Songs like Everlasting Motion (feat. Hamid El Kasri) by Jacob Collier
Based on a tempo of (+/- 10%) and a similar genre
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FORQ
Lenburu
114 bpm • G Maj • 05:14 • -15.14db
16% Popularity • 74% Danceability • 67% Energy • 31% Liveness
91% Instrumentalness • 73% Positiveness
16% Popularity • 74% Danceability • 67% Energy • 31% Liveness
91% Instrumentalness • 73% Positiveness
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Sungazer
Days into Nights
114 bpm • C# Maj • 03:41 • -9.48db
25% Popularity • 74% Danceability • 65% Energy • 17% Liveness
7% Instrumentalness • 65% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 17% Liveness
7% Instrumentalness • 65% Positiveness
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Jacob Collier
Everlasting Motion
114 bpm • C# Maj • 06:33 • -10.76db
32% Popularity • 48% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 48% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Silibrina
Rochedo
114 bpm • G Maj • 07:42 • -9.04db
12% Popularity • 61% Danceability • 86% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
12% Popularity • 61% Danceability • 86% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
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Markus Stockhausen
Felice
115 bpm • D Maj • 06:13 • -15.06db
3% Popularity • 44% Danceability • 77% Energy • 88% Liveness
85% Instrumentalness • 74% Positiveness
3% Popularity • 44% Danceability • 77% Energy • 88% Liveness
85% Instrumentalness • 74% Positiveness
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Jameszoo
(meat)
114 bpm • G min • 08:54 • -7.72db
9% Popularity • 40% Danceability • 57% Energy • 29% Liveness
51% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 57% Energy • 29% Liveness
51% Instrumentalness • 15% Positiveness
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The Heritage Orchestra
Give It Up Or Turn It Loose
115 bpm • G Maj • 04:47 • -8.17db
13% Popularity • 80% Danceability • 86% Energy • 11% Liveness
81% Instrumentalness • 91% Positiveness
13% Popularity • 80% Danceability • 86% Energy • 11% Liveness
81% Instrumentalness • 91% Positiveness
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Esperanza Spalding
Ways Together (shoulders)
113 bpm • A Maj • 03:45 • -9.34db
12% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jacob Collier
Jerusalem
114 bpm • D Maj • 02:06 • -11.46db
35% Popularity • 44% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 44% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lydian Collective
High 555
115 bpm • G# Maj • 05:55 • -9db
20% Popularity • 68% Danceability • 45% Energy • 24% Liveness
80% Instrumentalness • 87% Positiveness
20% Popularity • 68% Danceability • 45% Energy • 24% Liveness
80% Instrumentalness • 87% Positiveness
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Rai Thistlethwayte
Don't Keep a Motherfucker Hanging On
113 bpm • C# Maj • 03:33 • -9.2db
15% Popularity • 83% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 83% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jameszoo
(flake)
115 bpm • E Maj • 07:34 • -12.04db
28% Popularity • 26% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
28% Popularity • 26% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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The Funky Knuckles
Megaboss
113 bpm • A# min • 09:10 • -7.33db
18% Popularity • 49% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
18% Popularity • 49% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Joachim Kühn
Hamdouchi
115 bpm • B min • 05:56 • -10.01db
15% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jacob Collier
Overture
114 bpm • D Maj • 02:54 • -13.81db
35% Popularity • 40% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
35% Popularity • 40% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Lydian Collective
East
113 bpm • G Maj • 04:56 • -8db
26% Popularity • 70% Danceability • 51% Energy • 21% Liveness
90% Instrumentalness • 65% Positiveness
26% Popularity • 70% Danceability • 51% Energy • 21% Liveness
90% Instrumentalness • 65% Positiveness
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Nate Smith
Skip Step
113 bpm • A# min • 03:04 • -8.86db
46% Popularity • 67% Danceability • 86% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
46% Popularity • 67% Danceability • 86% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Joshua Redman
Jazz Crimes
115 bpm • G# min • 06:43 • -11.87db
32% Popularity • 77% Danceability • 56% Energy • 5% Liveness
83% Instrumentalness • 78% Positiveness
32% Popularity • 77% Danceability • 56% Energy • 5% Liveness
83% Instrumentalness • 78% Positiveness
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Jacob Mann Big Band
Squid Word
113 bpm • E min • 03:54 • -9.41db
16% Popularity • 71% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
16% Popularity • 71% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Huntertones
Clutch
115 bpm • D# Maj • 03:43 • -8.9db
13% Popularity • 52% Danceability • 58% Energy • 34% Liveness
92% Instrumentalness • 45% Positiveness
13% Popularity • 52% Danceability • 58% Energy • 34% Liveness
92% Instrumentalness • 45% Positiveness
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MonoNeon
Everybody Is a Goddamn Ni99a
116 bpm • G# Maj • 04:04 • -4.99db
10% Popularity • 60% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 60% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Lydian Collective
Mr Sunshine
113 bpm • B min • 06:36 • -7.97db
22% Popularity • 66% Danceability • 64% Energy • 24% Liveness
87% Instrumentalness • 58% Positiveness
22% Popularity • 66% Danceability • 64% Energy • 24% Liveness
87% Instrumentalness • 58% Positiveness
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Sungazer
Level One
112 bpm • G Maj • 01:35 • -11.86db
31% Popularity • 63% Danceability • 62% Energy • 50% Liveness
74% Instrumentalness • 75% Positiveness
31% Popularity • 63% Danceability • 62% Energy • 50% Liveness
74% Instrumentalness • 75% Positiveness
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EMEFE
Listen Closely
116 bpm • C# Maj • 01:31 • -19.56db
12% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jacob Mann Big Band
Pete Wheeler
112 bpm • C# Maj • 03:05 • -8db
28% Popularity • 81% Danceability • 71% Energy • 5% Liveness
69% Instrumentalness • 79% Positiveness
28% Popularity • 81% Danceability • 71% Energy • 5% Liveness
69% Instrumentalness • 79% Positiveness
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Jameszoo
(soup)
112 bpm • A min • 06:36 • -8.71db
9% Popularity • 51% Danceability • 47% Energy • 15% Liveness
14% Instrumentalness • 34% Positiveness
9% Popularity • 51% Danceability • 47% Energy • 15% Liveness
14% Instrumentalness • 34% Positiveness
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The Heritage Orchestra
It's Just Begun
116 bpm • C Maj • 04:12 • -8.76db
14% Popularity • 58% Danceability • 64% Energy • 87% Liveness
56% Instrumentalness • 76% Positiveness
14% Popularity • 58% Danceability • 64% Energy • 87% Liveness
56% Instrumentalness • 76% Positiveness
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Avishai Cohen
Ani Aff
116 bpm • D min • 04:34 • -9.15db
17% Popularity • 47% Danceability • 60% Energy • 13% Liveness
44% Instrumentalness • 31% Positiveness
17% Popularity • 47% Danceability • 60% Energy • 13% Liveness
44% Instrumentalness • 31% Positiveness
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Larnell Lewis
Coconuts
116 bpm • A# min • 05:57 • -9.55db
28% Popularity • 52% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
28% Popularity • 52% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Jacob Collier
Feel
116 bpm • B Maj • 06:30 • -13.96db
49% Popularity • 61% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
49% Popularity • 61% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Brotherly
Put It Out
116 bpm • C Maj • 05:49 • -5.74db
15% Popularity • 78% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 78% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Aberdeen
Downpour
116 bpm • C min • 04:22 • -7.41db
14% Popularity • 43% Danceability • 69% Energy • 16% Liveness
11% Instrumentalness • 23% Positiveness
14% Popularity • 43% Danceability • 69% Energy • 16% Liveness
11% Instrumentalness • 23% Positiveness
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The Heritage Orchestra
The Mexican
112 bpm • B min • 03:13 • -7.97db
13% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Jameszoo
(lose)
112 bpm • A# Maj • 04:55 • -11.98db
12% Popularity • 53% Danceability • 37% Energy • 10% Liveness
78% Instrumentalness • 19% Positiveness
12% Popularity • 53% Danceability • 37% Energy • 10% Liveness
78% Instrumentalness • 19% Positiveness
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Huntertones
Star of the East
112 bpm • D Maj • 04:41 • -10.31db
10% Popularity • 36% Danceability • 44% Energy • 8% Liveness
64% Instrumentalness • 17% Positiveness
10% Popularity • 36% Danceability • 44% Energy • 8% Liveness
64% Instrumentalness • 17% Positiveness
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Miho Hazama
Dancer in Nowhere
112 bpm • C# Maj • 08:38 • -10.51db
8% Popularity • 44% Danceability • 56% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
8% Popularity • 44% Danceability • 56% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
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Zac Zinger
Sanma Samba
112 bpm • F Maj • 04:21 • -9.42db
9% Popularity • 49% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 49% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Nate Smith
Square Wheel Kokayi & Michael Mayo
116 bpm • A Maj • 05:00 • -7.36db
28% Popularity • 58% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 58% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Metropole Orkest
Danse Lunaire (1966)
117 bpm • B Maj • 02:45 • -10.86db
2% Popularity • 37% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
2% Popularity • 37% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
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EMEFE
Free to Scream
117 bpm • F# min • 04:50 • -7.05db
11% Popularity • 60% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 60% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Huntertones
Bad David
116 bpm • B min • 04:28 • -8.53db
16% Popularity • 51% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
16% Popularity • 51% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Mike Boddé
Sick and Tired of Jazz
111 bpm • D# min • 06:00 • -10.26db
5% Popularity • 36% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 36% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
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Esperanza Spalding
Funk The Fear
111 bpm • G# Maj • 05:04 • -9.02db
18% Popularity • 52% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Jacob Collier
Sleeping On My Dreams
111 bpm • C# Maj • 04:16 • -6.51db
45% Popularity • 77% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 77% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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James Francies
Dark Purple
117 bpm • F# Maj • 04:46 • -13.04db
9% Popularity • 38% Danceability • 33% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
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Jonah Nilsson
Independent Girl
117 bpm • C# Maj • 03:40 • -11.88db
24% Popularity • 79% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 79% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Lydian Collective
Loops
111 bpm • B min • 05:00 • -9.94db
17% Popularity • 48% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 36% Positiveness
17% Popularity • 48% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 36% Positiveness
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Chad LB & Sonic Magic
Recovery
111 bpm • E min • 09:55 • -4.59db
8% Popularity • 57% Danceability • 90% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
8% Popularity • 57% Danceability • 90% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Huntertones
Fara
117 bpm • A# min • 02:54 • -11.95db
18% Popularity • 52% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
18% Popularity • 52% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Jacob Collier
Outro
117 bpm • C# Maj • 02:46 • -7.82db
29% Popularity • 27% Danceability • 62% Energy • 32% Liveness
60% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 62% Energy • 32% Liveness
60% Instrumentalness • 6% Positiveness
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Kurt Rosenwinkel
Zhivago
111 bpm • C# Maj • 08:45 • -11.37db
27% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
27% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
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Avishai Cohen
Simonero
111 bpm • C# Maj • 04:07 • -12.92db
18% Popularity • 38% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
18% Popularity • 38% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
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Lydian Collective
Legend of Lumbar
111 bpm • D# Maj • 04:52 • -8.11db
26% Popularity • 68% Danceability • 50% Energy • 11% Liveness
74% Instrumentalness • 42% Positiveness
26% Popularity • 68% Danceability • 50% Energy • 11% Liveness
74% Instrumentalness • 42% Positiveness
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Nate Smith
Altitude Joel Ross & Michael Mayo
110 bpm • B min • 05:15 • -9.42db
28% Popularity • 36% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 17% Positiveness
28% Popularity • 36% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 17% Positiveness
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Cory Wong
Home - Live
110 bpm • D# Maj • 04:49 • -13.58db
17% Popularity • 47% Danceability • 43% Energy • 70% Liveness
91% Instrumentalness • 20% Positiveness
17% Popularity • 47% Danceability • 43% Energy • 70% Liveness
91% Instrumentalness • 20% Positiveness
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Jacob Collier
Butterflies
117 bpm • D Maj • 02:02 • -9.98db
38% Popularity • 45% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 45% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Heritage Orchestra
Apache
118 bpm • G Maj • 02:57 • -7.1db
22% Popularity • 70% Danceability • 92% Energy • 4% Liveness
64% Instrumentalness • 91% Positiveness
22% Popularity • 70% Danceability • 92% Energy • 4% Liveness
64% Instrumentalness • 91% Positiveness
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Pat Metheny Group
The Heat of the Day
118 bpm • A min • 09:44 • -10.76db
30% Popularity • 38% Danceability • 60% Energy • 30% Liveness
50% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 60% Energy • 30% Liveness
50% Instrumentalness • 18% Positiveness
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Karim Ziad
Lebnia
118 bpm • C# Maj • 05:52 • -5.82db
10% Popularity • 44% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
10% Popularity • 44% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Nine Sparks Riots
This Too Shall Pass
110 bpm • A# min • 03:54 • -12.96db
37% Popularity • 76% Danceability • 64% Energy • 17% Liveness
87% Instrumentalness • 94% Positiveness
37% Popularity • 76% Danceability • 64% Energy • 17% Liveness
87% Instrumentalness • 94% Positiveness
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FORQ
Burr
118 bpm • C Maj • 05:02 • -9.65db
13% Popularity • 71% Danceability • 76% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
13% Popularity • 71% Danceability • 76% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
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Jacob Collier
Woke Up Today
111 bpm • G Maj • 04:40 • -8.65db
35% Popularity • 76% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 76% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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The Heritage Orchestra
Hot Wheels - The Chase
118 bpm • C# Maj • 03:10 • -7.82db
16% Popularity • 68% Danceability • 86% Energy • 28% Liveness
87% Instrumentalness • 90% Positiveness
16% Popularity • 68% Danceability • 86% Energy • 28% Liveness
87% Instrumentalness • 90% Positiveness
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Larnell Lewis
Essence of Joy
110 bpm • G min • 07:07 • -9.73db
18% Popularity • 68% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 30% Positiveness
18% Popularity • 68% Danceability • 66% Energy • 7% Liveness
77% Instrumentalness • 30% Positiveness
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Karim Ziad
Gwarir
110 bpm • A# min • 04:51 • -4.99db
9% Popularity • 70% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 97% Positiveness
9% Popularity • 70% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 97% Positiveness
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Vince Mendoza
House of Reflections
110 bpm • F Maj • 05:44 • -17.49db
13% Popularity • 27% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Victor Franco
Always
110 bpm • F Maj • 02:22 • -11.8db
30% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jacob Collier
Ocean Wide, Canyon Deep
110 bpm • A Maj • 05:19 • -16.05db
39% Popularity • 28% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
39% Popularity • 28% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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The Heritage Orchestra
Space Funk
118 bpm • G Maj • 03:33 • -8.04db
17% Popularity • 57% Danceability • 84% Energy • 12% Liveness
85% Instrumentalness • 76% Positiveness
17% Popularity • 57% Danceability • 84% Energy • 12% Liveness
85% Instrumentalness • 76% Positiveness
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Ghost-Note
Deep Felix
110 bpm • F# min • 03:42 • -12.45db
15% Popularity • 38% Danceability • 58% Energy • 16% Liveness
77% Instrumentalness • 11% Positiveness
15% Popularity • 38% Danceability • 58% Energy • 16% Liveness
77% Instrumentalness • 11% Positiveness
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Huntertones
Burns
110 bpm • A Maj • 04:08 • -10.24db
13% Popularity • 67% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 67% Positiveness
13% Popularity • 67% Danceability • 40% Energy • 15% Liveness
87% Instrumentalness • 67% Positiveness
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Nate Smith
Get Down, Get Down
109 bpm • C# Maj • 02:47 • -7db
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
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Eldar Djangirov
Anthemic
119 bpm • G# Maj • 06:52 • -13.25db
7% Popularity • 34% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 55% Positiveness
7% Popularity • 34% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 55% Positiveness
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Majid Bekkas
Ali ya ali
110 bpm • A min • 07:54 • -10.69db
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 71% Positiveness
16% Popularity • 48% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 71% Positiveness
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Jacob Collier
Do You Feel Love
119 bpm • D Maj • 03:33 • -8db
33% Popularity • 65% Danceability • 78% Energy • 70% Liveness
10% Instrumentalness • 34% Positiveness
33% Popularity • 65% Danceability • 78% Energy • 70% Liveness
10% Instrumentalness • 34% Positiveness
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FORQ
Ultraviolet
119 bpm • C Maj • 05:21 • -11.31db
10% Popularity • 50% Danceability • 58% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
10% Popularity • 50% Danceability • 58% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Taylor Eigsti
Hutcheonite
119 bpm • A min • 04:35 • -11db
22% Popularity • 49% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 75% Positiveness
22% Popularity • 49% Danceability • 70% Energy • 13% Liveness
84% Instrumentalness • 75% Positiveness
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The Heritage Orchestra
Get On The Good Foot
109 bpm • C Maj • 03:23 • -8.76db
11% Popularity • 84% Danceability • 72% Energy • 4% Liveness
3% Instrumentalness • 95% Positiveness
11% Popularity • 84% Danceability • 72% Energy • 4% Liveness
3% Instrumentalness • 95% Positiveness
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Raul Midón
Ride on a Rainbow
109 bpm • C Maj • 04:15 • -9.87db
22% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Groove For Thought
Spain
120 bpm • A min • 07:00 • -12.49db
12% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Huntertones
Chameleon
120 bpm • D# Maj • 04:42 • -11db
30% Popularity • 57% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 50% Positiveness
30% Popularity • 57% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 50% Positiveness
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The Funky Knuckles
Barbosa
108 bpm • D min • 07:01 • -6db
24% Popularity • 58% Danceability • 76% Energy • 18% Liveness
17% Instrumentalness • 64% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 18% Liveness
17% Instrumentalness • 64% Positiveness
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Aberdeen
Clouds Form
120 bpm • G# Maj • 05:03 • -8.27db
10% Popularity • 25% Danceability • 52% Energy • 26% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 25% Danceability • 52% Energy • 26% Liveness
1% Instrumentalness • 8% Positiveness
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The Heritage Orchestra
Theme From S.W.A.T
109 bpm • A min • 03:27 • -7.61db
10% Popularity • 63% Danceability • 86% Energy • 4% Liveness
88% Instrumentalness • 95% Positiveness
10% Popularity • 63% Danceability • 86% Energy • 4% Liveness
88% Instrumentalness • 95% Positiveness
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Fat Night
Alone in Love
120 bpm • F min • 04:55 • -13.04db
14% Popularity • 82% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
14% Popularity • 82% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
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Raul Midón
Sunshine (I Can Fly)
120 bpm • F# Maj • 06:38 • -8.02db
11% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Henrik Schwarz
AlgoRhythm
120 bpm • D Maj • 06:01 • -11.19db
7% Popularity • 91% Danceability • 31% Energy • 24% Liveness
46% Instrumentalness • 9% Positiveness
7% Popularity • 91% Danceability • 31% Energy • 24% Liveness
46% Instrumentalness • 9% Positiveness
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Nate Smith
DumDum
120 bpm • F# Maj • 02:59 • -9db
30% Popularity • 79% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
30% Popularity • 79% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Sungazer
Thicc
120 bpm • F min • 03:48 • -8.99db
25% Popularity • 73% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 73% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Brad Mehldau
Proverb of Ashes
120 bpm • C# Maj • 04:17 • -7.77db
17% Popularity • 61% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
17% Popularity • 61% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Esperanza Spalding
The Longing Deep Down (abdominal portal)
108 bpm • C Maj • 04:35 • -9.56db
16% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Ghost-Note
Fragile
120 bpm • G# Maj • 06:59 • -6.71db
22% Popularity • 70% Danceability • 62% Energy • 22% Liveness
18% Instrumentalness • 41% Positiveness
22% Popularity • 70% Danceability • 62% Energy • 22% Liveness
18% Instrumentalness • 41% Positiveness
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Cory Wong
Frogville - Live
108 bpm • C# min • 03:51 • -7.15db
16% Popularity • 77% Danceability • 70% Energy • 67% Liveness
39% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 70% Energy • 67% Liveness
39% Instrumentalness • 81% Positiveness
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Vince Mendoza
Big Night
108 bpm • C# Maj • 06:10 • -11.96db
10% Popularity • 60% Danceability • 37% Energy • 5% Liveness
82% Instrumentalness • 38% Positiveness
10% Popularity • 60% Danceability • 37% Energy • 5% Liveness
82% Instrumentalness • 38% Positiveness
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Bill Bruford's Earthworks
My Heart Declares A Holiday
120 bpm • G Maj • 04:40 • -15.74db
19% Popularity • 43% Danceability • 54% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
19% Popularity • 43% Danceability • 54% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
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Jacob Collier
All Night Long
108 bpm • C# Maj • 07:19 • -12.5db
41% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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säje
I Can't Help It
120 bpm • C# Maj • 04:01 • -10.54db
25% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Sungazer
Bird on the Wing
108 bpm • A min • 03:56 • -10db
27% Popularity • 71% Danceability • 69% Energy • 15% Liveness
83% Instrumentalness • 62% Positiveness
27% Popularity • 71% Danceability • 69% Energy • 15% Liveness
83% Instrumentalness • 62% Positiveness
