Songs like Everybody Else by Theo Kandel
Based on a tempo of (+/- 10%) and a similar genre
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Paper Planes
Lonelier Together
100 bpm • E Maj • 01:45 • -16.77db
50% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ethan Regan
ambien and fireworks
100 bpm • A Maj • 03:13 • -16.5db
32% Popularity • 75% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
32% Popularity • 75% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Steinza
To The West
100 bpm • G Maj • 03:15 • -13.12db
38% Popularity • 62% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 62% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Chance Emerson
House We Share
100 bpm • F# Maj • 02:47 • -10.18db
41% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 78% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Welcome Stranger
You Need Me
100 bpm • F Maj • 03:58 • -8.98db
12% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Theo Kandel
Half as Cool - Acoustic
100 bpm • C# Maj • 03:33 • -8.24db
7% Popularity • 80% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 80% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jonah Kagen
This Life Ain't Easy
100 bpm • C Maj • 03:26 • -8.73db
43% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Brother Castor
Tallest Man In The World
100 bpm • D Maj • 03:36 • -11.71db
17% Popularity • 63% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Jam in the Van
Half As Cool - Live Session, Los Angeles...
100 bpm • C# Maj • 03:32 • -7.97db
2% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Briscoe
Sailing Away
100 bpm • G Maj • 03:30 • -9.51db
28% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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harf.
Favorite Curse
99 bpm • F Maj • 03:09 • -13.85db
31% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Steinza
Her (Sunflower)
101 bpm • C Maj • 02:32 • -11.72db
43% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Crowe Boys
Simple Truth
101 bpm • A Maj • 03:38 • -8.43db
38% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Theo Kandel
i don't wanna think about that
99 bpm • F# Maj • 03:49 • -5.99db
8% Popularity • 55% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 55% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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John Vincent III
Juniper And Yellow
102 bpm • A# min • 02:24 • -12.56db
37% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Bernard Fitzgerald
Nothing On
102 bpm • D Maj • 03:12 • -11.21db
32% Popularity • 56% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 33% Positiveness
32% Popularity • 56% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 33% Positiveness
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Brendan Walter
Sunflower
102 bpm • E Maj • 03:00 • -8.08db
28% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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harf.
Watch You Fly
98 bpm • E Maj • 03:20 • -9.02db
26% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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HAPPY LANDING
Anniston
102 bpm • A# Maj • 04:09 • -5.88db
24% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Theo Kandel
Half as Cool
101 bpm • C# Maj • 03:24 • -8.8db
22% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Miki Fiki
That's Everything
98 bpm • A Maj • 03:45 • -15.29db
27% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Caiola
Faceless Better Half
103 bpm • D min • 02:21 • -9.9db
37% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Marko
Pictures of Paris
103 bpm • F# Maj • 03:33 • -12.63db
29% Popularity • 75% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 75% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Sun
First of July
97 bpm • F min • 03:20 • -8.81db
34% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Ballroom Thieves
Dim Lit Rooms
103 bpm • F# min • 03:07 • -10.42db
30% Popularity • 50% Danceability • 52% Energy • 11% Liveness
9% Instrumentalness • 34% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 11% Liveness
9% Instrumentalness • 34% Positiveness
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Layup
Right Next To You
103 bpm • D# Maj • 02:33 • -10.32db
49% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Kahan
Strawberry Wine
103 bpm • C Maj • 04:45 • -17.55db
67% Popularity • 45% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 45% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Michigander
East Chicago, IN (crying version)
97 bpm • B Maj • 04:24 • -10.55db
28% Popularity • 46% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 16% Positiveness
28% Popularity • 46% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 16% Positiveness
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Theo Kandel
Elegy
103 bpm • D Maj • 03:10 • -12.55db
18% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Wim Tapley
Dry Eyes
103 bpm • E Maj • 04:29 • -12.02db
9% Popularity • 37% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 37% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Zack Couron
Not Today
97 bpm • C Maj • 02:55 • -12.82db
17% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Sun
Twenty Dollars
97 bpm • D# Maj • 03:08 • -10.38db
28% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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harf.
Amherst
97 bpm • E Maj • 03:43 • -12.12db
19% Popularity • 70% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 70% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Michael Bernard Fitzgerald
The Altar
97 bpm • D Maj • 04:18 • -11.96db
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Christian Beck
Rosaline
97 bpm • E Maj • 03:00 • -11.62db
19% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kieran Campbell
Manitoba
96 bpm • B Maj • 01:58 • -11.25db
29% Popularity • 41% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Tow'rs
Southern Facing Room
96 bpm • F# Maj • 03:45 • -10.43db
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Gregory Alan Isakov
Feed Your Horses
96 bpm • C Maj • 03:31 • -14.09db
42% Popularity • 29% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
42% Popularity • 29% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Brian Bulger
Massachusetts
104 bpm • D Maj • 04:59 • -16.99db
9% Popularity • 46% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 46% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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John Muirhead
Tank of Gas
104 bpm • A Maj • 03:30 • -6.16db
21% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Van Cleaf
Holy Smokes
104 bpm • C Maj • 03:41 • -9.89db
17% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Max GarcÃa Conover
Handsome Suit
96 bpm • G# Maj • 02:54 • -11.62db
29% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gabe Quinn
South Carolina
104 bpm • F# Maj • 02:27 • -10.64db
28% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cole Hallman
In My Sight
104 bpm • D Maj • 02:19 • -9.67db
21% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Evan Honer
Time
96 bpm • F Maj • 03:26 • -11db
39% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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harf.
For You I'll Wait
96 bpm • C Maj • 03:55 • -9.11db
48% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sully Bright
Oh, Honey
96 bpm • D Maj • 03:27 • -13.02db
33% Popularity • 55% Danceability • 36% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
33% Popularity • 55% Danceability • 36% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
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Jackson Harshbarger
Ballad Under the Moon
96 bpm • A Maj • 03:40 • -13.17db
13% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Ballroom Thieves
Words
96 bpm • G Maj • 03:12 • -12.99db
21% Popularity • 61% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 61% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Van Cleaf
Pearl Harbor Day
95 bpm • B min • 03:32 • -12.87db
16% Popularity • 42% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 42% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Evan Honer
Don’t Think Twice, It’s All Right (L...
104 bpm • F Maj • 03:17 • -15.72db
35% Popularity • 56% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
35% Popularity • 56% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Surfing For Daisy
Acrobat
105 bpm • C Maj • 04:02 • -7.07db
12% Popularity • 45% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 45% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Vinson
For What I Have
105 bpm • G Maj • 01:10 • -7.04db
42% Popularity • 59% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Brother Elsey
Passing Through
105 bpm • G Maj • 04:40 • -10.22db
31% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lua Flora
Burnout
105 bpm • F# Maj • 03:28 • -5.39db
33% Popularity • 57% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
33% Popularity • 57% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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Elias Hix
Fathers Coat
105 bpm • D# Maj • 03:40 • -10.39db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Evan Honer
The Bartender
96 bpm • F# min • 02:36 • -6.57db
46% Popularity • 48% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 48% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Prince of Eden
Amber of the Sun's Dawn
105 bpm • C# min • 04:30 • -7.52db
34% Popularity • 57% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 57% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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HAPPY LANDING
October
95 bpm • D Maj • 04:32 • -7db
43% Popularity • 28% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 28% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Rocco Frattasio
Blueberry Wednesday
95 bpm • A Maj • 02:15 • -11.15db
40% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lackhoney
Pronto
95 bpm • A min • 03:34 • -6.11db
0% Popularity • 86% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 86% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Fia James
Concrete Gold
95 bpm • E Maj • 04:00 • -16.53db
30% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Van Cleaf
Northern Lights
105 bpm • D Maj • 03:43 • -15.02db
31% Popularity • 61% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 16% Positiveness
31% Popularity • 61% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 16% Positiveness
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Prince of Eden
Swain
105 bpm • G Maj • 03:00 • -7.95db
29% Popularity • 34% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 34% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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HAPPY LANDING
Joanna
95 bpm • C Maj • 03:29 • -6.22db
28% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Matthew Fowler
Been a Lover
105 bpm • G Maj • 03:10 • -6.85db
31% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mon RovÃŽa
Borderline
95 bpm • F Maj • 04:33 • -11.89db
35% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Melchor
is there still a light on?
95 bpm • F# Maj • 04:11 • -7.04db
44% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Steinza
Visions Of You
95 bpm • D Maj • 03:56 • -17.81db
52% Popularity • 68% Danceability • 27% Energy • 7% Liveness
15% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 27% Energy • 7% Liveness
15% Instrumentalness • 34% Positiveness
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Theo Kandel
Everybody Else - Romario Remix
106 bpm • D Maj • 03:56 • -4.71db
3% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Montana
American Pastoral
106 bpm • A# min • 03:17 • -8.06db
27% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Cece Coakley
Knob Road
106 bpm • F Maj • 03:47 • -4.54db
13% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Wilfred
Lead Me Home
106 bpm • D Maj • 02:58 • -12.36db
28% Popularity • 66% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Okay Alright
friend of the devil
94 bpm • D Maj • 03:13 • -8.61db
22% Popularity • 63% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 47% Positiveness
22% Popularity • 63% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 47% Positiveness
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Mikey Ferrari
Wedding Bells
94 bpm • E Maj • 03:06 • -8.87db
25% Popularity • 56% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 56% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Zach Seabaugh
Telluride
107 bpm • C# Maj • 03:03 • -8.52db
33% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The National Forest
Old Town
94 bpm • C# Maj • 02:24 • -17.34db
28% Popularity • 64% Danceability • 17% Energy • 19% Liveness
5% Instrumentalness • 27% Positiveness
28% Popularity • 64% Danceability • 17% Energy • 19% Liveness
5% Instrumentalness • 27% Positiveness
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Theo Kandel
Flight to JFK
107 bpm • C min • 04:01 • -7.68db
35% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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harf.
Just Wanna Dance
107 bpm • D Maj • 04:31 • -9.58db
29% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Curt Summers
Good Time.
93 bpm • F# min • 04:16 • -11.92db
0% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bebe Stockwell
Helium
93 bpm • E min • 01:51 • -9.71db
42% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Blonds
Islands
93 bpm • F# min • 03:10 • -7.03db
35% Popularity • 53% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 53% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Wayley
Flowers in Your Hair
93 bpm • F Maj • 02:46 • -7.72db
25% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Theo Kandel
Rained This Hard
107 bpm • G Maj • 03:34 • -10.36db
6% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Folwarczny
Long, Long While
93 bpm • A# Maj • 03:43 • -10.51db
33% Popularity • 55% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 55% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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harf.
Cruel, Cruel World
93 bpm • B min • 02:38 • -10.23db
36% Popularity • 47% Danceability • 41% Energy • 26% Liveness
2% Instrumentalness • 46% Positiveness
36% Popularity • 47% Danceability • 41% Energy • 26% Liveness
2% Instrumentalness • 46% Positiveness
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roger weeks
i think i love u
108 bpm • F# min • 03:02 • -9.08db
23% Popularity • 66% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 66% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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J.B. Boone
Wait & Hope
108 bpm • D Maj • 02:44 • -9.35db
38% Popularity • 63% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 63% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jake & Shelby
Girl I'll Be Tomorrow
108 bpm • C Maj • 03:12 • -11.99db
41% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kieran Campbell
Sidewalk Girls
108 bpm • A Maj • 02:32 • -8.5db
40% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 71% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Pearce
Indefinitely
108 bpm • E Maj • 03:38 • -10.65db
49% Popularity • 76% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 76% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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John Muirhead
Bequest
108 bpm • C Maj • 03:58 • -8.07db
32% Popularity • 63% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Bernard Fitzgerald
Heart Of It
92 bpm • D Maj • 03:39 • -11.21db
30% Popularity • 51% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
30% Popularity • 51% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Jack Van Cleaf
Gem State
92 bpm • D Maj • 04:02 • -13.93db
24% Popularity • 60% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 60% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Lantern By Sea
Fisherman Song
92 bpm • E Maj • 01:45 • -11.5db
35% Popularity • 64% Danceability • 33% Energy • 16% Liveness
22% Instrumentalness • 42% Positiveness
35% Popularity • 64% Danceability • 33% Energy • 16% Liveness
22% Instrumentalness • 42% Positiveness
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simon robert french
thick as thieves (voice memo)
109 bpm • D# Maj • 02:24 • -26.7db
19% Popularity • 50% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
19% Popularity • 50% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Wilfred
cigarette
92 bpm • D Maj • 04:41 • -12.7db
25% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Isabel Pless
Sixth Sense
92 bpm • G# Maj • 03:24 • -13.28db
22% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
