Songs like Every Dog Has Its Day by Real Ones
Based on a tempo of (+/- 10%) and a similar genre
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Laleh
Simon Says
106 bpm • B Maj • 03:53 • -6.35db
27% Popularity • 65% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 65% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Anja Elena Viken
Gatekredibilitet
106 bpm • B min • 03:30 • -7.75db
14% Popularity • 68% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 68% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Moddi
En sang om fly
106 bpm • G# Maj • 03:03 • -12db
29% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Fjorden Baby!
Har en drøm
106 bpm • F Maj • 03:11 • -8.33db
21% Popularity • 57% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
21% Popularity • 57% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Deportees
The Doctor In Me
106 bpm • B Maj • 04:14 • -6.26db
27% Popularity • 58% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
27% Popularity • 58% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Stein Torleif Bjella
Alt rundt er det samma
106 bpm • G min • 03:37 • -11db
23% Popularity • 54% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
23% Popularity • 54% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
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Crying Day Care Choir
July
106 bpm • G Maj • 03:14 • -11.45db
23% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 60% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Maia Hirasawa
The Worrying Kind
106 bpm • F Maj • 03:41 • -12.85db
28% Popularity • 45% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 45% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Ricochets
Nederlag
106 bpm • C# min • 02:28 • -3db
18% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Real Ones
Every Dog Has Its Day
106 bpm • D min • 04:09 • -4db
23% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Minor Majority
Electrolove
106 bpm • G min • 03:19 • -14.64db
11% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Stein Torleif Bjella
Liten ball
106 bpm • D Maj • 03:21 • -12.05db
20% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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KÃ¥re & The Cavemen
Filadelfia
105 bpm • A Maj • 04:06 • -5.13db
18% Popularity • 41% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 41% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jokke med Tourettes
Verdiløse Menn
107 bpm • B min • 03:48 • -5.69db
33% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Johnossi
Bed On Fire
105 bpm • B min • 03:44 • -7.61db
21% Popularity • 57% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 57% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
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Real Ones
(You Make Me Feel Like A) Natural Woman
106 bpm • A Maj • 03:22 • -9.41db
5% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Kjellvander
Poppies and Peonies
107 bpm • A# Maj • 04:28 • -12db
31% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Minor Majority
Dancing in the Backyard
106 bpm • B min • 03:47 • -8.03db
30% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Stein Torleif Bjella
Heidersmenn
107 bpm • G# Maj • 04:16 • -10.99db
29% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jonas Alaska
How Could I Forget
107 bpm • C Maj • 01:58 • -5.19db
8% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 59% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Parken
Vad ska vi göra med Henry?
105 bpm • C Maj • 03:13 • -4.81db
17% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Real Ones
Who Wouldn`t Like?
107 bpm • G Maj • 03:29 • -7.46db
1% Popularity • 57% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 57% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Crying Day Care Choir
Where Did John Lennon Go?
107 bpm • G Maj • 02:10 • -15.83db
16% Popularity • 67% Danceability • 30% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 67% Danceability • 30% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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First Aid Kit
Blue
107 bpm • B Maj • 03:12 • -5.69db
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Minor Majority
By This Time Tomorow
107 bpm • C Maj • 03:38 • -12.64db
24% Popularity • 57% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Tommy Tokyo
Pale Irish Blue Eyes
108 bpm • B min • 03:43 • -9.14db
12% Popularity • 39% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 39% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Jokke med Tourettes
Byromanse
104 bpm • B min • 02:22 • -10.53db
20% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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John Olav Nilsen
Der Eg Bor
108 bpm • A min • 01:09 • -15.18db
29% Popularity • 39% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Motorpsycho
Waiting for the One
108 bpm • G Maj • 02:50 • -12db
17% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Real Ones
Brother
108 bpm • C Maj • 03:58 • -11db
7% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Kinert
Through Your Eyes
104 bpm • F# Maj • 02:44 • -11.98db
21% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Pogo Pops
Crash
104 bpm • G Maj • 03:54 • -8.29db
20% Popularity • 44% Danceability • 69% Energy • 84% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 44% Danceability • 69% Energy • 84% Liveness
0% Instrumentalness • 56% Positiveness
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Minor Majority
What You Do to Me
109 bpm • C Maj • 02:11 • -12.45db
26% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Grand Island
Suffer / Lid, Min Kjære
103 bpm • E min • 03:51 • -9.16db
20% Popularity • 54% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 54% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Tommy Tokyo
If There Ever Was a Paradise
109 bpm • D Maj • 03:18 • -10.68db
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Real Ones
Back on My Feet
108 bpm • A# Maj • 03:39 • -9.71db
6% Popularity • 73% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
6% Popularity • 73% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Stein Torleif Bjella
Romantikken gjer meg sjuk
109 bpm • A Maj • 03:07 • -11.93db
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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John Olav Nilsen
Diamanter Og Kirsebær
109 bpm • C Maj • 04:05 • -4.78db
35% Popularity • 41% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 41% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 23% Positiveness
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St. Thomas
Last Word
109 bpm • G Maj • 03:15 • -10.49db
9% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Daniel Norgren
Going Home Finally
103 bpm • B Maj • 04:09 • -11.92db
25% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Tommy Tokyo
Far Between Highlights (And Further the ...
110 bpm • F min • 03:26 • -8db
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Real Ones
Lonesome Town
103 bpm • C# min • 04:30 • -6.55db
18% Popularity • 64% Danceability • 72% Energy • 21% Liveness
4% Instrumentalness • 76% Positiveness
18% Popularity • 64% Danceability • 72% Energy • 21% Liveness
4% Instrumentalness • 76% Positiveness
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Monica Heldal
In Flight
102 bpm • F min • 05:42 • -6.17db
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
19% Popularity • 45% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
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Silent200
Streets
110 bpm • A# Maj • 02:58 • -10.44db
1% Popularity • 88% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 88% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Soundtrack Of Our Lives
The Passover
102 bpm • A Maj • 05:02 • -8.87db
15% Popularity • 22% Danceability • 48% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 48% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
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Morten Abel
Winterland
102 bpm • D Maj • 04:35 • -7.32db
13% Popularity • 65% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
13% Popularity • 65% Danceability • 70% Energy • 24% Liveness
1% Instrumentalness • 54% Positiveness
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Laleh
Invisible (My Song)
102 bpm • A min • 04:16 • -5.98db
30% Popularity • 72% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 72% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Real Ones
Six in the Morning
103 bpm • G Maj • 04:59 • -5.46db
2% Popularity • 51% Danceability • 92% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
2% Popularity • 51% Danceability • 92% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
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St. Thomas
Strangers out of Blue
102 bpm • D# Maj • 04:07 • -14.98db
12% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Highasakite
Leaving No Traces
102 bpm • C# Maj • 04:21 • -4.53db
7% Popularity • 54% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
7% Popularity • 54% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Tommy Tokyo & Starving For My Gravy
The Circle Must Be Broken
110 bpm • F Maj • 03:37 • -5.8db
12% Popularity • 73% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 73% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Jonas Alaska
Tonight
102 bpm • A Maj • 03:38 • -8.63db
16% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Tønes
Et Godt Aua
102 bpm • E min • 03:13 • -13.57db
17% Popularity • 33% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
17% Popularity • 33% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
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Real Ones
Ingen Kommer Unna Politikken (Complainte...
103 bpm • E Maj • 03:29 • -7.87db
13% Popularity • 53% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 53% Danceability • 62% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
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bob hund
Det överexponerade gömstället
101 bpm • G Maj • 05:16 • -9.95db
21% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Monde Yeux
It Should Show
111 bpm • C Maj • 03:37 • -7.33db
13% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sivert Høyem
Black Box
101 bpm • G# Maj • 02:07 • -6.58db
19% Popularity • 55% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 55% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Morten Abel
I'll Come Back and Love You Forever
101 bpm • C Maj • 03:39 • -6.86db
29% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Johnossi
Summerbreeze
111 bpm • G# min • 02:54 • -15.46db
37% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Real Ones
Everyone
102 bpm • G Maj • 02:42 • -8.27db
3% Popularity • 50% Danceability • 86% Energy • 7% Liveness
28% Instrumentalness • 79% Positiveness
3% Popularity • 50% Danceability • 86% Energy • 7% Liveness
28% Instrumentalness • 79% Positiveness
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Björns vänner
Ã…krar och himmel
112 bpm • C Maj • 07:16 • -10db
21% Popularity • 55% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 55% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Deportees
I Wanna Be In Your Gang
101 bpm • G Maj • 03:31 • -5.29db
19% Popularity • 37% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 17% Positiveness
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Sivert Høyem
Exiles
101 bpm • C min • 08:23 • -7.12db
12% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bigbang
Swedish Television
112 bpm • A# min • 04:41 • -6.76db
28% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jonas Alaska
Aberdeen
100 bpm • C# min • 04:09 • -13.42db
12% Popularity • 68% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 17% Positiveness
12% Popularity • 68% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 17% Positiveness
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Real Ones
Ei Ørlita Stund
101 bpm • B Maj • 03:42 • -12.88db
33% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Moving Oos
Revelations
112 bpm • A# min • 03:30 • -8.12db
16% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tønes
St. Hans 1987
100 bpm • D Maj • 07:13 • -12.92db
12% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Sivert Høyem
Going For Gold
100 bpm • D# Maj • 04:38 • -9.65db
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
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John Olav Nilsen
Bensinbarn
113 bpm • A Maj • 04:57 • -9.69db
18% Popularity • 37% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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The Soundtrack Of Our Lives
The Passover - 2014 Remaster
100 bpm • A Maj • 04:26 • -6.46db
32% Popularity • 32% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 32% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Johnossi
No Last Call
113 bpm • D# min • 03:04 • -3.84db
25% Popularity • 53% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 53% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Morten Abel
Lydia
99 bpm • F Maj • 03:37 • -6.01db
35% Popularity • 56% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 56% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Real Ones
Bratislava
113 bpm • A Maj • 04:44 • -7.68db
3% Popularity • 72% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
3% Popularity • 72% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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First Aid Kit
You're Not Coming Home Tonight
99 bpm • A Maj • 02:29 • -6.55db
25% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jonas Alaska
If Only As a Ghost
99 bpm • D min • 03:08 • -11.14db
29% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Daniel Norgren
Stuck in the Bones
114 bpm • F# min • 03:35 • -9.83db
25% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Tokyo & Starving For My Gravy
Somersault
99 bpm • A min • 03:08 • -9db
10% Popularity • 71% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 71% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Morten Abel
Helicopter
99 bpm • C# Maj • 04:03 • -6.41db
13% Popularity • 69% Danceability • 83% Energy • 11% Liveness
5% Instrumentalness • 71% Positiveness
13% Popularity • 69% Danceability • 83% Energy • 11% Liveness
5% Instrumentalness • 71% Positiveness
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Real Ones
Sunshine
114 bpm • D# Maj • 04:47 • -11.51db
1% Popularity • 35% Danceability • 32% Energy • 23% Liveness
16% Instrumentalness • 20% Positiveness
1% Popularity • 35% Danceability • 32% Energy • 23% Liveness
16% Instrumentalness • 20% Positiveness
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Moddi
House by the Sea
99 bpm • G# Maj • 03:38 • -17db
45% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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St. Thomas
Goodbye Emily Lang
114 bpm • C# min • 02:45 • -9.35db
10% Popularity • 67% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 67% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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John Olav Nilsen
Virvelvind
114 bpm • E Maj • 04:20 • -4.75db
16% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Emil Jensen
Så får du mig ändå
98 bpm • G Maj • 03:57 • -8db
28% Popularity • 46% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 46% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Violet Road
Rules Of The Ocean
98 bpm • F Maj • 03:41 • -7.84db
17% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 41% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Real Ones
The World Says No
113 bpm • G Maj • 04:28 • -9.56db
5% Popularity • 49% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 49% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Stein Torleif Bjella
Psykisk kan du vera sjøl
114 bpm • G# min • 03:28 • -13.43db
29% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tennis
Here Comes the Coastguard
98 bpm • A# Maj • 03:52 • -4.22db
10% Popularity • 40% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 40% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Morten Abel
Welcome Home
98 bpm • C Maj • 03:25 • -5.68db
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Superfamily
I Could Be a Real Winner
98 bpm • F min • 04:07 • -6db
15% Popularity • 57% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 57% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Tallest Man On Earth
I Won't Be Found
115 bpm • A# Maj • 02:47 • -7db
41% Popularity • 59% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 59% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Two White Horses
Good Times Are Gone Forever
115 bpm • F# Maj • 02:20 • -8.69db
9% Popularity • 69% Danceability • 64% Energy • 33% Liveness
15% Instrumentalness • 97% Positiveness
9% Popularity • 69% Danceability • 64% Energy • 33% Liveness
15% Instrumentalness • 97% Positiveness
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Bigbang
Wild Bird
115 bpm • C# Maj • 03:16 • -7db
37% Popularity • 47% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 47% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Me And My Army
The Only One
115 bpm • F Maj • 03:22 • -5db
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 13% Liveness
4% Instrumentalness • 45% Positiveness
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Real Ones
The Neighbourhood
97 bpm • C Maj • 05:27 • -5.93db
2% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Joel Alme
You Will Only Get It Once
97 bpm • A Maj • 01:56 • -5.58db
29% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Laakso
My Gods
97 bpm • D Maj • 02:07 • -7.03db
28% Popularity • 29% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 29% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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St. Thomas
Inuitation
97 bpm • C Maj • 02:20 • -6db
11% Popularity • 36% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 36% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness