Songs like Everybody But Me by Nick Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Nick Wilson
Halfway Over
123 bpm • D Maj • 03:54 • -9.82db
13% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Black Match
See Through
123 bpm • D Maj • 03:10 • -9.6db
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jonny Brenns
You Could Be Happy
122 bpm • F Maj • 03:26 • -13.89db
18% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brian Bulger
Dawn to 9pm
123 bpm • E Maj • 03:53 • -14.97db
18% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Aeris Roves
No Guarantee - Acoustic Version
122 bpm • G Maj • 03:23 • -13.1db
32% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Wilson
Everybody But Me
123 bpm • C# min • 03:04 • -5.65db
41% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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John Adams
For Me, For Her, For You
124 bpm • F Maj • 04:03 • -10.71db
36% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Andy Kong
Meteor Showers
122 bpm • D# Maj • 04:14 • -10.63db
35% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
42% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Josh Record
Dead Tree
122 bpm • G# min • 04:34 • -11.54db
21% Popularity • 42% Danceability • 27% Energy • 16% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 42% Danceability • 27% Energy • 16% Liveness
1% Instrumentalness • 15% Positiveness
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Nick Wilson
Closer
124 bpm • E Maj • 05:22 • -12.21db
30% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron Smith
In My Way
124 bpm • E Maj • 03:33 • -11.45db
17% Popularity • 56% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 56% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Kilgannon
Macaroni Song
122 bpm • A# Maj • 03:48 • -13db
37% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gatton
Waves
121 bpm • C Maj • 02:25 • -13.04db
42% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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JP Saxe
Sad Corny Fuck
125 bpm • D Maj • 03:40 • -15db
35% Popularity • 60% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 60% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Nick Wilson
Lose Myself
122 bpm • F Maj • 03:42 • -13.63db
21% Popularity • 42% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 42% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Isaac Tyler
All Drained Out
125 bpm • A# Maj • 03:47 • -7.7db
15% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Joel Ansett
Give Our Hearts Some Weight
125 bpm • D# min • 03:50 • -14.96db
32% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Colouring
I Can't Make You Love Me
121 bpm • F Maj • 04:37 • -15.79db
38% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
35% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
35% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Nick Wilson
All I See
121 bpm • F# min • 03:05 • -9.81db
6% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Plested
The Least That I Could Do
126 bpm • C# min • 03:33 • -5db
28% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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RHODES
I'm Not Ok
126 bpm • F Maj • 03:23 • -7.75db
36% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Adam Ragsdale
Fossil
120 bpm • B min • 05:42 • -14db
11% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Nick Wilson
Say It Now - Stripped
126 bpm • C# Maj • 03:52 • -5db
15% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
29% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Peter Manos
Out of Love
120 bpm • C# Maj • 02:44 • -16.58db
39% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
39% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Rhys Lewis
When Was The Last Time?
120 bpm • A Maj • 03:36 • -12.09db
20% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Wilson
Headlights (Stripped)
120 bpm • E Maj • 04:00 • -10.79db
32% Popularity • 51% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 51% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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JC Stewart
Like I Did
120 bpm • E Maj • 03:37 • -5db
35% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jordan Hart
Only Pieces of the Truth
127 bpm • F Maj • 04:22 • -10db
26% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Cole Norton
When the Party's Over
119 bpm • A Maj • 03:17 • -11.91db
29% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Jonny Brenns
Blue Jeans
127 bpm • C# Maj • 03:34 • -20.94db
31% Popularity • 53% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 53% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Wilson
All the Same
120 bpm • G Maj • 03:55 • -12.25db
37% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Meadowlark
About You Now
127 bpm • E Maj • 03:47 • -9.26db
41% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Cody Lovaas
Love No More - Duet
128 bpm • F# min • 03:13 • -6.05db
31% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 47% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Kathleen Regan
You Never Know
128 bpm • D Maj • 03:18 • -9.69db
28% Popularity • 75% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 75% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew & Veda
Where Did You Come From (Acoustic)
118 bpm • B Maj • 03:35 • -12db
20% Popularity • 77% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 77% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Declan J Donovan
Human Way
128 bpm • D Maj • 03:36 • -7.03db
34% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nick Wilson
You Are a Song
119 bpm • A Maj • 04:33 • -17.14db
11% Popularity • 46% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Belle
To Be Alone
118 bpm • F Maj • 04:38 • -11.49db
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Meadowlark
Still Into You
118 bpm • B Maj • 03:39 • -13db
36% Popularity • 65% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 65% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Hazlett
Couldn't Be Done
118 bpm • G# Maj • 04:16 • -12.24db
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Jon Bryant
Talk
118 bpm • C Maj • 03:49 • -10.65db
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Nathan Colberg
Calm
118 bpm • D# Maj • 04:04 • -9.76db
34% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Wilson
Miles Apart
118 bpm • D Maj • 03:44 • -12.56db
41% Popularity • 54% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 54% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Elina
Another Round
118 bpm • D Maj • 03:01 • -12db
32% Popularity • 70% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 70% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Plested
Priorities
118 bpm • F# Maj • 03:13 • -13db
23% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
51% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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My Brothers And I
Always Be Loving You
117 bpm • B Maj • 03:28 • -9db
36% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Wilson
All for You
128 bpm • A Maj • 05:49 • -15.83db
22% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Elina
Mirage
117 bpm • F# min • 02:44 • -12db
44% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Walden
Yellow Rose
117 bpm • G Maj • 06:33 • -16db
27% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Plested
Lost for Words
129 bpm • A# Maj • 03:21 • -8db
31% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
59% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Cobi
No Way Out
130 bpm • A# Maj • 03:14 • -9db
31% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Wilson
Shadows in the Dark
130 bpm • C Maj • 04:20 • -16.23db
15% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Katelyn Tarver
Sinking In
130 bpm • C Maj • 03:34 • -8.65db
32% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Caroline Pennell
Patient
130 bpm • F Maj • 03:53 • -9.89db
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Black Match
Alive
130 bpm • G Maj • 04:02 • -10.21db
24% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Etheridge
Summer Storms
130 bpm • B Maj • 03:49 • -13db
27% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Aquilo
Who Are You
130 bpm • C# Maj • 03:04 • -10db
41% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
41% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
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Nick Wilson
Headlights
130 bpm • E Maj • 03:39 • -8.52db
14% Popularity • 50% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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In Memoirs
Stay Low
130 bpm • C Maj • 04:07 • -10.45db
31% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
38% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Plested
Either You Love Me Or You Don't - Live A...
130 bpm • E Maj • 03:34 • -10db
32% Popularity • 48% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 48% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
42% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Wilson
Ordinary Love
130 bpm • C Maj • 03:15 • -11.41db
12% Popularity • 43% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 43% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Bre Kennedy
Jealous of Birds
116 bpm • D# Maj • 03:12 • -14.56db
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Lewis Ross
Come on Home
116 bpm • A Maj • 02:48 • -10.57db
18% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Roses & Revolutions
It's Not Living (If It's Not with You)
116 bpm • A# Maj • 02:56 • -7.73db
43% Popularity • 72% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 72% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Harry Brokensha
Lifeboats - Extended Version
116 bpm • D Maj • 05:40 • -8.68db
1% Popularity • 29% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 29% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kyan
How Dare You Make Me Love You
116 bpm • E Maj • 03:29 • -12.95db
25% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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iris
giving in - acoustic
116 bpm • A# Maj • 03:11 • -17.23db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Elina
Blue
116 bpm • C# Maj • 03:11 • -14.86db
44% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Levi Matthan
Shoulders
116 bpm • D Maj • 03:55 • -10db
24% Popularity • 38% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Wilson
Get Up - Piano Version
131 bpm • B Maj • 04:14 • -11.35db
21% Popularity • 64% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 64% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Harry Brokensha
Lifeboats
116 bpm • D Maj • 03:33 • -9.59db
3% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Adam French
Punchbag Love
116 bpm • C# Maj • 03:19 • -9.18db
12% Popularity • 32% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 32% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
43% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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anatu
already
115 bpm • B Maj • 03:24 • -12.04db
20% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mokita
Suspicious Minds
115 bpm • G Maj • 03:23 • -3.29db
22% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
50% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
50% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ethan DeRose
Listening to Frank (Extended)
132 bpm • G Maj • 06:17 • -14.23db
14% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
