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Everybody Rise
Songs like
Everybody Rise
by
Amy Shark
Based on a tempo of (+/- 10%) and a similar genre
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Amy Shark
Everybody Rise
103 bpm • C Maj • 03:10 • -6.8db
41% Popularity • 70% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Marshmello
OK Not To Be OK
103 bpm • C# min • 02:39 • -5.03db
64% Popularity • 74% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Twinnie
Chasing
103 bpm • C# min • 03:28 • -5.53db
20% Popularity • 65% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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benny blanco
You
103 bpm • B Maj • 02:49 • -6.42db
53% Popularity • 67% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dean Lewis
Falling Up
104 bpm • D Maj • 03:26 • -3.59db
54% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Chadwick
I Need to Know
104 bpm • B Maj • 03:37 • -5.57db
26% Popularity • 42% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Halsey
Still Learning
102 bpm • C min • 03:31 • -6.54db
52% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kita Alexander
Can’t Help Myself
104 bpm • C min • 03:37 • -7.48db
37% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Amy Shark
Worst Day of My Life
104 bpm • F Maj • 03:01 • -4.7db
41% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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GRAACE
Body Language
102 bpm • B min • 03:21 • -6.77db
17% Popularity • 73% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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The Rubens
Live In Life
104 bpm • F min • 03:35 • -4.41db
46% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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flowerkid
miss andry
104 bpm • F# min • 04:23 • -4.14db
27% Popularity • 52% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Wafia
I'm Good
102 bpm • C# Maj • 03:37 • -3.59db
46% Popularity • 74% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Tyler Shaw
To the Man Who Let Her Go - Radio Mix
102 bpm • F# Maj • 03:05 • -7.83db
13% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Shires
Lightning Strikes
102 bpm • C# min • 02:54 • -5.51db
32% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Mitch James
All The Ways To Say Goodbye
102 bpm • A# min • 03:05 • -8.1db
32% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Vamps
Married In Vegas
104 bpm • A Maj • 03:12 • -4.06db
39% Popularity • 67% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Drax Project
Firefly
102 bpm • C Maj • 02:52 • -6db
39% Popularity • 64% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Conrad Sewell
Changing
104 bpm • G# Maj • 03:26 • -5.84db
33% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Dermot Kennedy
All My Friends
104 bpm • C Maj • 04:07 • -6db
47% Popularity • 51% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Allday
Stolen Cars
105 bpm • C# min • 03:17 • -7.13db
31% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mitch James
Sunday Morning
104 bpm • G# min • 03:23 • -5.75db
43% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Budjerah
Therapy
105 bpm • C min • 03:12 • -4.65db
55% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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George Alice
Circles
105 bpm • C# min • 03:04 • -8.32db
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Griff
Say It Again
105 bpm • A min • 03:36 • -6db
41% Popularity • 84% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Thundamentals
Catch Me If You Can
105 bpm • C# min • 03:33 • -6db
26% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Grace Davies
Addicted to Blue
105 bpm • C Maj • 03:25 • -7db
22% Popularity • 73% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Peach PRC
Josh
105 bpm • D# Maj • 02:40 • -6.19db
50% Popularity • 62% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Conrad Sewell
Healing Hands
105 bpm • C Maj • 04:10 • -5db
44% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Human Nature
Nobody Just Like You
101 bpm • G Maj • 02:44 • -4.32db
32% Popularity • 78% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Peking Duk
Chemicals
105 bpm • F Maj • 03:12 • -5.58db
43% Popularity • 64% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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The Rubens
Masterpiece
105 bpm • F# Maj • 03:36 • -3.81db
41% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Cecily
Awake
101 bpm • C# min • 02:51 • -8.13db
9% Popularity • 72% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
38% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Baker Boy
Move
101 bpm • F min • 02:46 • -3.88db
36% Popularity • 72% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Human Nature
Nobody Just Like You - Acoustic
101 bpm • G Maj • 02:43 • -6.71db
8% Popularity • 62% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Jordie Ireland
Throw Away My Number
105 bpm • F Maj • 03:29 • -6.85db
25% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
42% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Thundamentals
Brother - Triple J Like a Version
100 bpm • F# min • 03:59 • -7.89db
46% Popularity • 73% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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GRAACE
SOS
100 bpm • D# Maj • 03:07 • -9.04db
24% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Callum Beattie
Talk About Love
100 bpm • G# Maj • 03:19 • -7db
22% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Scott Helman
Wait No More
100 bpm • G# Maj • 02:44 • -6.63db
34% Popularity • 76% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Drax Project
Toto
106 bpm • A# Maj • 03:08 • -4.89db
33% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Amy Shark
Middle of the Night
100 bpm • G# min • 03:38 • -5.18db
31% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Justice Crew
Que Sera
100 bpm • G# Maj • 03:32 • -4.02db
47% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Meg Mac
Understand
106 bpm • D min • 02:57 • -4db
28% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Katy Perry
Never Really Over
100 bpm • G# Maj • 03:43 • -4.78db
65% Popularity • 77% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
35% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Marshmello
Here With Me
100 bpm • F min • 02:36 • -3.93db
73% Popularity • 79% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Peking Duk
Fire
100 bpm • C# min • 03:46 • -2.74db
51% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Julianne Hough
Transform
106 bpm • D min • 03:08 • -5db
27% Popularity • 57% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Birdz
Bagi-la-m Bargan
100 bpm • C Maj • 04:11 • -8.32db
27% Popularity • 62% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Miller-Heidke
Deluded
100 bpm • F Maj • 03:26 • -6.6db
22% Popularity • 69% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Tom Grennan
Little Bit of Love
107 bpm • C# min • 03:46 • -4.48db
67% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hailee Steinfeld
I Love You's
107 bpm • G# Maj • 03:36 • -5db
57% Popularity • 68% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Griff
Forgive Myself
107 bpm • A Maj • 02:53 • -6.14db
43% Popularity • 76% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Thundamentals
Eyes On Me
99 bpm • G# Maj • 03:51 • -4.63db
39% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Molly Kate Kestner
My Way Up
99 bpm • B Maj • 03:15 • -5.83db
34% Popularity • 68% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Peach PRC
Blondes
107 bpm • B Maj • 03:00 • -8.75db
48% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Azure Ryder
Ladder to the Moon
99 bpm • E min • 03:31 • -6.37db
25% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Robinson
Karma
98 bpm • G Maj • 03:08 • -6db
30% Popularity • 76% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Diplo
Lonely
98 bpm • C# Maj • 02:19 • -5.12db
56% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Jess Day
Signals
98 bpm • B Maj • 03:15 • -5.5db
22% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Peach PRC
Symptomatic
108 bpm • G Maj • 03:12 • -4.65db
42% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Azure Ryder
Some Kind Of Love
108 bpm • A min • 03:48 • -7db
30% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Meg Mac
Low Blows
98 bpm • G# Maj • 03:32 • -6db
40% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ava Max
Freaking Me Out
98 bpm • C# min • 03:12 • -4.84db
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Sheeran
South of the Border
98 bpm • A min • 03:24 • -6.38db
73% Popularity • 86% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Eves Karydas
Complicated
109 bpm • A min • 03:17 • -6.78db
35% Popularity • 84% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Amy Shark
Sink In
108 bpm • C Maj • 04:35 • -10db
36% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Eluera
Moderation
109 bpm • F# min • 03:32 • -5.63db
21% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Meg Mac
Is It Worth Being Sad
98 bpm • F Maj • 04:01 • -7db
28% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Twinnie
Type of Girl
109 bpm • C# min • 03:18 • -3.83db
22% Popularity • 67% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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5 Seconds of Summer
Wildflower
109 bpm • F# Maj • 03:40 • -4.32db
56% Popularity • 64% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Niall Horan
Nice To Meet Ya
109 bpm • E min • 02:38 • -4.35db
64% Popularity • 59% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Shawn Hook
I Don't Wanna Dance
109 bpm • A min • 03:26 • -5.84db
19% Popularity • 70% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Peking Duk
Sugar
97 bpm • G# Maj • 03:11 • -5.93db
42% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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MARINA
About Love
97 bpm • C Maj • 03:34 • -5.57db
55% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
56% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Alex Lahey
Welcome to the Black Parade - triple j L...
97 bpm • G Maj • 05:22 • -9.71db
35% Popularity • 21% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
41% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Julia Michaels
Give It To You
97 bpm • A Maj • 02:15 • -7.1db
38% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Meg Mac
Letter
110 bpm • C Maj • 03:09 • -7db
35% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Client Liaison
Champagne Affection - Ryan Riback Remix
110 bpm • B Maj • 03:22 • -8db
31% Popularity • 68% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Miley Cyrus
Edge of Midnight (Midnight Sky Remix)
110 bpm • E min • 03:40 • -5.25db
63% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Harper Finn
Norway
110 bpm • F# Maj • 03:02 • -4.22db
9% Popularity • 68% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Robinson
Watching You
110 bpm • F# Maj • 03:10 • -7.31db
36% Popularity • 71% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Odette
Take It To The Heart
110 bpm • F# Maj • 03:35 • -4.44db
37% Popularity • 86% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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RAYE
Love Me Again
110 bpm • F Maj • 03:09 • -5.59db
44% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Miley Cyrus
Midnight Sky
110 bpm • E min • 03:43 • -5.54db
75% Popularity • 70% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Everybody Rise