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Everybody's Got Somebody
Songs like
Everybody's Got Somebody
by
Sam Fischer
Based on a tempo of (+/- 10%) and a similar genre
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Jake Miller
Saved Me
139 bpm • E Maj • 03:15 • -5db
31% Popularity • 73% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
24% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Hender
I Don't Mind
139 bpm • C# Maj • 03:09 • -8.78db
23% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Shawn Mendes
Wonder
140 bpm • C# min • 02:52 • -5.1db
71% Popularity • 44% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Jordan
aliso
140 bpm • G Maj • 02:50 • -7.06db
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Harry Strange
Six Feet Under
140 bpm • C# Maj • 03:35 • -9.04db
13% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Josh Sahunta
We'll Be Alright
140 bpm • F min • 02:29 • -6.29db
19% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Emily Weisband
Dumber
138 bpm • C Maj • 03:30 • -6.56db
10% Popularity • 68% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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CORA
Body Count
140 bpm • C Maj • 04:24 • -10.8db
10% Popularity • 58% Danceability • 54% Energy • 38% Liveness
1% Instrumentalness • 52% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
22% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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René Miller
Forget To Forget You
140 bpm • C# Maj • 03:24 • -7.69db
12% Popularity • 69% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Carlie Hanson
Daze Inn - Acoustic
140 bpm • C Maj • 02:46 • -7.69db
21% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Weisband
Mixed Emotions
140 bpm • F min • 02:40 • -6.67db
17% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
30% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Maximillian
Love Like This
140 bpm • D# Maj • 02:47 • -8db
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
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Catie Turner
One Day
137 bpm • F Maj • 02:43 • -6.1db
22% Popularity • 80% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Bonbon Anglais
Stalemate
141 bpm • A# min • 04:09 • -9db
10% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
42% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Greyson Chance
Holy Feeling
137 bpm • B Maj • 04:06 • -9db
23% Popularity • 55% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ruby
Don't Want You Back (wtf)
142 bpm • C# min • 02:50 • -6.54db
7% Popularity • 75% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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Jake Miller
Reset
136 bpm • B min • 02:08 • -7.96db
18% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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James TW
If I Didn't Tell You
142 bpm • G# min • 03:50 • -5.51db
32% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Fischer
Somebody Cares
136 bpm • C# min • 02:46 • -6.21db
21% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Miller
Blame It On You
136 bpm • G# Maj • 02:34 • -10.89db
27% Popularity • 82% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Christian French
make or break up
136 bpm • G# Maj • 03:06 • -8.42db
23% Popularity • 63% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Patrik Jean
Consequence
143 bpm • A# Maj • 03:13 • -5db
13% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Fischer
Secondhand Happiness
136 bpm • A# Maj • 03:04 • -6.79db
18% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Davies
Amsterdam
135 bpm • C Maj • 03:28 • -11db
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Holtti
Cold Hearted
143 bpm • C Maj • 03:26 • -4.81db
28% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Caly Bevier
Hate U Sometimes
135 bpm • G# Maj • 02:59 • -8.9db
28% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Jeffrey James
Slow Right Down
135 bpm • D# Maj • 02:38 • -10.85db
12% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Suriel Hess
Echo
144 bpm • A min • 02:55 • -11.82db
26% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ksenia
Only Want You More
135 bpm • C# Maj • 03:30 • -7.37db
17% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Delaney Jane
Circling The Cage
144 bpm • G Maj • 03:33 • -5db
15% Popularity • 65% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Joel Adams
Sick World
144 bpm • C min • 04:31 • -8.29db
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Londin Thompson
People Change
144 bpm • E min • 03:37 • -7db
20% Popularity • 44% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Harry Hudson
Intimidating
134 bpm • G Maj • 03:13 • -8.51db
23% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Joel Adams
Slipping off the Edge
134 bpm • B min • 03:11 • -6db
19% Popularity • 57% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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JC Stewart
I Need You To Hate Me - Piano Version
144 bpm • D Maj • 02:50 • -7.4db
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Stanaj
Love Me - Acoustic
144 bpm • G min • 02:45 • -6.35db
16% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lloret
Good Things Fall Apart
145 bpm • D Maj • 03:35 • -15.58db
16% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James Arthur
If We Can Get Through This We Can Get Th...
134 bpm • G min • 03:34 • -6.6db
39% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:27 • -6.79db
21% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Alaina Castillo
i don't think i love you anymore - Recor...
145 bpm • A min • 04:12 • -8db
19% Popularity • 27% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Stanaj
Love Me
145 bpm • D# Maj • 02:43 • -6.01db
33% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Sebastian
Antidote
133 bpm • C Maj • 04:40 • -5.56db
58% Popularity • 42% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:00 • -6.82db
35% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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King of Little Sweden
Better Off As Friends
146 bpm • B Maj • 03:25 • -12db
18% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander 23
Nothing's the Same
133 bpm • B Maj • 02:55 • -12db
48% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Fischer
Everybody's Got Somebody - Homework Live...
133 bpm • G Maj • 03:18 • -7.59db
8% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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220 KID
Too Many Nights - Acoustic
146 bpm • D Maj • 02:55 • -9.29db
21% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Shawn Mendes
Monster (Shawn Mendes & Justin Bieber)
146 bpm • D min • 02:58 • -7.25db
66% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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HAVEN
Be With You
146 bpm • E min • 02:55 • -3.99db
16% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Avery Lynch
I Put You First (& You Did Too)
132 bpm • G min • 03:10 • -8.14db
26% Popularity • 82% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Modslee
Don't Really Wanna Know
132 bpm • C min • 02:41 • -8.41db
19% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Fischer
Iceberg
146 bpm • B min • 02:47 • -5.08db
23% Popularity • 60% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Sam DeRosa
The Medicine
132 bpm • C Maj • 02:51 • -7.67db
21% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Carlie Hanson
Stealing All My Friends
147 bpm • A Maj • 02:41 • -10.53db
23% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jesper Jenset
Love Me, I'm A Mess
147 bpm • C# Maj • 02:47 • -7.28db
12% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Fischer
Carry It Well - Acoustic
146 bpm • F# min • 03:46 • -7db
31% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jess Spink
Same but Different
148 bpm • A Maj • 03:33 • -6.81db
19% Popularity • 77% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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JC Stewart
Valium
148 bpm • D Maj • 03:15 • -6db
19% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Droney
Passerby
131 bpm • B Maj • 03:08 • -4db
25% Popularity • 46% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Cameron Dallas
Helpless
148 bpm • A Maj • 02:45 • -8db
22% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Alec Wigdahl
Lipstick
148 bpm • A Maj • 02:55 • -7.5db
21% Popularity • 80% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Sam Fischer
This City Remix (con Camilo)
148 bpm • B Maj • 03:16 • -8.09db
45% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Julia Michaels
Falling For Boys
148 bpm • C Maj • 03:03 • -6.65db
42% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Viola
Love Is Love
130 bpm • F# Maj • 04:00 • -13db
21% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Louis Knight
Just Kiss Me
130 bpm • B Maj • 03:23 • -5.66db
11% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Tom Walker
Wait for You
149 bpm • C# Maj • 02:52 • -4.17db
44% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Fischer
The Usual - Homework Live Acoustic Sessi...
130 bpm • C# Maj • 04:58 • -7.84db
11% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Conor Matthews
Too Late
130 bpm • F# Maj • 02:39 • -8.13db
24% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Everybody's Got Somebody