Songs like Everybody Says Don't (feat. Noreen Waibel, George Kozub, Daniel Barnes) by Mary McCandless
Based on a tempo of (+/- 10%) and a similar genre
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Mary McCandless
Everybody Says Don't
127 bpm • A Maj • 02:00 • -8.85db
0% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kim Criswell
Shadow Waltz (In Four)
127 bpm • F# Maj • 01:11 • -13.48db
10% Popularity • 64% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 64% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 49% Positiveness
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David Garrison
Let's Not Talk About Love
127 bpm • C Maj • 02:39 • -7.93db
10% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Gabrielle Stravelli
Lady Luck / If You've Got the Money, I'v...
127 bpm • G Maj • 04:21 • -6.57db
9% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Williams
Ordinary Hero
127 bpm • F Maj • 03:43 • -5.7db
9% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Lesley Joseph
He Vas My Boyfriend
127 bpm • A# min • 04:59 • -12.92db
9% Popularity • 56% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
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Mary Testa
Fancy Meeting You Here
127 bpm • D Maj • 03:07 • -7.47db
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Julie Andrews
I Have Confidence - Film Version
128 bpm • C Maj • 03:46 • -13.25db
16% Popularity • 50% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Osnes
Where Are You Now?
128 bpm • A Maj • 01:14 • -6.45db
13% Popularity • 73% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 73% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tally Sessions
Dance While You Can
126 bpm • F# Maj • 03:00 • -9.74db
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Benj Pasek
Everywhere That You Are
126 bpm • D# Maj • 03:14 • -9.2db
10% Popularity • 37% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 37% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Ethan Levine
Move On, Janie
128 bpm • B Maj • 05:53 • -10db
10% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jelly Roll Morton
The Creole Way
128 bpm • F Maj • 01:39 • -18.72db
8% Popularity • 60% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Anna DeNoia
Paranoid Reprise (Voicemail #2)
128 bpm • D Maj • 01:24 • -12db
16% Popularity • 73% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 73% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Rockwell
I'm Breaking Down
128 bpm • A Maj • 03:51 • -6.43db
8% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Wilson
Eyes Wide Open
126 bpm • F# Maj • 05:59 • -6.43db
11% Popularity • 36% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 36% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Michael R. Jackson
Matthew Scott
126 bpm • D Maj • 01:54 • -8.88db
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Christy Altomare
Ready to Be Done with You / A Thousand T...
128 bpm • F# Maj • 04:36 • -10.09db
10% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Crystal Lewis
Hey, Heartbreak
126 bpm • A# Maj • 04:08 • -7.94db
12% Popularity • 64% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 64% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Mary McCandless
Fingernails
129 bpm • G Maj • 02:04 • -12.74db
0% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Brian Stokes Mitchell
Finishing the Hat
129 bpm • D# Maj • 03:25 • -15.7db
8% Popularity • 48% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 48% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Avis Bunnage
I'll Make A Man Of You
129 bpm • G# Maj • 03:01 • -11.96db
11% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 70% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Michael R. Jackson
Modest Is Hottest
129 bpm • A# min • 03:37 • -8.28db
19% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kirsti Kruger
The Beautiful Disguise
125 bpm • F min • 03:08 • -8.41db
11% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Alex Brightman
The Chosen One
129 bpm • F# min • 02:54 • -4.79db
17% Popularity • 38% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Patti LuPone
I'm a Stranger Here Myself
129 bpm • D min • 02:50 • -16db
7% Popularity • 62% Danceability • 28% Energy • 73% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 62% Danceability • 28% Energy • 73% Liveness
0% Instrumentalness • 51% Positiveness
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Fraggle Rock
Just Takes Two
125 bpm • B min • 01:47 • -6.84db
14% Popularity • 78% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 78% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Pulp Musicals
Is It True? / It's a Hoax!
129 bpm • A Maj • 04:59 • -8.94db
11% Popularity • 45% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 45% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Robbie Rozelle
Change in Me - Live
125 bpm • G Maj • 03:16 • -8.74db
15% Popularity • 59% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Julie Andrews
Prelude / The Sound Of Music - 1965 Orig...
125 bpm • F Maj • 03:36 • -16.93db
8% Popularity • 27% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 27% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Nicky Croydon
I Know Now
129 bpm • C# Maj • 03:06 • -12.45db
9% Popularity • 80% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 80% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Anthony Rapp
Carry Me Home
125 bpm • F Maj • 01:23 • -10.93db
9% Popularity • 56% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 56% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Mary McCandless
Exit
129 bpm • G Maj • 00:28 • -13.2db
0% Popularity • 66% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 66% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Williams
Legend in Leather
125 bpm • B min • 02:51 • -9.36db
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Selena Ingersoll
The Friendly Pirates
130 bpm • C# Maj • 03:08 • -12.94db
25% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Cast of Oh What A Lovely War
Belgium Put The Kibosh On The Kaiser
130 bpm • D Maj • 02:36 • -11.13db
12% Popularity • 67% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 67% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Travis Moser
Rainbow Connection
124 bpm • G Maj • 03:49 • -14.35db
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Chanel Karimkhani
So Good so Far
130 bpm • A Maj • 04:25 • -6.19db
11% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Alejandro Rodríguez
Days From Long Ago
124 bpm • A# min • 05:06 • -10.35db
19% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Original Studio Cast of Cool Rider
Who's That Guy?
130 bpm • F# Maj • 04:09 • -5.77db
10% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Enrique Acevedo
Smile for Me, Lucia
130 bpm • C Maj • 02:10 • -9.45db
8% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Central Park Cast
How It Happened Reprise
130 bpm • F# Maj • 00:59 • -7.9db
10% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Michael R. Jackson
Scott Matthew
124 bpm • G Maj • 01:04 • -4.7db
16% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Alex Brightman
Lenny the Great
130 bpm • D# Maj • 02:28 • -9.25db
16% Popularity • 39% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 39% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Anna DeNoia
Paranoid, Anyway (Voicemail #3)
123 bpm • A Maj • 02:05 • -13.53db
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bets Malone
Rescue Me
131 bpm • A# Maj • 01:04 • -4.13db
12% Popularity • 76% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 76% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Sarah King
What Can You Get A Nudist For Her Birthd...
131 bpm • C# Maj • 00:56 • -11.55db
10% Popularity • 82% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Dobby Baum
Artist Prayer תפילת אמן
131 bpm • A Maj • 03:28 • -7.15db
16% Popularity • 60% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 60% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Skyler Volpe
Suzanne's Letter
123 bpm • G Maj • 01:08 • -7.93db
10% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Lonette McKee
Can’t Help Lovin’ Dat Man
123 bpm • G# Maj • 04:34 • -14.25db
12% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Anna DeNoia
Paranoid (Voicemail #1)
123 bpm • D Maj • 01:30 • -12.66db
14% Popularity • 81% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 81% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Ruth Irving
Eternity On Your Bones
131 bpm • A Maj • 02:39 • -13.43db
28% Popularity • 61% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 61% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Elise Truax
Sunny Days
131 bpm • F Maj • 04:01 • -9.59db
8% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Claire Layden
Frozen With Him
123 bpm • C# Maj • 02:36 • -12db
9% Popularity • 47% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 47% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Brightman
Horrible Seders
132 bpm • D min • 05:30 • -10db
14% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Patti LuPone
Trouble - Live
132 bpm • A# Maj • 03:52 • -9.57db
8% Popularity • 67% Danceability • 46% Energy • 89% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 67% Danceability • 46% Energy • 89% Liveness
0% Instrumentalness • 78% Positiveness
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Mo Willems
Swimmy, Fancy
132 bpm • D Maj • 05:06 • -7.84db
15% Popularity • 71% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Shaina Taub
Where Are the Grown Ups?
132 bpm • C min • 02:37 • -7.68db
7% Popularity • 79% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 79% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Up Here - Cast
I Feel Like I've Always Known You (Woods...
132 bpm • D# Maj • 02:20 • -17.32db
15% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Shapera
Jenna's Birthday
122 bpm • A Maj • 01:14 • -14.22db
12% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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The Story Pirates
The Amazing Adventure
132 bpm • C min • 06:11 • -6.55db
9% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Hannah Whitney
Sun Song
132 bpm • G Maj • 03:16 • -11.67db
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lisa Hull
Like Love
122 bpm • D# Maj • 02:06 • -11db
9% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Robyns
Grace Kelly
122 bpm • G Maj • 02:58 • -8.73db
9% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Amanda Tori Meating
No Good Deed
122 bpm • C# Maj • 03:31 • -8.23db
13% Popularity • 38% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 38% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Shapera
Mining Planet 9A
122 bpm • C Maj • 09:56 • -12.39db
13% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Keith Ferguson & Bruce Greer
If You Want the Moon
122 bpm • C Maj • 03:08 • -7.46db
8% Popularity • 28% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 28% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Mary McCandless
You Walk With Me
133 bpm • B Maj • 03:21 • -14.51db
0% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Andrea Burns
Don’t You Worry
122 bpm • B Maj • 01:13 • -17.19db
33% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kathy & Stella Solve A Murder!
Part Of The Story
122 bpm • F Maj • 04:49 • -11.6db
14% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Savannah-Lee Mumford
Barb's Turn
122 bpm • A min • 03:59 • -4.98db
12% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Channel Karimkhani
Cryptic Triptych
121 bpm • A min • 04:14 • -7.23db
11% Popularity • 63% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 63% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Susie Blake
Something's Afoot
133 bpm • G# Maj • 03:53 • -11.01db
8% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Mary McCandless
Chocolate
133 bpm • C Maj • 02:04 • -11.77db
0% Popularity • 70% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 70% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Central Park Cast
I Mooned the Whole School
121 bpm • D Maj • 00:56 • -13.26db
8% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Caroline Kay
A Million Things
133 bpm • F Maj • 03:57 • -11.02db
12% Popularity • 39% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 39% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Diego Medel
Verano En Ohio
134 bpm • F min • 04:02 • -8.41db
9% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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ARLO HILL
Marching Orders
121 bpm • A# min • 03:48 • -6.72db
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Leanne Connelly
I'm Feeling Fine
120 bpm • C Maj • 02:34 • -15db
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Michael John La Chuisa
Like Sally - Original Broadway Cast/2000
121 bpm • A# min • 01:46 • -14.04db
11% Popularity • 65% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 65% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Patch the Pirate
A Logical Explanation
120 bpm • D Maj • 01:49 • -6.94db
10% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
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Jake Wilson
The Battery's Down
134 bpm • F Maj • 00:52 • -11.84db
11% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Selena Ingersoll
A Very Good Princess
120 bpm • F Maj • 03:53 • -6.09db
25% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Isabella Lundgren
April Fooled me
120 bpm • C# Maj • 03:47 • -13.24db
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jelly Roll Morton
Michigan Water
134 bpm • E min • 05:48 • -13.04db
8% Popularity • 51% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 51% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Gerle
Paris Says Yes
120 bpm • G min • 05:21 • -7.33db
8% Popularity • 51% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 51% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Kim Maresca
Tina's Mother
134 bpm • C Maj • 02:24 • -9db
7% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Williams
Snap
120 bpm • F Maj • 02:45 • -5.47db
14% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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42 Balloons
Somebody's Story
120 bpm • D Maj • 04:23 • -5.69db
20% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Umay
Holding Back
120 bpm • D Maj • 03:12 • -9.4db
10% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Catherine Cohen
Live or Die
134 bpm • G# Maj • 06:13 • -11.71db
8% Popularity • 55% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Ruth Irving
Long May She Reign
134 bpm • D Maj • 03:36 • -10.02db
28% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Shapera
Jes
120 bpm • D Maj • 03:46 • -11.36db
11% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Seahorse Trash
Cat & Mouse Reprise
120 bpm • C min • 01:35 • -16.29db
9% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Original Cast of Aristos: The Musical
Who Is This Boy?
120 bpm • F Maj • 06:21 • -21.11db
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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James Chapeskie
I think that our son has gone mad
120 bpm • F Maj • 01:23 • -13.07db
12% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Kooman & Dimond
The Heights of Mt. Olympus
120 bpm • C# Maj • 03:20 • -10.36db
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Farah Alvin
Secret Love
120 bpm • D# Maj • 02:20 • -11.23db
9% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness