Songs like Evergreen (Love Theme from "A Star Is Born") by Barbra Streisand
Based on a tempo of (+/- 10%) and a similar genre
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Barbra Streisand
Evergreen (Love Theme from "A Star Is Bo...
114 bpm • A Maj • 03:04 • -10.94db
60% Popularity • 34% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
60% Popularity • 34% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
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Luciano Pavarotti
You Are So Beautiful
114 bpm • C# Maj • 02:48 • -13.01db
44% Popularity • 33% Danceability • 29% Energy • 78% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 33% Danceability • 29% Energy • 78% Liveness
0% Instrumentalness • 9% Positiveness
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Lauren Wood
Fallen
113 bpm • D# Maj • 03:41 • -21.64db
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Air Supply
Lost In Love
114 bpm • G Maj • 03:54 • -15db
48% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chris de Burgh
Missing You
113 bpm • F Maj • 04:07 • -12db
54% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
64% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Barbra Streisand
One Less Bell To Answer/A House Is Not A...
115 bpm • G# Maj • 06:31 • -14db
28% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Leo Sayer
I Can't Stop Loving You - Though I Try
115 bpm • D# Maj • 03:32 • -7db
25% Popularity • 44% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 44% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Gary Puckett & The Union Gap
Over You
115 bpm • D Maj • 02:21 • -11db
42% Popularity • 38% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 38% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Wood
Fallen - Bonus Track
113 bpm • D# Maj • 04:00 • -12db
48% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Carmen
Boats Against the Current
113 bpm • G Maj • 04:23 • -11.07db
31% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Janis Ian
The Other Side of the Sun
113 bpm • B Maj • 03:59 • -13db
34% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Barbra Streisand
Evergreen
115 bpm • A Maj • 03:04 • -16db
49% Popularity • 36% Danceability • 19% Energy • 8% Liveness
5% Instrumentalness • 19% Positiveness
49% Popularity • 36% Danceability • 19% Energy • 8% Liveness
5% Instrumentalness • 19% Positiveness
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Air Supply
Even The Nights Are Better
116 bpm • F Maj • 03:58 • -10.53db
42% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tina Turner
Private Dancer - 2015 Remaster
115 bpm • D Maj • 07:14 • -10db
57% Popularity • 59% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 47% Positiveness
57% Popularity • 59% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 47% Positiveness
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The Stylistics
Can't Give You Anything (But My Love)
112 bpm • G min • 03:16 • -6.18db
43% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Phil Collins
If Leaving Me Is Easy - 2015 Remastered
116 bpm • D# Maj • 04:55 • -17db
47% Popularity • 55% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 55% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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England Dan & John Ford Coley
We'll Never Have to Say Goodbye Again - ...
112 bpm • E Maj • 02:52 • -14.35db
57% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Carmen
All By Myself - Single Edit
116 bpm • G min • 04:31 • -10.78db
49% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
49% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
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Tony Bennett
The Way You Look Tonight
112 bpm • C Maj • 03:23 • -22.05db
60% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
60% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Glenn Frey
The Shadow Of Your Smile
116 bpm • E min • 04:28 • -16db
29% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
59% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
112 bpm • F Maj • 04:34 • -7.6db
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
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Phil Collins
Against All Odds (Take a Look at Me Now)...
116 bpm • C# Maj • 03:26 • -6.9db
75% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
75% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Eric Carmen
Never Gonna Fall in Love Again
116 bpm • A Maj • 03:46 • -7.97db
46% Popularity • 42% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
46% Popularity • 42% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Rita Coolidge
For The Good Times
111 bpm • A# Maj • 05:15 • -18.12db
35% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mary MacGregor
Take Your Love Away
111 bpm • F Maj • 02:50 • -8.4db
40% Popularity • 44% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 25% Positiveness
40% Popularity • 44% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 25% Positiveness
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Peabo Bryson
Tonight I Celebrate My Love
117 bpm • D# Maj • 03:31 • -14.52db
66% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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The Pointer Sisters
Slow Hand
111 bpm • F# Maj • 03:51 • -7.77db
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
111 bpm • A# Maj • 04:02 • -12.31db
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
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Eric Carmen
All By Myself
116 bpm • G min • 07:10 • -9.18db
63% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
63% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Lou Rawls
You'll Never Find Another Love Like Mine
111 bpm • D Maj • 04:26 • -8.46db
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Rita Coolidge
(Your Love Has Lifted Me) Higher And Hig...
118 bpm • A# min • 04:01 • -9db
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Barbra Streisand
Finale: With One More Look at You / Watc...
118 bpm • A# Maj • 07:43 • -8.9db
31% Popularity • 33% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 33% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 17% Positiveness
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Engelbert Humperdinck
Les Bicyclettes de Belsize
110 bpm • F Maj • 03:15 • -11.51db
50% Popularity • 40% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 40% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Chris Rea
Fool (If You Think It's Over)
110 bpm • B min • 04:03 • -7db
60% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The 5th Dimension
Wedding Bell Blues - Laura Nyro Cover
118 bpm • A min • 02:44 • -5.41db
46% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Tyrell
The Way You Look Tonight
110 bpm • D# Maj • 04:32 • -11.3db
38% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Cetera
The Next Time I Fall
118 bpm • G# Maj • 03:46 • -10.18db
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Joel
Leave a Tender Moment Alone
110 bpm • A# Maj • 03:56 • -7.51db
52% Popularity • 63% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 56% Positiveness
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Gilbert O'Sullivan
What's In a Kiss?
110 bpm • B Maj • 02:34 • -7.26db
47% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Smokey Robinson
Just To See Her
109 bpm • E min • 04:04 • -15.49db
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Barbra Streisand
With One More Look At You
119 bpm • A# Maj • 03:39 • -8.63db
33% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Engelbert Humperdinck
The Last Waltz
109 bpm • D Maj • 03:04 • -11.32db
57% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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England Dan & John Ford Coley
I'd Really Love to See You Tonight
119 bpm • F Maj • 02:39 • -12.04db
68% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
68% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Mary MacGregor
I've Never Been to Me
119 bpm • B Maj • 03:24 • -5.27db
49% Popularity • 57% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 57% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
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Dan Hill
Sometimes When We Touch
119 bpm • D Maj • 04:12 • -11.01db
64% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Gibb
Will You Love Me Tomorrow
119 bpm • C# min • 04:40 • -7db
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Puckett & The Union Gap
Young Girl
119 bpm • D# Maj • 03:11 • -8.23db
53% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Engelbert Humperdinck
Can't Take My Eyes Off You
119 bpm • D# Maj • 03:41 • -10.36db
62% Popularity • 54% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 54% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Barbra Streisand
I've Dreamed of You
119 bpm • F Maj • 04:44 • -14.64db
26% Popularity • 26% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 26% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Air Supply
All Out Of Love
108 bpm • C Maj • 04:03 • -12.74db
53% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Liza Minnelli
New York, New York
108 bpm • C# Maj • 03:17 • -9.69db
42% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Gino Vannelli
Living Inside Myself
120 bpm • B Maj • 04:23 • -13.2db
46% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Wings
My Love - 2018 Remaster
120 bpm • F Maj • 04:07 • -14.06db
58% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Dionne Warwick
That's What Friends Are For
120 bpm • C min • 04:15 • -16.26db
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 68% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Barbra Streisand
The Love Inside
109 bpm • A Maj • 05:08 • -18.87db
41% Popularity • 28% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 28% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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David Gates
Goodbye Girl
120 bpm • G# min • 02:48 • -15.96db
62% Popularity • 47% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 47% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Gladys Knight & The Pips
Help Me Make It Through The Night
120 bpm • G Maj • 04:23 • -13.65db
40% Popularity • 37% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 37% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Al Jarreau
Your Song
120 bpm • D# Maj • 05:38 • -12db
46% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
46% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Peabo Bryson
A Whole New World (Aladdin's Theme)
108 bpm • D Maj • 04:03 • -10.49db
59% Popularity • 52% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 52% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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The 5th Dimension
Up, Up and Away
108 bpm • G min • 02:43 • -14.6db
49% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Roberta Flack
The First Time Ever I Saw Your Face
121 bpm • C Maj • 04:20 • -21.64db
63% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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The Three Degrees
When Will I See You Again
121 bpm • A Maj • 02:58 • -9.25db
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Classics IV
Traces
108 bpm • B min • 02:48 • -10.96db
43% Popularity • 43% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
43% Popularity • 43% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Andy Gibb
One More Look At The Night
121 bpm • D Maj • 03:47 • -9.55db
43% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Tavares
More Than A Woman
108 bpm • G# min • 03:27 • -12.12db
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 70% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Oleta Adams
Get Here
107 bpm • A# Maj • 04:34 • -16.05db
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Barbra Streisand
Stoney End
121 bpm • C Maj • 02:57 • -13.22db
36% Popularity • 50% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 50% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Robert John
Sad Eyes - Remastered 2002
107 bpm • C Maj • 04:13 • -7.34db
54% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Joel
New York State of Mind
121 bpm • C Maj • 06:02 • -9.47db
62% Popularity • 51% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 51% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Gerry & The Pacemakers
Don't Let the Sun Catch You Crying (Main...
107 bpm • C# Maj • 02:37 • -14db
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Cher
The Way Of Love
107 bpm • A Maj • 02:32 • -12db
39% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Barbra Streisand
Till I Loved You
107 bpm • G Maj • 04:16 • -8db
44% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jackie Evancho
Somewhere
122 bpm • F# Maj • 03:51 • -9.36db
32% Popularity • 23% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 23% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Gordon Lightfoot
If You Could Read My Mind
123 bpm • A Maj • 03:48 • -12.82db
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Robbie Williams
Somethin' Stupid
106 bpm • C Maj • 02:50 • -12.19db
67% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Cetera
(I Wanna Take) Forever Tonight
106 bpm • C# Maj • 04:34 • -8.89db
60% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Barbra Streisand
Till I Loved You (Duet with Don Johnson)
107 bpm • G Maj • 05:09 • -18db
32% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Rea
Fool (If You Think It's Over)
106 bpm • E min • 04:44 • -14.3db
48% Popularity • 72% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Janis Ian
At Seventeen
123 bpm • C Maj • 04:08 • -11.31db
34% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Gilbert O'Sullivan
Clair
106 bpm • A Maj • 02:59 • -7.31db
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Jackie DeShannon
What The World Needs Now Is Love
106 bpm • C# Maj • 03:06 • -9.5db
54% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Joel
An Innocent Man
106 bpm • C Maj • 05:18 • -9.44db
53% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Christopher Cross
Swept Away
123 bpm • F# Maj • 04:28 • -13db
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Gerry & The Pacemakers
Ferry Cross the Mersey - Stereo; 1997 Re...
105 bpm • F# min • 02:23 • -11db
54% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Rita Coolidge
All Time High
105 bpm • D# min • 03:01 • -8.99db
48% Popularity • 49% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Madonna
Don't Cry for Me Argentina
105 bpm • B Maj • 05:35 • -13.91db
53% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
53% Popularity • 32% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The 5th Dimension
(Last Night) I Didn't Get To Sleep At Al...
105 bpm • F min • 03:12 • -13db
46% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Thompson
If You Remember Me
124 bpm • D Maj • 03:04 • -10db
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Sedaka
Love Will Keep Us Together
124 bpm • D# Maj • 03:50 • -10db
38% Popularity • 74% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 74% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Tina Turner
Let's Stay Together - 2015 Remaster
104 bpm • G# min • 05:16 • -5.79db
55% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mary MacGregor
This Girl (Has Turned into a Woman)
124 bpm • A Maj • 03:26 • -9.38db
50% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
50% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
76% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
76% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Boz Scaggs
We're All Alone (2023 Remaster)
125 bpm • G Maj • 04:12 • -11.61db
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
