Songs like Every Christmas Eve / Giving (Santa's Theme) by Johnny Mathis
Based on a tempo of (+/- 10%) and a similar genre
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The Four Aces
A Garden in the Rain
80 bpm • C# Maj • 02:37 • -14.42db
30% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Mathis
The Best Days of My Life
80 bpm • F Maj • 03:31 • -12.13db
27% Popularity • 36% Danceability • 50% Energy • 19% Liveness
19% Instrumentalness • 28% Positiveness
27% Popularity • 36% Danceability • 50% Energy • 19% Liveness
19% Instrumentalness • 28% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
44% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Helen Reddy
Ain't No Way To Treat A Lady
80 bpm • A# Maj • 03:28 • -14.08db
32% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Bobby Rydell
Blue Velvet - Stereo
80 bpm • A# Maj • 02:48 • -8.16db
29% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Carpenters
Now
80 bpm • D Maj • 03:51 • -14.91db
40% Popularity • 32% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 32% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Jeri Southern
When I Fall In Love
80 bpm • A Maj • 03:07 • -16db
34% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Mathis
Stranger In Paradise
80 bpm • F min • 04:03 • -11.36db
23% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Jerry Vale
You Don't Know Me
80 bpm • D Maj • 02:32 • -8.58db
30% Popularity • 35% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 35% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Earl Grant
Evening Rain
80 bpm • A min • 02:41 • -16.77db
25% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Helen Reddy
I Don't Know How To Love Him
80 bpm • D# Maj • 03:18 • -11db
45% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Fisher
I'm Walking Behind You
81 bpm • D Maj • 03:06 • -6.61db
20% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Johnny Mathis
Come to Me
80 bpm • G min • 03:05 • -8.21db
29% Popularity • 22% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 22% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
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Tommy Edwards
The Morning Side Of The Mountain
79 bpm • C Maj • 02:38 • -9db
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Mills Brothers
Nevertheless (I'm In Love With You) - 19...
79 bpm • C Maj • 02:47 • -21db
49% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmie Rodgers
The Long Hot Summer
81 bpm • C Maj • 02:32 • -9.82db
11% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Percy Faith & His Orchestra & Chorus
Tell Her (Every Girl Likes to Be Told)
79 bpm • C Maj • 03:04 • -14.98db
22% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Dion & The Belmonts
A Teenager In Love
79 bpm • C# Maj • 02:38 • -9.12db
62% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Mathis
There Goes My Heart
80 bpm • A# Maj • 03:43 • -11db
9% Popularity • 18% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 18% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Monro
Portrait of My Love
79 bpm • C Maj • 02:45 • -15db
46% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Debbie Reynolds
Am I That Easy To Forget?
79 bpm • D# Maj • 02:21 • -14.41db
42% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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The Platters
Harbor Lights
79 bpm • F Maj • 03:14 • -13.38db
45% Popularity • 26% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 26% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Helen Reddy
You And Me Against The World
79 bpm • A Maj • 03:12 • -16db
37% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Four Aces
Love is a Many Splendored Thing
82 bpm • D Maj • 02:58 • -10db
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Mathis
Go Away Little Girl
79 bpm • D Maj • 03:20 • -13.05db
9% Popularity • 18% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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The Sandpipers
Softly As I Leave You
82 bpm • C Maj • 03:01 • -19.08db
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carpenters
Little Girl Blue
82 bpm • B Maj • 03:23 • -14.42db
18% Popularity • 17% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 17% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Nat King Cole
Smile - Remastered 1992
82 bpm • G# Maj • 02:59 • -19.18db
64% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Perry Como
Feelings
78 bpm • E min • 03:33 • -14.6db
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Don Cornell
Hold My Hand
82 bpm • D# Maj • 02:49 • -11db
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Mathis
It's Not for Me to Say
81 bpm • G# Maj • 03:03 • -12.84db
45% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Duprees
Al Di LÃ
82 bpm • C Maj • 03:13 • -7.24db
10% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Teresa Brewer
Let Me Go, Lover!
78 bpm • A Maj • 02:31 • -10.2db
32% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Rydell
Forget Him - Bonus Track
78 bpm • D# Maj • 02:08 • -5db
41% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Pat Boone
Friendly Persuasion
82 bpm • B Maj • 03:06 • -12db
35% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
35% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Johnny Mathis
Moon River
81 bpm • C Maj • 03:06 • -11.57db
14% Popularity • 24% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 24% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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The Four Lads
Love Is A Many-Splendored
83 bpm • G# Maj • 03:32 • -10.54db
16% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Eddie Fisher
Thinking of You
82 bpm • D Maj • 02:40 • -11.77db
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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The Four Aces
A Woman in Love
83 bpm • G# Maj • 03:19 • -11.92db
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Righteous Brothers
The White Cliffs Of Dover - Single Versi...
83 bpm • F Maj • 02:18 • -17.14db
40% Popularity • 16% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 16% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Dinah Shore
It Had To Be You
83 bpm • G min • 03:23 • -15.36db
29% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Mathis
Wild Is the Wind
81 bpm • A min • 02:24 • -12.39db
18% Popularity • 21% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 21% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Sinatra Jr.
You'll Never Know
77 bpm • F Maj • 02:57 • -10db
20% Popularity • 20% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 20% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Four Aces
Dream
83 bpm • C min • 01:45 • -23.3db
27% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Righteous Brothers
Ebb Tide
83 bpm • A Maj • 02:49 • -17db
40% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Ames Brothers
Tammy
83 bpm • C# Maj • 02:24 • -11.29db
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Johnny Mathis
When I Am With You
78 bpm • A# Maj • 02:58 • -9db
32% Popularity • 28% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 28% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Bobby Vee
It Might As Well Rain Until September
83 bpm • F Maj • 02:04 • -12db
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
58% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
58% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Carpenters
Without A Song
77 bpm • A# Maj • 01:59 • -11.71db
18% Popularity • 25% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 25% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Cliff Richard & The Shadows
The Next Time
77 bpm • G Maj • 02:57 • -15db
31% Popularity • 53% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 53% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Eddie Fisher
I'm Yours
76 bpm • D Maj • 02:48 • -4.99db
35% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Mathis
The Best of Everything - Remastered
82 bpm • A Maj • 02:42 • -7.64db
9% Popularity • 14% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 14% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Jimmie Rodgers
Secretly
76 bpm • A# min • 02:37 • -9.44db
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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The Drifters
Fools Fall in Love
84 bpm • D# Maj • 02:32 • -7db
39% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Percy Faith & His Orchestra
Rags to Riches
76 bpm • D Maj • 02:52 • -13.32db
42% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Grant
Main Title: An Affair To Remember
84 bpm • F Maj • 01:56 • -17.6db
27% Popularity • 17% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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The Four Lads
Moments To Remember
84 bpm • G Maj • 03:15 • -12.81db
31% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Mathis
The Sweetheart Tree
82 bpm • F Maj • 02:11 • -12.53db
19% Popularity • 25% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 25% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kitty Kallen
Little Things Mean a Lot
84 bpm • G# Maj • 02:59 • -12.79db
37% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Puckett & The Union Gap
By the Time I Get to Phoenix
84 bpm • E min • 02:55 • -12.53db
30% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Jim Reeves
Welcome to My World
76 bpm • F Maj • 02:22 • -19.13db
52% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Sandpipers
Yesterday (Ayer)
85 bpm • D Maj • 02:24 • -18.29db
32% Popularity • 36% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
32% Popularity • 36% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Nat King Cole Trio
I Miss You So
76 bpm • F Maj • 03:04 • -16.84db
51% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Johnny Mathis
My Funny Valentine
82 bpm • C min • 03:33 • -13.19db
15% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Tymes
So Much In Love
76 bpm • E Maj • 02:20 • -10db
42% Popularity • 55% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 55% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Goldsboro
If You Go Away
85 bpm • A min • 03:24 • -9db
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Ames Brothers
Sentimental Me
75 bpm • G# Maj • 03:25 • -13db
18% Popularity • 16% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
18% Popularity • 16% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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The Sandpipers
La Mer (Beyond The Sea)
85 bpm • F Maj • 02:42 • -15.15db
30% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Phillips
Sea of Love
86 bpm • G Maj • 02:22 • -10db
47% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Mathis
Misty
82 bpm • G# Maj • 03:36 • -13.56db
56% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Frank Skinner
Tammy
86 bpm • G# Maj • 03:02 • -15.08db
17% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
24% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gene Pitney
Only Love Can Break A Heart
86 bpm • G# Maj • 02:49 • -8.65db
39% Popularity • 32% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 32% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
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Carpenters
Rainy Days And Mondays
75 bpm • A# Maj • 03:38 • -11.51db
62% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
29% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
29% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Johnny Mathis
On a Clear Day (You Can See Forever)
78 bpm • G# Maj • 02:46 • -12.7db
14% Popularity • 18% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 18% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tommy Edwards
It's All In The Game - 1951 Version / Bo...
86 bpm • D# Maj • 03:02 • -9.84db
14% Popularity • 26% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Monro
Stranger In Paradise - Remastered 2021
86 bpm • D# Maj • 02:30 • -17db
42% Popularity • 31% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 31% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Frank Sinatra Jr.
Trouble with Hello Is Goodbye
86 bpm • F Maj • 03:39 • -19.01db
19% Popularity • 21% Danceability • 16% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
19% Popularity • 21% Danceability • 16% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Carpenters
We've Only Just Begun
86 bpm • A Maj • 03:04 • -13.46db
61% Popularity • 37% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 37% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ray Peterson
Till Then
74 bpm • F Maj • 02:09 • -8db
36% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Mathis
Chances Are - Single Version
78 bpm • A# Maj • 03:01 • -12db
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Percy Faith & His Orchestra
Non dimenticar
74 bpm • G Maj • 03:01 • -13.98db
28% Popularity • 22% Danceability • 29% Energy • 63% Liveness
90% Instrumentalness • 15% Positiveness
28% Popularity • 22% Danceability • 29% Energy • 63% Liveness
90% Instrumentalness • 15% Positiveness
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Barbra Streisand
I Have a Love/One Hand, One Heart
87 bpm • D Maj • 04:42 • -11.9db
33% Popularity • 18% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Captain & Tennille
Disney Girls
87 bpm • A# Maj • 04:46 • -12.84db
24% Popularity • 29% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 29% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Gary Puckett & The Union Gap
Dreams of the Everyday Housewife
74 bpm • A Maj • 02:44 • -10db
27% Popularity • 30% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 30% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Johnnie Ray
As Time Goes By
74 bpm • A min • 03:11 • -12.16db
22% Popularity • 32% Danceability • 24% Energy • 39% Liveness
1% Instrumentalness • 29% Positiveness
22% Popularity • 32% Danceability • 24% Energy • 39% Liveness
1% Instrumentalness • 29% Positiveness
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Johnny Mathis
Hello, Young Lovers
83 bpm • C Maj • 04:16 • -11.54db
17% Popularity • 18% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 18% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
33% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Danny McMaster
Nat 'king' cole & Natalie Cole
87 bpm • F Maj • 01:01 • -5.73db
31% Popularity • 42% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 42% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Glenn Miller Orchestra
Moonlight Serenade
73 bpm • C# min • 03:39 • -15db
38% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
38% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
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Ray Peterson
The Wonder of You
73 bpm • F Maj • 02:37 • -8db
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Al Martino
Daddy's Little Girl
88 bpm • C min • 02:31 • -9.62db
28% Popularity • 39% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 39% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Mathis
A Lovely Way to Spend an Evening
84 bpm • F Maj • 04:01 • -11.71db
20% Popularity • 18% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 18% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
