Polwart
Lark in the Clear Air
162 bpm • D Maj • 02:57 • -18.02db
21% Popularity • 62% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Bob Fox
Dance to Your Daddy
132 bpm • F Maj • 05:20 • -8.83db
18% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Josienne Clarke and Ben Walker
Black Is The Colour
131 bpm • A min • 03:08 • -11.14db
28% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Andrea Zonn
Standing Still
131 bpm • C Maj • 03:38 • -10.98db
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Rusby
Planets
162 bpm • A Maj • 04:10 • -14.25db
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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MÃ nran
The Open Door
131 bpm • C Maj • 03:47 • -11.29db
31% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Paul McKenna Band
The Lambs on The Green Hills
131 bpm • F Maj • 04:40 • -9.83db
9% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Everglow